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Traditional African narrative forms combined with European modernism.   The stories comprising The Healer, Marek Vadas's first collection, which was originally published in 2006, are steeped in the culture, rituals, and traditions of Africa, blurring the boundaries between dream and reality and peopled with characters whose gender, shape, skin color or even memories may change at a stroke. Nevertheless, Vadas refuses to exoticize this world, and many of the stories, told in pared-down language, blend mythical elements with realistic depictions of harsh living conditions, economic deprivation, and colonial oppression. The narratives unfold from the perspective of their protagonists-children (often orphaned), and men struggling to make ends meet and trying in vain to resist the allure of strong women endowed with magic powers. As a Slovak writer focusing on the African continent, Vadas is a rare voice that helps to build bridges between very different cultures, and now his writing is introduced to the global anglophone readership.

Poems from a boisterously out and open queer voice from Taiwan.   Ko-hua Chen's Decapitated Poetry was the first explicitly queer book of poems published in Taiwan and remains a foundational work in Taiwanese poetry. Decades after it first appeared in 1995, this collection retains the capacity to shock, appall, and jolt readers into recognizing homosexuality as its own specific category of being. Behind Chen's depictions of the disjunctive realities of queer erotic life, a formidable and uncompromising poetic intelligence can be seen at play. Alongside the erotic, satirical offerings from Decapitated Poetry, this volume includes selections from Chen's remarkable sci-fi sequences that offer further transcorporeal meditations on forbidden queer love. Excoriating, heretical, tender, and always alive to the transgressive potential of language, this exhilarating volume from Seagull's Pride List is the perfect introduction to one of Taiwanese poetry's most daring voices.

Poems from a critically acclaimed Cuban writer available in English for the first time.   Imbued with a sensuality reminiscent of the work of Anaïs Nin, Wendy Guerra's Delicates takes readers on an exhilarating journey through the cities of love, where women leave their bodies "in the showers of men," marking their territory "like animals in heat," their panties "saturated with sand and a sidereal isolating odor." Guerra's shocking metaphors and images invite us to enter her gallery of striking and provoking poems where we witness a flight through the air from a thirty-fourth-story window and a woman's pilgrimage to the salt flats "to taste the pink in stones" on her lover's behalf. Guerra's relationship with her native Cuba-much like her relationships with men-is complex and multilayered. Her work confronts the realities of a political system that doesn't celebrate artistic freedom. Here we have a new way of looking at a woman, an artist, a country, and the colonizers of that country. In these music-infused poems, Guerra shares with us her hard-won truths.

A novel exploring the descent of superficially decent people into vindictive killers.   What could bring people to form a mob and attack others? What circumstances could provoke a thirst for blood at the market square? Who will gang up to batter their neighbor, improbably returned from deportation? How can a person be swept up among lynchers? Pál Závada's novel examines and analyses the anti-Semitic mass hysteria and political opportunism surrounding the pogroms in Hungary that followed World War II and the Holocaust. In May 1946, at the village market, Mária Csóka witnessed a group of women set upon and beat to death a Jewish egg seller. The wife of a schoolteacher accused of anti-Semitic incitement, and daughter of a respected shopkeeper, Mária fears for her husband's life yet cannot ignore the victims. The murderous fury spreads through the neighborhood like wildfire, dragging out women, children, and the elderly alike. Mária's notes from the bloody day at the village market and from the subsequent trial in Budapest testify to a state of human relations that is intimately complex and irreparably scarred.

A lyrical novel concerning belonging, foreignness, and ethnicity.   Following the path of her late geneticist husband, Laure arrives in the town of Malaterra in the harsh mountains of Abruzzo in Italy, where her husband was studying the close-knit Albanian inhabitants. At first an intruder, she is gradually accepted by the population, which is made up of amusing, eccentric characters. Among them: Helena, who hanged her dishonored daughter from the fig tree in her garden, and who has been waiting for thirty years with her gun for her daughter's rapist to return; the Kosovar, a distrusted bookseller languishing in his dusty shop; Mourad, the baker, who proposes marriage to Laure and every other woman who enters his bakery; and Yussuf, the postman, who makes his rounds even if there is no mail to deliver. We also meet the unfortunate assailant who returns from his exile to reclaim and restore his family home. With humor and compassion, this book brings to life the inhabitants of a small, remote town in the mountains of Abruzzo.

