Bøker utgitt av Samuel French Ltd

A contemporary Cinderella story set in Greenwich Village, reminiscent of the classic screwball comedies of the 1930s. Christopher, a shy and eccentric young electrologist, helps an elderly millionaire, Mr. Rosenberg, when the old man faints in the street. Rosenberg, touched by the young man's generous spirit, becomes his benefactor and sends Christopher off to a fabulous charity ball where he meets his Prince Charming, in the form of a neurotic young publicist. Fate takes a turn when Mr. Rosenbe

Alvi and Sam, partners and pals, have run a sporting goods store on New York's West Side for forty years. It's Memorial Day and they are taking stock of their inventory and their options. The neighborhood has changed, the yuppie landlord is raising the rent, and the customers don't know the first thing about sports. Sam wants to renovate; Alvi doesn't want to change a thing. As the two old friends struggle over their future, they reveal their fears, hopes, passions, and affection for each other. This wise and witty play delighted audiences at the Jewish Repertory Theatre in New York.

In France, 1940, an unlikely pair team up to evade the approaching Nazis. Little Jacobowsky, a Polish Jewish intellectual, has been one step ahead of the Nazis for years. Stjerbinsky is an aristocratic, anti-Semitic Polish colonel who's trying to get to England. Jacobowsky has a car but can't drive; the colonel can. And so begins their adventurous journey - set against a backdrop of lively and lovely songs and dances - that takes them to a carnival, a Jewish wedding, and, when the car breaks down, onto a train. Accompanying them is Marianne, the colonel's girlfriend with whom Jacobowsky falls in love. But it is not to be.

Using music as an integral part of the storytelling, Blue spans nearly twenty years in the life of the affluent African American Clark family in rural South Carolina. Events are seen through the eyes of the eldest son Reuben, who evolves from a preteen trumpet player into an adult artist. His mother, a relentlessly chic matriarch with dark secrets who is out of place in the her provincial surroundings, holds court at family gatherings. She lays out grandiose plans for her two sons while the mesmerizing music of sexy jazz singer Blue Williams adds a unique dimension. Meanwhile, her husband runs a profitable funeral home, grandmother offers unsolicited advice and Ruben's brother runs with the girls. This humorous family portrait abounds with tenderness, acceptance and the search for unconditional love while introducing audiences to an African American family the likes of which is seldom portrayed on stage or screen.

When Eleanor and Sarah found each other, they were forced to leave theirhomes and cast out by society. Taking up residence in Llangollen they becameminor celebrities, forced to witness their own lives written about by thosewho could never understand. Now, they are back, ready to take back the storythat's rightfully theirs - on their own terms.A play based on the true story of Lady Eleanor Butler and Miss Sarah Ponsonby.

Lotus Beauty follows the intertwined lives of five multigenerational women, inviting us into Reita's salon where clients can wax lyrical about their day's tiny successes or have their struggles massaged, plucked or tweezed away. But with honest truths and sharp-witted barbs high among the treatments on offer, will the power of community be enough to raise the spirits of everyone who passes through the salon doors?

A window dresser has the bright idea of utilizing a special sun lamp in the display window which contains two female dummies and a male dummy, Waldorf. The lamp's rays have fantastic properties and turn Waldrof into a beguiling young man and later turn Hathaway, the store's unpopular owner, into a dummy. Waldorf revolutionizes the store by throwing a free champagne party. He also thoroughly enjoys himself with the adoring female staff. His human life is short, if exceedingly merry, while Hathaway's enforced sojourn in the display window has taught him a few lessons.

Jane Austen pits her wit and will against her greatest adversary and ally-Elizabeth Bennet. Heady with her first taste of love, Jane aged 20 creates Elizabeth with Mr Darcy taking on the role of her arch enemy and reluctant admirer. But when her actual romance sours, she sentences Elizabeth to marry the odious Mr Collins and herself to an equally disastrous marriage. The fates of the author, the novel and its heroine are at stake. Elizabeth Bennet must take action.

Clayton James, a 17-year-old Nottingham lad, dreams of becoming the next Viv Anderson. With a prodigious talent, the offer of a professional contract at a First Division club and a growing romance with girlfriend Serena, he appears to have the world at his feet.But life in the late 70s isn't easy for Clayton and his family, trying to make it in an era of racism and hooliganism. And Clayton's steelworker dad Patterson faces an uncertain future as the Thatcher government faces off against the unions.When his charismatic and powerful former coach, Lafferty, returns after four years away, Clayton is forced to confront painful memories of the past. Can he protect his loved ones from the truth of what he endured?A world premiere, inspired by the recent football abuse scandals, First Touch is a gripping and heartfelt drama about what it takes to fulfil your dreams, by screenwriter Nathaniel Price (BBC's Noughts and Crosses and Sky's Tin Star).

