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Dorothy Day died recently in New York City. With her death, the Catholic Worker Movement lost the last of its founders and leaders. In this insightful and well-documented study, Aronica answers the question whether and how the Movement has survived beyond the founders. Starting from the notion of charismatic leadership, the author converts the Catholic Worker Movement into a test case for the classical analysis of social organization. Through participant observation, Aronica uncovers and explains the system of power and authority, the process of incorporation and the services provided to the poor by the Catholic Worker Movement. The Movement's paper, the Catholic Worker, was used to help provide a typology of membership categories. The book is more than a study in the transformation of charismatic leadership; it is also a study of the place of radical social thought within American Catholicism. Aronica shows the problems that the church structure has with grass-roots activities. She also illustrates the difficulty that a grass-roots organization has in transforming itself into a functioning bureaucracy. The book adds a new organizational dimension to the growing number of books on social movements. It is well suited for an audience interested in the sociology of religion and for those concerned with a fruitful application of modern ethnographic research to classical frameworks.

First Published in 1986. This work should be considered as a simple introduction to nuclear engineering. It covers and somewhat enlarges upon a set of courses that the author's currently give at the Ecole Polytechnique Federale of Lausanne, Switzerland.

In "American Silences", Joseph Anthony Ward offers a unique analysis of the use and effects of silence in modern American realistic art. Beginning with the nineteenth-century literature that laid the foundation for silence in art, he moves to a brief analysis of Sherwood Anderson's "Winesburg", Ohio and Ernest Hemingway's "In Our Time", showing how they, along with several other crucial works of twentieth-century American realism, incorporate the power of the silent into their expression without sacrificing the subjects and techniques of traditional realism. Examining "Let Us Now Praise Famous Men", James Agee's commentary on the life of tenant farmers, documented with photographs by Walker Evans, Ward traces the book's pattern of 'silence, then silence disturbed by sound, and ultimately silence restored'. Ward further supports his theory with a study of Agee's "A Death in the Family" and Evans' "American Photographs". Ward sees Agee's admiration of photography as a connection between the silence of the scenes he writes about and the silence of Evans' photographs. The use of silence is perhaps even more obvious in the paintings of Edward Hopper. Although throughout the book Ward suggests both the positive and negative qualities of silence in art, Hopper's paintings provide little in the way of postiveness. For Ward, the art of silence is an art of extreme concentration that seeks essences rather than superficiality that nearly transcends realism itself. The theme of silence in American realism is a significant new one, but Ward's interpretation of the prose and his analysis of the photographs and paintings, many of which are reproduced in this book, establish validity for art as the voice of silence.

Originally published in 1947, The Vertical Man explores a form of Indian sculpture largely ignored in other studies, with a focus on two kinds of sculpture from the province of Bihar.The book provides detailed analysis of the formal characteristics of the sculpture and the influences of the myth, ritual, and context in which they were commissioned and made. It explains why the sculpture is regional and "why the styles are what they are". It is an original study which throws light on important subjects such as the relations of art and religion and of art and economics. The Vertical Man will appeal to those with an interest in art, specifically sculpture and the art of the Indian countryside.

An examination of the extent to which Nasser's 1952 coup d'etat brought about significant changes in the basic social, political and cultural structures of Egypt.

The Production of Political Television (1977) is a study of the organization and methods of production of political television that covers not only news broadcasts and current affairs programmes but all programmes involved with the policy making process in Britain. It examines the procedures by which producers put their programmes together, and analyses the impact of external institutions on the programme-making process.

This book provides a range of highly accessible approaches from Discourse Studies for analyzing legal language in legislation, documents, proceedings and media reporting. It is a key resource for academics, researchers, and advanced students of law, language and linguistics, discourse studies, sociology, and media and cultural studies.

This book encompasses the period since the establishment of the State of Israel (1948-75), which marked the peak of Soviet involvement in the Middle East. It introduces new concepts in the study of propaganda, and describes and analyzes Soviet propaganda as it relates to the Middle East conflict.

Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor's manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.Key updates in the third edition include: Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not New pieces added to the anthology widen the range of composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear.This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.

First published in 1975, Liberty's is the biography of a shop and its various owners in London. Responding to the social pressures, class patterns, and governmental policies, the developments in the shop mimic the social changes taking place in London. It is affected by war and depressions, by trade booms and enemy bombs, by changes in fashions and taste. Liberty's not only reflected these changes but also contributed to the artistic movements and the development of fashionable taste. This book will be of interest to students of history, fashion and sociology.

The Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions asks what it means to understand music as part of an audiovisual whole, rather than separate components of music and film. Bringing together revised and updated essays on music in a variety of media--including film, television, and video games--this book explores the importance of partially perceived and registered auditory and visual elements and cultural context in creating unique audiovisual experiences. Critiquing traditional models of the film score, The Synergy of Music and Image in Audiovisual Culture enables readers across music, film, and cultural studies to approach and think about audiovisual culture in new ways.

Heritage, Indigenous Doing and Wellbeing presents an Aboriginal Australian relational understanding of the world that offers a counter-narrative to the Western notion of heritage and new insights into the potential for sustaining the complex systems that support all life.From an Indigenous Australian perspective, the Western concept of heritage is intentionally exclusionary and supports social, political, economic, and environmental injustice. Aboriginal People engage with landscape every day in entirely, different ways, seeing Country as a living 'heritage', but in a unique relationship form that engages the individual with place, ancestors, language, and wellbeing. However, Country is most often relegated by heritage proponents to 'intangible heritage', and this results in the concept having little legislative, legal, or administrative weight. Drawing on a common understanding of Country as sacred, living, and sentient, rather than as objectified property or resource, the contributors to this book explore a diversity of relationships with Country that demonstrate the richness and the practical utility of this relational understanding.Heritage, Indigenous Doing, and Wellbeing foregrounds the voices of Australian Aboriginal People who are involved in 'Caring for Country'. It will be an essential resource for those engaged in the study of Country, heritage, museums, Indigenous Peoples, landscape architecture, environmental studies, planning, and archaeology. It will also be of great interest to heritage practitioners working around the globe.

Warfare Since the Second World War presents a wealth of analysis and data about one of the most pressing questions of our time: why does war continue to plague us fifty years after World War II? This book argues that the nature of war has shifted from inter-state conflicts toward internal conflicts, above all civil war. Low-intensity conflict helps explain the constant increase in wars over the last fifty years and makes it probable this trend will continue. Gantzel and Schwinghammer argue that modern warfare reflects a continuation of the nation-state-building process begun in nineteenth-century Europe.In their analysis, economic modernization and social integration destroy traditional relations and create instability in the developing world. While these forces were successfully harnessed by the modern state in Europe and North America, economic and political globalization make a similar resolution considerably more complex. In addition to their insightful analysis, the authors provide a detailed list of all wars fought from 1945 to 1995. The authors' lucid explanatory commentaries are accompanied by lists, tables, and charts. In addition to a detailed war register, upon which all statistical data and analyses for the volume are based, there are appendices with directories useful for locating specific wars, as well as several supplementary lists. An afterword brings the reader closer to the world situation as we conclude the twentieth century; including the impact of political developments in Eastern Europe.Beyond its historical dimension, this book offers a policy-relevant empirical demonstration of the ongoing increase in internal (civil) wars and addresses the inability of modern society to prevent this scourge. Warfare Since the Second World War is an indispensable resource for anyone concerned with issues of war and peace, development, and the future of international relations.

Australian governments at all levels have been engaged with arts and culture in many different forms since the beginning of European settlement. The way this has occurred is documented and analysed here, both from an historical and critical perspective.Changing understandings of culture and the significance of Indigenous Culture to Australia receive special attention. While the focus is primarily directed to Federal Government engagement, there is also consideration paid to both state and local government involvement. There is attention paid to the censorship of arts practice by governments as well as the direct interventions by politicians in arts practice. Different approaches to the arts by governments are also considered, as well as attempts to develop a national cultural policy. The impact of the recent pandemic is addressed and various research reports about the arts sector and its relationship with government are also noted. There is then a final discussion about some issues that governments could address in the future, that might ensure a more sustainable Australian arts sector.This book will be of particular interest to scholars of contemporary arts, arts management, cultural history, public policy and cultural policy. It may also interest bureaucrats and politicians.

This handbook interrogates the foundations of media literacy and media education research from a methodological standpoint. It provides a detailed, illustrated overview of key methods used in the study of media literacy and media education. Further, it reveals the diversity of this research field and organizes this diversity by using three categories of investigation: media practices, educational initiatives, and prescriptive discourses.The book offers valuable reference points and tools for exploring the range of research methods used to study media literacy and media education and how these methods connect to epistemological stances, theoretical frameworks, and research questions. It serves as a guide for researchers who wish to position themselves, reflect on the methods they use or are considering using, and compare and contrast them against alternative or complementary approaches. After reading this book, readers will be better able to identify and define the objects of study in media literacy and media education research, the preferred ways of conducting investigations, the phenomena, issues, and dimensions that these are likely to bring to light, and the knowledge that they generate.This comprehensive and up-to-date overview of the field of media literacy education research methods will be of great interest to scholars and students of education studies, media studies, media literacy, cognitive science, and communication studies.Chapter 2 of this book is freely available as a downloadable Open Access PDF at http: //www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 International license.