A searing novel exploring the construction of masculinity in sub-Saharan Africa.   After beating his girlfriend and leaving her for dead on the street, Amok retraces his steps. Frightened by his act, which reproduces the violence of his father, he hopes to save the woman. But it is too late when he arrives at the scene; two women are already carrying the injured woman. Overwhelmed and not daring to reveal himself, he decides to find his father in order to learn how to rid himself of the dark force that he believes runs through the men of his lineage. He embarks on a journey that will be, more than anything, an inner one, forcing him to understand his story and choose a healthier way of being in the world. This second volume of Twilight of Torment is both intimate and political. Through the story of a man and his family, we discover an African bourgeoisie and its many social wanderings in a contemporary Africa whose future seems nebulous.

An engaging exploration of romance focusing on disparate ages of lovers. Sunday evening, Tegel Airport, Berlin: A woman strikes up a conversation with a man, Robert Sturm, who is thirty-six years old and eighteen years her junior. He is on his way to Siberia and will return the following Saturday. She cannot wait . . . In 1981 she came to West Berlin as an eighteen-year-old to study medicine and met Viktor, who was twice her age. Though he opened the world up to her, he remained closed himself. At the turn of the millennium and thirty-six, she meets Johann. He is thirty-six too. They try to make a life together, but their jobs aren't the only things that are precarious. Saturday morning, Tegel Airport again: For six days, her everyday life and her memories have become entwined. Why are the men in her life always thirty-six? Is she still the person she remembers? Or, being someone who knows their way around the mind, is she in fact what she has forgotten?

A captivating and wide-ranging interpretation of accidental dismounting.   In Pascal Quignard's writing, philology hunts for wild game in a dark forest. The Unsaddled, which features horses as its central figure, is no exception. Taking off from puns, multifarious imagery, and metaphorical meanings-"to be baffled," "to be thrown"-that the book's title provides, Quignard focuses on life-changing moments. We meet George Sand (whose father died after being thrown from his horse), Saint Paul, Abelard, Agrippa d'Aubigné, and countless other writers, philosophers, theologians, or kings who fell off their horses-not to forget Jean-Jacques Rousseau, who was knocked over by a dog. Being "unsaddled" can also be associated, as Quignard shows in regard to Nietzsche, with an "overturning" of values. Scenes of war, hunting, "fleeing" or sexuality-"When lovers have a horse ride, they gallop in another world"-come before our eyes, each time from those unsettling vantage points that Quignard knows how to find. As ever, he ranges far and wide in his intense quest, taking examples from across human history, from the neolithic age to his own childhood memories of postwar Le Havre in northern France.

Poetic prose meditations translated superbly into English.   Austrian poet Friederike Mayröcker is widely considered one of the most important European poets of the twentieth and twenty-first centuries. The last book of hers to be published during her lifetime, as mornings and moosgreen I. Step to the window is an elliptical and, if at times cryptic, deeply personal, playful, and highly poetic collection of experiences, memories, dreams, desires, fears, visions, observations, and peregrinations through landscapes both real and imagined. The volume bears witness to her unique late lyrical style of pyrotechnical cut-up. Among many others, her beloved Derrida, Duchamp, Hölderlin, and Jean-Paul all appear, almost like guides, as Mayröcker bravely makes her way through infirmity, old age, and loneliness, prolonging her time as a prolific writer as much as possible.

Dramatic sketches full of surprising, unpredictable twists and turns from a major twentieth-century German-language author.   A member of the Gruppe 47 writers' group which sought to renew German-language literature after World War II, Ilse Aichinger (1921-2016) achieved great acclaim as a writer of fiction, poetry, prose, and radio drama. The vignettes in At No Time each begin in recognizable situations, often set in Vienna or other Austrian cities, but immediately swerve into bizarre encounters, supernatural or fantastical situations. Precisely drawn yet disturbingly skewed, they are both naturalistic and disjointed, like the finest surrealist paintings. Created to be experienced on the page or on the radio rather than the stage, they echo the magic realism of her short stories. Even though they frequently take a dark turn, they remain full of humor, agility, and poetic freedom.