After fifteen years of marriage, Daniel and Sylvia find themselves drifting further apart with each passing day. Until one morning, they find themselves abruptly united by every parent¿s worst nightmare¿The shoes have been polished, the vases are full and the phone is ringing off the hook, but there¿s one thing they¿re still missing¿answers. Forced into a confrontation, years of resentment and things long left unsaid rise to the surface as they question the circumstances that brought them to this point, and what happens to your relationship when the only thing holding you together, threatens to tear you apart.A timely spotlight on love and loss, Til Death Do Us Part is the debut play of Safaa Benson-Effiom, and was a finalist in the 2020 Theatre503 International Playwriting Award and Soho Theatre¿s 2019 Tony Craze award. Originally presented as a Theatre503 and Darcy Dobson Productions coproduction.

Meet Carey and Simon, an otherwise-perfect married couple with a bit of a swearing problem. They're determined to kick the habit by the time their baby is born. Too bad that's not their only problem. Simon has a secret. And Carey has a new friend - a musician named Owen that she met at a bookstore. With quirky characters, music and gentle humor, this lovely and intricately-constructed story is about meeting challenges head-on and finding hope."Intricate, delicate construction... Hewlett spins an emotionally epic story about a woman caught between two men, as well as her own inability to cope with life's gains and losses." - Matthew Murray, Talkin' Broadway"A pleasure to see... Hewlett's writing has a gentle wittiness... With an exquisitely light touch, Hewlett creates snapshots of the happy lives of Carey and her husband, Simon, moving seamlessly between present day and three years before." - Backstage"Some of the play's best moments are the songs Ms. Hewlett sings, describing the depths of Carey's devotion to Simon." - The New York Times

See that's the problem with this family innit, we never wanna talk real about Ife.'In the wake of the sudden death of their eldest son, Ife, one family is forced to confront the traumas they've long tried to bury. As the sun beats down on their cramped North London flat, and the head of the family arrives from Ethiopia for the funeral, tensions rise, cultures clash and past betrayals are unearthed.A tense, funny and explosive drama exploring what it means to belong, and what happens when a family's secrets shake its foundations. House of Ife premiered at the Bush Theatre, London, in April 2022, directed by Artistic Director Lynette Linton.

This is a comedy of prosperous suburbia, with corruption as its theme and core. A charming, apparently happily married couple, the Actons, live comfortably in their newly-furnished home, but feeling always that life owes thein just a little more: a car, an expensive lawnmower, money for parties and so on. Temptation comes in the shape of Leonie Pimosz, a very high class brothel-keeper. It is not long before pretty, sweet Mrs Acton becomes involved with her and the Acton fortunes are startlingly improved. Soon it becomes clear that Mrs Acton's new career is by no means unusual; indeed, the wives of all their friends are acquainted with Madame Pimosz, and the husbands are quite content to keep up with the Joneses in this as in everything else. But the denoument is startling and horrific.

From the nationally recognized Educational Theatre Association's 2021 Thespy Playwriting competition (formerly Thespian Playworks) come three short scripts - all created by high school-aged playwrights! This volume includes: The Plant Crusade by Aubrey LuseOakland by Bridget PhillipsReverie by Jacki Vellandi

