Bøker utgitt av Princeton University Press

"In this capstone book, fairy tale expert Jack Zipes has assembled what he describes as his last theoretical and critical study of fairy tales. His purpose is to create a coherent collection that pays tribute to a group of writers that he views as "survivors with a mission" whose tales inspire readers to this day. The book begins with a substantial introduction in which Zipes discusses the history of his interest in fairy tales and the motivation for his scholarship in the field. In a world filled with conflict, he writes, "fairy tales can be used for enlightenment by all of us or abused by small groups of powerful people who seek domination." The main text includes thirteen essays on notable authors of fairy tales-âEdouard Laboulaye, Kurt Schwitters, Bâela Bâalazs, Christian Bèarmann, Charles Godfrey Leland, Mariette Lydis, Ernst Bloch, Paul Vaillant-Couturier, Hermynia zur Mèuhlen, Lisa Teztner, Felix Salten, Emery Kelen, and Gianni Rodari-many of whom lived through revolutions and world wars or were otherwise compelled to confront political oppression during their lives. Zipes considers their cultural significance and their contributions to fairy tale literature, arguing that each deserves greater attention and appreciation. Some of the chapters have been adapted from previously published introductions Zipes wrote for the Oddly Modern Fairy Tales series, which he edits, and others are adapted from scholarly volumes that Zipes has published over his long career as a self-identified "scholarly scavenger" of largely forgotten tales. Together, they create a portrait of the political stakes that have animated Zipes's lifelong fascination with the fairy tale, and explain why readers and writers alike continue to return to this narrative form"--

"Songs, barks, roars, hoots, squeals, and growls: exploring the mysteries of how animal communicate by soundWhat is the meaning of a bird's song, a baboon's bark, an owl's hoot, a dolphin's clicks? In The Voices of Nature, Nicolas Mathevon explores the mysteries of animal sound. Putting readers in the middle of animal soundscapes that range from the steamy heat of the Amazon jungle to the icy terrain of the Arctic, Mathevon reveals the amazing variety of animal vocalizations. He describes how animals use sound to express emotion, to choose a mate, to trick others, to mark their territory, to call for help, and much more. What may seem like random chirps, squawks, and cries are actually signals that, like our human words, allow animals to carry on conversations with others.Mathevon explains how the science of bioacoustics works to decipher the ways animals make and hear sounds, what information is encoded in these sound signals, and what this information is used for in daily life. Drawing on these findings as well as observations in the wild, Mathevon describes, among many other things, how animals communicate with their offspring, how they exchange information despite ambient noise, how sound travels underwater, how birds and mammals learn to vocalize, and even how animals express emotion though sound. Finally, Mathevon asks if these vocalization, complex and expressive as they are, amount to language.For readers who have wondered about the meaning behind a robin's song or the cicadas' relentless "tchik-tchik-tchik," this book offers a listening guide for the endlessly varied concert of nature"--]cProvided by publisher.

"A definitive reframing of the economic, institutional, and intellectual history of the managerial eraThe twentieth century was the managerial century in the United States. An organizational transformation, from entrepreneurial to managerial capitalism, brought forth what became a dominant narrative: that administrative coordination by trained professional managers is essential to the efficient running of organizations both public and private. And yet if managerialism was the apotheosis of administrative efficiency, why did both its practice and the accompanying narrative lie in ruins by the end of the century? In The Corporation and the Twentieth Century, Richard Langlois offers an alternative version: a comprehensive and nuanced reframing and reassessment of the the economic, institutional, and intellectual history of the managerial era.Langlois argues that managerialism rose to prominence not because of its inherent superiority but because of its contingent value in a young and rapidly developing American economy. The structures of managerialism solidified their dominance only because the century's great catastrophes of war, depression, and war again superseded markets, scrambled relative prices, and weakened market-supporting institutions. By the end of the twentieth century, Langlois writes, these market-supporting institutions had reemerged to shift advantage toward entrepreneurial and market-driven modes of organization.This magisterial new account of the rise and fall of managerialism holds significant implications for contemporary debates about industrial and antitrust policies and the role of the corporation in the twenty-first century"--

Leading art historians, architects, designers, artists, and urbanists share new perspectives on this visionary architect’s material legacyLina Bo Bardi (1914–1992) is renowned for her boldly modernist designs like the São Paulo Museum of Art and the culture and leisure center SESC Pompéia. An artist, architect, designer, writer, and activist, she was a tireless champion for local craft and materials. Her democratic designs were inclusive and stood as an open invitation to those typically excluded from elitist institutions, embodying an aesthetic that stood out among the modernist movement in Brazil and abroad. This collection of essays presents new perspectives on Bo Bardi from leading contemporary artists, architects, curators, and scholars. Contributors engage with the conceptual, social, and political philosophies latent in the architectural materials she chose—from her application of concrete to her implementation of nature and her reuse of vernacular materials.Beautifully illustrated and featuring seven gatefolds, Lina Bo Bardi: Material Ideologies sheds vital new light on the ideological strategies inherent in Bo Bardi’s iconic projects and lesser-known work.Distributed for the Princeton University School of Architecture

"Set amid the glimmering lakes and disappearing forests of the United States in the 1830s, The Forest: A Fable of America in the 1830s imagines how individuals at the time experienced their lives. Part truth, part fiction, this book follows painters, poets, enslaved individuals, farmers, and artisans through various settings. Some, such as Nathaniel Hawthorne, Nat Turner, Thomas Cole, and Edgar Allan Poe, are well-known; others are not. All are creators of private and grand designs, and makers of the worlds they inhabited. The Forest unfolds in brief stories. Each is an episode revealing a lost world of intricate relations: human beings going their own ways or crossing paths, in a place that is known to history, or is remote and unknown. For Alex Nemerov, the forest is a description of American society, as he writes, "the dense and discontinuous woods of nation, the foliating thoughts of different people, each with their separate life to lead." Nemerov's art history is at its center an experiment in writing, in how to write differently about visual culture. The Forest examines the history of the United States on a human scale, displaying the patterns of life alongside examples of paintings, prints, photographs and objects"--