Bøker utgitt av powerHouse Books,U.S.

In a continuation of Dave Jordano's critically-acclaimed Detroit: Unbroken Down (powerHouse Books, 2015), which documented the lives of residents, Detroit Nocturne is an artist's book not of people this time, but instead the places within which they live and work: structures, dwellings, and storefronts. Made at night, these photographs speak to the quiet resolve of Detroit's neighborhoods and its stewards: independent shop proprietors and home owners who have survived the long and difficult path of living in a post-industrial city stripped of economic prosperity and opportunity.In many rust-belt cities like Detroit, people's lives often hang in the balance as neighborhoods support and provide for each other through job creation, ad-hoc community involvement, moral and spiritual support, and a well-honed Do-It-Yourself attitude. With all the media attention about Detroit's rebirth and revival, it is important to note that many neighborhoods throughout the city have managed to survive against the odds for years, relying on local merchants and businesses that operate on a cash only basis who have stuck it out through decades of economic decline. Determination and a strong sense of self-preservation: Detroit's citizens manage to survive by maintaining a healthy sense of connection without the fear of giving up. All of these places of business and residences, whether large or small, are in many ways symbols representing the ongoing story that is Detroit, and a testament to the tenacity of those who are trying desperately to hold on to what is left of the social and economic fabric of the city. These photographs speak to that truth without casting an overly sentimental gaze. These nocturnal images offer a chance to view the locations in an unfamiliar light, and offer a moment of quiet and calm reflection.

Drop dives into the world of streetwear queue culture, with original photos of product launches from across the globe, including events in New York, Los Angeles, London, Paris, Seoul, Hong Kong, Tokyo, and more, from brands including Supreme, A Bathing Ape, Patta, Yeezy, Anti Social Social Club, Vetements, Off-White, and others. The world of the hypebeast has led to a virtual destruction of the traditional delineation between street and "high" fashion. Limited edition pieces enjoy global cult status, draw thousands of hopeful purchasers, and can resell for up to 10-20x retail immediately after release on sites like Grailed. There is an entire culture surrounding these launches, or "drops." Streetwear aficionados travel intercontinentally to attend them, almost like concerts, and wear their rarest shoes and gear, flexing for each other while chatting, comparing, and hoping to cop one-time-only limited pieces. Kids rock grails and geek out, like an OG subreddit come to life. These lines comprise some of the most interesting fashion events in the world, and are fast becoming streetwear's equivalent of the fashion shows that haute ateliers host each year at fashion weeks in Paris, New York, Milan, and beyond.

Helen Levitt's earliest pictures are a unique and irreplaceable look at street life in New York City from the mid-1930s to the end of the 1940s. There are children at play, lovers flirting, husbands and wives, young mothers with their babies, women gossiping, and lonely old men. A majority of these photographs have never been published. Other pictures included in this book are now world-famous, now part of the standard history of photography. Together they provide a record of New York not seen since Levitt's pioneering solo show at The Museum of Modern Art in 1943.Levitt's photographs are in some of the best photography collections in America, including: The Met, MoMA, The Smithsonian, Museum of Fine Arts Houston, and the Art Institute of Chicago.

In the middle of the night on April 14, 2014, terrorist group, Boko Haram, abducted 276 girls from their secondary school's dormitory in the town of Chibok, northeastern Nigeria. Over the following days, 57 girls managed to escape. For two years, 219 girls remained missing.Then, in May 2016, the first of the missing students, Aisha Nkeki Ali, was found by the Nigerian military. In October 2016, 21 of the missing girls were released by Boko Haram in a deal brokered by the International Red Cross and the Swiss Government. Two more girls were found by the military in the last few months of 2016. One hundred ninety five girls are still missing.Words have a power that numbers can never have. During the last four months of 2015, in the heat of the worst of the insurgency, Aisha Muhammed-Oyebode, the CEO of the Murtala Muhammed Foundation (MMF) in Nigeria embarked on a project to interview, photograph, and document the accounts of the parents of each of the missing girls. The MMF's team managed to meet the relatives of 201 of them, and also interviewed some of the 57 escaped girls. The Stolen Daughters of Chibok is a collection of these interviews and photographs--a tribute to the girls--which aims to capture their lives before the abduction and to highlight how their families have struggled to cope afterward. For the families of the girls, and for the Chibok community, the trauma of this experience remains a daily reality.

