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This is the fifth volume in an evolving series known collectively as "Studies in Perception and Action." It features papers presented at the Tenth International Conference on Perception and Action held in Edinburgh, Scotland in August of 1999. This series provides a unique insight into the evolution of research on the ecological approach to perception and action. Each volume presents new research, almost always at the cutting edge of the discipline, and gives a special place to younger scientists whose work contains the seeds which will determine the future growth and direction of the discipline. Studies in Perception and Action V thus offers the reader not just a cross-section of leading research at a given point in time, but a mini-history of ecological psychology and its development. In this regard it is already notable how many of the 'younger scientists' in the 1991 volume have become leading figures of the field today.

Suitable for intermediate/advanced photographers, this book covers the entire spectrum of photographic potential offered by the software Elements 7, including key areas such as: darkroom techniques, advanced selection techniques, professional retouching, photo restoration, panoramas, collages, RAW processing and printing.

`We Can Take It!' shows that the British remember the war in a peculiar way, thanks to a mix of particular images and evidence. Our memory has been shaped by material which is completely removed from historical reality. These images (including complete inventions) have combined to make a new history. The vision is mostly cosy and suits the way in which the Britons conceive of themselves: dogged, good humoured, occasionally bumbling, unified and enjoying diversity. In fact Britons load their memory towards the early part of the war (Dunkirk, Blitz, Battle of Britain) rather than when we were successful in the air or against Italy and Germany with invasions. This suits our love of being the underdog, fighting against the odds, and being in a crisis. Conversely, the periods of the war during which Britain was in the ascendant are, perversely, far more hazy in the public memory.

Survival, the IISS's bimonthly journal, challenges conventional wisdom and brings fresh, often controversial, perspectives on strategic issues of the moment.In this issue: François Heisbourg assesses that Ukraine might have to accept the de facto division of the country to secure a fast track into NATO Daniel Byman writes that state ties to terrorist groups are likely to feature in the western alliance's long-term confrontation with Russia and in its rivalry with China Juan Pablo Medina Bickel and Irene Mia assess that global climate mitigation and the energy transition could reinforce South America's geopolitical clout From the Survival archives, the late David P. Calleo predicted in 1999 that a successful euro would enhance the EU's diplomatic and military capabilities, while the late James Dobbins considered in 2012 how the US could prevent a war with ChinaDana H. Allin and John L. Harper reflect on long-time Survival contributing editor David P. Calleo's legacyAnd nine more thought-provoking pieces, as well as our regular Book Reviews and Noteworthy column.Editor: Dr Dana AllinManaging Editor: Jonathan StevensonAssociate Editor: Carolyn West

An account and strategic overview of the major political changes underway in the face of global environmental issues. The book delineates a new era of planetary management, showing how national interests will have to adapt to recognize the imperatives of the global consequences of actions. the author argues that this is already beginning to happen in the negotiations over the ozone layer and climate change. but as pressures increase through loss of biodiversity, water scarcity and depletion of vital resources such as fish, forests and topsoil, so too will the politics of planetary management override other issues.

The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks.Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born after 1915. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.

A pioneer of nursery education in inner-city areas, Margaret McMillan changed the course of British educational history. While many are aware of the various social reforms she initiated, few are familiar with the life of the woman herself. Originally published in 1989, working from her own fresh collection of Margaret McMillan's letters and newspaper articles, Dr Bradburn tells in full the inspiring story of a cultured woman who found a new motivation. Born in America into a middle-class family in 1860, Margaret McMillan spent most of her life in Britain struggling to improve the lot of the poor and needy. Outraged by the living and working conditions of labourers in Victorian England, she turned her moral indignation into effective action by throwing herself into a campaign for a more just and compassionate society. She was a colleague of Keir Hardie, a founder member of the Independent Labour Party, and worked wholeheartedly from the 1890s for the betterment and advancement of the human race. J. B. Priestley, who knew Margaret McMillan when she was a member of the Bradford School Board, later described as 'one of those terrible nuisances who get things done and do more good than a load of bishops'. In the light of discussions on the urgent need for urban renewal and improvements in nursery education at the time of original publication, a review of the innovative work of Margaret McMillan was timely. This well-documented biography gives fascinating glimpses of a remarkable pilgrimage whose results have not been effaced by time.

