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A thorough exploration of Salvatore Ferragamo s life and work: an inescapable opportunity to analyze the importance of his creativity and entrepreneurial instinct.

A magnificent publication, the first large survey published in over twenty years, this lavish volume celebrates 400 of the most beloved works from the nation's museum. Home to a world-renowned collection of paintings, sculpture, photographs, and works on paper, the National Gallery of Art has captivated visitors for over eighty years. Spanning centuries of human creativity and crossing a wide range of mediums, this publication features works by distinguished artists such as Romare Bearden, Edgar Degas, Francisco Goya, Dorothea Lange, Simone Leigh, Leonardo da Vinci, Claude Monet, Georgia O'Keeffe, Rembrandt van Rijn, Faith Ringgold, Mark Rothko, Vincent van Gogh, Johannes Vermeer, and many more. With an introduction delving into the history of the institution, and compelling photography of the iconic architecture and settings of the East Building, West Building, and Sculpture Garden, this luxurious book offers an unparalleled perspective on the museum.

An ideal introduction to the National Gallery of Art, this book highlights fifty paintings, sculptures, works on paper, photographs, and more from the museum's collection. This book showcases fifty paintings, sculptures, works on paper, photographs, and more from the National Gallery of Art. Selected from more than 150,000 works in the museum's vast collection, these remarkable examples of European and American art span centuries of human creativity. The National Gallery, its history, and the three parts of its 29-acre campus--the West Building (opened 1941), East Building (1978), and Sculpture Garden (1999)--are explored alongside works by Leonardo da Vinci, Rembrandt, Vermeer, Degas, van Gogh, Matisse, Picasso, Rothko, and Calder. Contemporary artists featured include Faith Ringgold, Carrie Mae Weems, Daniel Lind-Ramos, and Jaune Quick-to-See Smith. While many works represent self-exploration and identity, emotion and spirituality, others are quiet memorials to the everyday that connect us in our common understanding of the world. Presenting scenes painted in the Middle Ages to mixed-media works created this century, this book is perfect for lovers of art and art history and anyone visiting the museum's extraordinary collection.

Accompanying a major traveling exhibition, this book examines the unique artistic and cultural exchange between the Republic of Venice and Turkish Ottoman culture and identity over a three-hundred-year period. From the early Renaissance to the end of the eighteenth century, Venice held a central position in the global trade network. This book explores how artistic and cultural ideas originating in the Ottoman Empire arrived in Venice and were reinterpreted through the decorative arts, printed books, painting, drawing, and architecture. Featuring a richly diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known Venetian artists such as Vittore Carpaccio, Gentile Bellini, Michele Giambono, and Mariano Fortuny alongside works created by the best anonymous craftspeople both in Venice and the Ottoman Empire, including textiles, metalwork, armor, and ceramics. With newly researched essays by esteemed international scholars on topics such as trade routes, the involvement of international communities in Venice, diplomatic interactions, and military power dynamics, this important volume offers freshly reviewed and new perspectives on the intricate artistic relationship that existed between Venice and the Ottoman Empire.

This expansive survey of the art and culture of the American West presents richly diverse works by more than 35 distinct Native American nations considered alongside non-Native artists from the late eighteenth to early twentieth centuries. Knowing the West encourages deeper consideration of the variety of cultures that together reflect the complex histories and stories of the American West. Astonishing in range, historical significance, medium, and quality, more than 120 artworks by Native American and non-Native artists are presented--including textiles, baskets, paintings, pottery, beadwork, saddles, and prints--including many by women. The artworks are shown in meaningful dialogue, such as baskets by Elizabeth Hickox (Wiyot/Karuk) juxtaposed with a large-scale California landscape by Albert Bierstadt, or New Mexican tinwork in conversation with a beaded valise by Nellie Two Bear Gates (Dakota), emphasizing influence and exchange and pointing out different ways of thinking about land and place. Multiple texts by a diverse range of scholars with broad-reaching perspectives explore topics such as history and making of Lakota winter counts, the development of saddles and bridles from across cultures, and the influence of the railroad and tourism on Southwestern pottery. This unprecedented volume centers Native voices and perspectives, prompting further thinking and research about the art history of the West.

