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In Bob Dylan: Prophet, Mystic, Poet, Seth Rogovoy, an award-winning critic and expert on Jewish music, rectifies that oversight, presenting a fascinating new look at one of the most celebrated musicians of all time. Rogovoy unearths the various strands of Judaism that appear throughout Bob Dylan's songs, revealing the ways in which Dylan walks in the footsteps of the Jewish Prophets. Rogovoy explains the profound depth of Jewish content—drawn from the Bible, the Talmud, and the Kabbalah—at the heart of Dylan's music, and demonstrates how his songs can only be fully appreciated in light of Dylan's relationship to Judaism and the Jewish themes that inform them. From his childhood growing up the son of Abe and Beatty Zimmerman, who were at the center of the small Jewish community in his hometown of Hibbing, Minnesota, to his frequent visits to Israel and involvement with the Orthodox Jewish outreach movement Chabad, Judaism has permeated Dylan's everyday life and work. Early songs like "Blowin' in the Wind" derive central imagery from passages in the books of Ezekiel and Isaiah; mid-career numbers like "Forever Young" are infused with themes from the Bible, Jewish liturgy, and Kabbalah; while late-period efforts have revealed a mind shaped by Jewish concepts of Creation and redemption. In this context, even Dylan's so-called born-again period is seen as a logical, almost inevitable development in his growth as a man and artist wrestling with the burden and inheritance of the Jewish prophetic tradition. Bob Dylan: Prophet, Mystic, Poet is a fresh and illuminating look at one of America's most renowned—and one of its most enigmatic—talents.

Once or twice a decade, an unknown short-story writer blazes onto the literary scene with work that is thrilling and new. Scott Wolven is such a talent, and his raw, blistering tales of hard-bitten convicts, dodgy informers, and men running from the law make for "the most exciting, authentic collection of short stories I have read in years," says George Pelecanos. Brooding, edgy, and sometimes violent, Controlled Burn's loosely linked stories are each in some way a distillation of hard time -- spent either in prison, the backwoods of Vermont, or the badlands of the American West. Peopled by boxers, drunks, truck drivers, murderers, bounty hunters, drifters traveling under assumed names, and men whose luck ran out a thousand miles ago, these stories feel hard-won from life, and if they are moody and stark, so too are they filled with human longing. Controlled Burn is divided into two sections: "The Northeast Kingdom" and "The Fugitive West." In each, Scott Wolven reveals a broken world where there is no bottom left to hit. In the haunting "Outside Work Detail," convicts stoically dig graves for their fellow prisoners yet reserve their deepest grief for the senseless death of a deer. "Crank" introduces Red Green, a maniacally brilliant addict who brews his own crystal meth in a backwoods lab, and whose high-energy antics inspire both cautious admiration and mortal fear in his business associates. In "Ball Lightning Reported," Red Green's ultimate fate is revealed. In "Atomic Supernova," a revenge-obsessed sheriff deputizes a known cop-killer to help him hunt down a counterfeiter and drug lord. The unexpectedly tender and heartbreaking "The Copper Kings" concerns a father facing the dark truth behind his son's disappearance. And in "Vigilance," a hunted man struggles to escape his past, always yearning for an honorable yet perhaps unreachable future. Powered by a spare, ruminative prose style that recalls the best of Denis Johnson and Thom Jones, Controlled Burn is an unforgettable debut.