Originally published in 1984, and now reissued with a new Preface, this was the first systematic and evaluative investigation of the holistic health movement - the first to put its contribution and limitations in both historical and current perspectives. The book answers two essential questions: how do alternative medicines challenge the tenets of conventional scientific medicine; and could a synthesis of these alternative medicines and scientific medicine lead to a reformulation of conceptions of healing? A historical survey of medical care up to the use of scientific medicine in the 19th and 20th Centuries is followed by chapters on different traditions of alternative medicine: homeopathy, chiropractic, non-medical and spiritual healing, oriental medicine and self-care. Each considers the historical roots and development of the particular alternative medicine; describes its principles and how they relate to mainstream medicine. The concluding chapter considers social policy implications and political issues.

The authors are outstanding scholars engaged in the study of language varieties spoken in 'convergence areas' in which speakers are multilingual in languages of at least two but sometimes all three language families. Many of the contributions present new data collected in fieldwork. The geographic area covered is Western and Central Asia where varieties of Iranian, Semitic and Turkic languages have entered into many different types of contact. The intricate linguistic contact situations demonstrate highly interesting convergence phenomena.

This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

This stimulating anthology, prepared by the great folklorist, B.A. Botkin, is comprised of the traditional songs, stories, customs, and beliefs which have been handed down, by word of mouth, for so long that they seem to have a life of their own. For Botkin, they are at the core of peoplehood.When one thinks of American folklore one thinks not only of the folklore of American life, the traditions that have sprung up on American soil, but also of the literature of folklore, the migratory traditions that have found a home in the New World. Here are the pioneer heroes, legendary and real: the boasters, liars, bad men, good people, and strong people. There are anecdotes, tall tales, cross talk, and jests, full of vigorous good humor. There is a selection of the classic ballads of sailors, miners, cowboys, lumberjacks, and hoboes. Relations between men and women, slave songs of the black people, work songs connected with union struggles, are all herein covered. In The American People, the people speak and are allowed to tell their own story in their own way.The volume is graced by a personal memoir by Louis Filler. The reader learns the background that made Botkin an integral voice in the reconstruction of American folklore. Here, one can read the actual tales of Davy Crockett, Buffalo Bill, Casey Jones, Johnny Appleseed, The Arkansas Traveler, Paul Bunyan, and countless other figures from the past- real and mythic.

This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

Half a century after the collapse of the Nazi regime and the Third Reich, scholars from a range of fields continue to examine the causes of Nazi Germany. An increasing number of young Americans are attempting to understand the circumstances that led to the rise of the Nazi party and the subsequent Holocaust, as well as the implication such events may have for today as the world faces a resurgence of neo-Nazism, ethnic warfare, and genocide. In the months following World War II, extensive psychiatric and psychological testing was performed on over 200 Nazis in an effort to understand the key personalities of the Third Reich and of those individuals who "just followed orders." In addressing these issues, the current volume examines the strange history of over 200 Rorschach Inkblot protocols that were administered to Nazi war criminals and answers such questions as: * Why the long delay in publishing protocols? * What caused such jealousies among the principals? * How should the protocols be interpreted? * Were the Nazis monsters or ordinary human beings? This text delivers a definitive and comprehensive study of the psychological functioning of Nazi war criminals -- both the elite and the rank-and-file. In order to apply a fresh perspective to understanding the causes that created such antisocial behavior, these analyses lead to a discussion within the context of previous work done in social and clinical psychology. Subjects discussed include the authoritarian personality, altruism, obedience to authority, diffusion of responsibility, and moral indifference. The implications for current political events are also examined as Neo-Nazism, anti-Semitism, and ethnic hate are once again on the rise. While the book does contain some technical material relating to the psychological interpretations, it is intended to be a scholarly presentation written in a narrative style. No prior knowledge of psychological testing is necessary, but it should be of great benefit for those interested in the Rorschach Inkblot test, or with a special interest in psychological testing, personality assessment, and the history of psychology. It is also intended for readers with a broad interest in Nazi Germany.

Since World War II critics have been predicting the decline of the novel. This book argues that the novel is not dead. Looking at American and English fiction it claims that the novel can not only change the possibilities of art, but also contribute to awareness of life's possibilities.

