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Johnny is from New Jersey, and Kari is from Oslo. They meet in New York in the late 1950s and soon fall in love, get married, and move to Asbury Park, where their life unfolds like a dream: Kari gives birth to two beautiful daughters, and Johnny is a wildly successful entrepreneur.

When Anna discovers a long letter that her mother, Marie, wrote, Marie has been dead for some time, and Anna is shocked to learn that her mother disappeared with a secret. The letter is addressed to Marie's first great love, a much older teacher who she describes as a great dinosaur.

The day after his ninety-fourth birthday, a man is sitting in a beautiful garden. It is a paradise where he often played during his childhood, and it is here that he is recording the story of his adventures with Mr Adamson.

Perros, is best remembered for the autobiographical poems, vignettes, short prose narratives, occasional diary-like notations, critical remarks, and personal essays. This title presents a selection of short texts alongside numerous maxims, a genre in which Perros excelled.

In Rechnitz, a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. The author brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated.

IN

With subversive energy and masterful brevity, Mr Zed undermines arrogance, megalomania, and false authority. A determined speaker who doesn't care for ambitions, he forces topics that others would rather keep to themselves. This work collects the considerations and provocations of this squat park-bench philosopher.

Tells the moving tale of an Italian family living in Scotland during the rise of Mussolini and his rule in Italy. This story is told from the point of view of Lucia, the family's daughter, who, at 83, reflects on her childhood.

Molissa Fenley, one of the most influential artists of postmodern dance, has had a lasting impact on performance. This is a vivid and probing portrait of Fenley's four-decade career, written by her fellow artists. It offers several scholarly analyses of the choreographer's work, and is, above all, a vibrant record from the field.

A novel, in which the narrator unexpectedly finds himself back in the world of his childhood: Switzerland in the 1940s. He returns to his childhood home to find his parents frantic because their son is missing. Then, in another switch, the young boy that he was back then turns up in the present of the early 1990s, during the Gulf War.

Throughout her distinguished career, the author has sought to locate and confront shifting forms of social and cultural oppression. In this book, she elaborates a utopian vision for the kind of deep and investigative reading that can develop a will for peaceful social justice in coming generations.

A collection of short stories that is about our globalizing and atomizing world - with stories set in India, Sweden, Australia, and Iran - that also looks at how we meet and fail to meet and what connects us to one another, as well as waste and communication, and, in turn, communication through waste.

Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy, semiological essays on mass culture, then unsettled the literary critical establishment with heretical writings on the French classics, before going on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century (Empire of Signs, S/Z, The Pleasure of the Text, Camera Lucida, Roland Barthes by Roland Barthes). In 1976, the one-time structuralist 'outsider' was elected to a chair at France's pre-eminent academic institution, the College de France, choosing to style himself its Professor of Literary Semiology, though this last somewhat hedonistic and more 'subjectivist' phase of his intellectual adventure was cut short by his untimely death in 1980. The greater part of Barthes's published writings have been available to a French audience since the publication in 2002 of the expanded version of his Oeuvres completes [Complete Works], edited by Eric Marty. The present collection of essays, interviews, prefaces, book reviews and other occasional journalistic pieces, all drawn from that comprehensive source, attempts to give English-speaking readers access to the most significant previously untranslated material from the various stages of Barthes's career. It is divided (not entirely scientifically) into five themed volumes entitled: Theory, Politics, Literary Criticism, Signs and Images (Art, Cinema, Photography), and Interviews. Barthes's earliest interest is in literature--in theatre and the classic realist novel, but also in the more experimental writers of the 1940s and 50s (literature of the absurd, nouveau roman etc.). The articles translated in this volume run from his mid-1950s writings on popular poetry, the giants of the nineteenth century novel (Hugo, Maupassant, Zola), and the narrative innovations of Robbe-Grillet and his associates through to writings from his later years on Sade, Rousseau and Voltaire, and the longer study 'Masculine, Feminine, Neuter' which is, in the words of his French editor, the 'first outline' of his remarkable critical work S/Z.

New York... I HATE IT... I LOVE IT... I DON'T KNOW...". These are the reflections of Max Frisch, writing from his apartment in the Big Apple near the end of the twentieth century. He kept a series of sketchbooks to record his reactions to events of the time and people he encountered in his daily life. This title presents these sketches.

A collection of poems that echo each other, returning to and elaborating upon key images, thoughts, feelings, and people. Intriguing and enigmatic, it is a mixture of sonnet sequences and prose poems.

Tells a story that centers on two young women: Voltairine, a dancer who no longer dances but whose body is still haunted by the movement of dance, and her soulmate Emile, a young woman recovering from unexpected cardiac arrest. The girls are inseparable, and both their lives have been shattered by the horror of rape.

Offers a collection of essays, fiction, poetry, and discussions, derived from the cult Internet magazine Humanities Underground, provides entry into some of the most burning issues in the humanities in contemporary South Asia.

The author was arguably the best-known and most influential writer in the former East Germany. In this title, she revisits her stay at a tuberculosis hospital in the winter of 1946, a real-life event that was the inspiration for the closing scenes of her 1976 novel Patterns of Childhood.

An anthology of contemporary Polish drama that exposes ways in which individual and social violence impinge upon each other, disrupt notions of a monolithic Polish identity, and try to find meaning within the post-9/11 global context. It also includes an introduction that situates each play within its historical, political, and theatrical context.

T, an acclaimed but aging actor, and Efina, a passionate theatergoer, are engaged in an obsessive love affair that careens from attraction to repulsion. They meet, they break up, they marry, and they get divorced. They neither can live with nor without one another, and this impossible state of affairs lasts all their lives.

Looks closely at the role of multiculturalism within terrorism and societal discontent. This title not only explores the relationship between multiculturalism and terrorism, but it analyzes the history of the idea of multiculturalism alongside its political roots and social consequences.

Among liberal thinkers, there is an optimistic belief that men and women are on a cultural journey toward equality - in the workplace, on the street, and in the home. But observation and evidence both tell us that in many ways this progress has stopped - and in some cases even reversed. This title deals with gender equality.

A meditation on responsibility and parenthood that asks an audience not only to suffer the unthinkable loss of a child as the author's characters do, but also to laugh at the couple's flaws and at the hilarity of the suburban life they lead.

How can court testimony be used to rebuild a cohesive national identity for the Hutus and Tutsis? And how is it that dance and theater help to move forward the cause of justice and reconciliation? This title provides a satisfying analysis of the interplay between justice, performance, narrative, and memorialization.

Features Max, a French journalist looking for his next story, and Lena, an American singer, who were once lovers, but now friends. They travel with Lena's new man, Thibault and with Max's barely masked jealousy. Then they meet the striking Colonel Strether, the epitome of military decorum and bearing.

A translation of Italian philosopher Giorgio Agamben's work, in which the author notes that academic research has lingered on the "pagan goddess," while the concept of "elemental spirit," ignored by scholars, is vital to the history of iconography.

An introduction to Franco Fortini, a Jewish communist and a major figure in postwar Italian intellectual life. It is against those who love to rush to the aid of the victors, against the widespread and racist contempt for Arabs, and against the celebration of modern civilization and technology that Israel embodies.