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Translated by Megan McDowell. A debut about the demented final project of a brilliant mathematician. An allegory of the clash between European and Latin American history.

A brilliant, kaleidoscopic exploration of soccer-and the passion, hopes, rivalries, superstitions, and global solidarity it inspires-from Juan Villoro, "e;Mexico's top futbol expert"e; (NBC News).On a planet where FIFA has more members than the United Nations and the World Cup is watched by more than three billion people, football is more than just a game. As revered author Juan Villoro argues in this passionate and compulsively readable tribute to the world's favorite sport, football may be the most effective catalyst for panglobal unity at the time when we need it most. (Following global consensus, Villoro uses "e;football"e; rather than "e;soccer"e; in the book.)What was the greatest goal of all time? Why do the Hungarians have a more philosophical sense of defeat than the Mexicans? Do the dead play football? In essays ranging from incisive and irreverent portraits of Maradona, Messi, Ronaldo, Pele, Zidane, and many more giants of the game to entertaining explorations of left-footedness and the number 10, Juan Villoro dissects the pleasure and pain of football fandom. God Is Round is a book for both fanatics and neophytes who long to feel the delirium of the faithful.

Restless Classics presents The Souls of Black Folk: W. E. B. Du Bois¿s seminal work of sociology, with searing insights into our complex, corrosive relationship with race and the African-American consciousness. Reconsidered for the era of Obama, Trump, and Black Lives Matter, the new edition includes an incisive introduction from rising cultural critic Vann R. Newkirk II and stunning illustrations by the artist Steve Prince. Published in 1903, exactly forty years after the Emancipation Proclamation, W.E.B. Du Bois¿s The Souls of Black Folk fell into the hands of an American nation that had still not yet found ¿peace from its sins.¿ With such deep disappointment among African-Americans still awaiting full emancipation, Du Bois believed that the moderate and conciliatory efforts of civil-rights leader Booker T. Washington could only go so far. Taking to the page, Du Bois produced a resounding declaration on the rights of the American man and laid out an agenda that was at the time radical but has since proven prophetic. In fourteen chapters that move fluidly between historical and sociological essays, song and poetry, personal recollection and fiction, The Souls of Black Folk frames ¿the color line¿ as the central problem of the twentieth century and tries to answer the question, ¿Why did God make me an outcast and a stranger in mine own house?¿ Striking in his psychological precision as well as his political foresight, Du Bois advanced ithe influential ideas of ¿double-consciousness¿¿an inner conflict created by the seemingly irreconcilable ¿black¿ and ¿American¿ identities¿and ¿the veil,¿ through which African-Americans must see a spectrum of economic, social, and political opportunities entirely differently from their white counterparts¿.Now, over fifty years after Du Bois¿s death and the Civil Rights Act, we need this seminal work more urgently than ever. Long overdue for reconsideration, it is the latest installment of Restless Classics, featuring illustrations by master printmaker Steve Prince and a new introduction by Atlantic staff writer Vann R. Newkirk II.

In this deadly-funny debut novel by renowned Brazilian actress Fernanda Torres, five macho friends in Rio’s Copacabana reflect on their hedonistic glory days—now supplanted by the indignities of aging—in what turn out to be their final moments.With uncanny insight into the less virtuous corners of the male psyche, Fernanda Torres brings us five friends who once milked the high life of Rio’s Bossa Nova age and are now left with memories—parties, marriages, divorces, fixations, inhibitions, bad decisions—and the grim realities of getting old. Álvaro lives alone and bemoans the evils of his ex-wife. Sílvio can’t give up the excesses of sex and drugs. Ribeiro is a vain, Viagra-abusing beach bum. Neto is the square, a faithful husband until the end. Ciro is the Don Juan envied by all—but the first to die. Cutting in on these swan songs are the testimonies of those the men seduced, cheated, loved, and abandoned: their wives and children. Edgy, funny, and wise, The End is a candid tropical tragicomedy and an epitaph for a lost generation of machos. 

Restless Classics presents the Three-Hundredth Anniversary Edition of Robinson Crusoe, the classic Caribbean adventure story and foundational English novel, with new illustrations and an introduction by Jamaica Kincaid that contextualizes the book for our globalized, postcolonial era.When Daniel Defoe published Robinson Crusoe in 1719, many of the readers who quickly became obsessed with the adventure story were convinced that it was a true-life travelogue written by its protagonist. Three centuries later, the book remains a classic of the adventure genre and is widely considered the first great English novel. The book also has much to teach us, in retrospect, about the entrenched attitudes of colonizers toward the colonized, and it stands at the beginning of a long tradition of colonial literature and representation that still resounds today. Now with a new introduction by Jamaica Kincaid and vivid illustrations by the Mexican artist Eko, the Restless Classics edition of Robinson Crusoe invites readers to reconsider this tale of a castaway who spends thirty years on a remote tropical island near Trinidad, encountering cannibals, captives, and mutineers before being ultimately rescued.