First Published in 1993.A complete autobiography of Evalina Palmer-Sikelianos (1874-1952), a woman of immense spiritual strength who fought for the arts against the background of war. She contributed impressively throughout her life to the revival of interest in classical Greece, the theatre and choral dance, and advocated an adherence to mythical authenticity rather than a romanticised view of Greek tragic drama.

This A-Z reference contains 275 biographical entries on Native American women, past and present, from many different walks of life. Written by more than 70 contributors, most of whom are leading American Indian historians, the entries examine the complex and diverse roles of Native American women in contemporary and traditional cultures. This new edition contains 32 new entries and updated end-of-article bibliographies. Appendices list entries by area of woman's specialization, state of birth, and tribe; also includes photos and a comprehensive index.

Slavery in the Twentieth Century, first published in 1986, draws together all the forms of slavery in their modern guises - in the far recesses of Africa and Arabia, in the industrial towns of Italy, the factories and mines of South America, and in the prison farms of the United States.

First published in 1986, The Transformation of Britain, 1830-1939 delves into the significant changes that occurred across the landscape and society of Britain during this prominent age of reform and innovation. The book traces the rapid increase in the pace and scale of change across Britain, and explores the key developments that occurred. It examines the changes in population as more people moved towards towns and cities; the growth in industry and trade and the resultant demand for methods of communication and transport; and the technological advancements in all areas of life. It highlights the impact that these changes left on the landscape of Britain, such as through the building of roads and railways, as well as on Britain's social structure. It also considers the extent to which this crucial period shaped the successes and problems of modern Britain. The Transformation of Britain, 1830-1939 will appeal to those with an interest in the social and industrial history of Britain.

This book explores the origins of Butoh in post-war Japan through orality and transmission, in conjunction with an embodied research approach. The book is a gathering of seminal artistic voices - Yoshito Ohno, Natsu Nakajima, Yukio Waguri, Moe Yamamoto, Masaki Iwana, Ko Murobushi, Yukio Suzuki, Takao Kawaguchi, Yuko Kaseki, and the philosopher, Kuniichi Uno. These conversations happened during an extended research trip I made to Japan to understand the context and circumstances that engendered Butoh. Alongside these exchanges are my reflections on Butoh's complex history. These are primarily informed by my pedagogical and performance encounters with the artists I met during this time, rather than a theoretical analysis. Through the words of these dancers, I investigate Butoh's tendency to evade categorization. Butoh's artistic legacy of bodily rebellion, plurality of authorship, and fluidity of form seems prescient and feels more relevant in contemporary times than ever before. This book is intended as a practitioner's guide for dancers, artists, students, and scholars with an interest in non-Western dance and dance history, postmodern performance, and Japanese arts and culture.

Originally published in 1964 this volume continues the studies of the history of libraries and incorporates material included in The Origins of the English Library with some additional material.

The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author's wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning.Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology.From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.

The purpose of Seeing and Knowing is to demonstrate the depth and wide geographical impact of David Lewis-Williams' contribution to rock art research by emphasizing theory and methodology drawn from ethnography. Contributors explore what it means to understand and learn from rock art, and a contrast is drawn between those sites where it is possible to provide a modern, ethnographic context, and those sites where it is not. This is the definitive guide to the interplay between ethnography and rock art interpretation, and is an ideal resource for students and researchers alike.

This book aims to extend and deepen conversations among scholars, policymakers, and practitioners about the role of sport in relation to contexts and issues of forced migration.The chapters in this volume critically analyse and interrogate the implications of existing approaches, practices, and research around sport and forced migration across five themes: 1) participatory methodologies, power, voice and ethics; 2) emotions and embodiment; 3) gendered, socio-ecological and intersectional perspectives; 4) critical perspectives on integration and intercultural communication; and 5) fandom and media representations of forced migrants in elite sport. It does so by engaging with complex, yet necessary, dialogues and perspectives that cross disciplinary boundaries, and by not shying away from conceptual and ethical tensions that interrogate concepts, methodologies, policies, and forms of representation regarding forced migrants' experiences and contributions to global sporting cultures.The book provides key contributions to advance critical scholarly analyses and inform applied interventions on the ground and will be beneficial to researchers and advanced students of Sports, Sociology and Politics. This book was originally published as a special issue of Sport in Society.

