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Black Ivy: A Revolt in Style charts a period in American history when black men across the country adopted the clothing of a privileged elite and made it their own. From the most avant-garde jazz musicians, visual artists and poets to the most unassuming architects, philosophers and writers, Black Ivy looks at how a generation of men took the classic Ivy Look and made it cool, edgy and unpredictable in ways that continue to influence today''s modern menswear. Here you''ll see some famous, infamous and not so famous figures in black culture, and how they re-invented Ivy and Prep fashion, the dominant looks of the time.

The authoritative portrait of the bestselling metal classic, with unseen photographs from the recording sessions and toursFollowing its release in August 1991, Metallica's landmark self-titled album--better known by fans as the Black Album--debuted at number one in ten countries and spent four consecutive weeks at the top of the Billboard 200. It has since become one of the bestselling albums of all time, selling more than 35 million copies worldwide, spawning numerous singles and earning various industry accolades, including a Grammy, MTV and American Music Awards. The tour that accompanied it was equally gargantuan, with the band clocking in nearly 300 shows in three years. Official photographer Ross Halfin was in the recording studio with the band and documented the tour that followed. Between 1991 and 1993, he shot thousands of film rolls of the hectic performing schedule and many unique portrait sessions, backstage documentary-style photography, rehearsals, interviews and band meetings. This official Metallica book features many previously unpublished images, with introductions by Ross Halfin, James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted and Robert Trujillo. Printed with a metallic silver jacket with block-foil lettering, it is an epic celebration of one of rock's greatest creations. Ross Halfin is one of the world's leading photographers and has been photographing Metallica since 1984 and has traveled with the band to every continent and almost every country in the world, covering every aspect of the band's career: in the studio, backstage, on the road and at home. He has photographed almost every major artist and continues to work and travel as first choice photographer for the biggest bands in the world.

The official book on Queen, one of the greatest ever rock bands, photographed by one of the greatest ever rock photographers--with text by Brian May and Roger Taylor and intimate accounts from Neal Preston revealing the stories behind the picturesNeal Preston is one of the most prolific and highly regarded rock photographers of all time. He began working with Queen in the mid 1970s as their tour photographer. He was present on the legendary South America tour in 1981, Live Aid in 1985, and the band's last tour with Freddie Mercury in 1986, among others. Brian May has commented, "Neal just has the knack, the skill, to always be in the right place at the right time." This official book, produced in collaboration with the band, features over 200 images and is an exhilarating ride through their years on the road together. It is the first time Preston and Queen have collated this work in one volume: glimpses of life backstage, live performances, post-performance highs and lows, and outtakes--many of which have never been seen before--are accompanied by memories and anecdotes from Preston with forewords by Queen guitarist Brian May and drummer Roger Taylor. The pages vibrate with a palpable energy.

Led Zeppelin released only eight studio albums and no singles over the course of their 12-year career, but to date there are more than 1,000 official singles and 2,000 LPs in the market. This definitive volume illustrates in full colour some of the rarest and most interesting vinyl releases, including one-of-a-kind rarities, bizarre regional variations, official albums and bootleg recordings of legendary concerts, sometimes featuring handmade artwork or colored vinyl.

''I often get asked, ''Who was your favorite person to photograph?'' or ''Who is the best person you ve photographed?'''' says photographer Perou. ''It''s always ''Marilyn Manson.'' Which is just as well, considering how many times I''ve photographed him.'' Perou has been photographing Marilyn Manson since a 1998 magazine cover shoot. Twenty-one years of collaborating have resulted in this unique book, featuring over 350 photographs including previously unpublished work, conceptual portraits, onstage and informal behind-the-scenes images, giving a rare insight into Manson''s world.