Newly introduced by leading Quixote scholar Ilan Stavans, this 400th Anniversary edition of Don Quixote of La Mancha¿called the most popular book in history after the Bible and the first modern novel¿inaugurates Restless Classics: interactive encounters with great books and inspired teachers. Each Restless Classic is beautifully designed with original artwork, a new introduction for the trade audience, and a video teaching series and live online book club discussions led by passionate experts. Described as ¿the novel that invented modernity,¿ Miguel de Cervantes¿s Don Quixote of La Mancha has become since its publication in Spain in two parts¿the first in 1605, the second in 1615¿a machine of meaning, endlessly adapted into ballet, theater, dance, film, music, and television, not to mention a veritable tourist industry. Lionel Trilling argued that ¿all prose fiction is a variation on the theme of Don Quixote.¿ Mark Twain was a passionate fan. Flaubert modeled Madame Bovary after it. Dostoyevsky reimagined its protagonist in The Idiot. And Borges, in his story about Pierre Menard, looked at it as the gravitational center of Hispanic civilization. Milan Kundera fittingly summarized this unstoppable devotion when he said that ¿Cervantes teaches the reader to comprehend the world as a question.¿ Of course, Don Quixote has its detractors, too. Nabokov, for instance, maintained it was one of the cruelest narratives ever. Still, after 400 years, the book remains with us, winding improbably through history like the famous errant knight and his companion, Sancho Panza. The commemorative Restless Classics edition, published on the four-hundredth anniversary of its full release, features John Ormsby¿s canonical English translation, illustrations by award-winning Mexican artist Eko, and an insightful, thought-provoking introduction by Ilan Stavans, one of the foremost public intellectuals today. Don Quixote, Stavans writes, is ¿not only a novel but a manual of life. Yoüll find in it anything you need, from lessons on how to speak and eat and love to an exhortation of a disciplined, focused life, an argument against censorship, and a call to make lasting friends, which, in Cervantes¿s words, is `what makes bearable our long journey from birth to death¿.¿ The volume includes access to an interactive series of video lectures by Stavans, available online at restlessbooks.com/quixote. The videos serve as map to this restless classic, which speaks more eloquently than ever to our perennial desire to sacrifice for a dream in order to see its true worth.

"e;Deeply psychological and mysterious, the book will stimulate the imagination of the reader's mind to the extreme."e; -Marina Abramovic "e;In his latest novel, Jodorowsky builds on his multi-decade long assault of the public imagination.... a fantastical and genre-defying parable of love and friendship.... At its core, Albina and the Dog-Men is a love story about two people committed to one another's survival and to discovering their potential. And, as with life, it is sometimes only through the weathering of a storm that our true capacities are made clear."e; -NPR BooksWhen two women-an amnesiac goddess and her protector, a leather-tough woman called Crabby-arrive in a Chilean desert town, Albina's otherworldly allure and unfettered sensuality turn men into wild beasts. Chased by a clubfooted corrupt cop, evil corporate overlords, giant-hare-riding narcos, and Himalayan cultists, Albina and Crabby must find a magical cactus that will cure Albina and the men's monstrous affliction before the town consumes itself in an orgy of lust and violence.Albina and the Dog-Men is Alejandro Jodorowsky's darkly funny, shocking, and surreal hybrid of mystical folktale, road novel, horror story, and social parable, ultimately uniting in a universal story of love against the odds and what makes us human.

¿Ruth Ozeki, a Zen Buddhist priest, sets herself the task of staring at her face in a mirror for three full, uninterrupted hours; her ruminations ripple out from personal and familial memories to wise and honest meditations on families and aging, race and the body.¿ ¿Minneapolis Star TribuneWhat did your face look like before your parents were born? In The Face: A Time Code, bestselling author and Zen Buddhist priest Ruth Ozeki recounts, in moment-to-moment detail, a profound encounter with memory and the mirror. According to ancient Zen tradition, ¿your face before your parents were born¿ is your true face. Who are you? What is your true self? What is your identity before or beyond the dualistic distinctions, like father/mother and good/evil, that define us?With these questions in mind, Ozeki challenges herself to spend three hours gazing into her own reflection, recording her thoughts, and noticing every possible detail. Those solitary hours open up a lifetime's worth of meditations on race, aging, family, death, the body, self doubt, and, finally, acceptance. In this lyrical short memoir, Ozeki calls on her experience of growing up in the wake of World War II as a half-Japanese, half-Caucasian American; of having a public face as an author; of studying the intricate art of the Japanese Noh mask; of being ordained as a Zen Buddhist priest; and of her own and her parents¿ aging, to paint a rich and utterly unique portrait of a life as told through a face.Alternately philosophical, funny, personal, political, and poetic, the short memoirs in The Face series offer unique perspectives from some of our favorite writers. Find out more at www.restlessbooks.com/the-face.

¿A Planet for Rent is the English-language debut of Yoss, one of Cuba's most lauded writers of science fiction. Translated by David Frye, these linked stories craft a picture of a dystopian future: Aliens called xenoids have invaded planet Earth, and people are looking to flee the economically and socially bankrupt remains of human civilization. Yoss' smart and entertaining novel tackles themes like prostitution, immigration and political corruption. Ultimately, it serves as an empathetic yet impassioned metaphor for modern-day Cuba, where the struggle for power has complicated every facet of society¿ ¿NPR, Best Books of 2015Out of the modern-day dystopia of Cuba comes an instant classic from the island¿s most celebrated science fiction author: a raucous tale of a future in which a failing Earth is at the mercy of powerful capitalist alien colonizers.In A Planet for Rent, Yoss critiques life under Castro in the `90s by drawing parallels with a possible Earth of the not-so-distant future. Wracked by economic and environmental problems, the desperate planet is rescued, for better or worse, by alien colonizers, who remake the planet as a tourist destination. Ruled over by a brutal interstellar bureaucracy, dispossessed humans seek better lives via the few routes available¿working for the colonial police; eking out a living as black marketeers, drug dealers, or artists; prostituting themselves to exploitative extraterrestrial visitors¿or they face the cold void of space in rickety illegal ships.This inventive book marks the English-language debut of an astonishingly brave and imaginative Latin American voice.