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Originally published in England in 1938 and expanded in 1969, this work remains the classic account of global Black resistance. This concise, accessible history of revolts by African peoples worldwide explores the wide range of methods used by Africans to resist oppression and the negative effects of imperialism and colonization as viewed in the 20th century.

A RADICAL LABOR CLASSICUndoubtedly the most popular book in American labor history, the I.W.W.’s Little Red Song Book has been a staple item on picket lines and at other workers’ gatherings for generations, and has gone through numerous editions.As a result of I.W.W. efforts to keep up with the times, however, recent versions of the songbook have omitted most of the old-time favorites, especially the raucous lyrics of the free-spirited hoboes who made up such a large portion of the union’s membership in its heyday. For example, recent versions have left out all but a few of the celebrated songs of Joe Hill, T-Bone Slim, Ralph Chaplin, and other pioneer bards of the One Big Union—and many of the few remaining older songs have been abridged or otherwise modified.The steadily mounting interest in Wobbly history and culture warrants this facsimile edition of a classic Little Red Song Book from the union’s Golden Age. Reprinted here is the Nineteenth Edition, originally issued in 1923, the year the I.W.W. reached its peak membership.Of the fifty-two songs in this book, the overwhelming majority have not been included in the I.W.W.’s own songbooks for many years. Here are such classics as Joe Hill’s "John Golden and the Lawrence Strike," "We Will Sing One Song," "Scissor Bill," "The Tramp," and others; T-Bone Slim’s "I’m Too Old to Be a Scab," "Mysteries of a Hobo’s Life," "I Wanna Free Miss Liberty," and others; Ralph Chaplin’s "All Hell Can’t Stop Us," "Up from Your Knees," "May Day Song," and more; and other songs by C.G. Allen, Richard Brazier, Pat Brennan, James Connolly, Laura Payne Emerson, and many others.Ninety years ago these songs were sung with gusto in Wobbly halls and hobo jungles from Brooklyn to San Pedro. And they’re still fun to sing today!

It's said that the flutter of insect wings in the Indian Ocean can send a hurricane crashing against the shores of the American Northeast. It's this premise that lies at the core of The System, a wordless graphic novel created and fully painted by award-winning illustrator Peter Kuper. From the subway system to the solar system, human lives are linked by an endless array of interconnecting threads. Told without captions or dialogue, The System is an astonishing progression of vivid imagery.

Speaking OUT: Queer Youth In Focus is a photographic essay that explores a wide spectrum of experiences told from the perspective of a diverse group of young people, ages 14 to 24, identifying as queer. Portraits are presented without judgment or stereotype by eliminating environmental influence with a stark white backdrop. This backdrop acts as a blank canvas, where each subject's personal thoughts are handwritten onto the final photographic print. Speaking OUT provides rare insight into the passions, joys and sorrows felt by LGBT youth.

In this tour de force, celebrated historian Peter Linebaugh takes aim at the thieves of land, the polluters of the seas, the ravagers of the forests, the despoilers of rivers and the removers of mountaintops. Scarcely a society has existed that has not had commoning at its heart. These essays kindle the embers of memory to ignite our future commons. From Thomas Paine to the Luddites, from Karl Marx to the practical dreamer William Morris, to the 20th-century communist historian E.P. Thompson, Linebaugh brings to life the vital commonist tradition.

The Paris Commune of 1871, the first instance of a working-class seizure of power, has been subject to countless interpretations; reviled by its enemies as a murderous bacchanalia of the unwashed while praised by supporters as an exemplar of proletarian anarchism in action. As both a successful model to be imitated and as a devastating failure to be avoided. All of the interpretations are tendentious. Historians view the working class’s three-month rule through their own prism, distant in time and space. Voices of the Paris Commune takes a different tack. In this book only those who were present in the spring of 1871, who lived through and participated in the Commune, are heard.The Paris Commune had a vibrant press, and it is represented here by its most important newspaper, Le Cri du Peuple, edited by Jules Vallès, member of the First International. Like any legitimate government, the Paris Commune held parliamentary sessions and issued daily printed reports of the heated, contentious deliberations that belie any accusation of dictatorship. Included in this collection is the transcript of the debate in the Commune, just days before its final defeat, on the establishing of a Committee of Public Safety and on the fate of the hostages held by the Commune, hostages who would ultimately be killed.Finally, Voices of the Paris Commune contains a selection from the inquiry carried out twenty years after the event by the intellectual review La Revue Blanche, asking participants to judge the successes and failures of the Paris Commune. This section provides a fascinating range of opinions of this epochal event.