Terri and Brian Cody are hoping to sell their "One Star Hotel" in the Florida Keys, to the only man who has expressed any interest in buying it, a Mr. Sam Lewis from New York. They are not expecting him for a couple of weeks, and are rather caught off-guard when they receive a phone call informing them that he flew into Miami today, is driving down, and will be arriving this afternoon. Unfortunately, they have so few guests they are afraid that Mr. Lewis will see at once, that the hotel is a bad investment. You can see where this is leading...it is a farce after all...So, in order to bolster Mr. Lewis's interest, Terri and Brian devise a plan to make the hotel appear busier and more prosperous than it actually is. Their staff will masquerade as paying guests, thereby, giving Mr. Lewis the impression that the hotel is overflowing with loyal customers and vacationers. Their plan has one hitch, their entire staff consists of a maintenance man named Hopkins and a sexy housemaid named Maureen. They plan to tell Mr. Lewis that Mrs. Cody is shopping in Miami, while she plays the role of a wealthy Palm Beach socialite, Mrs. Winthrop-Smythe. Hopkins is to become the Reverend Hopkins, and Maureen is to combine the duties of receptionist, maid and room service. The plot becomes more complicated when the one paying guest they do have, Major Ponsenby, wants to help out. Suddenly, an Arab sheik, Abdul El Hajj, who bears an uncanny resemblance to the Major, checks into the hotel, stating he is a potential buyer. Their scatterbrained maid, Maureen, is totally inept at the job she's been asked to do, and can't seem to remain completely clothed for more than five minutes at a time. It turns out Hopkins has a propensity to drink, and has bottles of booze hidden all over the hotel. And finally, the one other guest they have checking in later today, is Hayley Harrington, a predatory nymphomaniac, affectionately known as "The Barracuda."Into this "Hotbed" of intrigue arrives... Samuel Lewis and his wife (or is she?), Ashley. He is an extremely moral and upstanding businessman and expects nothing less from those around him. She is an extremely attractive woman, and is only interested in getting Mr. Lewis into bed. Brian spends the rest of the play trying very hard to please Mr. Lewis, keep the Major/Abdul under control, and stay out of the way of "The Barracuda."How do the Major, Hopkins and Mr. Lewis end up in the same bed? Why is Ashley always losing her clothes? Where do The Barracuda and Abdul fit into all this? Who really is Abdul El Hajj? When does the real Mrs. Lewis arrive? What more could possibly happen?Much to the horror and chagrin of Mr. Lewis, the real Mrs. Lewis, who can best be described as "a humorless old battle-axe", does show up. In order to hide his relationship with Ashley from her, he bribes Brian with an offer to purchase the hotel, for more than he was asking, only to get another offer from Abdul. But the final twist is yet to come - a show stopping coup-de-theatre, which leaves the audience knowing they've been "had," but not knowing how it was done.""A hilarious comedy that will leave Fawlty Towers looking like a tragedy, Hotbed Hotel is one of Michael Parker's finest pieces of work." - Act One, Cardiff, Wales"Hotbed Hotel promises life, laughter, and sophisticated fun." - The Deerfield Beach Observer, Florida"Hotbed Hotel has the fundamental ingredients of good entertainment that provide frankly unanticipated comedic results. This play will not disappoint you. In fact, it will leave you feeling entertained, amused, and happy you made the trip." - The Peak, Vancouver, Canada

"The Glorious World of Crowns, Kinks and Curls is a collection of monologues and scenes exploring the complex relationship women have with their hair. From Afros to braids, weddings and funerals, falling in love to grieving a loss, these stories serve as a powerful reminder that for Black women in particular, hair is both deeply personal and political. These heartbreaking, heartwarming and hilarious stories will take audiences on an unparalleled journey into the world of Black womanhood." --

From the Pulitzer Prize, Tony and Emmy Award-winning composer of Next to Normal (Tom Kitt) and the Tony Award-winning writer of Red (John Logan), Superhero is a deeply human new musical about a fractured family, the mysterious stranger in apartment 4-B, and the unexpected hero who just might save the day. Directed by Jason Moore (The Cher Show, Avenue Q), Superhero made its world premiere in January 2019 at Second Stage Theater."Kitt writes beautifully for his anguished characters, shaping the lyrics to each distinct voice." - Alexis Soloski, The Guardian"[Kitt's] lyrics are neatly turned and germane." - Michael Sommers, New York Stage Review"[The] book is intelligent and the songs are well-integrated into it." - Robert Sholiton, Gotham Playgoer

Bonfire night 2019, Sheila, Denise, Julie, and Fay are Team C in Pennine Mineral Water Ltd.''s annual outward bound team-building weekend. Somehow, Sheila has been nominated team leader, and, using her cryptic crossword solving skills, has unwittingly stranded her team on an island in the Lake District.Our intrepid heroines fi nd themselves manufacturing weapons from cable ties and spatulas, and create a rescue fl ag with plastic plates and a toasting fork.Questions are asked; truths are told; dirty washing is aired.Is it possible to build an adequate night shelter with a prom dress and a sleeveless jumper? What is Julie''s husband really up to in Aldi? And why are they on this bloody team building exercise when they could be at a spa?

