Bøker utgitt av Princeton University Press

A definitive biography of the U.S. diplomat and prize-winning historian George F. KennanThe diplomat and historian George F. Kennan (1904-2005) ranks as one of the most important figures in American foreign policy-and one of its most complex. Drawing on many previously untapped sources, Frank Costigliola's authoritative biography offers a new picture of a man of extraordinary ability and ambition whose idea of containing the Soviet Union helped ignite the Cold War but who spent the next half century trying to extinguish it. Always prescient, Kennan in the 1990s warned that the eastward expansion of NATO would spur a new cold war with Russia.Even as Kennan championed rational realism in foreign policy, his personal and professional lives were marked by turmoil. And though he was widely respected and honored by presidents and the public, he judged his career a failure because he had been dropped as a pilot of U.S. foreign policy. Impossible to classify, Kennan was a sui generis thinker, a trenchant critic of both communism and capitalism, and a pioneering environmentalist. Living between Russia and the United States, he witnessed firsthand Stalin's tightening grip on the Soviet Union, the collapse of Europe during World War II, and the nuclear arms race of the Cold War.An absorbing portrait of an eloquent, insightful, and sometimes blinkered iconoclast whose ideas are still powerfully relevant, Kennan invites us to imagine a world that Kennan fought for but was unable to bring about-one not of confrontations and crises but of dialogue and diplomacy.

Written when political and military history dominated the discipline, J. Franklin Jameson's The American Revolution Considered as a Social Movement was a pioneering work. Based on a series of four lectures he gave at Princeton University in 1925, the short book argued that the most salient feature of the American Revolution had not been the war for independence from Great Britain; it was, rather, the struggle between aristocratic values and those of the common people who tended toward a leveling democracy. American revolutionaries sought to change their government, not their society, but in destroying monarchy and establishing republics, they in fact changed their society profoundly. Jameson wrote, "e;The stream of revolution, once started, could not be con.ned within narrow banks, but spread abroad upon the land.? Jameson's book was among the first to bring social analysis to the fore of American history. Examining the effects the American Revolution had on business, intellectual and religious life, slavery, land ownership, and interactions between members of different social classes, Jameson showed the extent of the social reforms won at home during the war. By looking beyond the political and probing the social aspects of this seminal event, Jameson forced a reexamination of revolution as a social phenomenon and, as one reviewer put it, injected a "e;liberal spirit"e; into the study of American history. Still in print after nearly eighty years, the book is a classic of American historiography.

This brilliant outline of Blake's thought and commentary on his poetry comes on the crest of the current interest in Blake, and carries us further towards an understanding of his work than any previous study. Here is a dear and complete solution to the riddles of the longer poems, the so-called "e;Prophecies,"e; and a demonstration of Blake's insight that will amaze the modern reader. The first section of the book shows how Blake arrived at a theory of knowledge that was also, for him, a theory of religion, of human life and of art, and how this rigorously defined system of ideas found expression in the complicated but consistent symbolism of his poetry. The second and third parts, after indicating the relation of Blake to English literature and the intellectual atmosphere of his own time, explain the meaning of Blake's poems and the significance of their characters.

Focuses on art and exile, examining what it means to be an immigrant artist from a country in crisis. This title tells the stories of artists, including the author, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them.