Bøker utgitt av PM Press

We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relation. In this new work that revisits some of the main themes of Caliban and the Witch, examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth and seventeenth century Europe and the New World, this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people's most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today's violence against women are processes of enclosure, land dispossession, and the remoulding of women's reproductive activities and subjectivity. As well as an investigation into the causes of this new violence, the book is also a femi

Queercore: How to Punk a Revolution: An Oral History is the very first comprehensive overview of the movement that defied both the music underground and the LGBT mainstream community-queercore.Through exclusive interviews with protagonists like Bruce LaBruce, G.B. Jones, Jayne County, Kathleen Hanna of Bikini Kill and Le Tigre, film director and author John Waters, Lynn Breedlove of Tribe 8, Jon Ginoli of Pansy Division, and many more, alongside a treasure trove of never-before-seen photographs and reprinted zines from the time, Queercore traces the history of a scene originally "fabricated" in the bedrooms and coffee shops of Toronto and San Francisco by a few young, queer punks to its emergence as a relevant and real revolution. Queercore gets a down-to-details firsthand account of the movement explored through the people that lived it-from punk's early queer elements, to the moments Toronto kids decided they needed to create a scene that didn't exist, to the infiltration of the mainstream by Pansy Division, and the emergence of riot grrrl as a sister movement-as well as the clothes, zines, art, film, and music that made this movement an exciting in-your-face middle finger to complacent gay and straight society. Queercore will stand as both a testament to radically gay politics and culture and an important reference for those who wish to better understand this explosive movement.

The Sociology of Freedom is the fascinating third volume of a five-volume work titled the manifesto of the democratic civilisation. The general aim of the two earlier volumes was to clarify what power and capitalist modernity entailed. Here Ocalan presents his stunningly original these of the Democratic Civilisation, based on his criticism of the Capitalist Modernity. Ambitions in scope and encyclopaedic in execution, The Sociology of Freedom is a one-of-a-kind exploration that reveals the remarkable range of one of the Left's most original thinkers with topics such as existence and freedom, nature, and philosophy, anarchism and ecology. Ocalan goes back to the origins of human culture to present a penetrating reinterpretation of the basic problems facing the twenty-first century and an examination of their solutions. Ocalan convincingly argues that industrialism, capitalism, and the nation-state cannot be conquered within the confines of a socialist context.

Written between 1974 and 2012, Revolution at Point Zero collects forty years of research and theorising on the nature of housework, social reproduction, and women's struggles on this terrain - to escape it, to better its conditions, to reconstruct it in ways that provide an alternative to capitalist relations. Indeed, as Federici reveals, behind the capitalist organisation of work and the contradictions inherent in alienated labour is an explosive ground zero for revolutionary practice upon which are decided the daily realities of our collective reporduction. Beginning with Federici's organisational work in the Wages for Housework movement, the essays collected here unravel the power and politics of wide but related issues including the international restructuring of reproductive works and its effects on the sexual division of labour, the globalisation of care work and sex work, the crisis of elder care, the development of affective labour, and the politics of the commons. this new and expanded edition contains two previously unpublished essays by the authors.

The Earth has reached a tipping point. Runaway climate change, the sixth great extinction of planetary life, the acidification of the oceans-all point toward an era of unprecedented turbulence in humanity's relationship within the web of life. But just what is that relationship, and how do we make sense of this extraordinary transition?Anthropocene or Capitalocene? offers answers to these questions from a dynamic group of leading critical scholars. They challenge the theory and history offered by the most significant environmental concept of our times: the Anthropocene. But are we living in the Anthropocene, literally the "Age of Man"? Is a different response more compelling, and better suited to the strange-and often terrifying-times in which we live? The contributors to this book diagnose the problems of Anthropocene thinking and propose an alternative: the global crises of the twenty-first century are rooted in the Capitalocene, the Age of Capital.Anthropocene or Capitalocene? offers a series of provocative essays on nature and power, humanity, and capitalism. Including both well-established voices and younger scholars, the book challenges the conventional practice of dividing historical change and contemporary reality into "Nature" and "Society," demonstrating the possibilities offered by a more nuanced and connective view of human environment-making, joined at every step with and within the biosphere. In distinct registers, the authors frame their discussions within a politics of hope that signal the possibilities for transcending capitalism, broadly understood as a "world-ecology" that joins nature, capital, and power as a historically evolving whole.Contributors include Jason W. Moore, Eileen Crist, Donna J. Haraway, Justin McBrien, Elmar Altvater, Daniel Hartley, and Christian Parenti.

