Bøker utgitt av Salt Publishing

Tackling the loss of the poet's mother - as well as themes of motherhood, birth, death and marriage - this poignant collection explores how we grieve and remember those we love.

Sing Me Down From the Dark explores the highs and lows of a ten-year sojourn in Japan, two international marriages, a homecoming, and the struggles of cross-cultural relationships. It is full of light and dark, as if the writer herself has been 'caught off guard' in the making of these poems.

The Death Poems: Songs, Visons, Meditations explores death in a range of forms - celebratory, visionary and contemplatively.

The Meanwhile Sites is a book about development sites and their relationships with people, and the oppositions of marginality against mainstream, renewability against finitude, utility against intangible value, and the changing forms of physical, cultural and psychological landscapes in a post-industrial age.

Formally-innovative, comic, surreal and deeply poignant - Evans's poetry is a restless delight as he tackles almost anything: lost invoices, hearing aids, fruit flies, migration, bin lorries, road signs and love's strains and pleasures.

Howell's much-celebrated stories interweave elements of the commonplace with darkness, subterfuge and sheer weirdness, all realised with natural narrative flair.

Ambitious and playful, darkly humorous and imaginative, these strikingly original stories move effortlessly between the realistic and the fantastical, as their outsider characters explore what it's like to be human in the twenty-first century.

Semmens' new collection is a loosely structured sequence of surreal fantasies in which famous figures from (mostly) the past - sometimes singly, sometimes in unlikely pairings - make incongruous, anachronistic appearances in modern settings and situations.

Candescent Blooms is a collection of twelve short stories which form fictionalised biographies of mostly Golden Era Hollywood actors who suffered untimely deaths.

This collection of short fiction aims to define the sometimes indefinable and to give voice to those struggling to make sense of what life throws at them.

A Mancunian Kelman, Campbell's dark and darkly humorous tales capture the various voices of society's outsiders.

This book is a celebration of who we are; the good stuff, our amazing senses, language, love, gossip and cheese. John Siddique's poems blast off the page into real life or they can melt as gently as a snowflake on your tongue.

Some of the characters in Stewkey Blues have lived in Norfolk all their lives. Others are short-term residents or passage migrants. Whether young or old, self-confident or ground-down, local or blow-in, all of them are reaching uneasy compromises with the world they inhabit and the landscape in which that life takes place.

Since childhood, Sandra Peters has been fascinated by the small, private island of Lieloh, home to the reclusive silent-film star Valerie Swanson. Having dreamed of going to art college, Sandra is now in her forties and working as a receptionist, but she still harbours artistic ambitions.

The stories in The Manet Girl explore situations in which desire, cutting through the demands of daily life, blurs all rational distinctions between what is important and what is distraction.

In Dreamtime Venetia Welby paints a terrifying and captivating vision of our near future and takes us on a vertiginous odyssey into the unknown.

One sweltering midsummer night, two young women form an unlikely bond. How can they lead good lives, they wonder? What will they give to the world? By the time the sun comes up, their futures have been rewritten and their fates decided. Captivating and involving, this haunting mystery is an tale of vicariousness, virtue and privilege.

A mix of memoir and narrative non-fiction, White Spines is a book about Nicholas Royle's passion for Picador's fiction publishing from the 1970s to the end of the 1990s.

Fox Fires is a novel about the sensual experience of the city, of its sights and sounds, its hidden paths and the ambitions of those who walk them.

Lynne Bryan writes in such an insightful, thought-provoking and moving way about disability, the vulnerability of the body and of the mind, and about the frailty and also the strength of our corporeality.

This isn't a one-volume history of post-War British poetry. Given the mass of writing about the post-War period, Duncan says, "Generally, if you read ten books on recent literary history you do find that they do all say the same things. I intend to bang on until you complain about me including too much."

Aromabingo is the much aniticipated sequel to Gaffney's highly-acclaimed `Sawn-off Tales', offering yet more weird, edgy, ultra-short stories, together with several longer ones - the perfect opportunity to spend more time inside the baffling, hilarious and sometimes moving world David Gaffney paints for us.

Since 1986, Rachel Blau DuPlessis has been writing a long poem in canto-like sections, grouped in nineteen units. The individual poems fold over each other, using repeated elements to construct a sense of memory and traces or reminders of prior statements. Their themes involve history, gender, mourning and hope, all in "socio-twisty" language.

A notoriously scary ghost is supposed to haunt the ruined medieval castle where Sunny and his friends are spending the day. But when a troubling visitor arrives at the antique shop, it turns out the danger is closer to home than they thought . . .

In a country house in England a precocious teenage exile from revolutionary Russia sets down his adventures on paper, beginning with his first ball in St Petersburg and how he frees a huge African elephant from a cruel circus.

A tenth anniversary edition of Chris Emery's black comedy debut, Dr. Mephisto, made simultaneously available in print and electronic form. Flamboyant, funny, poignant and excessive, Emery's modernist work is a picaresque, historical road show of hell from the brink of the 21st Century.

Following a family tragedy, Jessie Noon moved from the Fens to the Midlands and now lives in the Scottish Borders with a cat, a dog and - she is convinced - a ghost in the spare room. Her husband walked out almost a year ago, leaving a note written in steam on the bathroom mirror, and Jessie hasn't seen her son for years.