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Treacherous Texts collects more than sixty literary texts written by smart, savvy writers who experimented with genre, aesthetics, humor, and sex appeal in an effort to persuade American readers to support woman suffrage. Although the suffrage campaign is often associated in popular memory with oratory, this anthology affirms that suffragists recognized early on that literature could also exert a power to move readers to imagine new roles for women in the public sphere.

Tells the story of who and what made Ellington's composition of a fourteen-bar choruses of rhythm and dissonance, played on the night of July 7, 1956, so compelling and how one piece of music reflected the feelings and shaped the sensibilities of the postwar generation.

'Pain and Profits' traces the history of the over-the-counter pharmaceutical industry in the U.S., using the headache as a case study. It follows the evolution of medications over the past 200 years, from early plant-derived medications to modern synthetic drugs which began to appear in the late 19th century.

An assessment of how race, class, and gender shape social identity in the United States. The author argues that changes in racial assignment have shaped the ways American Jews of different eras have constructed their own ethnoracial identities.

Checklist for Change diagnoses the problems in American higher education today and describes principal reforms that must occur in combination in order for it to remain a vital enterprise: a fundamental recasting of federal financial aid; new mechanisms for better channeling the competition among colleges and universities; recasting the undergraduate curriculum; and a stronger, more collective faculty voice in governance that defines not why, but how the enterprise must change.

Drawing on his primary fieldwork in six countries, environmental researcher Timothy Doyle argues that there is, in fact, no one global environmental movement; rather, there are many, and the differences between them far outweigh their similarities.

This questions how we think about the dynamics of lynching, what lynchings mean to the society in which they occur, how lynching is defined, and the circumstances that lead to lynching. Ashraf H. A. Rushday looks at three lynchings over the course of the twentieth century to see how Americans developed two distinct ways of thinking and talking about this act before and after the 1930s.

Presents a kaleidoscopic view of the corruption that resulted when local land owners, media barons, and railroads converged to build the city. This title explores how new governmental technologies and engineering feats propelled the rationality of privatization using their property-owning servants as tools.

They are shot on high-definition digital cameras-with computer-generated effects added in postproduction-and transmitted to theatres, websites, and video-on-demand networks worldwide. This introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema.

Published in 2008, the first volume of Public Health focused on issues from the dawn of western civilization through the Progressive era. Volume 2 defines the public health challenges of the twentieth century--this important reference covers not only how the discipline addressed the problems of disease, but how it responded to economic, environmental, occupational, and social factors that impacted public health on a global scale. The volume is enhanced with a detailed chronology of public health events, as well as appendices that contain many of the original documents that ushered public health into the new millennium.

Television is a global industry, a medium of representation, an architectural component of space, and a nearly universal frame of reference for viewers. Yet it is also an abstraction and an often misunderstood science whose critical influence on the development, history, and diffusion of new media has been both minimized and overlooked. How Television Invented New Media adjusts the picture of television culturally while providing a corrective history of new media studies itself.