Bøker utgitt av Princeton University Press

A provocative look at the central role of slavery in Augustine's religious, ethical, and political thought Augustine believed that slavery is permissible, but to understand why, we must situate him in his late antique Roman intellectual context. Slaves of God provides a major reassessment of this monumental figure in the Western religious and political tradition, tracing the remarkably close connections between Augustine's understanding of slavery and his broader thought. Augustine is most often read through the lens of Greek philosophy and the theology of Christian writers such as Paul and Ambrose, yet his debt to Roman thought is seldom appreciated. Toni Alimi reminds us that the author of Confessions and City of God was also a Roman citizen and argues that some of the thinkers who most significantly shaped his intellectual development were Romans such as Cicero, Seneca, Lactantius, and Varro--Romans who had much to say about slavery and its relationship to civic life. Alimi shows how Augustine, a keen and influential student of these figures, related chattel slavery and slavery to God, and sheds light on Augustinianism's complicity in Christianity's long entanglement with slavery. An illuminating work of scholarship, Slaves of God reveals how slavery was integral to Augustine's views about law, rule, accountability, and citizenship, and breaks new ground in the history of slavery in late antique and medieval political thought.

A groundbreaking new account of the writing of the Hebrew Bible Who wrote the Bible? Its books have no bylines. Tradition long identified Moses as the author of the Pentateuch, with Ezra as editor. Ancient readers also suggested that David wrote the psalms and Solomon wrote Proverbs and Qohelet. Although the Hebrew Bible rarely speaks of its authors, people have been fascinated by the question of its authorship since ancient times. In Who Really Wrote the Bible, William Schniedewind offers a bold new answer: the Bible was not written by a single author, or by a series of single authors, but by communities of scribes. The Bible does not name its authors because authorship itself was an idea enshrined in a later era by the ancient Greeks. In the pre-Hellenistic world of ancient Near-Eastern literature, books were produced, preserved, and passed on by scribal communities. Schniedewind draws on ancient inscriptions, archaeology, and anthropology, as well as a close reading of the biblical text itself, to trace the communal origin of biblical literature. Scribes were educated through apprenticeship rather than in schools. The prophet Isaiah, for example, has his "disciples"; Elisha has his "apprentice." This mode of learning emphasized the need to pass along the traditions of a community of practice rather than to individuate and invent. Schniedewind shows that it is anachronistic to impose our ideas about individual authorship and authors on the writing of the Bible. Ancient Israelites didn't live in books, he writes, but along dusty highways and byways. Who Really Wrote the Bible describes how scribes and their apprentices actually worked in ancient Jerusalem and Judah.

How to sustain an international system of cooperation in the midst of geopolitical struggleCan the international economic and legal system survive today's fractured geopolitics? Democracies are facing a drawn-out contest with authoritarian states that is entangling much of public policy with global security issues. In Global Discord, Paul Tucker lays out principles for a sustainable system of international cooperation, showing how democracies can deal with China and other illiberal states without sacrificing their deepest political values. Drawing on three decades as a central banker and regulator, Tucker applies these principles to the international monetary order, including the role of the U.S. dollar, trade and investment regimes, and the financial system.Combining history, economics, and political and legal philosophy, Tucker offers a new account of international relations. Rejecting intellectual traditions that go back to Hobbes, Kant, and Grotius, and deploying instead ideas from David Hume, Bernard Williams, and modern mechanism-design economists, Tucker describes a new kind of political realism that emphasizes power and interests without sidelining morality. Incentives must be aligned with values if institutions are to endure. The connecting tissue for a system of international cooperation, he writes, should be legitimacy, creating a world of concentric circles in which we cooperate more with those with whom we share the most and whom we fear the least.

