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These are poignant stories of love, betrayal, dreams and tribulation, corruption and redemption. Whether we're reading about the Hong Kong girl who reconciles with her estranged father following a chance encounter with an African musician, or the hangman whose life is torn apart by demons from the past.
Don Share's latest collection, Squandermania, is a book of poems that are slightly death-haunted and studded with references to marriage and fatherhood, geology and biology. It also revives a luminous, if complex, domesticity - not something most men take as their subject.
Through detailed images of ancestors and wilderness places, through renderings of story, tribal history, and family ritual, award-winning Anishinaabe author Kimberly Blaeser explores our mesh of tangled origins.
The Salt Companion to Carter Revard is a groundbreaking collection of essays on the work of Osage poet and scholar of medieval English literature, Carter Revard. These essays offer multiple perspectives on Revard's complex and beautifully crafted poetry that should appeal to scholars, students, and general readers alike.
From the depths of longing to the London Bombings Recital offers a poet's journey looking at our world over the space of a year. Taking the lunar cycle as its central theme, Siddique's book surveys our doubts, desires and dislocations and unites us in a celebration of love.
The Solex Brothers explores the fate of the individual - albeit a rather feeble individual - and of personal responsibility in a culture of absurd, inexorable forces. Farce navigating towards moral absolution in narratives at once Fauvist and Baroque, expunging the twee with a reformist's remorseless vigour.
David Gaffney's compact, surreal tales are filled with poignancy and wit. Each story goes off like a tiny depth charge in the mind, leaving you with the trace memory of some new urban myth - comic, absurd and disturbingly true.
In Galatea, her first collection, Challenger casts a poet's sensitive eye across the hours of a tumultuous century to create startling poems whose voice - resolute, compassionate, original - both celebrates and mourns the tensions of human nature.
This collection by Mohawk poet, James Thomas Stevens explores the effects of colonization on either side of the Bering Strait - China and North America. Three long poems focus on mapping, post-colonial emergencies and propoganda, while the short poems are personal experiences in China and Native America.
In Mother/Land, Savageau weaves traditional, personal and family stories, with stories of colonization and resistance, revealing a landscape of trees, ponds, rivers and mountains rich in meaning for Abenaki people.
Red Eagle's extraordinary book deals directly with Native American experience of the Vietnam war and offers a healing and redemptive force in the face of violence and its aftermath.
The Fork-in-the-Road Indian Poetry Store is the award-winning collection of Choctaw/Chickasaw poet, Phillip Carroll Morgan. The poems range across physical and spiritual geographies of the indidgenous Americas, translating ancient mythos into contemporary poetics.
With both economy and compassion, Neil Campbell creates lyrical visions of loss and confinement. Children, teenagers, parents, single men and women all feature in the unflinching depictions of ordinary people coping with the difficulties of everyday life.
In this powerful debut collection, Shamshad Khan struts with attitude from the poetic to the polemic; side stepping from the satirical towards the spiritual. She has a keen awareness of rhythm and the spoken word. With wickedly simple language she explores themes of power, loss, identity and love.
How to understand the voice lost between forest and city, which cries, "I am not wild, I am not human." What lies in the need to tame ourselves and others? These are the questions raised in Janet McAdams' Feral, the eagerly anticipated second collection by the American Book Award winning author of The Island of Lost Luggage.
This is cosmopolitan one-man theater at its best. Words do not swallow the reader: they flow to a varied musical rhythm and make sense. Nikolayev's collection models a persuasive modern hero-an uprooted intellectual at home in diverse cultures who stares at the world through a unique pair of eyes.
Award-winning writer Nuala Ni Chonchuir uses sensual frankness and poetic language, to weave a spell around the reader in Nude. We find mercurial lovers and illicit affairs from Dublin to Paris, Delhi to Barcelona. And at the centre of it all is the unclothed body: in bedrooms, in art, and in and out of love.
Griffiths has long been celebrated as a leading figure of the British Poetry Revival, yet this is to underestimate the continuing impact of this exciting and accessible writer. These essays aim to help ordinary readers and students gain insight into Griffiths's astonishing jewel-like lyrics and to re-situate him in the mainstream of British poetry.
The Lyric Touch brings together essays by John Wilkinson on twentieth century British and American poetry, several now recognised as classic but hitherto hard to obtain. Throughout this book, writing previously seen as startlingly modern is reconnected with the English Romantic tradition. Formidable poetry is made to become irresistible.
These collected love stories, often commenting wryly on modern life, are set in Europe and beyond. John Saul's stories have appeared frequently in anthologies including New Writing and the books of Serpent's Tail. Call It Tender hopes to see his innovative fiction reach a wider audience at last.
This translation offers to English readers for the first time the splendid verse of imaginary American author Sidney West, created by Juan Gelman, one of the greatest living poets of the Hispanic world.
Before Starting Over is an informal chronicle of several important developments in English-language poetry during the nineties and the turn of the century, most importantly Asian American poetry, digital poetics, and the changing face of poetry's "experimental" wing.
In this latest collection of poems, Hill invokes people and place, mythologizing and demythologizing city lives as they are led. From poignant vignettes and celebrations to urban-pastoral and elegy, these poems extend Hill's romance with London's psychic and surreal fabric.
David Hamilton revitalises American pastoral writing with an uncanny ability to conjure memories of childhood and moments of spiritual and physical encounter. His gift lies in combining these themes of discovery with a lyrical intelligence never far from natural speech, all delivered with sensitivity for people, place and natural beauty.
Poetry Wars describes the battle at the National Poetry Society during the 1970s between radicals and conservatives, which had lasting effects on British poetry. Myths and anecdotes about these events have long been circulated, but this is the first detailed account of what happened, based on archival sources, and told by a writer who knew many of those involved.
This collection of poems depicts an individual's perceptions and passions in times of war, and bears witness to the conflicts in the Middle East, 'the clash' between the West and Islam, and the ways in which a person's ideals, passions and language are affected by violent political and religious conflicts.
Tobias Hill's first full-length collection, Year of the Dog, won an Eric Gregory award in 1995. Dominated by images and narratives from Hill's stay in Japan, as well as other tavel poems, the book contains Hill's celebrated sequence 'A Year in Japan', with its sweeping filmic narratives of the poets encounters in a distant and strange world.
Filled with precise observation of the interior and exterior world, as well as lashings of wit, Smith's wide-ranging, often poignant lyrics take us on tour through history, ideas, people and places. He is the perfect travel companion in a sortie of the century and its cultural outputs.
David Chaloner's landmark Collected Poems offers us a spectacular journey into a restless, generous and incisive mind. Pondering on technology, politics, fashion and the emotions, and using typographic and formal experiment, Chaloner tackles the densities of meaning.
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