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Jonathan Taylor's debut novel, Entertaining Strangers, is a tragi-comedy about the eccentric Edwin Prince - a depressive intellectual obsessed with high culture ... and ants.

On the outer deck of a North Sea ferry stands Futh, a middle-aged and newly separated man, on his way to Germany for a restorative walking holiday. As he contemplates an earlier trip to Germany and the things he has done in his life, he does not foresee the potentially devastating consequences of things not done.

Visiting Thailand to marry a sex worker, Raymond is informed that his father's body has been discovered in an isolated villa on the Belgian coast. While his bride embarks on a career in the Dutch and German porn industries, Raymond moves into the villa with the intention of renovating the property.

The Fat of Fed Beasts is an ambitious literary mix of existential uncertainty, murder, bureaucracy, unreliable father figures and disaffected policemen. It asks why we do what we do, whether it matters, and what, if anything, our lives are worth. And it's funny.

Set in Northern Ireland in the 1980s, The Good Son is a funny, frightening and ultimately moving story centred around Mickey Donnelly, a boy struggling to come of age against the backdrop of bitter and brutal surroundings.

A long-awaited new collection of Marina Warner's short stories. Like her award-winning novels, Marina Warner's stories conjure up mysteries and wonders in a physical world, treading a delicate, magical line between the natural and the supernatural, between openness and fear.

Maddie and Harry: she's an estate agent, he's a teacher. They'll say they live in the Black Country. They'll say how they met Jonathan Cotard, explain how they later argued, had a car accident, thought they'd killed someone. The Black Country. For Maddie and Harry, it's darker than it should be.

The Itchy Sea is an extraordinarily vivid collection of poems which are, above all, entertaining. The poems each have a kind of freshness and cut-through that will hold the general reader's attention. Their concerns are sex, death, the soul and a chocolate car.

The Best British Poetry 2011 presents the finest and most engaging poems found in literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry. Each poem is accompanied by a note by the poet explaining the inspiration for the poem.

Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere.

The Collage Poems of Drafts are two sequenced works for reading and looking that move back and forth across the porous border between language and image. These mixed media constructions join the whole long poem project by DuPlessis with a particular flair for juxtaposition and evocativeness beyond and within language.

In the Spanish province of Almeria, the compulsory demolition order on a house belonging to a British ex-pat couple leads to a gruesome discovery that sends journalist Danny Sanchez in pursuit of a vicious serial killer. By following the trail back to England, Danny confronts some of his own demons.

If You Could See Laughter is Mandy Coe's first collection of poetry for children. An award-winning poet, Mandy Coe has been commissioned by CBeebies, the Book Trust, the Barbican and National Poetry Day to write poems and educational material for children of all ages. Her poetry has been described as '...literally spell-binding'.

Born out of twenty years of helping young writers find skill and delight in poetry, these poems speak to adults and children alike, opening our eyes to the world around us and inside ourselves. Most of all, they invite the reader to pick up a pen and write themselves.

Licht's stories are from a world that no longer exists. The lives we discover are unencumbered by computers, cell phones, shiny new automobiles, drugs or lust for money, position, social standing, celebrity.

This companion forms the best introduction to the work of one of Britain's leading experimental writers. Maggie O'Sullivan has an international reputation as a poet both on the page and as a mesmerising performer. Her work breaks through traditional boundaries of performance and writerly practice.