"Model, photographer, and one of the most iconic muses of the twentieth century, Pattie Boyd was at the epicentre of the London music & pop-culture scene in the 1960s & 1970s. Pattie Boyd: My Life in Pictures is a deluxe visual treasure trove featuring over 300 photographs and artworks, with Pattie sharing full and intimate access to her personal archive for the first time."--

The ultimate backstage pass: a photographic inside look at the making of the pioneering hip hop documentary Rhyme & ReasonIn the mid-1990s, documentary filmmaker Peter Spirer embarked on a three-year odyssey to create a realistic portrait of hip hop, interviewing over 80 artists. Spirer captured a seminal moment as the culture balanced on the cusp of the mainstream. As Ice-T comments in the introduction to the book, "Rhyme & Reason is one of the few films that was there to document us before hip hop truly exploded."While filming, Spirer took stills using a medium-format Rolleiflex camera. These photographs form The Book of Rhyme & Reason. Spirer writes: "The Rollei allowed me to capture some amazing moments: Puffy getting a trim in his office while doing three tasks at once, Biggie opening record plaques on his couch, Ice-T and Mack 10 hanging with their homies, Heavy D at the barber, playing pool. There was the Jack The Rapper convention with Death Row making a statement, at a Disney World Hotel, that ended in chaos. There were magical moments such as Redman and Erick Sermon freestyling on the mic to amazed onlookers at a block party in Newark and watching Wu-Tang Clan chop it up on the block in Staten Island on a cold winter's day before they exploded."This coffee-table volume features over 130 of Spirer's photographs from 1994 to 1997. As hip hop commemorates its 50th anniversary in 2023, it is particularly fitting that many of these images from this formative period are being published for the first time.Peter Spirer (born 1963) is an Academy Award- and Emmy Award-nominated director and producer. His catalog of over 32 films includes Rhyme & Reason (1997), Tupac Shakur: Thug Angel, Life of an Outlaw (2002), the BEEF series (2003-5), Notorious B.I.G.: Bigger Than Life (2007) and The Legend of 420 (2017).

Dieser fulminante Bildband ist das offizielle Buch zum 50-jährigen Jubiläum von Woodstock, herausgegeben von dem Festivalgründer Michael Lang. Es enthält Hunderte von Fotos und Dokumenten aus seinem Archiv, die Langs faszinierende Erinnerungen und Einblicke in das berühmteste und erfolgreichste Festival aller Zeiten zeigen, darunter Bilder von Jimi Hendrix, The Who, Crosby, Stills Nash & Young, Richie Havens, Creedence Clearwater Revival, Santana, Janis Joplin, Joan Baez, Country Joe McDonald und The Grateful Dead.Das bislang weitestgehend unveröffentlichte Archiv von Michael Lang umfasst die originalen Entwürfe und Pläne für die Veranstaltung, Korrespondenz, Setlisten, Informationen zu Künstlergagen und vieles mehr. Darüber hinaus werden die besten Fotos vom Festival gezeigt, von berühmten und unbekannten Fotografen wie Ralph Ackerman, John Dominis, Bill Eppridge, Dan Garson, Barry Z. Levine, Ken Regan, Lee Marshall und Baron Wolman. Und für dieses Buch hat Henry Diltz ebenfalls sein Archiv geöffnet. Diltz war der einzige offizielle Fotograf in Woodstock und war zwei Wochen vor Ort. Er dokumentierte das leere Feld mit Kühen, den ersten Bau, die Ankunft von Menschenmassen und die Folgen. Und er hielt Auftritte auf der Bühne und Momente hinter den Kulissen mit den vielen beteiligten Künstlern fest.Dieser offizielle Bildband vermittelt die Vision, die harte Arbeit und die Magie, die dieses Festival ausmachte.

A diaristic compendium of Hurn's digital missives, spanning his momentous 60-year careerMagnum's David Hurn (born 1934) is one of Britain's most influential documentary photographers, noted for his portrayal of ordinary people in their everyday lives. In 2016, Hurn started an Instagram account to share photography tidbits: technical tips, book recommendations, exhibitions and work that he found interesting. His engagement with the app has become progressively intimate, as evinced in his reflections on photographs from his 60-year career and his own mortality. On his feed, scrollers can find photographs from the Hungarian revolution in 1956, the set of the Beatles' A Hard Day's Night in 1964, trips to Arizona in the 1970s and '90s as well as Halloween celebrations in his local Welsh village during the pandemic.This compendium collates these individual posts from the past seven years, underscoring Hurn's generosity as a teacher and his willingness to authentically share his course as a photographer.