A richly illustrated catalogue of visual art recording the changing ecology of Monhegan Island, a renowned artist destination off the coast of Maine. With its rugged shoreline, magnificent Cathedral Woods, and rustic cedar-shingled homes, Monhegan Island is quintessential Maine. This historic fishing village situated 10 miles off the coast has long been a haven for artists drawn to the splendor of its ocean vistas and picturesque wildlands and for ecologists fascinated by its complex natural history. Merging art, science, and history, this book explores the broad arc of ecological events on the island--the formation and abandonment of pastureland, forest recovery, and the critical importance of land conservation--through their representation in visual art. Indeed, for well over a century, painters, photographers, printmakers, and cartographers alike have observed and depicted this dynamic landscape. Inspired by a Rockwell Kent painting of white spruce saplings set against blue sea and golden sky, biologist Barry Logan recognized that the island's ecology could be traced through its artistic depictions across the ages. This collaboration between Logan and Monhegan historian Jennifer Pye and art historian Frank Goodyear yields a new and unprecedented survey of the art of the island through the lens of ecology. This story of Monhegan parallels that of other land conservation efforts throughout the country, yet it is one uniquely well told by island artists, ecologists, historians, and community members.

The first comprehensive monograph surveying the expansive twenty-five-plus-year career of the highly influential artist, known for his rainbow-colored paintings, drawings, and emotive ceramic facepots. McCarthy is known for his gestural and intuitive artwork. His brightly colored paintings, with loose brushwork, depict figures in action: dancing, surfing, fishing, and skateboarding often against a rainbow-colored background. His ongoing series of ceramic facepots attracted attention with their hand-built immediacy and invested emotionality. McCarthy grew up working on fishing boats near Catalina Island and cites the Pacific Ocean as a lasting influence on his work. The beautifully curated book includes an 8-page gatefold and a French-fold jacket, which opens up to a collectible foldout poster.

Explores the powerful ways in which visual art has long provided its own rich outlet for protest, commentary, escape, and perspective for African Americans. This important book showcases the potent role of visual art in African American protest history. Featuring Black artists working in a range of media, from photography to sculpture to painting--including Amy Sherald, Jean-Michel Basquiat, Sheila Pree Bright, Bisa Butler, Shaun Leonard, and David Hammons, to name just a few--the book considers art that exemplifies resilience in times of conflict, as well as the ritual of creation, and the defiant pleasure of healing. Reckoning explores the ongoing struggles Black Americans have faced in their pursuit to enjoy the fundamental rights and freedoms promised in the Constitution to citizens of the United States. Drawn from the museum's permanent collection, the featured works respond to the dual crises of Covid-19 and systemic racism that shaped 2020, a period that has been called one of reckoning, as the world witnessed the killing of George Floyd, Breonna Taylor, and other African Americans, leading to some of the largest protests in US history.

Widely celebrated as the father of the Studio Furniture Movement, Wharton Esherick is one of the most important furniture designers of the twentieth century. Presenting his preserved hillside house and studio, this book showcases seven decades of innovative woodwork and sculpture, embodying his influence on American art and design. Wharton Esherick (1887-1970) stands as a pivotal figure in 20th-century American art, craft, and design. Now known as the Wharton Esherick Museum, the artist's self-proclaimed "autobiography in three dimensions" on Valley Forge Mountain, constructed between 1926 and 1966, served as his creative epicenter and a vibrant community hub. To introduce Esherick's visionary work to a broader public, this book draws on the museum's collection of almost 3,000 objects, many never before seen outside his home and studio, following Esherick's evolution from paintings and woodcut illustrations to his revolutionary fusion of furniture and organic sculpture. Through fully contextualizing iconic works in Esherick's own space, this book immerses readers in his creative world while capturing his unparalleled artistic contributions to the realms of furniture, architecture, prints, drawings, and sculpture.

The second Rizzoli publication dedicated to an important member of the Mexican and Latin American architectural vanguard, celebrating exceptional craftsmanship and refined sophistication, and guided by the ideals of Mexican modernism. Farca looks to the work of the late design icon Luis Barragán for inspiration, blending tradition with modernity. He focuses on the importance of collaborating with indigenous artisans who work in age-old Mexican crafts, to create environmentally sustainable, indoor/outdoor spaces and furniture with a palette of natural materials, translated through a contemporary luxury lens. This lavish volume features sixteen of his newly built private residences in Mexico and California that show off his spectacular designs for seamless indoor and outdoor living. Notable projects include sun-drenched beach houses in Los Angeles and throughout Mexico that integrate artisanal practices, such as mosaics and patterns of hammered copper, which contribute to the local communities. At the start of any project, Farca and his team undertake a detailed bioclimatic study of a site, documenting the wind, light, and temperature conditions hour to hour and day to day. Those shifts generate the framework for layouts, form, flow, and material choices. At the Los Jales house in Jalisco sun washes deliberately across exterior walls of stucco and cast-in-place concrete, their distinctive surfaces shifting into an immersive tapestry of complementary gray tones, a tableau en grisaille. Beyond the exterior walls the unexpected awaits, be it a sublime courtyard planted with branching cacti; a seamless sweep of pool, surf, and sky; or a floating central staircase bathed in natural light. Step through the front doors and the outside world recedes as textures, surfaces, finishes, and geometries come into focus, inviting exploration and contemplation.