A richly illustrated analysis from one of Europe's greatest living philosophers.   In Pinocchio, Giorgio Agamben turns his keen philosopher's eye to the famous nineteenth-century novel by Carlo Collodi. To Agamben, Pinocchio's adventures are a kind of initiation into life itself. Like us, the mischievous puppet is caught between two worlds. He is faced with the alternatives of submitting to authority or of carrying on, stubbornly indulging his way of being. From Agamben's virtuoso interpretation of this classic story, we learn that we can harbor the mystery of existence only if we are not aware of it, only if we manage to cohabit with an area of non-knowledge, immemorial and very near. Richly illustrated with images from three early editions of Collodi's novel, this new volume will delight enthusiasts of both literature and philosophy.

A fresh translation of the second volume of Max Frisch's diaries. By the time Swiss author Max Frisch published the second volume of his diaries or sketchbooks, he had achieved international recognition as a writer and dramatist. In this volume, he develops his version of the literary diary as a mosaic of musings on architecture and writing, travelogue, autobiography, and political insight. He considers Cold War tensions as well as the civil rights and anti-Vietnam War movements in the United States. Now middle-aged himself, he looks squarely at men's evolving attitude to life, love, sex, women, and status. And for all the idyllic descriptions of his new home in Berzona, Frisch becomes increasingly critical of his native Switzerland, in particular the crackdowns on left-wingers and protestors, and receives abuse for his stance. Based on the second German edition that reinstated material that had been removed from the original 1972 version, this fresh and definitive translation brings an important mid-twentieth-century European classic back to life.

"First published in English translation by Seagull Books, 2023"-- t.p. verso.

A meditation on the work of Italian artist Giorgio Morandi and its power to evoke a complexity of emotions and astonishment. In The Pilgrim's Bowl, Swiss poet Philippe Jaccottet examines Giorgio Morandi's ascetic still lifes, contrasting his artistic approach to the life philosophies of two authors whom he cherished, Pascal and Leopardi, and reflecting on the few known autobiographical details we know about Morandi. In this small and erudite tome, Jaccottet draws us into the very heart of the artist's calm and strangely haunting oeuvre. In his literary criticism, Jaccottet is known for deeply engaging with the work of his fellow poets and tenaciously seeking the essence of their poetics. In this, his only book-length essay devoted to an artist, his critical prose likewise blends empathy, subtle discernment, and a determination to pinpoint, or at least glimpse, the elusive underlying qualities of Morandi's deceptively simple, dull-toned yet mysteriously luminous paintings. The Pilgrim's Bowl is a remarkably elucidating study based on a profound admiration for and a dialogue with Morandi's oeuvre.

"An engaging exploration of the meaning and power of art that looks at popular theories through the ages. One of the most astonishing aspects of the discourse on contemporary art is the firm and unwavering belief that art has the power to transform society for the better. There seems to be a consensus around the idea that art, especially visual art, is greatly suited to addressing all manner of social, political, economic, ecological, and other imbalances. Celebrated as a powerful remedy for social grievances, art finds its justification in the service it seems to provide to society. But as art historian Leonhard Emmerling contends in this timely volume, this presumptuous heroism shows willful blindness towards art's subjugation to contradictions inherent in social relations. He argues that the narrative of the power of art has its specific history. In trying to reconstruct this history in Art of Diremption, he discovers instead art's fundamental powerlessness as the foundation for art's political relevance. Art is weak, argues Emmerling. It, therefore, requires an ethics of weakness, which rejects the discourse of impact and power to enable a politics of art containing the permanence of reflection, the unreliability of thought, and the emergence of form as the event of the new. With a meticulously studied and well-argued case about the "powerlessness of art," Art of Diremption will be an important contribution to the field of art, aesthetics, and philosophy."--

A fragmentary work that stands as a testament to Wolf's skill as a thinker, storyteller, and memorializer of humanity's greatest struggles. Christa Wolf tried for years to find a way to write about her childhood in Nazi Germany. In her 1976 book Patterns of Childhood, she explained why it was so difficult: "Gradually, over a period of months, the dilemma has emerged: to remain speechless or to live in the third person, these seem to be the options. One is impossible, the other sinister." During 1971 and 1972 she made thirty-three attempts to start the novel, abandoning each manuscript only pages in. Eulogy for the Living, written over the course of four weeks, is the longest of those fragments. In its pages, Wolf recalls with crystalline precision the everyday details of her life as a middle-class grocer's daughter, and the struggles within the family-struggles common to most families, but exacerbated by the rise of Nazism. And as Nazism fell, the Wolfs fled west, trying to stay ahead of the rampaging Red Army.