An award-winning, shareable, cozy hug of a picture book featuring Ishi, an optimistic little rock who reminds readers to choose and share happiness! The ISHI book features a simple rock character which appeals to a wide audience, with valuable lessons in compassion for the self and for others. The FROM / TO page on the inside cover of this picture book encourages the readers to share the book and pass it on with kindness, which creates opportunities for the readers to experience the joy of giving.Previously available as a self published sensation, Ishi is now coming to bookstores worldwide!AWARDS:- Gold Award, National Parenting Publications Awards 2015- Finalist, Next Generation Indie Book Awards 2015- Silver Medal, Benjamin Franklin Book Award 2015- Gold Medal, Mom's Choice Awards 2014- Finalist, The Wishing Shelf Independent Book Awards 2013 "Ishi is a hit in our house. Its demanded almost every night!"--Anna C Lem, a mom from San Francisco"This little book is a tiny gem!"--Benjamin Franklin Book Awards"Had a bad day? Then open this little book and you'll feel better. Much better"--The Wishing Shelf Awards

Construction Matters examines the way that architects understand and respond to technological innovation through the creation of new types of spaces, and the materials through which an architectural idea finds its physical realization. Understanding the properties of different materials is indispensable for the creation of architecture that is original, powerful, and meaningful.Organized into chapters on the major methods of construction-masonry, concrete, steel, and wood-Construction Matters examines specific technologies that experienced major transformations in the last century, or were newly invented: a new material, jointing technique, or fabrication procedure for example. The architectural application of this invention is then analyzed with building case studies that are selected based on an obvious formal relationship between the building's form and the new type of construction that it incorporates--ranging from prewar designs in the United States and Europe to recent projects in Asia, and includes built projects as well as significant design proposals. Construction Matters develops a way of thinking about architecture in relation to technology that transcends a particular building method or design task. The architect and educator Georg Windeck conducted independent research that ranges from scientific advancements to philosophical contemplations. The multi-facetted discussion that emerges from this work is developed in close collaboration with artist and journalist Lisa Larson Walker, with mathematician and architect Will Shapiro, and with artist and architect Sean Gaffney. If we are to rescue the physical substance of architecture--the Matter of Construction--and create a practice that celebrates both the physical and the metaphysical aspects of building, we must understand how and why construction matters.

Punch out, Fold up and...Voila! Instant Scary Freaks. Paper Monsters-- the 4th in a series of books is a title that everyone will love. Each of the 20 unique monster designs are pre-cut, scored and perforated so anyone can simply punch them out and fold them up with easy-to-follow instructions. Whether you're a fan of things that go bump in the night or not, you'll find these scary creatures too cute to scream at. They instantly become awesome 3D objects to play with and display. Paper Monsters deftly combines paper craft with advanced paper engineering so no nightmares with glue, tape or tools ever happen! Best of all, they won't keep you up at night, unless you're playing with them...Paper Monsters make great companions for ages 7 to 101 and they'd never hurt a fly. Paper Monsters include:Hairy the Werewolf-He's gonna need a change of clothes in a minute . . . Mujo Mushi-Coming to a city near you: ultimate destruction Rügnør the Troll-Water is not the only thing under a bridge Ursüla-Trust us you don't want to swipe right for this one!

The follow-up to the international smash hit. Vivian Maier's is THE photo world story of the early 21st century. Celebrated by The Wall Street Journal, Vanity Fair, The New York Times, American Photo, Town and Country, and countless other publications, the life's work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans, and Weegee among others.Now, for the first time, Vivian Maier: Self-Portraits reveals the fullest and most intimate portrait of the artist to date with approximately 60 never-before-seen black-and-white and four-color self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier and editor of the highly acclaimed Vivian Maier: Street Photographer (powerHouse Books, 2011)-bringing us closer to the reclusive artist than ever before.