Solving the global climate crisis through local partnerships and experimentationGlobal climate diplomacy-from the Kyoto Protocol to the Paris Agreement-is not working. Despite decades of sustained negotiations by world leaders, the climate crisis continues to worsen. The solution is within our grasp-but we will not achieve it through top-down global treaties or grand bargains among nations.Charles Sabel and David Victor explain why the profound transformations needed for deep cuts in emissions must arise locally, with government and business working together to experiment with new technologies, quickly learn the best solutions, and spread that information globally. Sabel and Victor show how some of the most iconic successes in environmental policy were products of this experimentalist approach to problem solving, such as the Montreal Protocol on the ozone layer, the rise of electric vehicles, and Europe's success in controlling water pollution. They argue that the Paris Agreement is at best an umbrella under which local experimentation can push the technological frontier and help societies around the world learn how to deploy the technologies and policies needed to tackle this daunting global problem.A visionary book that fundamentally reorients our thinking about the climate crisis, Fixing the Climate is a road map to institutional design that can finally lead to self-sustaining reductions in emissions that years of global diplomacy have failed to deliver.

The first book in English to examine Leon Battista Alberti's major literary works in Latin and Italian, often overshadowed by his achievements in architecture Leon Battista Alberti (1404-1472) was one of the most prolific and original writers of the Italian Renaissance--a fact often eclipsed by his more celebrated achievements as an art theorist and architect, and by Jacob Burckhardt's mythologising of Alberti as a "Renaissance or Universal Man." In this book, Martin McLaughlin counters this partial perspective on Alberti, considering him more broadly as a writer dedicated to literature and humanism, a major protagonist and experimentalist in the literary scene of early Renaissance Italy. McLaughlin, a noted authority on Alberti, examines all of Alberti's major works in Latin and the Italian vernacular and analyzes his vast knowledge of classical texts and culture. McLaughlin begins with what we know of Alberti's life, comparing the facts laid out in Alberti's autobiography with the myth created in the nineteenth century by Burckhardt, before moving on to his extraordinarily wide knowledge of classical texts. He then turns to Alberti's works, tracing his development as a writer through texts that range from an early comedy in Latin successfully passed off as the work of a fictitious ancient author to later philosophical dialogues written in the Italian vernacular (a revolutionary choice at the time); humorous works in Latin, including the first novel in that language since antiquity; and the famous treatises on painting and architecture. McLaughlin also examines the astonishing range of Alberti's ancient sources and how this reading influenced his writing; what the humanist read, he argues, often explains what he wrote, and what he wrote reflected his relentless industriousness and pursuit oforiginality.

How the great political thinkers have persistently warned against the dangers of economic inequality Economic inequality is one of the most daunting challenges of our time, with public debate often turning to questions of whether it is an inevitable outcome of economic systems and what, if anything, can be done about it. But why, exactly, should inequality worry us? The Greatest of All Plagues demonstrates that this underlying question has been a central preoccupation of some of the most eminent political thinkers of the Western intellectual tradition. David Lay Williams shares bold new perspectives on the writings and ideas of Plato, Jesus, Thomas Hobbes, Jean-Jacques Rousseau, Adam Smith, John Stuart Mill, and Karl Marx. He shows how they describe economic inequality as a source of political instability and a corrupter of character and soul, and how they view unchecked inequality as a threat to their most cherished values, such as justice, faith, civic harmony, peace, democracy, and freedom. Williams draws invaluable insights into the societal problems generated by what Plato called "the greatest of all plagues," and examines the solutions employed through the centuries. An eye-opening work of intellectual history, The Greatest of All Plagues recovers a forgotten past for some of the most timeless books in the Western canon, revealing how economic inequality has been a paramount problem throughout the history of political thought.

An important new examination of Islamic themes in the art of Albrecht Dürer Albrecht Dürer's depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Dürer's art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture. In this beautifully illustrated book, Dackerman provides new readings of three of the artist's most enigmatic print projects--Sea Monster, Knots, and Landscape with Cannon--situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg's development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg's workshop produced a call to crusade and other publications antagonistic to the Muslim East, Dürer's prints, she shows, instead emphasize instances of affiliation between Christendom and Islam. A breathtaking work of scholarship, Dürer's Knots shows how the artist's prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.

