Bøker utgitt av Philip Wilson Publishers Ltd

This book explores the career of the St Ives artist Kate Nicholson, daughter of Ben and Winifred Nicholson, from her early landscapes, the still lifes painted in Cumberland and St Ives, the abstracts ΓÇô many of them inspired by her travels in Greece ΓÇô to the late works made on the Isle of Eigg in the Hebrides. It examines her artistic relationship with her mother, with whom she painted side by side in Cumberland and Scotland, and on their many Greek travels. It also discusses her creative relationship with her father with whom she lived in St Ives in the mid-1950s for two years, as well as her friendship with many of the St Ives artists and her role in the Penwith Society. Published to accompany the exhibition ''Kate Nicholson'' at Falmouth Art Gallery, this book is the first monograph on this highly talented artist who deserves to be better known. It illustrates many works from both public and private collections and draws on groundbreaking new research, together with the author''s experience of travelling with her on painting trips.

The Grosvenor School of Modern Art was founded by the influential teacher, painter and wood-engraver, Iain McNab, in 1925. Situated in London''s Pimlico district the school played a key role in the story of modern British printmaking between the wars. The Grosvenor School artists received critical acclaim in their time that continued until the late 1930s under the influence of Claude Flight who pioneered a revolutionary method of making the simple linocut to dynamic and colourful effect. Cyril Power, a lecturer in architecture at the school, and Sybil Andrews, the School Secretary, were two of Flight''s star students. Whilst incorporating the avant-garde values of Cubism, Futurism and Vorticism, the Grosvenor School printmakers brought their own unique interpretation of the contemporary world to the medium of linocut in images that are strikingly familiar to this day and are included in the print collections of the world''s major museums, including the British Museum, the MoMA New York and the Australian National Gallery. This new book which accompanies an exhibition at Dulwich Picture Gallery illustrates over 120 linocuts, drawings and posters by Grosvenor School artists and its thematic layout focuses on the key components which made up their dynamic and rhythmic visual imagery. For the first time, three Australian printmakers, Dorrit Black, Ethel Spowers and Eveline Syme - who played a major part in the Grosvenor School story - are included in a major museum exhibition outside of Australia.

The Wallace Collection hosts a major exhibition in collaboration with The Henry Moore Foundation for spring 2019 exploring the sculptor Henry Moore's fascination with armour at the Wallace Collection, an interest which fundamentally influenced his work over many years.

This comprehensive book is both a biographical exploration of the early life of Mary Seton Watts and a survey of the pottery she designed. Her roots in Scotland, her artistic career and her marriage to the Victorian artist George Frederic Watts all influenced the design of the Grade 1 listed Cemetery Chapel at Compton and the art potteries which she then set up, both in Compton (The Potters'' Arts Guild) and in her home village near Inverness. The pottery at Compton was in business for more than fifty years, making terracotta garden ware, memorials and small decorative pieces. It remained open through two World Wars and a trade depression. This highly illustrated publication showcases the beautiful and individual pieces of pottery and is a fitting tribute to the ability of Mary Watts to coordinate both people and resources.

Chinese wallpaper has been an important element of western interior decoration for three hundred years.

Jade figurines depicting human flight are a varied and expressive manifestation of this most prized artistic medium.

A glittering display of the Fitzwilliam Museum's finest pieces of jewellery and metalwork from the 1850s to 1940

A sequel to the author's previous title on Ravilious it surveys the life and work of fellow artist Edward Bawden, another popular exponent of the modern British tradition.

In Spring 2017 Dulwich Picture Gallery will present the first major museum exhibition devoted to the work of British female modernist painter Vanessa Bell (1879-1961).

Beautifully illustrated catalogue brings Thomas Chippendale Junior out of the shadow of his father

The Beverley Gem Collection at Alnwick Castle is one of the most distinguished in Great Britain still in private hands. It reflects the longstanding interest of the English nobility in both assembling and commissioning gemstones.

A celebration of the best of the National Trust's exquisite ceramic collection

A fascinating glimpse into Ickworth House's stunning silver collection

Scotland Yard's Black Museum reveals its dark secrets.

Definitive guide to Ravilious' watercolours.

First proper overview of Fred Farrell's vivid drawings from the First world War Beautifully illustrated in full colour Insightful essays and catalogue entries explain the genesis, execution and reception of these poignant works

The first comprehensive catalogue of Van Gogh's work from his time in France. Each work illustrated to scale. New research reveals fakes.

Eric Ravilious (1903-1942) is firmly one of the most popular artists of his period. This title includes illustrations of many previously unpublished paintings, including a number from private collections, as well as surveying his other artistic activities. It offers an account of his career.

One of George Daniels' central contributions to horology is his co-axial escapement. This book explains the action of the escapement in terms accessible to both expert and layman.

A comprehensive catalogue of the important collection of Indian art in the Virginia Museum of Fine Arts and a celebration of the diverse cultures that coexist in India. The art objects are presented in four sections: sculpture, painting, decorative arts and textiles.