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  • av J B Priestley
    192,-

    Ever Since Paradise he described as 'A Discursive Entertainment, chiefly referring to Love and Marriage in Three Acts'. Three couples are made up of the Musicians, the Commentators and the Example, and together they illustrate various aspects of relationships, accompanied by appropriate music on two pianos.|3 women, 3 men

  • av J B Priestley
    192,-

    Stella Kirby spent nine years running away; leaving home to find her freedom as an actress. Now she has decided that the only role left to play is the prodigal daughter returned, hoping to discover herself in the familiar surroundings of her childhood home.|3 women, 4 men

  • av J B Priestley
    171,-

    As bankrupcy looms, the ever-optimistic Jim Cornelius, partner at import firm briggs and Murrison, is fighting to keep his creditors happy and his spirits up. Tensions rise with the arrival of Judy, the beautiful, young typist who shows Cornelius the life he could have led... Written for Ralph Richardson in 1935, Priestley observes the politics and tensions of daily office life with searing wit and humanity in this hilarious and heartbreaking story of friendship, unrequited love and business.|5 women, 17 men

  • av Nick Stimson
    192,-

    The musical tells the story of Nellie Bly, America’s first female journalist. In a profession dominated by men, in the late-19thncentury, Nellie was determined not only to join the profession but to become one of its brightest lights.To get herself noticed, Nellie undertook a series of daring and outrageous stunts, including committing herself to New York’s infamous insane asylum on Blackwell’s Island. The subsequent articles and book she wrote about her experiences forced the authorities to radically reform the asylum system.In 1889 Nellie undertook her most famous and seemingly impossible stunt – a solo journey around the world to try to beat the eighty days taken in Jules Verne’s famous novel. After many exotic adventures she returned triumphant to New York in just seventy-two days.By turns comic and tragic this is the story of a woman who opened a door previously closed to all women: the story of a brave pioneer who sacrificed love and happiness to achieve her ambition.

  • - Play
    av J. B. Priestley
    178,-

    A humorous portrayal of how mothers are treated in a family. It was first performed as a play in 1953.                     |3 women, 2 men

  • - Play
    av Walter Greenwood
    192,-

    Jack Hardacre comes home on leave after three years in the army to find Milly, a pretty Londoner, billeted with his mother. He is immediately attracted, but becomes increasingly wretched because he has been trapped into an engagement by Janey Jenkins. Janey, strongly supported by her mother, is determined to hold him to it. Jack must also contend with Milly's other admirer, Joe Truman. Half distracted, Jack asks beery old Mrs Dorbell for a cure for love. She tells him – get married. Finally, at the height of a furious argument with Joe, Janey and Mrs Jenkins, Jack abruptly announces that the child Milly is carrying is his.| 6 women, 5 men

  • - Play
    av Alec Baron
    161,-

    This gentle play, told with warmth and tenderness focuses on Lily who has spent all her married life in the same two-up, two-down council house. Although widowed, her husband Joe is very real to her and Lily's life continues as though he were still alive. Lily's peace is shattered by a letter notifying her that her house is to be demolished and she rehoused. Lily flatly refuses to go, despite warning letters and entreaties from social worker Ann. If Lily goes her memories of Joe and their life together will be smothered in the rubble. Eventually, though, she bows to authority and the "big cats", but at least she has the chance – this time – of saying goodbye properly to Joe.| 2 women, 1 man 

  •  
    192,-

    Kenny Wax Family Entertainment, Novel Theatre and Nica Burns present a Royal & Derngate, Northampton Production.Mildred Hubble is an ordinary girl who found herself in an extraordinary place: a school for witches. Now in her final year at Miss Cackle’s Academy, accident prone Mildred and her fellow pupils are about to embark on their biggest adventure yet…When Mildred and her friends decide to put on a play about their experiences as witches in training, mayhem inevitably ensues. Jealous Ethel Hallow is always out to spoil Mildred’s fun. Stern Miss Hardbroom is opposed to all fun in general. Worst of all, an old enemy returns with a plan for revenge that could threaten not just the Academy, but the whole world.

  • av Lee Coffey
    171,-

    'The worst slums in Europe. That’s where Dublin came from. Out of the shit and into the world.'Life long Dublin docker Patrick has passed away surrounded by his beloved wife Esther, his son and his grandchildren. As they remember his life, Esther recounts a tale they are yet to hear. In Our Veins follows their family through 100 years of Dublin, from the notorious madams of the Monto to love in the dark tenements.This is the story of a Dublin City that no longer exists, where it came from and the people that helped build it.