The unlikely story of how Americans canonized Adam Smith as the patron saint of free marketsOriginally published in 1776, Adam Smith's The Wealth of Nations was lauded by America's founders as a landmark work of Enlightenment thinking about national wealth, statecraft, and moral virtue. Today, Smith is one of the most influential icons of economic thought in America. Glory Liu traces how generations of Americans have read, reinterpreted, and weaponized Smith's ideas, revealing how his popular image as a champion of American-style capitalism and free markets is a historical invention.Drawing on a trove of illuminating archival materials, Liu tells the story of how an unassuming Scottish philosopher captured the American imagination and played a leading role in shaping American economic and political ideas. She shows how Smith became known as the father of political economy in the nineteenth century and was firmly associated with free trade, and how, in the aftermath of the Great Depression, the Chicago School of Economics transformed him into the preeminent theorist of self-interest and the miracle of free markets. Liu explores how a new generation of political theorists and public intellectuals has sought to recover Smith's original intentions and restore his reputation as a moral philosopher.Charting the enduring fascination that this humble philosopher from Scotland has held for American readers over more than two centuries, Adam Smith's America shows how Smith continues to be a vehicle for articulating perennial moral and political anxieties about modern capitalism.

An investigation of what it means to have children--morally, philosophically and emotionally "Do you want to have children?" is a question we routinely ask each other. But what does it mean to create a child? Is this decision always justified? Does anyone really have the moral right to create another person? In Begetting, Mara van der Lugt attempts to fill in the moral background of procreation. Drawing on both philosophy and popular culture, van der Lugt does not provide a definitive answer on the morality of having a child; instead, she helps us find the right questions to ask. Most of the time, when we talk about whether to have children, what we are really talking about is whether we want to have children. Van der Lugt shows why this is not enough. To consider having children, she argues, is to interrogate our own responsibility and commitments, morally and philosophically and also personally. What does it mean to bring a new creature into the world, to decide to perform an act of creation? What does it mean to make the decision that life is worth living on behalf of a person who cannot be consulted? These questions are part of a conversation we should have started long ago. Van der Lugt does not ignore the problematic aspects of procreation--ethical, environmental and otherwise. But she also acknowledges the depth and complexity of the intensely human desire to have a child of our own blood and our own making.

A world-renowned physicist seeks gravity's true nature and finds wisdom in embracing its force in her life Claudia de Rham has been playing with gravity her entire life. As a diver, experimenting with her body's buoyancy in the Indian Ocean. As a pilot, soaring over Canadian waterfalls on dark mornings before beginning her daily scientific research. As an astronaut candidate, dreaming of the experience of flying free from Earth's pull. And as a physicist, discovering new sides to gravity's irresistible personality by exploring the limits of Einstein's general theory of relativity. In The Beauty of Falling, de Rham shares captivating stories about her quest to gain intimacy with gravity, to understand both its feeling and fundamental nature. Her life's pursuit led her from a twist of fate that snatched away her dream of becoming an astronaut to an exhilarating breakthrough at the very frontiers of gravitational physics. While many of us presume to know gravity quite well, the brightest scientists in history have yet to fully answer the simple question: what exactly is gravity? De Rham reveals how great minds--from Newton and Einstein to Stephen Hawking, Andrea Ghez, and Roger Penrose--led her to the edge of knowledge about this fundamental force. She found hints of a hidden side to gravity at the particle level where Einstein's theory breaks down, leading her to develop a new theory of "massive gravity." De Rham shares how her life's path turned from a precipitous fall to an exquisite flight toward the discovery of something entirely new about our surprising, gravity-driven universe.

How the specter of climate has been used to explain history since antiquity Scientists, journalists, and politicians increasingly tell us that human impacts on climate constitute the single greatest threat facing our planet and may even bring about the extinction of our species. Yet behind these anxieties lies an older, much deeper fear about the power that climate exerts over us. The Empire of Climate traces the history of this idea and its pervasive influence over how we interpret world events and make sense of the human condition, from the rise and fall of ancient civilizations to the afflictions of the modern psyche. Taking readers from the time of Hippocrates to the unfolding crisis of global warming today, David Livingstone reveals how climate has been critically implicated in the politics of imperial control and race relations; been used to explain industrial development, market performance, and economic breakdown; and served as a bellwether for national character and cultural collapse. He examines how climate has been put forward as an explanation for warfare and civil conflict, and how it has been identified as a critical factor in bodily disorders and acute psychosis. A panoramic work of scholarship, The Empire of Climate maps the tangled histories of an idea that has haunted our collective imagination for centuries, shedding critical light on the notion that everything from the wealth of nations to the human mind itself is subject to climate's imperial rule.