Drawing on her own family stories, as well as those of a hundred other people, Elizabeth Stone shows how we are shaped by the tales and lore that we absorb from the family circle, how stories teach us values, inspirations, warnings and incentives.

To the best of the author's knowledge, this study, conducted from July, 1968 to June, 1969, is the first comprehensive sociological survey of an African university. This study did not begin with a set of specific hypotheses to be tested, nor does the research include everything of conceivable relevance to the University of Ilosho (U .I.). Instead, the focus is on the political structure of U.I., on social stratification and mobility, and on problems of ethnicity. These closely interrelated problems are of great importance to the development of Nigeria, where U .I. is located.

Originally published in 1988, this volume contains papers from, and commissioned after, "The Passing of Arthur", a conference on Medieval and Renaissance Studies in November 1986. No Arthurian story is experienced without some foreknowledge of its end, which the text acknowledges through a complex range of methods. This collection takes this as its point of origin, suggesting that all such narratives concern the passing of Arthur, even indirectly, so the chapters not only look at the death of Arthur but the passing on and development of the Arthurian literature. The figure of Arthur and the Round Table continues to fascinate contemporary readers. This interesting collection presents a wide range of Arthurian studies approaches representing some of the vast scholarship on the genre.

Babbitts and Bohemians is a fresh and informed account of the 1920s, a decade that seems almost mythical to some. Elizabeth Stevenson finds that the true twenties was a society of contrast. On the one hand, it was an era of sameness and political conformity, but on the other hand, it was also a time of cultural revolt. In places labeled Main Street and Middletown the citizenry followed a conventional pattern. At the same time, while most of America enjoyed the good life of this period, bohemians in Greenwich Village and expatriates in Paris were fervently scornful of it.The author explores the new sense of self and the world during this period, especially evident in the writings of Sinclair Lewis, Sherwood Anderson, Robert Frost, H. L. Mencken, Glenway Wescott, William Faulkner, and others. Stevenson writes about numerous facets of the 1920s: the brilliant entertainers, Harlem's brief period of glory, the worsening conditions in the South, the hero worship of Babe Ruth and Charles Lindbergh, and the stockmarket crash in 1929 that brought an abrupt end to the golden years. In the new introduction, the author reflects on her personal experience and discusses how the 1920s affected her family. She goes on to talk about how living in the tumultuous 1960s prompted her to write Babbitts and Bohemians. While she concedes that there were some not so glorious times during the 1920s, she still considers it a period where the vitality of life exhibited itself in all sorts of interesting and entertaining new ways.Elizabeth Stevenson succeeds admirably in conveying the spirit and the history of the era: the people and the mood that shaped the times; the political, international, and economic apathy; the conformity and rebellion of a decade unlike any other before or since. Babbitts and Bohemians will be enjoyed by all, especially historians, sociologists, and political scientists.

Based on a study of fourteen families in which a child had contracted paralytic poliomyelitis. Passage Through Crisis: Polio Victims and Their Families, first published in 1963, was widely praised for its penetrating--and, for its time, innovative--analyses of doctor-patient communications, and for its interpreta-tion of the meaning of physical disability in American society. In his new opening essay, Davis reflects on the enduring sources of this profound problem in human relations as well as on those changes in the culture of American health care that are helping to restructure doctor-patient relations along more open, less authoritarian lines. The emergence of patient self-help groups, the political militancy of the Gay community in regard to AIDS, and the fading of the early post-World War II naive faith in the humanitarian efficacy of science are some of the developments dealt with. A parallel discussion of the importation into medical sociology of such concepts as the reality-structuring power of professional discourse and of the meta-phoric significance of different diseases for different historical eras seeks to relate developments in the culture of health care to sociology's study. Passage Through Crisis retains for today's readers that essential quality that most engaged readers of a quarter century ago: its vivid and probing ethno-graphic account of the impact of serious illness on the family, the difficult processes of adjustment that ensue and, in these connections, the role played (and toll exacted) by American values.

To date, the study of communicated explanations has been, at best, unsystematic. There has been little recognition that many, if not most, explanations are eventually delivered to a hearer or hearers. These potential audiences constrain the way the explanation is ultimately shaped. Similarly, researchers have devoted themselves to the study of "accounts," for the most part without an accompanying interest in the fundamental processes of event comprehension. This volume is devoted to bridging the gap between these two traditions.