A long overdue survey of this exceptional artist, a renegade in every sense of the word, celebrating her legacy as an original member of the Beat Generation in San Francisco and abstract painter in New York. This first comprehensive monograph on Remington (1930-2010) examines her extraordinary career through paintings, prints, and drawings. An enthusiastic participant in the Bay Area's Beat scene in the early 1950s, Remington made her way to New York in 1965, where she joined the prestigious Bykert Gallery and quickly gained critical attention. Luminous and saturated, her hard-edged abstractions of the 1960s and 1970s are well known; yet the work from the last twenty-five years of her life is not as familiar to art world audiences. After a mid-career survey in 1983, Remington returned to a poetic, gestural sensibility that evoked the natural world and, eventually, her ailing body. This publication traces the arc of these evolutions through lavish illustrations as well as a broad range of texts that includes scholarly essays, remembrances, an interview, and a narrative chronology. Extensive research reveals the artist's innermost thoughts, enhancing our understanding of the art world during her time. This long overdue examination of her career reveals a visionary artist untethered to the trends and art movements of her own lifetime and prime for rediscovery.

The first monograph on more than thirty years' work by the Indian-born British artist, whose opulent, brightly colored paintings have made him one of the most extraordinary and sought-after artists working today. Shaw's work is as vibrant and ornate in color and detail as it is ambitious in scope, with a remarkable synergy between his fantastical and often violent imagery and the delicacy of his technique. Deeply inspired by the old masters but infused with his own personal iconography, and drawing equally on eastern and western mythology, his work represents a compelling and profoundly contemporary hybridization of aesthetics and sensibilities. His opulent and intricately detailed paintings of fantastical worlds, often with surfaces inlaid with vibrantly colored jewels and painted in enamel, reveal an eclectic fusion of influences--from Persian carpets and Northern Renaissance painting to industrial materials and Japanese lacquerware--but ultimately reflect the universality of the human condition. Collected here, in the first comprehensive monograph on the artist to date, are more than 100 of Shaw's works, representing thirty years of painting in which intricate detail, rich color, and bejeweled surfaces mask the intensity and depth of his imagery.

Posters, photography, and objects from the height of Spiritualism and the history of magic gain renewed power when seen through today's lens. The human desire to connect with the dead since the mid-19th century gave rise to a fascination with the supernatural and the magical. Mediums and magicians from Harry Houdini, Margery the Medium, Howard Thurston, and the Fox Sisters offered "communication" with the departed at séances and magic shows, two interrelated forms of popular culture that relied heavily on illusions and stagecraft. This is the first illustrated volume to gather the art and objects that made medium and magician performances iconic during the Spiritualism movement and beyond, a time when people actively debated and wondered, "can spirits return?" An international selection of paintings, photographs, posters, stage apparatuses, film, publications, and other objects reveal how audiences were entranced and mystified by these experiential performances, captivating willing believers and garnering skeptics as they navigated the intersecting realms of science and spirituality. From the origins of the iconic Oujia board to spirit photography, this book is a treasure trove.

This is the catalogue of the important exhibition dedicated to Wanda Miletti Ferragamo, which focuses on female empowerment in various domains from the 1960s onward.This catalogue accompanies the exhibition Women in Balance at the Museo Salvatore Ferragamo in Florence. The project arose as a tribute to Wanda Miletti Ferragamo, who guided the Salvatore Ferragamo company from 1960 until her death in 2018.The volume aims to tell the story of the women who balanced their roles as mothers and wives with their work during the years of the Italian “economic miracle” and beyond. The story of Wanda Ferragamo’s life is accompanied by the voices of women from diverse fields who embodied their time and helped to shape it.Focus is placed on women who have been pioneers in their fields (politics, literature, photography, cinema, art, music, business, science, and technology). This catalogue seeks to trigger reflections on gender relations in contemporary society and the balance needed to reconcile women’s private lives with their passions and professional aspirations.