  • av Jack Bradfield
    171,-

    Three Thieves break into the same gallery on the same night. They’re all intent on stealing the same Extremely Valuable Painting. They’re bound to meet and it’s bound to get messy.Poltergeist present an existential caper, an interactive sketch-show, an exploration of how the brain curates the world, a tragedy about cognitive malfunction  –  an Art heist play,  but why label?From the team behind the multi-award-winning Lights Over Tesco Car Park. Produced by Poltergeist in association with The North Wall Arts Centre. New Diorama / Underbelly Untapped Award 2019Also includes… the Official Art Heist Game!

  • av Mark Ravenhill
    192,-

    Paul is an ordinary man with a shocking secret. At home, he is a loving husband and father. At work, he administers the cut. In a society sickened by his profession, Paul struggles with his conscience and longs to tell the truth.

  • av Mark Ravenhill
    192,-

    After fifteen years inside, political activist Nick emerges to find that the old causes of the 80s have become the lost causes of the 90s. As he struggles to get to grips with this new world, he collides with the new generation. Bonded by a love of pills, parties and therapy-speak, Nadia, Tim and Victor take Nick on a search for the happy-ever-after.Sharp, satirical and pulsating with energy, Some Explicit Polaroids weaves an engaging urban fairytale for today. In an age where political change seems a distant memory, Ravenhill asks "how did we get from there to here?" and "where do we go now?"

  • av Mark (Playwright UK) Ravenhill
    207,-

    The ground-breaking debut from one of the most important playwrights of the last decade, now in an acting edition. "Shopping and Fucking is a darkly humorous play for today's twenty-somethings ...a real coup de theatre"Nicholas de Jongh, EVENING STANDARD"Plunges you into the world of disposability, disconnection and dysfunction, where relationships to be trusted have to be reduced to transactions ...strong stuff"Paul Taylor, INDEPENDENT "Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation"TIME OUT

  • av Mark Ravenhill
    236,-

    Shoot/Get Treasure/Repeat is an epic cycle of plays exploring the personal and political effect of war on modern life. The plays that make up Shoot/Get Treasure/Repeat began life at the 2007 Edinburgh Festival Fringe as Ravenhill for Breakfast (produced by Paines Plough), winning a Fringe First award, and the Jack Tinker Spirit of the Fringe award. They form a collage of very different scenes, with each taking its title from a classic work. The plays were presented in April 2008 in various venues across London, from Notting Hill to a Victorian warehouse in Shoreditch, via Sloane Square and the South Bank. Shoot/Get Treasure/Repeat was originally developed in association with the National Theatre Studio and Paines Plough, and was first produced as Ravenhill for Breakfast at the Traverse Theatre, Edinburgh in August 2007 by Paines Plough, with the support of David Johnson.

  • av Mark Ravenhill
    161,-

    Scenes from Family Life is a charged and punchy play about relationships and the last two people left on earth. Lisa and Jack are teenagers, but they are about to become adults; Lisa is pregnant, and neither of them can wait for the baby to arrive and their lives to start. But then Lisa vanishes - into thin air. Jack panics until she comes back, but then she disappears again, and then it turns out that everyone is dematerialising, all over the planet people are disappearing. Quickly, the only people left in the world are Jack and his heavily pregnant friend Stacy. Jack adjusts to the silent and primitive world; but for Stacey it begins to turn into a nightmare. And when the vanished start to return, Jack has to learn how complex adult relationships are.

  • av Mark Ravenhill
    146,-

    Olivia is a hot young starlet. Now all she needs is the script which will save her from B movie hell, a script which balances artistic integrity with blockbuster bucks. James thinks he's got the perfect pitch - a script which combines a torrid love story with the dark spectre of terrorism and big, big explosions. If he can only persuade Olivia, he's got the perfect Product.

  • av Mark Ravenhill
    161,-

    A famous artist invites her old friends to her luxurious new home. For one night only, the group is back together. But celebrations come to an abrupt end when the host suffers an horrific accident. As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art?Pool (No Water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.

  • av Mark Ravenhill
    171,-

    When Franz's mother escaped to the West with one of her identical twin boys, she left the other behind. Now, twenty-five years later, Karl crosses the border in search of his other half. As history takes an unexpected turn, the brothers must struggle to reconnect. Mark Ravenhill's visceral play examines the hungers released when two countries, separated by a common language, meet again.

  • av Mark Ravenhill
    206,-

    It's London 1726, and Mrs. Tull's got problems. The whores are giving her a hard time, a man in a dress is looking for a job, her husband has a roving eye and the apprentice boy keeps disappearing for 'a wander'. Meanwhile in 2001 a group of wealthy gay men are preparing for a raunchy party. Mother Clap's Molly House, is a black comedy with songs is a celebration of the diversity of human sexualtiy, an exploration of our need to form families and a fascinatig insight into a hidden chapter in London's history.