A collection that brings together Spivak's wide-ranging writings on translation for the first time. Living Translation offers a powerful perspective on the work of distinguished thinker and writer Gayatri Chakravorty Spivak, revealing how, throughout her long career, she has made translation a central concern of the comparative humanities. Starting with her landmark "Translator's Preface" to Jacques Derrida's Of Grammatology in 1976, and continuing with her foreword to Mahasweta Devi's Draupadi and afterword to Devi's Chotti MundaandHis Arrow, Spivak has tackled questions of translatability. She has been interested in interrogating the act of translation from the ground up and at the political limit. She sees at play at border checkpoints, at sites of colonial pedagogy, in acts of resistance to monolingual regimes of national language, at the borders of minor literature and schizo-analysis, in the deficits of cultural debt and linguistic expropriation, and, more generally, at theory's edge, which is to say, where practical criticism yields to theorizing in untranslatables. This volume also addresses how Spivak's institution-building as director of comparative literature at the University of Iowa--and in her subsequent places of employment--began at the same time. From this perspective, Spivak takes her place within a distinguished line-up of translator-theorists who have been particularly attuned to the processes of cognizing in languages, all of them alive to the coproductivity of thinking, translating, writing.

A novel of intersecting historical threads. Love narrates celebrated Norwegian writer Tomas Espedal's search for death. The decision blossoms within I--the I-person--"like some interior bloom, black and beautiful" on a warm spring day in May, and it is this resolution that fills his self-imposed final year with meaning: Death. It can be so beautiful. One must create this beauty for oneself. One must submit to this naturalness, one must choose it, like pulling the duvet over oneself in bed or jumping off a bridge. But almost immediately life deals I a wildcard: a new love affair brings some of the best days he's ever known and threatens his pact with death. Will he be able to leave Aka and the child she's carrying? He has put an endpoint on his life to intensify experience but is he sure that disappearing from their lives, becoming an absent father, is the best thing for all of them? Set against Espedal's constant reference, the ebb and flow of the seasons, something close to ecstasy propels this most introspective of narratives towards a universal truth.

A searing manifesto for troubled times in India. “India is improbable. By any measure of logic or reason, it should not be. Not in this form. And yet it is.â€?   With this provocation, Justice Gautam Patel of the Bombay High Court sketches the exoskeleton of this improbability‿the “Constitutionalâ€? idea of India. Justice Patel argues that the devolution of power is necessary for the survival of any liberal democracy, maintaining the idea that “the right to choose one‿s own government is the right to dissent.â€? Decrying the portrayal of politics as sport, Patel elucidates the strategies and tactics used by “nimbleâ€? governments to enforce a culture of “broad-spectrum illiberalism.â€? A champion of transparency in the judiciary, Patel argues that the Internet and the judiciary must serve as beacons in this age of precarity. A timely text that comes at a juncture where liberal democracies across the world are facing existential threats, Undermining the Idea of India is a searing manifesto for our troubled times.

Lessons in resilience in the second wave of the Covid-19 pandemic in India. Focusing on the second wave of the Covid-19 pandemic in India between April and December 2021, Rustom Bharucha's timely essay reflects on four interconnected realities that haunted this ongoing crisis--death, grief, mourning, and extinction. How do we cope with multiple deaths and the dislocation of rituals when the act of mourning is either postponed or denied? What roles do political surveillance, censorship, the regulation of lockdowns, and the sheer indifference to the lives of people play in the containment of civil liberties? Through vivid examples of photography, theater, dance, visual arts, and the cultures of everyday life, this meditative essay illuminates both the horror of the pandemic as well as its unexpected intimacies and revelations of shared suffering. Against the destruction of nature and the disrespect for the nonhuman, The Second Wave offers lessons in resilience through its reflections on the ethos of waiting and the need to re-envision breath as a vital resource of self-renewal and resistance.