Timely and provocative reflections on the future of the wild in an increasingly human world The Heart of the Wild brings together some of today's leading scientists, humanists, and nature writers to offer a thought-provoking meditation on the urgency of learning about and experiencing our wild places in an age of rapidly expanding human impacts. These engaging essays present nuanced and often surprising perspectives on the meaning and value of "wildness" amid the realities of the Anthropocene. They consider the trends and forces--from the cultural and conceptual to the ecological and technological--that are transforming our relationship with the natural world and sometimes seem only to be pulling us farther away from wild places and species with each passing day. The contributors make impassioned defenses of naturalism, natural history, and nature education in helping us to rediscover a love for the wild at a time when our connections with it have frayed or been lost altogether. Charting a new path forward in an era of ecological uncertainty, The Heart of the Wild reframes our understanding of nature and our responsibility to learn from and sustain it as the human footprint sinks ever deeper into the landscapes around us. With contributions by Bill Adams, Joel Berger, Susan Clayton, Eileen Crist, Martha L. Crump, Thomas Lowe Fleischner, Harry W. Greene, Hal Herzog, Jonathan B. Losos, Emma Marris, Ben A. Minteer, Kathleen Dean Moore, Gary Paul Nabhan, Peter H. Raven, Christopher J. Schell, Richard Shine, and Kyle Whyte.

A kaleidoscopic history of how the 1960s and 1970s changed London foreverWaterloo Sunrise is a panoramic and multifaceted account of modern London during the transformative years of the sixties and seventies, when a city still bearing the scars of war emerged as a vibrant yet divided metropolis. John Davis paints lively and colorful portraits of life in the British capital, covering topics as varied as the rise and fall of boutique fashion, Soho and the sex trade, eating out in London, cabbies and tourists, gentrification, conservation, suburbia and the welfare state.With vivid and immersive scene-setting, Davis traces how 'swinging London' captured the world's attention in the mid-sixties, discarding postwar austerity as it built a global reputation for youthful confidence and innovative music and fashion. He charts the slow erosion of mid-sixties optimism, showing how a newly prosperous city grappled with problems of deindustrialisation, inner-city blight and racial friction. Davis reveals how London underwent a complex evolution that reflected an underlying tension between majority affluence and minority deprivation. He argues that the London that had taken shape by the time of Margaret Thatcher's election as prime minister in 1979 already displayed many of the features that would come to be associated with 'Thatcher's Britain' of the eighties.Monumental in scope, Waterloo Sunrise draws on a wealth of archival evidence to provide an evocative, engrossing account of Britain's ever-evolving capital city.

Lessons in creative labor, solidarity, and inclusion under precarious economic conditions As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful example--and a cautionary tale--about self-organization and mutual aid in the digital economy. In Love in the Time of Self-Publishing, Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writers--once disparaged literary outcasts--became digital publishing's most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandia's historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning. Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Larson shows how romance writers became the only authors in America to make money from the rise of ebooks--increasing their median income by 73 percent while other authors' plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplify--or mute--certain voices. Romancelandia's experience, Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandia's rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidarity--but creator solidarity, in turn, depends on fair treatment of all members.

A fresh and original introduction to the Odyssey--and how it continues to shape literature, film, art and even the ways we make sense of our lives Reading the Odyssey is an introduction to Homer's masterpiece like no other. It combines a cultural and intellectual history of the epic with an in-depth exploration of its unique and influential narrative structure and the ways it continues to inform issues of identity, meaning and experience. Reading the Odyssey begins with a broad history of the epic's reception and interpretation, its place in cultural and intellectual history and its influence today on literature, film and art. After introducing the literary form of the Odyssey, the book turns to its main focus: the layered narrative that lies at the heart of the poem. Taking readers on a tour of the epic, Jonas Grethlein shows the nuanced ways the Odyssey uses a wide variety of narrative forms and functions. At the same time, he highlights how we all rely on narratives, first used by Homer, to form identities, forge communities and make sense of our lives. The result is a compelling guide to the Odyssey that demonstrates why it continues to speak so powerfully to so many readers today.