Working Class History presents a distinct selection of people''s history through hundreds of ''on this day in history'' anniversaries that are as diverse and international as the working class itself. Going day by day, this book paints a picture of how and why the world came to be as it is, how some have tried to change it, and the lengths to which the rich and powerful have gone to maintain and increase their wealth and influence.

A gothic horror tale of severe mental distress and punk rock, The Primal Screamer is written in the form of a diary kept by a psychiatrist, Dr. Rodney H. Dweller, concerning his patient, Nathaniel Snoxell, brought to him in 1979 after a series of attempted suicides. Snoxell gets involved in the nascent UK anarcho-punk scene, recording and playing gigs in squatted anarchist centres. In 1985, the good doctor himself 'goes insane' and disappears.This semi-autobiographical novel by singer, guitarist, lyricist and illustrator Nick Blinko features his unique artwork.

Anarchy Comics: The Complete Collection brings together the legendary four issues of Anarchy Comics (1978–1986), the underground comic that melded anarchist politics with a punk sensibility, producing a riveting mix of satire, revolt, and artistic experimentation. This international anthology collects the comic stories of all thirty contributors from the U.S., Great Britain, France, Germany, Netherlands, Spain, and Canada.In addition to the complete issues of Anarchy Comics, the anthology features previously unpublished work by Jay Kinney and Sharon Rudahl, along with a detailed introduction by Kinney, which traces the history of the comic he founded and provides entertaining anecdotes about the process of herding an international crowd of anarchistic cats.Contributors include: Jay Kinney, Yves Frémion, Gerhard Seyfried, Sharon Rudahl, Steve Stiles, Donald Rooum, Paul Mavrides, Adam Cornford, Spain Rodriguez, Melinda Gebbie, Gilbert Shelton, Volny, John Burnham, Cliff Harper, Ruby Ray, Peter Pontiac, Marcel Trublin, Albo Helm, Steve Lafler, Gary Panter, Greg Irons, Dave Lester, Marion Lydebrooke, Matt Feazell, Pepe Moreno, Norman Dog, Zorca, R. Diggs (Harry Driggs), Harry Robins, and Byron Werner.

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow.This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people.Plus…“David Bowman and the Furry-Girl School of American Fiction” is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. “The Collapsing Frontier” and “In Mugwump Four” are fictions mapping ominous new realms. “Calvino’s 'Lightness' and the Feral Child of History” is an intimate encounter with a legendary author. In “My Year of Reading Lemmishly” and “Snowden in the Labyrinth” he explores courage, art, and the search for truth, with wildly different results.And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

Addicted to War takes on the most active, powerful, and destructive military in the world.Hard-hitting, carefully documented and heavily illustrated, it reveals why the United States has been involved in more wars in recent years than any other country. Read Addicted to War to find out who benefits from these military adventures, who pays and who dies. Over 450,000 copies of the previous editions are in print. This edition is substantially reworked and fully updated including Barack Obama's drone wars, Chelsea Manning and WikiLeaks, statistics on military spending, and the ongoing costs and consequences of the wars in Iraq and Afghanistan.

An argument between two stubborn men is the fuse that puts the sixties—and much of modern culture—into motion.Watch with wonder as underground comics, paperback bookstores, food politics, new age publishing, domestic bombers, used records, and poster art all grow out of the same Big Bang. Aaron Cometbus presents the social history of one of the world’s most storied streets—Telegraph Avenue—and a search for his hometown’s broken heart.

The Society of the Spectacle is a carefully considered effort to clarify the most fundamental tendencies and contradictions of the society in which we find ourselves—in order to facilitate its overthrow.Guy Debord was the founder of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France, which brought the entire country to a standstill for several weeks. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical work of the twentieth century. Ken Knabb’s meticulous new translation is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord’s quotations and “détournements.”Contrary to popular misconceptions, Debord’s book is neither an ivory tower “philosophical” discourse nor a mere expression of “protest.” This makes the book more of a challenge, but it is also why it remains so pertinent more than half a century after its original publication, while countless other social theories and intellectual fads have come and gone.It has, in fact, become even more pertinent than ever, because the spectacle has become more all-pervading and glaringly obvious than ever. As Debord noted in his follow-up work, Comments on the Society of the Spectacle (1988), “spectacular domination has succeeded in raising an entire generation molded to its laws.”Debord’s book remains the best guidebook to understanding that mold and breaking it.

Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990.This historical period spans the Algerian war of independence and the early wave of post-colonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late ‘80s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerrilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen, the Black Liberation Army and the Symbionese Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy’s Red Brigades.Many of these movements were deeply connected with and expressed their values through art, literature, popular culture, and, of course, cinema. Twelve authors, including academics and well know film critics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the financing, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions.Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements like feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined side by side with grindhouse cinema and lessor known titles by a host of all-but forgotten filmmakers, including many from the Global South, that are deserving of rediscovery.

A new world is possible and not just in our hearts. Anarchic Agreements is a quintessential field guide for the revolution, answering the practical questions often left out of works of political theory and philosophy. How do leaderless groups organize? How might they create constitutions, balance power and write protocols? How do group cultures and institutions maintain coalitions? This urgent and inspiring how-to is the product of more than twenty years of research. Designed explicitly for everyday use, it contains lived examples, illustrations throughout, and text from current horizontally organized constitutions. These documents illustrate the never-ending process of developing community and keeping collaborations alive in the fairest ways possible. Written by dedicated anarchist scholars and organizers, and based on the widely popular Anarchic Agreements pamphlet series, this book facilitates grassroots activism and provides methods to improve and streamline decision making. It is an inspiring celebration of the novel, complex and flexible constitutions Anarchists have created over time. This book shows how to realize another world, collectively without domination, while leaving the future open to infinite other possibilities.

This soundtrack compilation to Hugh Hodges' brilliant book The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes features 20 tracks of classic punk, anarcho-punk and folk from Margaret Thatcher's reign and eventual demise (some quite rare). While intended as a companion to the book this mixtape works equally well on its own. It will help prove that while Thatcher's policies may have been utter crap, the music of this era that came out in response to her was anything but. Limited to 250 copies on Electric Blue shells

Mass incarceration is a lived, sensory experience. The most eye-popping statistics alone cannot relate the enormity of its psychological and societal impacts. This concise, illustrated primer is a collaboration between one of mass incarceration’s sharpest opponents, James Kilgore, and information artist Vic Liu. It brings to life the histories and means of daily survival of the marginalized people ensnared in this racist, ableist system of class-based oppression. The book elegantly weaves together the most insightful activist scholarship with vivid testimonials by incarcerated people as they fight back against oppression and imagine freedom.Those targeted for incarceration do not simply submit to a monochromatic existence behind bars. The Warehouse showcases the abolition futures being crafted from the inside as people resist through direct action and artistic expression. This book is designed to inform, enrage, and ultimately inspire the same radical hope propelling incarcerated underminers of the carceral state.

With appeal to more than just punk history obsessives, Orstralia offers an unprecedented snapshot of an underacknowledged segment of Australian life and history.Far from punk’s more modish North Atlantic core in the late 1970s, discontented youth in Australia were enacting similar musical and cultural reckonings. Yet in spite of the Australia's purported “laid-back” national demeanour, punks there were routinely met with insult, fist, or the police baton.More subterranean than the national scandal that was punk back in “homeland” Britain, Australia’s own bands nonetheless came to be heralded internationally. Orstralia represents the first definitive account of the country’s initial years, from progenitors the Saints and Radio Birdman in the mid-70s, through the emergence of hardcore in the 1980s, to the stylistic diffusion that accompanied transition to the 1990s.Based on over 130 interviews, Orstralia documents the most renowned to the most fleeting and obscure acts the nation produced. Included are equally engrossing and shocking personal narratives befitting such a passionate and intemperate cultural form, as well as punk’s placement within broader Australian society at the time.

