Bøker utgitt av Regent Press

Who was Fay Abrahams Stender? A giant among Movement lawyers from the McCarthy Era to the 1970s intent on forcing society to change. Friends could easily picture her as the heroine of a grand opera. A child prodigy, she abandoned the concert piano to become a zealous advocate for society's most scorned and vilified criminal defendants: from the Rosenberg espionage case during the Cold War to militant black clients, Black Panther Party leader Huey Newton and revolutionary prisoner George Jackson to prisoners in the "e;Dachau"e; of maximum security. Stender achieved amazing legal successes in criminal defense and prison reform, before she ultimately refocused with similar zeal on feminist and lesbian rights. In May 1979, an ex-felon invaded her home and shot her execution-style after forcing her to write a note saying she betrayed George Jackson. She barely survived. Wheelchair bound and under 24-hour police protection, she then became the star witness in her assailant's prosecution. Awaiting trial in a secret hideaway in San Francisco, Fay told the few friends she let visit her there to "e;call me Phaedra,"e; a tragic heroine from Greek mythology. Shortly after the trial, like Phaedra, she committed suicide. Set against a backdrop of sit-ins, protest marches, riots, police brutality, assassinations, death penalty trials and bitter splits among Leftists, this book makes for a compelling biography. Yet it delivers on a broader goal as well - an overview of the turbulent era in which Fay Stender operated under the watchful eye of the FBI and state officials. We not only relive Stender's story, but that of a small cadre of committed Bay Area activists who played remarkable roles during the McCarthy Era, Civil Rights Movement (including Mississippi Freedom Summer), the Free Speech Movement, Vietnam War protests, and the rise of Black Power. Besides revolutionaries Huey Newton and George Jackson, Fay's life intertwined with: Jessica Mitford (who dubbed Fay her "e;frenemy'), Bob Treuhaft, Charles Garry, Bob Richter, Stanley Moore, Tom Hayden, Jane Fonda, Stokely Carmichael, Cesar Chavez, Mario Savio, George Crockett, Joan Baez, Willie Brown, Ron Dellums, Jerry Rubin, Max Scherr, Jean Genet, Elsa Knight Thompson, Kay Boyle, Bobby Seale, David Hilliard, Angela Davis, Eldridge and Kathleen Cleaver, and Mike Tigar, among others. By the fall of 1970, Stender had gained international press coverage as the most sought-after Movement lawyer in America. She had just achieved spectacular successes against all odds for two black revolutionary clients. The book also describes Stender's ultimate failure to surmount class and racial differences to make her clients' cause her own and how, as in a Greek tragedy, hubris led to her downfall. Fay's tragic end served as a sobering lesson to her Movement friends of the personal risks many of them had run. For many, her death symbolized the end of an era.

On the 50th anniversary of the Black Panther Party, Pearlman's new book American Justice on Trial: People v. Newton compares the explosive state of American race relations in 1968 to race relations today with insights from key participants and observers of the internationally-watched Oakland, California death-penalty trial that launched the Black Panther Party and transformed the American jury "e;of one's peers"e; to the diverse cross-section we often take for granted today. The book includes comments from Newton prosecutor Lowell Jensen, pioneering black jury foreman David Harper and TV journalist Belva Davis, as well as from Huey Newton's older brother Melvin Newton, former Panthers Kathleen Cleaver, David Hillliard and Emory Douglas. It also includes comments from civil rights experts including Bryan Stevenson, Barry Scheck and John Burris. This book complements the nonprofit documentary project of the same name for which Pearlman is co-producer/co-director on behalf of Arc of Justice Productions, Inc. [www.americanjusticeontrial.com].

African Openings To The Tree of Life uncovers the universal essence and life generating principles of African religion, philosophy, mythology, folklore, rituals, and symbolism, ordered and crystallized. These principles pertain to one''s total development, relating on different levels to the person, the family, the social group, the spiritual group, the neighborhood, the community, and work organization. These principles are intended to orient one toward understanding, seeing and living life as an on-going process. The principles may be used to deal with, or simply reflect upon life in its many aspects. Certain principles when turned over in the mind and meditated upon may provide solutions to a vast range of problems. The second portion of the book is an invaluable, concise essay on the profound significance ideas and symbols have upon the building of cultures, civilizations and personalities.

From Czernowitz to China and Beyond is the personal account of an extraordinary woman born of Jewish parents in 1890 in Czernowitz, then a part of the Austro-Hungarian Empire. She describes her life in Czernowitz as a child, China in 1910 at age 20, New York in 1912 and Shanghai again in 1924. Ethel Liebman Wiesinger tells of being married to a German entrepreneur in pre-revolutionary China and how politics affected her life. Her husband Otto Wiesinger, a lifelong German, fought in Tsingtau, China during WWI and later sought to import arms to support warlord Chang Tso-lin. In the 1930s, they had an Asian arts store in San Francisco that went bankrupt during the Great Depression. In 1938 Otto returned to Nazi Germany to support Hitler. Now on her own, Ethel opened the Beverly Hills Hotel Gift Shop and knew many celebrities. After retirement she lived in Charlevoix, Michigan, until her death in 1984. Additional stories of the family's life in the 20th century are written by her daughters. Edith Gilbert: My Shanghai - At Age Seven Margot Smith: Growing Up In Beverly Hills

Live music artist. I have the passion of the pen to draw the moment. I started drawing music and people around the Bay Area in the late eighties. Thousands of local and well-known bands in around San Francisco, California, along the coast to British Columbia and over to Europe in Berlin, Paris and beyond have been caught by my pen. I take a moment to hear the music dance through me while the hand goes to the paper and logs the moment. Always on the hunt for the next draw in restaurant café or just where I am. My late husband, Allen Cohen, was a well-known poet and the editor, founder of the San Francisco Oracle. I illustrated two of Allen's books of poems: The Book of Hats and Like a Radiant White Dove both published by Regent Press. My work is in many private collections and has appeared in Beatitude Magazine, Relix Magazine and Split Shift and in various CD's of the musician's that I have drawn. I Draw the Line in the Night Feeling the taste of the moment Eyes on me and I use to close book And leave the room No More I sit and draw, I'm in our living room Enjoying you When a person is in a social environment that requires one to be very quiet, and if this person needs to be busy all the time, pen and paper is a best friend.