Fifty easy-to-deploy active learning exercises for teaching academic writing in any field The Pocket Instructor: Writing offers fifty practical exercises for teaching students the core elements of successful academic writing. The exercises--created by faculty from a broad range of disciplines and institutions--are organized along the arc of a writing project, from brainstorming and asking analytical questions to drafting, revising, and sharing work with audiences outside traditional academia. They present students with engaging intellectual challenges to work through together, arriving at generalizable lessons that transfer well across the humanities, social sciences, and natural sciences. Students will learn to articulate a thoughtful question, develop a persuasive thesis, analyze complex evidence, and engage responsibly with sources. The Pocket Instructor: Writing offers teachers concrete ideas about how to cultivate habits of radical revision and create a classroom community with an ethos of trust where students learn to give meaningful feedback. Written for both novice and veteran instructors, this essential guide will benefit faculty in any field who hope to improve student writing in their courses. Key features: - Exercises by experienced faculty from a wide range of disciplines and institutions- Step-by-step instructions with instructor insights for each exercise- A "Writing Lexicon" for terms such as motive, thesis, analysis, evidence, and method- Guidance for avoiding plagiarism- Index and cross-references to aid in course planning

Fifty easy-to-deploy active learning exercises for teaching academic writing in any field The Pocket Instructor: Writing offers fifty practical exercises for teaching students the core elements of successful academic writing. The exercises--created by faculty from a broad range of disciplines and institutions--are organized along the arc of a writing project, from brainstorming and asking analytical questions to drafting, revising, and sharing work with audiences outside traditional academia. They present students with engaging intellectual challenges to work through together, arriving at generalizable lessons that transfer well across the humanities, social sciences, and natural sciences. Students will learn to articulate a thoughtful question, develop a persuasive thesis, analyze complex evidence, and engage responsibly with sources. The Pocket Instructor: Writing offers teachers concrete ideas about how to cultivate habits of radical revision and create a classroom community with an ethos of trust where students learn to give meaningful feedback. Written for both novice and veteran instructors, this essential guide will benefit faculty in any field who hope to improve student writing in their courses. Key features: - Exercises by experienced faculty from a wide range of disciplines and institutions- Step-by-step instructions with instructor insights for each exercise- A "Writing Lexicon" for terms such as motive, thesis, analysis, evidence, and method- Guidance for avoiding plagiarism- Index and cross-references to aid in course planning

"When we think of animal sound we tend to think about birds or other highly sonic animals. However, scientists are learning that a much wider range of animals, and even plants, use sound, and they are figuring this out with the help of AI and other digital technologies. This book tells the stories of scientists who are using these digital technologies to decode the hidden world of nonhuman sound. Bakker shows how digital technology, so often associated with our alienation from nature, is offering an opportunity to listen to plants and animals in powerful new ways, changing our understanding of nonhuman communication and reviving our connection to the natural world. Beautifully written and deeply researched, the book is a story of discovery. Early chapters describe early 20th-century discoveries about whale noise, while subsequent chapters describe how digital technologies have revealed the surprising sonic worlds of elephants, turtles, corals, and plants. Through these stories we learn that many more plants and animals can make and sense sound and that these sounds are linked to complex communication and social behavior. But, as we learn, this science is not merely about listening to nature in new ways; it also creates new possibilities for both conservation and interspecies communication. In the book's later chapters, Bakker describes fascinating breakthroughs -- aided by robotics and AI -- that may enable people to communicate with other species. She ends the book by exploring how conservationists are using bioacoustics to protect endangered species, address the threat of noise pollution, and create innovative responses to biodiversity loss and climate change. Throughout the book, Bakker describes the research of a diverse range of scientists, with a particular emphasis on female and indigenous scientists. And while she ultimately champions the potential of digital technology, she is not naive to its limitations and is careful throughout to highlight the limits of technology. Ultimately, we see that bioacoustics, aided by digital tech, offers humanity a powerful new window into the nonhuman world"--