Originally published just months before the May 1968 upheavals in France, Raoul Vaneigem's text offered a lyrical and aphoristic critique of the 'society of spectacle' from the point of view of individual experience. Vaneigem defines the alienating features of everyday life in consumer society and explores the countervailing impulses that persist within that alienation. The present English translation was first published by the Rebel Press in 1983. This new edition has been reviewed and corrected by the translator and contains a new preface by Raoul Vaneigem.

This selection, spanning six decades, traces the development of a new political perspective that would set out to redefine traditional views of the class struggle. James' starting point was the millions of unwaged women who, despite working at home and on land, were not seen as 'workers'. For her, the class struggle is the the conflict between the reproduction of the human race and the domination of a exploitative, detructive and war driven market. This lucid and jargon free read springs from the author's urgent need to find a better way forward.

Modern Politics was originally delivered in 1960 as a series of lectures in Trinidad. Both in his lectures and in the text, James's wide-ranging erudition and enduring relevance are powerfully displayed. He analyses revolutionary history and the role of literature, art and culture in society. He also interrogates the ideas and philosophy of such thinkers as Rousseau, Lenin and Trotsky, making this is a magnificent tour de force from a critically-engaged thinker at the height of his powers. An essential introduction to his body of work.

A collection of writings, articles, leaflets and interviews with one of America's most radical counterculture groups. Founded in New York City in the mid-1960s by self-educated ghetto kid and painter Ben Morea, the Black Mask group melded the ideas and inspiration of Dada and the Surrealists with the anarchism of the Durruti Column from the Spanish Revolution, intervening spectacularly in the art, politics, and culture of their times.

Sisters of the Revolution gathers a highly curated selection of feminist speculative fiction (science fiction, fantasy, horror, and more) chosen by one of the most respected editorial teams in speculative literature today, the award-winning Ann and Jeff VanderMeer. Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas.From the literary heft of Angela Carter to the searing power of Octavia Butler, Sisters of the Revolution gathers daring examples of speculative fiction's engagement with feminism. Dark, satirical stories such as Eileen Gunn's "Stable Strategies for Middle Management" and the disturbing horror of James Tiptree Jr.'s "The Screwfly Solution" reveal the charged intensity at work in the field. Including new, emerging voices like Nnedi Okorafor and featuring international contributions from Angelica Gorodischer and many more, Sisters of the Revolution seeks to expand the ideas of both contemporary fiction and feminism to new fronts. Moving from the fantastic to the futuristic, the subtle to the surreal, these stories will provoke thoughts and emotions about feminism like no other book available today.Contributors include: Angela Carter, Angelica Gorodischer, Anne Richter, Carol Emshwiller, Catherynne M. Valente, Eileen Gunn, Eleanor Arnason, Elizabeth Vonarburg, Hiromi Goto, James Tiptree Jr., Joanna Russ, Karin Tidbeck, Kelley Eskridge, Kelly Barnhill, Kit Reed, L. Timmel Duchamp, Leena Krohn, Leonora Carrington, Nalo Hopkinson, Nnedi Okorafor, Octavia Butler, Pamela Sargent, Pat Murphy, Rachel Swirsky, Rose Lemberg, Susan Palwick, Tanith Lee, Ursula K. Le Guin, and Vandana Singh.

Straight Edge has persisted as a drug-free, hardcore punk subculture for 25 years. Its political legacy remains ambiguous and is often misrepresented as a Puritan conservatism. However, as this study shows, its history is more complex. Since its origins in 1980s, the scene has been linked to radical thought and music. Tracing this history, the book includes contributions from famed Straight-Edge rockers like Ian MacKaye (Fugazi), Mark Anderson (Dance of Days) and Andy Hurley (Fall Out Boy) and numerous other activists dedicated to a sober, liberated world.

In this second edition of the informative and practical guide, two seasoned vegans help readers learn to love their inner freak. Loaded with tips, advice and stories, this book is the key to helping people thrive as a happy, healthy and sane vegan in a decidedly non-vegan world. Sometimes funny, sometimes irreverent and sometimes serious, this is a guide that's truly not afraid to tell it like it really is.