Construction teams are usually complex, interdisciplinary and temporary, and, as such, the need for effective communication is crucial. However, published data regarding the manner in which individuals interact within the temporary project team is scarce, with little other than anecdotal evidence available. Recognizing this gap, Communication in Construction Teams provides a comprehensive overview of the literature on interpersonal communication and delivers a critical review of various research methods previously used in and outside the construction management field. Making use of Bales' interaction process analysis (IPA), a tool used successfully in many fields to collect interaction data, the text investigates the link between successful projects and the effectiveness of communication, finding that participants in the construction process exhibit regular patterns of interaction and, most significantly, that there are different patterns of interaction associated with successful and unsuccessful projects. Putting forward a number of practical suggestions to assist all actors involved in construction projects, this insightful publication will be of interest to researchers in the fields of building design and construction management.

This book examines global governance through Foucaultian notions of governmentality and security, as well as the complex intersections between the two. The volume explores how Foucault's understanding of the general economy of power in modern society allows us to consider the connection of two broad possible dynamics: the global governmentalization of security and the securitization of global governance. If Foucault's work on governmentality and security has found resonance in IR scholarship in recent years it is in large part due to his understanding　of how these forms of power must necessarily　take into account the management of circulation that, in seeking to maximize 'good' versus 'bad' circulatory flows, brings into play　and problematizes the 'inside'/'outside' upon which domestic and international spaces have been traditionally understood.　Indeed, Foucault introduces a set of conceptual tools that can inform our analyses of globalization, global　governance and security in　ways that　have been left　largely unexplored in the discipline of IR.　 Miguel de Larrinaga is Assistant Professor at the University of Ottawa where he has been teaching since 2002. Marc G. Doucet is an Associate Professor in the Department of Political Science at Saint Mary's University.

This book provides construction professionals, designers, contractors and quality auditors involved in construction projects with the auditing skills and processes required to improve construction quality and make their projects more competitive and economical.The processes within the book focus on auditing compliance to ISO, corporate quality management systems, project specific quality management systems, contract management, regulatory authorities' requirements, safety, and environmental considerations. The book is divided into seven chapters and each chapter is divided into numbered sections covering auditing-related topics that have importance or relevance for understanding quality auditing concepts for construction projects.No other book covers construction quality auditing in such detail and with this level of practical application. It is an essential guide for construction and quality professionals, but also for students and academics interested in learning about quality auditing in construction projects.

A Culture of Its Own: Taking Latin America Seriously presents Mark Falcoff's essays on the region. Many of them are contentious; none of them are dull. He ranges from bilingualism to the cult of Garcia Lorca, from U.S.-Cuban relations to Chile's curious love affair with Germany. On more than one occasion, Falcoff takes aim at American journalism and scholarship, both of which, he argues, have all too often produced a fantasy version of Latin America which reflects our own national narcissism rather than genuine curiosity about the other. Latin America, Falcoff argues, is not merely a geographical extension of the United States, or a kind of downmarket version of the American Southwest. It is a culture all its own, with its own historical memory, sensibility, and worldview. Its achievements -and its miseries-are also its own, not the end-product of policies made by the Pentagon, Wall Street, or the CIA.Falcoff writes about the region with originality, iconoclastic wit, and distinctive literary flair. His volume will interest Latin American specialists, diplomats, and journalists as well as those general readers who think they are not interested in Latin America-or who only suspect they might be, but don't know quite where to start.

With an engaging and distinctive style, Robert Louis Stevenson's personal essays draw on his own experience and observations to explore a broad range of topics from illness and evolution to marriage and dreams, and from literal and literary travel to the behavior of children and the character of dogs. Stevenson examines beggars and university st

First published in 1949, Kafka: His Mind and Art begins with an extended analysis of the Kafka literature, with emphasis on its shortcomings and their effect on Kafka's vogue. Chapter two presents in broad terms a new aspect of Kafka which after the biographical chapter, chapter three, is studied in detail for the next two chapters. Up to this point the treatment does not presuppose a special key, but in chapters six and seven the secret key is discussed. To avoid confusion and unnecessary complications, the discussion of the key and its implications is delayed until more traditional ground has been covered. The author argues that it is appropriate to indicate only that the expressionist movement was not solely religious, that it arose from a dissatisfaction with a stagnant, spiritless society as well as with current modes in art and literature, and that Kafka avoided identifying himself- at least in his work- with any of the three or four factions of the movement. This is an important historical document for students of literature.