"An intellectual history of the late Roman Republic-and the senators who fought both scholarly debates and a civil war. In The Roman Republic of Letters, Katharina Volk explores a fascinating chapter of intellectual history, focusing on the literary senators of the mid-first century BCE who came to blows over the future of Rome even as they debated philosophy, history, political theory, linguistics, science, and religion. It was a period of intense cultural flourishing and extreme political unrest-and the agents of each were very often the same people. Members of the senatorial class, including Cicero, Caesar, Brutus, Cassius, Cato, Varro, and Nigidius Figulus, contributed greatly to the development of Roman scholarship and engaged in a lively and often polemical exchange with one another. These men were also crucially involved in the tumultuous events that brought about the collapse of the Republic, and they ended up on opposite sides in the civil war between Caesar and Pompey in the early 40s. Volk treats the intellectual and political activities of these "senator scholars" as two sides of the same coin, exploring how scholarship and statesmanship mutually informed one another-and how the acquisition, organization, and diffusion of knowledge was bound up with the question of what it meant to be a Roman in a time of crisis. By revealing how first-century Rome's remarkable "republic of letters" was connected to the fight over the actual res publica, Volk's riveting account captures the complexity of this pivotal period"--

James Beard Foundation Book Award Nominee - Winner of the Ida B. Wells-Barnett Book Award, Association of Black Sociologists - Winner of the C. Wright Mills Award, the Society for the Study of Social Problems A vivid portrait of African American life in today's urban South that uses food to explore the complex interactions of race and class Getting Something to Eat in Jackson uses food--what people eat and how--to explore the interaction of race and class in the lives of African Americans in the contemporary urban South. Joseph Ewoodzie Jr. examines how "foodways"--food availability, choice, and consumption--vary greatly between classes of African Americans in Jackson, Mississippi, and how this reflects and shapes their very different experiences of a shared racial identity. Ewoodzie spent more than a year following a group of socioeconomically diverse African Americans--from upper-middle-class patrons of the city's fine-dining restaurants to men experiencing homelessness who must organize their days around the schedules of soup kitchens. Ewoodzie goes food shopping, cooks, and eats with a young mother living in poverty and a grandmother working two jobs. He works in a Black-owned BBQ restaurant, and he meets a man who decides to become a vegan for health reasons but who must drive across town to get tofu and quinoa. Ewoodzie also learns about how soul food is changing and why it is no longer a staple survival food. Throughout, he shows how food choices influence, and are influenced by, the racial and class identities of Black Jacksonians. By tracing these contemporary African American foodways, Getting Something to Eat in Jackson offers new insights into the lives of Black Southerners and helps challenge the persistent homogenization of blackness in American life.

A pioneering history that transforms our understanding of the colonial era and China's place in it China has conventionally been considered a land empire whose lack of maritime and colonial reach contributed to its economic decline after the mid-eighteenth century. Distant Shores challenges this view, showing that the economic expansion of southeastern Chinese rivaled the colonial ambitions of Europeans overseas. In a story that dawns with the Industrial Revolution and culminates in the Great Depression, Melissa Macauley explains how sojourners from an ungovernable corner of China emerged among the commercial masters of the South China Sea. She focuses on Chaozhou, a region in the great maritime province of Guangdong, whose people shared a repertoire of ritual, cultural, and economic practices. Macauley traces how Chaozhouese at home and abroad reaped many of the benefits of an overseas colonial system without establishing formal governing authority. Their power was sustained instead through a mosaic of familial, fraternal, and commercial relationships spread across the ports of Bangkok, Singapore, Saigon, Hong Kong, Shanghai, and Swatow. The picture that emerges is not one of Chinese divergence from European modernity but rather of a convergence in colonial sites that were critical to modern development and accelerating levels of capital accumulation. A magisterial work of scholarship, Distant Shores reveals how the transoceanic migration of Chaozhouese laborers and merchants across a far-flung maritime world linked the Chinese homeland to an ever-expanding frontier of settlement and economic extraction.

