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It is important for Christians and Muslims to engage in respectful dialogue. However, it is not easy. The present book delves into the past for wisdom and guidance. Spanish theologian Martin Perez de Ayala (1504-66) wrote a catechism or Catecismo that was not published until more than three decades after he had passed away. Why was the Catecismo published posthumously? The search for answers to this question involved evaluating the Catecismo against thirteen other catechisms written in sixteenth-century Spain. This assessment generated timeless principles that can be used today by those who wish to have cordial conversations about Islam and biblical Christianity with their Muslim friends.

In retrospect, Karl Barth conceded that ""everything which needs to be said, considered, and believed about God the Father and God the Son . . . might be shown and illuminated in its foundation through God the Holy Spirit."" Nevertheless, he refrained from doing so because it was ""still too difficult to distinguish between God's Spirit and man's spirit,"" and so it was--then. However, the late twentieth-century explosion in various disciplines of thought now provides greater discernment between human and divine spirit, a better understanding of the logic of spirit, and the concept and role of spirit in distinction to mind and body. Gorsuch's theological interdisciplinary investigation into the analogia spiritus and a Christian perichoretic relational ontology brings new meaning and coherence to previously difficult scriptures. Moreover, it provides the fundamental landscape for addressing issues of profound theological consequence: (1) redressing the death of transcendence with a new understanding of relational dynamics through which free, temporal, and self-determining human beings might mutually relate with an Eternal God of providence; (2) laying the framework for a viable Christian pluralistic hypothesis in an increasingly pluralistic world; and (3) providing an enriched theological anthropology for addressing human spirit, origins, and theodicy.

Despite centuries of scholarly and popular engagement, much confusion still hangs over Jesus' Olivet Discourse. There is no consensus on the nature and meaning of the disciples' question in Matt 24:3. How is the temple's fate related to the parousia or second coming of Jesus? Is the Great Tribulation past, present, or future? Will Christians be raptured to heaven? Should you rather prefer to be ""left behind""? Combining inductive and discourse grammar approaches as bases for literary structure and analysis, this study is a holistic and compelling fresh interpretation of Jesus' eschatological discourse that provides answers to these questions. The author shows that extant interpretive frameworks fail to adequately account for the biblical data. Moreover, and unlike the available treatments, the study sheds light on the discourse's structural and theological function within Matthew's Gospel as a whole and how it coheres with New Testament teaching in general.

Antonio Rosmini (1797-1855) was a genius who combined science and sanctity. His contribution turns on the theory of the suspended middle of the original relationship between the natural and the supernatural, which he experienced and elaborated. The device of the relationship between the original metaphysical-affective-symbolic structure of the believing conscience and the affective turn in metaphysics, intrinsically linked to his trinitarian ontology, allowed Rosmini to elaborate theories and epistemologies from a unitary perspective in various fields of knowledge. This volume indicates the implications of the unbreakable bond between Rosmini's philosophy and theology in disciplines such as pedagogical science, political science, and juridical science. Following the favorable resolution of the "Rosminian question" the Catholic Church beatified Rosmini in 2007 and in 2018 indicated his theoretical-practical approach as a universal education model to be followed. Through essays by major experts in Rosmini's thought, this curatorship offers an international public a brief, reasoned overview of Rosmini's thinking on these disciplines, finally translated into English, so that this perspective can be understood and explored with particular regard to the possibility of encouraging ecumenical comparison between Rosmini's suspended middle and, for example, that of Radical Orthodoxy.

Throughout its history, the Christian church has had a troubled relationship with the arts, whether literature, poetry, music, visual arts, or other forms of artistic expression. This volume is not designed to resolve the issues, but it is designed to present a number of different statements about various dimensions of the arts in their relationship to the Bible. The Bible is the document that stands behind the Christian church as an inspiration to it and to its arts. As a result, we have divided this volume into six parts: perspectives on the arts, culture and art, visual enactments, contemporary interpretations, music, and the Bible and literature. Many of the issues that the history of the interaction of the arts and the Bible within the Christian church has uncovered are insightfully and artfully addressed by this book. The wide range of contributors runs the gamut from practicing artists of various media to scholars within varied academic fields.