Iconic British fashion designer Jeremy Hackett is a Londoner born and raised. MY LONDON is a photo diary of the quotidian city he knows and loves so well. From morning walks with his dogs to fly-on-the wall observations, brief encounters with interesting, immaculately dressed characters, architectural motifs and classic cars in unusual locations, MY LONDON is an insight into Jeremy''s unique view of London.

Texas-based photographer Hunter Barnes' (born 1977) black-and-white portraits of cultures and communities often ignored by the mainstream are renowned for their stark beauty. In 2006, Barnes travelled to Sri Lanka, intending to document the devastating aftermath of the 2004 tsunami. Instead, he arrived amid rapidly increasing tensions in the civil war and a breakdown of the ceasefire established four years previously. It has taken Barnes more than 15 years to process the experience: "what I lived and felt has been buried far in my mind," he writes, "sealed shut in a box of film and a journal I am just now able to read." Spending his time in the Eastern Province, Barnes documented the impact of the resurgence of the war on the Tamil people. These portraits are accompanied by his handwritten diary entries from the time --

A century of classic vampire cinema--in posters, stills and artwork--from Murnau to True Blood and beyondThis visual feast celebrates classic vampire cinema--mainstream and niche--through the many colorful ways in which the key films have been marketed and consumed.F.W. Murnau's haunting film Nosferatu had its premiere in Berlin in March 1922. Bram Stoker's widow, Florence, tried hard to sue the production company for breach of copyright but had to settle in the end for a court order to destroy all prints and negatives. The film kept resurrecting, though, and is now considered the first, and one of the greatest, of all vampire movies--the founder of a dynasty of prints of darkness.The bloodline has spread from Nosferatu to Hollywood's Dracula and progeny (1931-48); from Hammer's Dracula/Horror of Dracula and sequels (1958-74) to versions of Sheridan Le Fanu's story "Carmilla" and other lesbian vampires (1970-2020); from the bestselling novels 'Salem's Lot and Interview with the Vampire to vampires who have shed their capes, hereditary titles and period trappings to become assorted smalltown oddballs, addicts, delinquents, psychopaths, rednecks, fashionistas, gay icons, comedians and even comic-book heroes (1975-2022).This book is dripping with stills, posters, artworks, press books--many of which have not seen the light of day for a very long time--and is authored by cultural historian and connoisseur of the Gothic Christopher Frayling, who has been called "the Van Helsing de nos jours."Christopher Frayling (born 1946) is a recognized authority on Gothic fiction and horror movies. His study Vampyres (1978, 1990, 2016) and his classic four-part television series Nightmare: The Birth of Horror (1996) have helped to move Gothic horror from margin to mainstream. He is the author of Frankenstein and Once upon a Time in the West.

Celebrity portraiture from the acclaimed British photographer and author, with David Bowie, Cate Blanchett, Iggy Pop and moreThis coffee table volume is the first monograph dedicated to British photographer Chris Floyd's (born 1968) 30-year career. Featuring over 200 photographs, it includes his sessions with Paul McCartney, David Attenborough, Debbie Harry, David Hockney, David Bowie, Marcus Rashford, Cate Blanchett, Oasis, Iggy Pop and many more. The photographs are accompanied by a collection of stories that paint a broader and sometimes funnier picture of his oeuvre."For a long time people have told me how much they love reading what I write, as much as looking at the photographs I produce, and that they would love to own a book of this work and these tales," he writes. "After nearly 30 years in the game, perhaps now is the time to parlay the most interesting, funny, odd, disturbing, confrontational, collaborative and life affirming photographic moments."