The development of technology and the hunger for information has caused a wave of change in daily life in America. Nearly every American's environment now consists of cable television, video cassette players, answering machines, fax machines, and personal computers. Schement and Curtis argue that the information age has evolved gradually throughout the twentieth century. National focus on the production and distribution of information stems directly from the organizing principles and realities of the market system, not from a revolution sparked by the invention of the computer.Now available in paperback, Tendencies and Tensions of the Information Age, brings together findings from many disciplines, including classical studies, etymology, political sociology, and macroeconomics. This valuable resource will be enjoyed by sociologists, historians, and scholars of communication and information studies.

Contractual disputes, often involving large sums of money, occur with increasing frequency in the construction industry. This book presents - in non-legal language - sound professional advice from a recognized expert in the field on the practical aspects of claims. This edition has been brought right up to date by taking into account legal decisions promulgated over the last 17 years, as well as reflecting the effect of current inflation on claims. The new edition is based on the 1998 JCT contract. *Fully updated second edition of this practical guide. *Worked examples to back up the advice offered and relate it to practitioners' experience.

As Charlton Heston put it: 'There's a temptingly simple definition of the epic film: it's the easiest kind of picture to make badly.' This book goes beyond that definition to show how the film epic has taken up one of the most ancient art-forms and propelled it into the modern world, covered in twentieth-century ambitions, anxieties, hopes and fantasies. This survey of historical epic films dealing with periods up to the end of the Dark Ages looks at epic form and discusses the films by historical period, showing how the cinema reworks history for the changing needs of its audience, much as the ancient mythographers did. The form's main aim has always been to entertain, and Derek Elley reminds us of the glee with which many epic films have worn their label, and of the sheer fun of the genre. He shows the many levels on which these films can work, from the most popular to the specialist, each providing a considerable source of enjoyment. For instance, spectacle, the genre's most characteristic trademark, is merely the cinema's own transformation of the literary epic's taste for the grandiose. Dramatically it can serve many purposes: as a resolution of personal tensions (the chariot race in Ben-Hur), of monotheism vs idolatry (Solomon and Sheba), or of the triumph of a religious code (The Ten Commandments). Although to many people Epic equals Hollywood, throughout the book Elley stresses debt to the Italian epics, which often explored areas of history with which Hollywood could never have found sympathy. Originally published 1984.

Provides an overview of the evolution of political Islam in South-east Asia. Analyses the sources of relgious radicalism and assesses the regional terrorist and radical networks. Describes how secular democratic institutions can be strengthened, and how moderate and tolerant tendencies can be promoted.

Research shows that the stress points in children's daily lives are on the increase and can have a negative impact on their ability to learn, relate to others and to themselves. This practical resource: explains and demystifies relaxation, meditation and visualisation; provides an educational rationale backed up by case study material that shows the benefits of helping children to develop 'stillpoints' in order to neutralise stress, develop a stronger sense of 'self' and create 'optimum' learning states; includes a very practical and unique resource for use in the classroom or home. Based on sound educational, yogic and psychological philosophies, each of the 7 tracks has a specific theme and is only 5 minutes long: Track 1: Relaxation - 5/6 minutes (sitting in a chair); Track 2: Heart Meditation - 5/6 minutes (sitting in a chair); Track 3: Finding Peacefulness - 5/6 minutes (sitting in a chair); Track 4: Pack Up Your Troubles - 5/6 minutes (sitting in a chair); Track 5: Finding Silence - 5/6 minutes (sitting in a chair); Track 6: The Learning Tree - 5/6 minutes (sitting cross-legged); Track 7: The Learning Tree 2 - 5/6 minutes (lying down). The handbook provides the rationale for the 'why' and the downloadable resources provide the guidance and practical application on the 'how'.