"London. 1887. Queen Victoria's Jubilee. Buffalo Bill's Wild West is the hottest ticket in town and its star, Miss Annie Oakley, travels to Baker Street to ask Sherlock Holmes to find her missing brother. What ensues is a tale of international intrigue, multiple murders and a war for supremacy over the London underworld."--

Inspired by the true story of Canada's own Preston Rivulettes, Glory is a hockey play that swings! In 1933, four friends set out to prove to Canada that hockey isn't just a sport for men. But with the Great Depression weighing heavily on the nation and political tensions rising in Europe, can they overcome the odds, and people's expectations, to forge their own path to glory? Told through music and dance inspired by the jazz age, Glory is a thrilling hockey story that proves a woman's place is on home ice.

"Emmie is one of the only Black people living in Paris, Vermont, and she desperately needs a job. When she is hired at Berry's, a store off the interstate selling everything from baby carrots to lawnmowers, she begins to understand a new kind of isolation. Paris is a play about invisibility, being underpaid, and how it feels to work on your feet for ten hours a day."--

A play with intense audience participation! Engrossing, controversial courtroom drama, where the audience must serve as judge and jury, deciding motions and verdict, in a case against the five women who betrayed the Grand Duchess Anastasia Romanov, the last surviving daughter of the Tsar of Russia. Complex ethical questions on a set of folding chairs.The Anastasia Trials is a farcical, but profoundly engaging excursion into the hidden world of ethics for women who are both survivors and perpetrators of abuse toward women. The format is a play-within-a-play, where a radical feminist theatre company comes together in order to perform a courtroom drama. The play is shaped by the audience decisions to overrule or sustain the attorneys' motions, and every night's audience sees a different play.In presenting the play, the Emma Goldman Theatre Brigade has instituted a new system to insure equal opportunity for the actors: a lottery. As the women assemble to draw their roles from the hat for the evening's performance, sisterhood is put to the test. The performance itself is a conspiracy trial against five women accused of denying a woman her identity. The plaintiff is none other than Anastasia Romanov, sole survivor of the massacre of the Russian imperial family in 1918.¿"Elegantly conceived...A feminist Noises Off." - Washington City Press"Powerful." -San Diego Lesbian Press"Farce, social history, debate play, agitprop, audience participation melodrama, satire [that] makes the head reel!" -San Diego Union Tribune"Wild... It's lively and moves quickly... Very funny yet poignant." -Washington Blade"Carolyn Gage's raucous, multilayered script explores issues of empathy, loyalty, and betrayal among women..." --The Washington Post."Verdict: An unexpected delight... " --Miami Herald, FL."... farcical humor, imaginative plot twists, and just pure theatrical fun..." --South Florida Sun-Sentinel, Ft. Lauderdale."... fascinating and complex play..."--Fresno Beehive.com"I am constantly amazed at Carolyn's ability to make complex social issues not only accessible but also irresistibly fascinating... the play... [The Anastasia Trials ] touched us, made us laugh and gripped us in a white-knuckle intensity usually found only in Hitchcock films." --R.J. McComish, Literary Manager of the Portland Stage Company, Portland, Maine."... fabulously interesting, brilliantly thought-provoking and exquisitely funny... masterpiece of feminist theater..." --off our backs, Washington, DC."Each performance could potentially have a different result and many students saw every performance just so they could see how the show ended."--At Oldfields, Glencoe, MD.

Runaways is a collection of songs, dances, and spoken word pieces performed by children who have run away from their homes. Initially created from interviews with homeless children and those in orphanages, Liz Swados' unique piece weaves songs about personal struggle and the world at large through the eyes of youth in New York City in the '70s. The show blends different musical styles, from pop to hip-hop and jazz to reggae, while asking why children can't remain children.The licensed version of Runaways reflects the version performed by Encores in 2016.

This show-within-a-show follows the romance between a chorus girl and an Assistant Stage Manager leading to their secret marriage. Their happy union is threatened by the electrician who still carries a torch for the girl and, in a drunken rage, tries to kill them both. A contrasting romance involves the Stage Manager, whose credo never to fall for a girl in a show he's working on is complicated when a dancer he's been wooing is suddenly thrown into the cast of 'Me and Juliet.' Informed by rich insights into the world of Broadway - how jobs are gotten and lost, the inside tricks of the trade and the pitfalls of backstage romances - Me and Juliet is an innovative, irresistible show that consistently delivers both musically and dramatically.

It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a "barbarian" by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and respect one another in a truly unique love story.

Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying.He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer.But at some point, options are going to dry up. And then what? I'm telling you. I don't understand what's happening to me.Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019.From the cobbled streets of post-war London to the shimmering avenues of Paris, Ada transforms the lives of everyone she meets along the way; but can she let go of the past and finally allow her own life to blossom?