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Switched at birth. Raised in a dysfunctional family. Constantly searching for meatballs. 71 years of searching for the answer to life's ultimate questions: Where did we come from? Where are we going? What is this life all about? In the end, DNA holds the answer. And a shocking discovery and suprise.

Tom and Glykeria share memories of their early years living as goat herders in a remote mountain village in Greece as their daughter-in-law, Christine, documents their probably-true tales of winters without shoes, baths without soap, schools without classrooms, recipes without measurements - and so much more! Continuously recording on her laptop, Christine is entertained by (and fed by) her in-laws as she interrogates them about everything she can think of, hearing stories about their youth from the time they are toddlers until the day they get married. While Tom and Glykeria’s early life experiences are often unimaginable adventures, their engaging personalities, their love for family, and their occasional back-and-forth bickering are totally relatable. Anyone with relatives from the old country will thoroughly enjoy this hilarious and heartfelt account of communicating with family members who have semi-understandable English and an unbelievable history.

This book was originally published in hardcover by Cambridge University Press.Rhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical issues that ground any in-depth study of documentary film and video. Exploring the legitimacy of the distinction between fiction and nonfiction, Carl Plantinga characterizes the documentary in a new way. He examines the uses of moving photographic images and recorded sounds in documentary communication, and describes the implications of various structural and stylistic choices. He explores the notion of voice, the overall nature and functions of objectivity, reflexivity and truth-telling. Rhetoric and Representation in Nonfiction Film offers a "critical realist" perspective on these issues and thus offers an alternative to post-modernist and post-structuralist theories of the documentary.