In January of 1974, David Godlis, then a 22-year-old photo student, took a ten-day trip to Miami Beach, Florida. Excited to visit an area he had frequented a decade earlier as a kid, GODLIS set his sights on an area of slightly outdated efficiency art deco hotels that was then a busy Jewish retiree enclave on the expansive beaches facing the Atlantic Ocean. These retirees, all dressed up in their best beach outfits, would spend their days on lounges and lawn chairs, playing cards amidst the sunshine and palm trees. GODLIS walked his way through this somewhat surrealistic scene, shooting what he now considers his first good photographs. In so doing he discovered his own Street Photography style - an eclectic mix of influences, from Robert Frank to Diane Arbus, from Garry Winogrand to Lee Friedlander.

A passion project from celebrated portrait photographer Perou with accompanying text from Karl Hyde of dance music duo Underworld, Tunnel Vision is a hypnotic portrait of England''s underpasses. Photographed at night, you can almost hear the ominous hum of the broken strip-lighting, the knot of fear in the gut, the prickling silence of these desolate, urban landscapes. These unloved spaces are notoriously menacing, graffiti-ridden, inconvenient and prone to flooding. Yet through Perou''s lens, the architecture is also elevated to something beyond itself, at times even ethereal.

An unmissable gift book, A Small Book of Jewish Comedians is a perfect (please God) post-pandemic pick-me-up. In 1978, Time magazine estimated that around 80 percent of professional American comics were Jewish, and Jewish humour remains a foundation stone of American popular culture and humour. This book is not intended as a definitive tome but is instead a joyful and irreverent celebration of great photography and of some of the greatest one-liners of the twentieth century, ripe in satire, anecdote, self-deprecation and irony.

With its singular focus on the very best portrait photography of the Film Noir era, every page of this coffee table volume is rich in brooding atmosphere. The portraits were taken by premiere studio photographers like Robert Coburn, Ernest Bachrach and A.L. Whitey. Their remarkable ability to exaggerate the play of shadow and light to dramatic effect is the reason that their work still has the same ability to arrest the viewer as it did in the 1940s. The photographs remain some of the most innovative and striking portraits in the history of cinema.

Originally published: New York: Grossman Publishers, 1969. [Colophon incorrectly states 1968.]

One of the foremost documentary photographers working today, Hunter Barnes has an extraordinary ability to document aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. This new, limited cloth-bound edition is dedicated to his photographs of the ancient Nez Perce tribe. Hunter lived with the Nimiipuu people for four years, forming deep bonds of friendship and respect before he began taking photographs. Shot in black and white, the photographs are beautiful and stark, his subjects unflinching in their gaze

By the start of 1966, The Rolling Stones position as rock gods was established. They were making serious money and splashing out on new homes and cars. Their official photographer was invited to shoot an ''At Home'' session with each of the band. This is the first time his ''At Home'' sessions have been collated and published. The photographs are relaxed, the band''s ease with Mankowitz evident. There are moments of contemplation, intimacy and wit, and Mankowitz manages to capture something of an amused innocence to the whole concept, as if the five of them can''t quite believe how far they have come.

The definitive collection of Leonard Freed's acclaimed photographs of the New York police department during the turbulent 1970sMagnum photographer Leonard Freed worked alongside the New York police for several years, documenting the gritty reality of life on the beat at a notorious time of soaring crime and great social unrest, with the city near bankruptcy. Of his near-decade with the police department, Freed observed that "What I saw were average people doing a sometimes boring, sometimes corrupting, sometimes dangerous and ugly and unhealthy job." His nuanced essay has a poignancy and grace, capturing the camaraderie of officers alongside the people they are hired to protect. Freed accompanied the NYPD on murder investigations, drug raids, public demonstrations and community outreach initiatives, as well as documenting the ordinary daily grind of the job. This reedited and redesigned take on Freed's original 1980 book features several unseen photographs from the archive. It is a celebration of this complex and compassionate body of work, which has a social resonance and relevance in today's climate. Born in Brooklyn, New York, photojournalist Leonard Freed (1929-2006) rose to prominence for his portrayal of societal and racial injustices, particularly in relation to the black community during the American civil rights movement in the 1960s. He is also renowned for his numerous insightful photo essays on the Jewish community in Amsterdam and Germany, the Yom Kippur War, Asian immigration in England, North Sea oil development, Spain after Franco and his essays on the New York police department in the 1970s, among others.

