Bøker utgitt av Samuel French Ltd

After fifteen years of marriage, Daniel and Sylvia find themselves drifting further apart with each passing day. Until one morning, they find themselves abruptly united by every parent¿s worst nightmare¿The shoes have been polished, the vases are full and the phone is ringing off the hook, but there¿s one thing they¿re still missing¿answers. Forced into a confrontation, years of resentment and things long left unsaid rise to the surface as they question the circumstances that brought them to this point, and what happens to your relationship when the only thing holding you together, threatens to tear you apart.A timely spotlight on love and loss, Til Death Do Us Part is the debut play of Safaa Benson-Effiom, and was a finalist in the 2020 Theatre503 International Playwriting Award and Soho Theatre¿s 2019 Tony Craze award. Originally presented as a Theatre503 and Darcy Dobson Productions coproduction.

Meet Carey and Simon, an otherwise-perfect married couple with a bit of a swearing problem. They're determined to kick the habit by the time their baby is born. Too bad that's not their only problem. Simon has a secret. And Carey has a new friend - a musician named Owen that she met at a bookstore. With quirky characters, music and gentle humor, this lovely and intricately-constructed story is about meeting challenges head-on and finding hope."Intricate, delicate construction... Hewlett spins an emotionally epic story about a woman caught between two men, as well as her own inability to cope with life's gains and losses." - Matthew Murray, Talkin' Broadway"A pleasure to see... Hewlett's writing has a gentle wittiness... With an exquisitely light touch, Hewlett creates snapshots of the happy lives of Carey and her husband, Simon, moving seamlessly between present day and three years before." - Backstage"Some of the play's best moments are the songs Ms. Hewlett sings, describing the depths of Carey's devotion to Simon." - The New York Times

See that's the problem with this family innit, we never wanna talk real about Ife.'In the wake of the sudden death of their eldest son, Ife, one family is forced to confront the traumas they've long tried to bury. As the sun beats down on their cramped North London flat, and the head of the family arrives from Ethiopia for the funeral, tensions rise, cultures clash and past betrayals are unearthed.A tense, funny and explosive drama exploring what it means to belong, and what happens when a family's secrets shake its foundations. House of Ife premiered at the Bush Theatre, London, in April 2022, directed by Artistic Director Lynette Linton.

This is a comedy of prosperous suburbia, with corruption as its theme and core. A charming, apparently happily married couple, the Actons, live comfortably in their newly-furnished home, but feeling always that life owes thein just a little more: a car, an expensive lawnmower, money for parties and so on. Temptation comes in the shape of Leonie Pimosz, a very high class brothel-keeper. It is not long before pretty, sweet Mrs Acton becomes involved with her and the Acton fortunes are startlingly improved. Soon it becomes clear that Mrs Acton's new career is by no means unusual; indeed, the wives of all their friends are acquainted with Madame Pimosz, and the husbands are quite content to keep up with the Joneses in this as in everything else. But the denoument is startling and horrific.

From the nationally recognized Educational Theatre Association's 2021 Thespy Playwriting competition (formerly Thespian Playworks) come three short scripts - all created by high school-aged playwrights! This volume includes: The Plant Crusade by Aubrey LuseOakland by Bridget PhillipsReverie by Jacki Vellandi