  • av Mark Ravenhill
    192,-

    Twenty-eight years before The Importance of Being Earnest, a young woman gives birth to a baby boy. Is it an accident when the Nanny places him in a handbag and her unpublished novel into the pram? In 1998 a new baby is stolen and an academic discovers an unpublished novel of more than usual revolting sentimentality. From Victorian wet nurses to 90s sperm banks, Mark Ravenhill's play examines the role of parenting in an age of diverse sexualities, biological engineering and Tinky Winky's handbag.

  • av Mark Ravenhill
    171,-

    Taking inspiration from Oedipus and Chilean children who were taken from their biological parents to support the Pinochet regime, Golden Child follows a young man's journey discovering that the people he knew to be his parents his whole life are not actually his parents.

  • av Mark (Playwright UK) Ravenhill
    178,-

    Lisa has breast cancer. Meryl is a healer who believes in the power of positive thinking. As time folds back on itself and then forwards, Lisa and Meryl trade roles as the healer and the healed, discovering that the world is full of ghosts.

  • av Mark (Playwright UK) Ravenhill
    207,-

    Candide is an optimist. A dreamer. He believes that everything is for the best in the best of all possible worlds. But that belief is about to be tested as Candide's comfortable life is overtaken by an endless barrage of misfortune. As his world collapses around him, the story travels across the centuries to new locations and parallel universes. How will Candide's optimism fare when it collides with life in the 21st century?The play is structured around two parallel narratives: one tells the story of Candide's attempts to reunite with his love Cunegonde; the other follows a woman who experiences a hugely traumatic event as she attempts to find a way back to happiness.

  • av Richard Parsons
    192,-

    These short plays weave together the pyschologically complex themes of jealousy, deceit and manipulation and throw together the most unlikey of couples: Bruce in Rialto, is an attractive ex-actor employed by elderly dying ladies to help make the most of their last days. In Mortmain, Diana, finds her dead husband's diary and all her previous assumptions about her marriage are threatened. Is Arabella Snelgrove in Dead End the perfect, upright and law-abiding citizen? A visit from an inpsector from the Department of Social Security throws suspicions on Arabella's honesty. All are tense, tantalizing, pyschological thrillers with the most unexpected twists.| 3 women, 3 men

  • av Louisa M Alcott
    192,-

    After the success of Little Women, Louisa M. Alcott responded to demand for a sequel by writing Good Wives which continues to chart the lives of Meg, Jo, Beth and Amy.| 3 women, 9 men

  • - Play
    av Philip Johnson
    192,-

  • av Nick Payne
    192,-

    When a young Electra's father is murdered by her mother, her world changes irrevocably. Ten years on, bound by grief and unwilling to forgive, Electra surrenders to an all-consuming desire for revenge that propels her towards a bloody and terrifying conclusion. This is a haunting new version by Nick Payne of Sophocles' tragic masterpiece, Electra.

  • av Nick Payne
    207,-

    One relationship. Infinite possibilities. 'Let's go for a drink. I don't know what I'm doing here anyway. One drink. And if you never want to see me again you never have to see me again.' Nick Payne's Constellations is a play about free will and friendship; it's about quantum multiverse theory, love and honey. Constellations premiered at the Theatre Upstairs at the Royal Court Theatre, London, in January 2012. It transferred to the Duke Of York's Theatre, London, in November, and was awarded the Evening Standard award for Best New Play 2012.

  • av Michael Aitkens
    175,-

    All the favourite characters from the original series are reimagined for 2017, facing the challenges that come with growing old disgracefully in the era of the silver surfer. At Bayview Retirement Village, battle-axe extraordinaire Diana Trent conspires with new resident Tom Ballard to give the conniving manager his comeuppance through a hilarious conspiracy with unexpectedly heart-warming results.

  • av David Judge
    206,-

    "He's got two dads, my lad. One's black. That makes him black. I suppose."Manchester, 1983. Dave loves Rod Stewart, Joanne and his Ford Capri. He's all set for a new start. Only Joanne's about to have someone else's baby. Is Dave ready to become a dad even though he's not the father?A punchy and poetic exploration of family, race, identity and love, SparkPlug is the story of a white man who becomes the adoptive father, mother and best friend of a mixed-race child, David.Inspired by autobiographical events and exploring the playwright's background as an actor and spoken word artist, SparkPlug is a lyrical and energetic monologue that examines what family means in today's society.

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