This is the second volume of the publication series of the Israeli Sociological Society, whose object is to identify and clarify the major themes that occupy social research in Israel today. Studies of Israeli Society gathers together the best of Israeli social science investigation, which was previously scattered in a large variety of international jour-nals. Each book in the series is in-troduced by integrative essays.The contents of volume two focus on the sociology of a unique Israeli social institution--the kibbutz. Kib-butz society constitutes an impor-tant laboratory for the investigation of a variety of problems that have been of perennial concern to the social sciences. Topics in this volume include relevant contem-porary issues such as the dynamics of social stratification in a "classless" society, the function and status of the family in a revolutionary society, relations between generations, industrializa-tion in advanced rural communities, and collective economies versus the outside world. The questions of the concept and development of the kib-butz, social differentiation and socialization, and work and produc-tion within the kibbutz possess a significance far beyond their im-mediate social context. Does the kibbutz offer a model for an alter-native, communal lifestyle for the modern world? How has the kibbutz changed over the past decadeswithin the context of a rapidly modernizing Israeli society?Emphasizing the "nonfailure" of the kibbutz experiment and con-trasting it with many socialist, cooperative, and communal ex-periments that clearly did fail, Martin Buber, in his analysis, attributes this success to the kib-but/'s undogmatic character, its ability to adapt structures and in-stitutions to changing conditions, while preserving its essential values and ideals.This volume presents an excellent review of the social research under-taken on the kibbutz in the past decades, and provides an introduc-tion to the growing scientific literature on the kibbutz.Contributors: Melford E. Spiro, Menachem Rosner, Martin Buber, Joseph Ben-David, Daniel Katz, Naftali Golomb, Erik Cohen, Arye Fishman, Michael Saltman, S.N. Eisenstadt, Eva Rosenfeld, Amitai Etzioni, Ephraim Yuchtman, Eliezer Ben-Rafael, Nissim Cohen, Yonina Talmon-Garber, Joseph Shepher, Lionel Tiger, Edward C. Devereux, Reuben Kahane, Ivan Vallier, David Barkin, John W. Bennet, Yehuda Don, Uri Leviatan, Eliette Orchan, Shimon Shur and David Glanz.

Hans Keller 1919-1985: A musician in dialogue with his times is the first full biography of Hans Keller and the first appearance in print of many of his letters. Eight substantial chapters, integrating original documents with their historical context, show the development of Keller's ideas in response to the people and events that provoked them. A musician of penetrating insight, Keller was also an exceptional writer and broadcaster, whose remarkable mind dominated British musical life for forty years after the Second World War. It was a vital time for music in Britain, fuelled by unprecedented public investment in the arts and education and the rapid development of recording and broadcasting. Keller was at the centre of all that was happening and his far-sighted analysis of the period is deeply resonant today. Illustrated throughout by extracts from Keller's writings, diaries and correspondence with musicians including Arnold Schoenberg, Benjamin Britten and Yehudi Menuhin, this book vividly conveys the depth of his thought and the excitement of the times. Published for the centenary of Keller's birth, it is an illuminating celebration of his life and works for all those interested in the music and history of post-war Britain.

This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative in which they combined words with images.

This study analyses the historical development of South African cinema up to he book's original publication in 1988. It describes the films and comments on their relationship to South African realities, addressing all aspects of the industry, focusing on domestic production, but also discussing international film companies who use South Africa as a location. It explores tensions between English-language and Afrikaans-language films, and between films made for blacks and films made for whites. Going behind the scenes the author looks at the financial infrastructure, the marketing strategies, and the works habits of the film industry. He concludes with a discussion of independent filmmaking, the obstacles facing South Africans who want to make films with artistic and political integrity, and the possibilities of progress in the future.Includes comprehensive bibliography and filmography listing all feature films made in South Africa between 1910 and 1985 together with documentary films by South Africans, non-South Africans, and exiles about the country.

This study explores the model derived from Freudian and Lacanian psychoanalysis, via Marxism and semiotics, of looking at film. It retraces the steps of film theory from ideological criticism of the late '60s to spectator studies in 1988 when the book was originally published. Psychoanalysis enables a discussion of the cinema's role as a social and political force and this book enters a discourse of the politics of representation. Reconstructing discussion of basic issues, the book addresses our instincts and defences in reacting to cinema, the similarity between mental processes and cinematic technique, narrative techniques and the 'cinematic apparatus'. Importantly, the book concerns itself with the concept of ideology and how the filmviewing experience engages the spectator in a complex net of stimuli presenting representations of an ideal world and the effect of this within film studies.