Terri and Brian Cody are hoping to sell their "One Star Hotel" in the Florida Keys, to the only man who has expressed any interest in buying it, a Mr. Sam Lewis from New York. They are not expecting him for a couple of weeks, and are rather caught off-guard when they receive a phone call informing them that he flew into Miami today, is driving down, and will be arriving this afternoon. Unfortunately, they have so few guests they are afraid that Mr. Lewis will see at once, that the hotel is a bad investment. You can see where this is leading...it is a farce after all...So, in order to bolster Mr. Lewis's interest, Terri and Brian devise a plan to make the hotel appear busier and more prosperous than it actually is. Their staff will masquerade as paying guests, thereby, giving Mr. Lewis the impression that the hotel is overflowing with loyal customers and vacationers. Their plan has one hitch, their entire staff consists of a maintenance man named Hopkins and a sexy housemaid named Maureen. They plan to tell Mr. Lewis that Mrs. Cody is shopping in Miami, while she plays the role of a wealthy Palm Beach socialite, Mrs. Winthrop-Smythe. Hopkins is to become the Reverend Hopkins, and Maureen is to combine the duties of receptionist, maid and room service. The plot becomes more complicated when the one paying guest they do have, Major Ponsenby, wants to help out. Suddenly, an Arab sheik, Abdul El Hajj, who bears an uncanny resemblance to the Major, checks into the hotel, stating he is a potential buyer. Their scatterbrained maid, Maureen, is totally inept at the job she's been asked to do, and can't seem to remain completely clothed for more than five minutes at a time. It turns out Hopkins has a propensity to drink, and has bottles of booze hidden all over the hotel. And finally, the one other guest they have checking in later today, is Hayley Harrington, a predatory nymphomaniac, affectionately known as "The Barracuda."Into this "Hotbed" of intrigue arrives... Samuel Lewis and his wife (or is she?), Ashley. He is an extremely moral and upstanding businessman and expects nothing less from those around him. She is an extremely attractive woman, and is only interested in getting Mr. Lewis into bed. Brian spends the rest of the play trying very hard to please Mr. Lewis, keep the Major/Abdul under control, and stay out of the way of "The Barracuda."How do the Major, Hopkins and Mr. Lewis end up in the same bed? Why is Ashley always losing her clothes? Where do The Barracuda and Abdul fit into all this? Who really is Abdul El Hajj? When does the real Mrs. Lewis arrive? What more could possibly happen?Much to the horror and chagrin of Mr. Lewis, the real Mrs. Lewis, who can best be described as "a humorless old battle-axe", does show up. In order to hide his relationship with Ashley from her, he bribes Brian with an offer to purchase the hotel, for more than he was asking, only to get another offer from Abdul. But the final twist is yet to come - a show stopping coup-de-theatre, which leaves the audience knowing they've been "had," but not knowing how it was done.""A hilarious comedy that will leave Fawlty Towers looking like a tragedy, Hotbed Hotel is one of Michael Parker's finest pieces of work." - Act One, Cardiff, Wales"Hotbed Hotel promises life, laughter, and sophisticated fun." - The Deerfield Beach Observer, Florida"Hotbed Hotel has the fundamental ingredients of good entertainment that provide frankly unanticipated comedic results. This play will not disappoint you. In fact, it will leave you feeling entertained, amused, and happy you made the trip." - The Peak, Vancouver, Canada

"The Glorious World of Crowns, Kinks and Curls is a collection of monologues and scenes exploring the complex relationship women have with their hair. From Afros to braids, weddings and funerals, falling in love to grieving a loss, these stories serve as a powerful reminder that for Black women in particular, hair is both deeply personal and political. These heartbreaking, heartwarming and hilarious stories will take audiences on an unparalleled journey into the world of Black womanhood." --

From the Pulitzer Prize, Tony and Emmy Award-winning composer of Next to Normal (Tom Kitt) and the Tony Award-winning writer of Red (John Logan), Superhero is a deeply human new musical about a fractured family, the mysterious stranger in apartment 4-B, and the unexpected hero who just might save the day. Directed by Jason Moore (The Cher Show, Avenue Q), Superhero made its world premiere in January 2019 at Second Stage Theater."Kitt writes beautifully for his anguished characters, shaping the lyrics to each distinct voice." - Alexis Soloski, The Guardian"[Kitt's] lyrics are neatly turned and germane." - Michael Sommers, New York Stage Review"[The] book is intelligent and the songs are well-integrated into it." - Robert Sholiton, Gotham Playgoer

Bonfire night 2019, Sheila, Denise, Julie, and Fay are Team C in Pennine Mineral Water Ltd.''s annual outward bound team-building weekend. Somehow, Sheila has been nominated team leader, and, using her cryptic crossword solving skills, has unwittingly stranded her team on an island in the Lake District.Our intrepid heroines fi nd themselves manufacturing weapons from cable ties and spatulas, and create a rescue fl ag with plastic plates and a toasting fork.Questions are asked; truths are told; dirty washing is aired.Is it possible to build an adequate night shelter with a prom dress and a sleeveless jumper? What is Julie''s husband really up to in Aldi? And why are they on this bloody team building exercise when they could be at a spa?