What’s the relationship between combating the far right and working for systemic change? What does it mean when fascists intensify racial oppression and patriarchy but also call for the downfall of economic elites or even take up arms against the state? Three way fight politics confront these urgent questions squarely, arguing that the far right grows out of an oppressive capitalist order but is also in conflict with it in real ways, and that radicals need to combat both. The three way fight approach says we need sharper analysis of far-right movements so we can fight them more effectively, and we also need to track ongoing developments within the ruling class, including liberal or centrist efforts to co-opt antifascism as a tool of state repression and system legitimation.This book offers an introduction to three way fight politics, with more than thirty essays, position statements, and interviews from the Three Way Fight website and elsewhere, spanning from the antifascist struggles of the 1980s and 1990s to the political upheavals of the twenty-first century. Over fifteen authors explore a range of topics, such as fascist politics’ relationship with patriarchy and settler colonialism, Tom Metzger’s “Third Position” (anticapitalist) fascism, conflict within the business community over the 2016 presidential election, and the Trump administration’s shifting relationship with the organized far right. Many of the writings address issues of political strategy, such as tensions between radicals and liberals within the reproductive rights movement and the George Floyd rebellion, video gaming as an arena of political struggle, and the importance (and challenges) of approaching antifascist organizing in ways that are militant, community based, and nonsectarian.

Food is at the heart of well-being, peace, and health. But millions live without access to basic nutrition, and billions live without control or understanding of where their food will come from and how it is produced. Nowhere is this problem clearer than in the favelas of Rio de Janeiro. Through meticulous research, community engagement and direct action within the Maré region—a cluster of seventeen favela communities in the northern zone of Rio—Antonis Vradis, Timo Bartholl, and Christos Filippidis have created a shocking, inspiring, and revolutionary collection of essays that go beyond the question of food in the Brazilian urban periphery, and highlights critical issues concerning state control, pacification, solidarity, and grassroots organizing.Favela Resistance is a lens through which we can understand how the state creates marginalized lives in cities throughout the world under the auspices of welfare, security, and emergency support. The link between food and public security is intertwined with decades-long pacification operations in the favelas of Rio. This fight for food sovereignty shows how local production structures and solidarity networks have radically rethought and reconfigured the relationship between cities and farms; providing a map of how impoverished populations can organize resistance, create health and community, and fight—literally from the ground up—for a better world.

Missing Music: Voices from Where the Dirt Roads End details Grammy-winning music producer and author Ian Brennan’s ongoing quest to provide musical platforms for underrepresented nations and populations around the world.In a compact and quick-read format, Missing Music collects the latest narratives from Brennan’s field-recording treks. This edition features a greater emphasis on storytelling and an even greater abundance of photos from his wife, Italian-Rwandan photographer/filmmaker Marilena Umuhoza Delli.Together, they meet the elderly shamans of the world’s most musical language, Taa, a tongue that sadly is dying, with fewer than 2,500 speakers left. The duo traveled the most remote roads of Botswana to find the formally nomadic people now relegated to small desert towns.In Azerbaijan, Brennan and Delli ascended to the mountainous Iranian border to record centenarians in scattered villages of the Talysh minority, where the world’s oldest man reportedly reached the age of 168. The result is the only record ever released to feature the voices of singers over one-hundred years of age.Among other tales, Brennan also updates the saga of the Sheltered Workshop Singers following COVID, including the tragic deterioration of his sister, Jane.Arising from the more than forty records that Brennan has produced over the past decade from underrepresented nations such as Comoros, Djibouti, Romania, South Sudan, Suriname, and Cambodia, Missing Music serves as the newest suite in the multiverse symphony of the world’s most ignored corners—the places where countries expire and the “forgotten” live.

From Sun to Sun presents two parallel stories separated by twenty-five centuries: The first, set in modern New York City, features a hardworking, smart-mouthed Latina investigator, Felicity Ortega Pérez, as she hunts for a missing person who holds the clue to an ancient mystery. Little does she realize how deep the criminality goes and what she will learn about her own hidden past.The ancient story is a radical revision of the biblical Book of Ruth: When her husband dies under strange circumstances, Ruth must join the exiles returning to Jerusalem to rebuild the Temple in order to secure a future for herself and her grieving mother-in-law, Naomi. Unfortunately, the returning exiles include religious leaders who plan to "purify" the land by expelling all the foreign women.From Sun to Sun is a tale of love, devotion, and sacrifice depicting the challenges facing two determined women as they confront ignorance, hatred, and indifference in their pursuit of justice—a seemingly endless struggle in a time of social upheaval, fluid identities, and diverse cross-cultural complexities. This novel is about who gets to decide who’s one of us and who’s a foreigner, and what it takes to prove you belong.