An exhilarating photographic essay on racing culture and an intimate, insider view of NASCARPhotographer Hunter Barnes (born 1977) is one of the foremost documentary photographers working in America today. For this book, Barnes was given extraordinary access to document NASCAR (National Association for Stock Car Auto Racing) culture. In order to capture the true essence of NASCAR, Barnes went on the road with the Ganassi team, spending timein the parking lot with fans for a week before the race to really get a sense of the spirit of the culture andhow it originally started--in the South, with the moonshiners building cars to outrun the revenuers. Spirit of the Southern Speedways presents an exhilarating photographic essay of racing culture and gives an intimate and insider look at NASCAR, capturing some of the most recognizable figures in racing, including Richard "The King" Petty, the legend Junior Johnson who has won 50 races as a driver and 139 as an owner, Jack Roush, the owner of Roush Fenway Racing team and famed race car driver Dale Earnhardt, Jr. The book also reflects on the intimate relationship between the fans and the drivers. Barnes is known for documenting American communities that have been ignored or misrepresented by the mainstream media, including the dying communities of the Old West, and inmates in the California State Prison.

A warm and intimate portrait of London's most legendary jazz venueRonnie Scott's in London is one of the world's most celebrated jazz clubs. Freddy Warren began photographing Ronnie Scott's when it was still a construction site, and went on to photograph every major happening at the club for more than ten years. Warren's appreciation and love of jazz and its characters suffused his photos, as he sought to capture "the atmosphere--the 'aurora' as I call it--the movement ... the fantastic communication between the players, that makes jazz what it is." Ronnie Scott's 1959-69, published to celebrate the club's 60th anniversary, is the first time Warren's vast archive of jazz photos has been accessed; nearly all the images included in this publication are completely unseen. In this volume you will find photographs of Ronnie warming his hands around a fire on the construction site and inspecting the walls as they went up, followed by performance shots of the greats of jazz including Miles Davis, Art Blakey, Stan Getz, Zoot Sims, Duke Ellington, Nina Simone and many more. Powerful on-stage portraits are accompanied by relaxed off-stage moments, such as Yusef Lateef holding an impromptu meeting around soup pots in the kitchen. Ronnie Scott's 1959-69 is a warm and intimate portrait of a legendary jazz venue.

This book will trace the journey of Shelley''s Frankenstein from limited edition literature to the bloodstream of contemporary culture. It includes new research on the novel''s origins, with a reprint of the earliest-known version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the nineteenth century; series of visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture on posters, advertisements, packaging, in comics and graphic novels.

"Barbara Pyle's intimate behind the scenes photographs from 1975 and the recording, rehearsing, and touring of Born To Run have been ... awaited for forty years and are finally being published for the first time"--Dust jacket flap.

A bold visionary, Art Kane (1925-1995) explored a number of genres--fashion, editorial, celebrity portraiture, travel and nudes--with an unrelenting and innovative eye. Like his contemporaries Guy Bourdin and Helmut Newton, Kane developed a style that didn't shy from strong color, eroticism and surreal humor. In 1958 Kane assembled the greatest legends in jazz and shot what became his most famous image, "Harlem 1958." In the 1960s and 1970s, Kane photographed, among others, the Rolling Stones, The Who, Cream, Janis Joplin, The Doors and Bob Dylan. While the battle for civil rights in America and the Vietnam War raged, Kane was refining a conscientious response to the period with editorial work that was powerfully accessible and populist in its desire to communicate to a large audience. This is the first time Kane's work has been collected into one volume. Beautifully curated, it is a fitting tribute to one of photography's most original and creative forces.