"London. 1887. Queen Victoria's Jubilee. Buffalo Bill's Wild West is the hottest ticket in town and its star, Miss Annie Oakley, travels to Baker Street to ask Sherlock Holmes to find her missing brother. What ensues is a tale of international intrigue, multiple murders and a war for supremacy over the London underworld."--

Inspired by the true story of Canada's own Preston Rivulettes, Glory is a hockey play that swings! In 1933, four friends set out to prove to Canada that hockey isn't just a sport for men. But with the Great Depression weighing heavily on the nation and political tensions rising in Europe, can they overcome the odds, and people's expectations, to forge their own path to glory? Told through music and dance inspired by the jazz age, Glory is a thrilling hockey story that proves a woman's place is on home ice.

"Emmie is one of the only Black people living in Paris, Vermont, and she desperately needs a job. When she is hired at Berry's, a store off the interstate selling everything from baby carrots to lawnmowers, she begins to understand a new kind of isolation. Paris is a play about invisibility, being underpaid, and how it feels to work on your feet for ten hours a day."--

A play with intense audience participation! Engrossing, controversial courtroom drama, where the audience must serve as judge and jury, deciding motions and verdict, in a case against the five women who betrayed the Grand Duchess Anastasia Romanov, the last surviving daughter of the Tsar of Russia. Complex ethical questions on a set of folding chairs.The Anastasia Trials is a farcical, but profoundly engaging excursion into the hidden world of ethics for women who are both survivors and perpetrators of abuse toward women. The format is a play-within-a-play, where a radical feminist theatre company comes together in order to perform a courtroom drama. The play is shaped by the audience decisions to overrule or sustain the attorneys' motions, and every night's audience sees a different play.In presenting the play, the Emma Goldman Theatre Brigade has instituted a new system to insure equal opportunity for the actors: a lottery. As the women assemble to draw their roles from the hat for the evening's performance, sisterhood is put to the test. The performance itself is a conspiracy trial against five women accused of denying a woman her identity. The plaintiff is none other than Anastasia Romanov, sole survivor of the massacre of the Russian imperial family in 1918.¿"Elegantly conceived...A feminist Noises Off." - Washington City Press"Powerful." -San Diego Lesbian Press"Farce, social history, debate play, agitprop, audience participation melodrama, satire [that] makes the head reel!" -San Diego Union Tribune"Wild... It's lively and moves quickly... Very funny yet poignant." -Washington Blade"Carolyn Gage's raucous, multilayered script explores issues of empathy, loyalty, and betrayal among women..." --The Washington Post."Verdict: An unexpected delight... " --Miami Herald, FL."... farcical humor, imaginative plot twists, and just pure theatrical fun..." --South Florida Sun-Sentinel, Ft. Lauderdale."... fascinating and complex play..."--Fresno Beehive.com"I am constantly amazed at Carolyn's ability to make complex social issues not only accessible but also irresistibly fascinating... the play... [The Anastasia Trials ] touched us, made us laugh and gripped us in a white-knuckle intensity usually found only in Hitchcock films." --R.J. McComish, Literary Manager of the Portland Stage Company, Portland, Maine."... fabulously interesting, brilliantly thought-provoking and exquisitely funny... masterpiece of feminist theater..." --off our backs, Washington, DC."Each performance could potentially have a different result and many students saw every performance just so they could see how the show ended."--At Oldfields, Glencoe, MD.

Runaways is a collection of songs, dances, and spoken word pieces performed by children who have run away from their homes. Initially created from interviews with homeless children and those in orphanages, Liz Swados' unique piece weaves songs about personal struggle and the world at large through the eyes of youth in New York City in the '70s. The show blends different musical styles, from pop to hip-hop and jazz to reggae, while asking why children can't remain children.The licensed version of Runaways reflects the version performed by Encores in 2016.

This show-within-a-show follows the romance between a chorus girl and an Assistant Stage Manager leading to their secret marriage. Their happy union is threatened by the electrician who still carries a torch for the girl and, in a drunken rage, tries to kill them both. A contrasting romance involves the Stage Manager, whose credo never to fall for a girl in a show he's working on is complicated when a dancer he's been wooing is suddenly thrown into the cast of 'Me and Juliet.' Informed by rich insights into the world of Broadway - how jobs are gotten and lost, the inside tricks of the trade and the pitfalls of backstage romances - Me and Juliet is an innovative, irresistible show that consistently delivers both musically and dramatically.

It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a "barbarian" by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and respect one another in a truly unique love story.

Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying.He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer.But at some point, options are going to dry up. And then what? I'm telling you. I don't understand what's happening to me.Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019.From the cobbled streets of post-war London to the shimmering avenues of Paris, Ada transforms the lives of everyone she meets along the way; but can she let go of the past and finally allow her own life to blossom?

