Bøker utgitt av Scheidegger and Spiess

French-language edition of a study of our centuries-old captivation with the human hand in art. The human hand, flexible, mobile, and sensitive, is a fascinating and unique part of nature. Its shape and its practical as well as social function have inspired countless artists throughout history. This book explores representations of the human hand, and the glove as its accessory of choice, in art from the seventeenth century until today. Richly illustrated, it offers a panorama of periods and media such as drawing, printmaking, painting, video, and sculpture that demonstrates the creative and metaphorical power of the human hand as a motif in art. The essays explore the rich and varied symbolism surrounding hands and gloves and, in particular, throw new light on the work of Austrian expressionist painter Oskar Kokoschka (1886-1980). For Kokoschka, the topic of human hands was of remarkable importance. Throughout his career, they often appear in the foreground of his works, oversized, in dynamic, active postures, and as instruments of expression. They embody Kokoschka's attention to the human figure, the indisputable backbone of his thought and art.

Explore Constantin Brancusi's oeuvre through the playful form of a dictionary. Constantin Brancusi (1876-1957), one of the most influential artists of the twentieth century and a pioneer of modernism, is also referred to as the patriarch of modern sculpture. From A as in Africa to S as in Studio, D as in Dance, F as in Furniture, and R for Reflections, this lavishly illustrated volume takes the open form of a dictionary to present Brancusi's celebrated art in its full richness. More than 110 entries contributed by leading Brancusi specialists form a complete panorama of his career, from his native Romania to Paris, where he established himself in 1903, and to the United States, where his work was on display for the first time at New York's legendary 1913 Armory Show. Published in conjunction with a major exhibition at the Centre Pompidou in Paris, the book sheds new light on Brancusi's creative process, his relationship with materials, his use of film, photography, and drawing, and his taste for music. It also addresses the global reception of his work and analyzes the views of it that writers and critics of his time took. Moreover, it explores the significance of Brancusi's art today, highlighting its resonance with contemporary artists.

Tells the story of HR Giger's childhood and youth in the Swiss town of Chur. HR Giger (1940-2014) is one of the outstanding figures in Swiss art and design history, celebrated around the world for his design of the fantastic creatures and eerie environments that terrified moviegoers in Ridley Scott's 1979 science fiction film Alien. Yet very little is known about his childhood and youth in Giger's native town of Chur. A trove of photographs, drawings by the young boy Hansruedi, and early artworks that already reveal the future of HR Giger's artistic force, recently unearthed in the Giger family's former holiday home in the Grisons, now offer intimate insights into his early years until the early 1960s. Richly illustrated with more than 230 images from that collection, HR Giger: The Early Years tells the story of those two decades until Giger decided to move to Zurich and train as an architect and designer in 1962, for the first time. Supplemented by brief texts as well as by statements from his schoolmates, friends, and others, these images form a lively picture of that period: family episodes; the Mickey Mouse adaptations Giger created at the age of ten; his growing love of jazz music, photography, and weapons; the trips around Europe he took together with his friends; and the youth culture of Chur of the 1950s and 1960s that shaped him. The volume will appeal to any fan of the extraordinary art and the fascinating personality of HR Giger.

Explores the changing city of Vrin through photographs by Verner Soler. In 1990, Verner Soler, born in the village of Vrin in the Swiss Alps and educated as a primary school teacher, traveled to Los Angeles. His intended six-month stay turned into thirty years and counting. He studied photography and creative advertising in California, married and raised a child, and became a Creative Director with Saatchi & Saatchi in Los Angeles, where he leads campaigns for major global brands such as Toyota. His native mountain village of 250 inhabitants could not be more different from the metropolis of 3.8 million that has become his new home. Against the odds, Soler has tried for over more than three decades to maintain a connection to the place and the people he left behind. Vrin--Home through an Emigrant's Lens presents Soler's intimate exploration of an emigrant's emotions when confronted with the accelerated changes in the village and its people, which he experiences as if captured in a time-lapse. His authentic, powerful images exude an uninhibited, candid reality. At the same time, they are full of meaning and longing. Combined with long narrative captions, they invite viewers to experience this place of power for themselves.

Discovers the importance of gardening in the work of Swiss-American photographer Marina Schinz. Gardens and flowers have been a core subject of Marina Schinz's career. This found expression in her previous books Visions of Paradise, The Gardens of Russell Page, and A Tuscan Paradise. Visiting and photographing countless gardens around the world made her engage in gardening herself and culminated in major garden design projects for her houses, first in the Hudson Valley and later near Piacenza in Italy. In Green Thoughts and Memories, Schinz looks back at her gardening adventures, interweaving horticultural observations with memoirs of her childhood in Zurich. Entertaining and engaging at the same time, full of practical considerations, and rendered with humor and philosophy, the book offers an unconventional appreciation of garden art. It conveys basic knowledge to put budding gardeners and rank beginners on the road to planting a mere tree or starting an entire garden. In twelve chapters, it explores all the elements of gardening, such as weather, soil, labor, planning, flowers, shrubs, etc. Richly illustrated in full color throughout with Schinz's photographs of famous and unknown gardens around the world, this beautiful volume will appeal to anyone with a love of plants and gardens or with a desire to create a personal paradise.

The Historical Dictionary of Philosophy, the Historisches Wörterbuch der Philosophie (HWPh), is distinguished by its particular presentation of philosophical terms, ideas and concepts. Rather than providing mere defintions or descriptive and analytical explanantions the HWPh strictly applies the critical method of history of concepts developed by the eminent German scholar and philosopher Joachim Ritter. By means of precise and detailed references it documents the origin, first occurrence, the historical evolution and the changes of meaning of each concept, from Ancient Greek to contemporary philosophy. For the reader this presentation is of unique value: it makes traceable the importance of terms and concepts at certain periods or for a particular philosopher, as well as its changes and development of meaning.

The Historical Dictionary of Philosophy, the Historisches Wörterbuch der Philosophie (HWPh), is distinguished by its particular presentation of philosophical terms, ideas and concepts. Rather than providing mere defintions or descriptive and analytical explanantions the HWPh strictly applies the critical method of history of concepts developed by the eminent German scholar and philosopher Joachim Ritter. By means of precise and detailed references it documents the origin, first occurrence, the historical evolution and the changes of meaning of each concept, from Ancient Greek to contemporary philosophy. For the reader this presentation is of unique value: it makes traceable the importance of terms and concepts at certain periods or for a particular philosopher, as well as its changes and development of meaning.

The Historical Dictionary of Philosophy, the Historisches Wörterbuch der Philosophie (HWPh), is distinguished by its particular presentation of philosophical terms, ideas and concepts. Rather than providing mere defintions or descriptive and analytical explanantions the HWPh strictly applies the critical method of history of concepts developed by the eminent German scholar and philosopher Joachim Ritter. By means of precise and detailed references it documents the origin, first occurrence, the historical evolution and the changes of meaning of each concept, from Ancient Greek to contemporary philosophy. For the reader this presentation is of unique value: it makes traceable the importance of terms and concepts at certain periods or for a particular philosopher, as well as its changes and development of meaning.