"A look into the Golden Age of African merchants at the end of the nineteenth century, through case studies in Lagos"--

An examination of how the Jews--real and imagined--so challenged the Christian majority in medieval Europe that it became a society that was religiously and culturally antisemitic in new ways In medieval Europe, Jews were not passive victims of the Christian community, as is often assumed, but rather were startlingly assertive, forming a Jewish civilization within Latin Christian society. Both Jews and Christians considered themselves to be God's chosen people. These dueling claims fueled the rise of both cultures as they became rivals for supremacy. In How the West Became Antisemitic, Ivan Marcus shows how Christian and Jewish competition in medieval Europe laid the foundation for modern antisemitism. Marcus explains that Jews accepted Christians as misguided practitioners of their ancestral customs, but regarded Christianity as idolatry. Christians, on the other hand, looked at Jews themselves--not Judaism--as despised. They directed their hatred at a real and imagined Jew: theoretically subordinate, but sometimes assertive, an implacable "enemy within." In their view, Jews were permanently and physically Jewish--impossible to convert to Christianity. Thus Christians came to hate Jews first for religious reasons, and eventually for racial ones. Even when Jews no longer lived among them, medieval Christians could not forget their former neighbors. Modern antisemitism, based on the imagined Jew as powerful and world dominating, is a transformation of this medieval hatred. A sweeping and well-documented history of the rivalry between Jewish and Christian civilizations during the making of Europe, How the West Became Antisemitic is an ambitious new interpretation of the medieval world and its impact on modernity.

A fun, pocket-sized A-Z treasury about sharks, featuring fascinating, little-known facts and captivating illustrations Sharkpedia is an entertaining and enlightening celebration of sharks featuring close to 100 entries, based on the latest knowledge and enriched by original illustrations. Avoiding tired factoids, shark authority Daniel Abel gives new bite to essential information about sharks, including their adaptations as top predators, 450-million-year evolution, behavioral complexity, ecological importance, existential threats, and often sensationalized appearances in popular culture, from Jaws to Shark Week. The notion that sharks are insatiable killing machines is a toothless myth--yet the fear of shark attacks still holds onto many people like a set of locked jaws. Sharkpedia reveals that sharks are much less to be feared--and much more interesting, complicated, and important--than many realize. Filled with compelling stories, Sharkpedia debunks shark myths (for example, that sharks are large and coastal when in fact most are small and inhabit the deep sea), describes their lives (where and how long they live, how many offspring they have, what they eat, and how their bodies function), introduces a variety of iconic and obscure species (such as the Happy Eddie Shyshark), explores our love/hate relationship with sharks, and much more. With charming drawings by leading shark artist Marc Dando, Sharkpedia is a scientific and cultural treasure trove that will leave you with new insights about these remarkable animals. Dive in!Features a cloth cover with an elaborate foil-stamped design

We can repair our democracy by rebuilding the mechanisms that power it What's the best way to determine what most voters want when multiple candidates are running? What's the fairest way to allocate legislative seats to different constituencies? What's the least distorted way to draw voting districts? Not the way we do things now. Democracy is mathematical to its very foundations. Yet most of the methods in use are a historical grab bag of the shortsighted, the cynical, the innumerate, and the outright discriminatory. Making Democracy Count sheds new light on our electoral systems, revealing how a deeper understanding of the mathematics is the key to creating civic infrastructure that works for everyone. In this timely guide, Ismar Volic empowers us to use mathematical thinking as an objective, nonpartisan framework that rises above the noise and rancor of today's divided public square. Examining our representative democracy using powerful clarifying concepts, we see why our current voting system stifles political diversity, why the size of the House of Representatives contributes to its paralysis, why gerrymandering is a sinister instrument that entrenches partisanship and disenfranchisement, and why we must rethink the Electoral College--and we also understand what can work better and why. Volic also discusses the legal and constitutional practicalities involved and proposes a road map for repairing the mathematical structures that undergird representative government. Making Democracy Count gives us the concrete knowledge and the confidence to advocate for a more just, equitable, and inclusive democracy.