For two decades famed artist Andrew Wyeth forged a special relationship with neighbors Helen and George Sipala. The couple was a special part of Andrew''s world and their home, Painter''s Folly, became a home-away-from-home refuge for Andrew and also a studio. Andrew included the couple in many of his special events, from art openings in New York City to a movie preview with Charlton Heston. Helen and George hosted Christmas parties for Andrew and Andrew invited the couple to spend time with him in Maine during summers.Besides being a friend, hostess and model for Andrew, Helen was a confident of the painter. Helen and Andrew spent many hours discussing painting, family, religion and other sensitive subjects.Andrew suggested that Helen keep a diary of their meetings and talks. He hoped Helen "was writing all this down." If Helen was to share their relationship, Andrew wanted her to not make his stories "sweet" but to "put an edge to it."Beyond the MARRIAGE Bed is the sweet and not too sweet chronicle of the relationship among Andrew Wyeth and Helen and George Sipala.

Christopher Bernard, "one of [our] best-kept lyric secrets" (Ivan Arguelles), offers a magnificent new collection of poems to help inspire us through this age of emergency as we face a pandemic, a crisis of democracy, and a world racing toward environmental disaster. "A vibrant and focused collection" (Marvin R. Hiemstra); poems "lyrical, funny, haunting, provocative, and sometimes maddening . . . adventurous, entertaining, and full of life" (Jane Tompkins). "With humor, grace, and human insight, Bernard leads us toward our ever-nearing future" (Keith Ekiss).

Revolutionary Hillbilly is a history book, an organizer''s notebook, and an autobiography. These are stories of unity against poverty and racism. Hy Thurman is a hillbilly and a revolutionary organizer. As a co-founder of the Young Patriots Organization, Thurman helped organize poor white communities in alliance with the Illinois Black Panther Party and Young Lords Organization during the Sixties. He is an educator who got his schooling in the fields of Tennessee, his PhD on the streets of Chicago, and his hunger for justice in the back of a patrol car.  Revolutionary Hillbilly is unique because it is a first person chronicle of the unfolding of landmark events of the 1960''s. Hy Thurman''s book provides an insiders view of how coalitions can form and the group dynamics that can keep these movements vibrant. It is an invaluable resource for historians and activists alike.

ABOUT THE BOOK"An electronic extension of the count┬¡less traveling salesmen and medicine men who crisscrossed America during its expansion, the ''faceless'' deejay ... the pop propagandist who is the Amer┬¡ican Dream - or a nightmare of a Knight Mercantile."The Deejays is the first fut story of the tribal chieftains who manipulate-pos┬¡sibly create -popula taste with every spin of their timetable. It is also the history of the countrywide radio stations and the re┬¡cording companies and their role in the extravaganza. The immense growth of radio in the United States since the Depression can be traced directly through the evolution of the deeiay who played records, interspersed with announcements of time, weather, and news, and most importantly peddled merchandise. In the beginning, they often spieled for dubious patent medicines or cut-rate clothing and furniture stores. Later, as national advertisers saw the possibilities for big profits from a small in┬¡vestment in air time, they began buying into the recorded music programs on the air nearly twenty-four hours a day from radio stations across country. At first, stations were reluctant to shell out cash just to play records. Recording firms, band leaders, and top singers feared an adverse effect on sales. The opposite happened, with every promoter eventually battling to get his discs released first on top shows, paving the way for huge incomes for major deejays, and the payola scandals that rocked the country late in 1959 when adoring fans saw many of their idols toppled in disgrace. The individual stories of the deejays are fascinating. Many of the diskers are quoted directly, talking frankly and irreverently about their jobs and bosses, tunes and trends, frustrations and triumph. Just how powerful they were, especially in their influence on younger listeners, is a question Arnold Passman explores in depth. Look┬¡ing to the future, he concludes that the day of the mass audience is over and that, increasingly, broadcasters will follow the read of such listener-supportecl stations as KPFK, Los Angeles; KPFA, Berkeley; and WBAI, New York, in appealing to a selective audience through true community service programming. 

A blood-curdling howl for women to awaken, Janine Canan’s poignant and disturbing compendium on the condition of 21st century woman portrays the women we love, hate, pity and are — exposing our tortured relationship to the feminine in an increasingly maled and motherless wasteland of pathological masculinity. Both lamentation and hymn, You Guys is ultimately a tribute to the indomitable potential of Women and  the eternal beauty  of Life.

The author/artist writes: The first drawing published in this book was January 13, 2020. Life was filled with adventure. I draw nearly every day. I organize my drawings by calendar date and file in thick folders that I make. When the folder is full with about forty drawings, I start another. These drawings from January 13 until March 16, 2020 are an accurate log created with pen, paint, papers, and musings of my life in San Francisco and the greater Bay Area.

THE BLUE NOTE is an indiscreet book about a discreet subject. It is a love and sex story that takes place both in the virtual world and in the real world. The computer screen is the mediating interface, the "e;door of perception,"e; through which our heroine and hero speak of love and, step by step, achieve sexual union. They discover and exploit the intense eroticism provided by the anonymity of electronics, a phenomenon of current technology that is causing a total upheaval in the way the sexes meet and merge.