Rodgers & Hammerstein's only musical written directly for the screen is now a stage musical that's had critics raving from coast to coast. Set against the colorful backdrop of an American heartland tradition, State Fair travels with the Frake family as they leave behind the routine of the farm for three days of adventure at the annual Iowa State Fair. Mom and Pop have their hearts set on blue ribbons, while their children Margy and Wayne find romance and heartbreak on the midway. Set to the magical strains of an Academy Award-winning score and augmented by other titles from the Rodgers and Hammerstein songbook, State Fair is the kind of warm-hearted family entertainment only Rodgers & Hammerstein could deliver!

Winner! Three 1947 Donaldson Awards, for Best Book, Best Lyrics and Best ScoreNominee: Seven 2005 Helen Hayes AwardsWinner! Two 2005 Helen Hayes Awards for Outstanding Resident Musical and Outstanding DirectorThis ensemble musical chronicles nearly four decades in the life of an Everyman, Joseph Taylor, Jr., from cradle through a mid-life discovery of who he is and what his life is truly about. The first musical to be staged by a director who also served as choreographer (the legendary Agnes de Mille), Allegro followed a unique structural format traveling from Joe's birth through his childhood, from college dorm to marriage altar, and on to his career; from the tranquility of his small Midwestern hometown to the hectic din of big city life, in a series of vignettes and musical sequences dazzling in their simplicity and stunning in their impact. Ahead of its time theatrically, Allegro remains timeless in its appeal.

New virtual version! From the award winning playwright of End Days, Deborah Zoe Laufer, comes a story about three twenty-something roommates who are glued to their video games. They are masters of the virtual worlds behind the computer screens in their Las Vegas basement. When one of them uses his gaming skills to land a job with the National Security Agency launching actual drones and missiles, online battles begin to have real consequences. Leveling Up is a fresh, contemporary look at how we navigate the blurry line between worlds both virtual and real and what it means to grow up.

In dusty, time-warped Indian villages, the last camels plough the land, last charkhas spin and last handlooms weave. The global ¿outside¿ pushes in via Western culture, technology, huge land and agro-chemical contracts and the desire for a ¿number 2¿ illegal route abroad.Zameen (Land) is set in the cotton fields of Punjab, India. Baba, an ageing Sikh cotton farmer, toils away in his fields, struggling against the vagaries of nature and the modern world. His dutiful daughter Chandni dreams of escaping her fate. Her wastrel brother Dhani dreams of ¿Amrikä. When the moneylender Lal¿s son Suraj returns from the outside world, Chandni and Dhani reflect on faded lives and aspirations and reach for ¿phoren¿ dreams. A final reckoning on Babäs land draws out truths, forcing the family to the brink of collapse, in a world changing fast and losing its values.Rooted in Punjabi farming and folk culture, ancestral land and soil, Zameen was written before mass Indian farmer protests against the increasing corporatisation of agriculture, rising farmer suicides and decimation of small farmers. Facing a climate change catastrophe, Zameen captures a world in transition, as nature, tradition and globalisation violently collide around small village lives ¿ lives steeped in a history of toil, struggle ¿ and resilience.

'Sometimes it feels so exposing just walking in the village. I told Jimmy toignore it at first, he tried to, but it's isolating he said, eyes on you, not a wordspoken. Even when you meet their eyes they don't look away. Like they have aright to, like you're a spectacle, an object.'Olivia has recently moved into her great-uncle's farmhouse. She's not local, butshe knows her way around. Matty is a gamekeeper, but he doesn't often tellanyone. He's wary of newcomers.These unlikely strangers find themselves beside a stream on the longest nightof the year.Pentabus and Theatre by the Lake present a brilliant new drama from award-winningplaywright Lorna French that explores loss, love, prejudice, race andbelonging.

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"Why does living where you're from have to be such a political act?"On a farm on the border, a fence is in need of repair after being destroyed by vandals. When Sinead finds Henry hungover in her field, she ropes him in to help. But rebuilding a fence is more complicated than it seems. What begins as a simple task soon turns to talk of their past, a reliving of old memories, and a relentless competition to come out on top.A timely and powerful reflection on 100 years of the border in Ireland and how it has impacted those who live along it. Inspired by 100 testimonies from real people who live on the border.