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Started in 1867 and first conceived of as an oratorio, Camille Saint-Saëns completed his most famous opera Samson et Dalila in 1877 with the encouragement of Franz Liszt. It was Liszt who arranged to have the opera staged in Weimar. The story focuses around Dalila and her seduction of Samson to learn the secret of his strength. She is portrayed as a manipulative women bent on revenge. The Bacchanale, known more as a concert piece, is in act 3 and depicts the Priests of the temple in a wild savage dance after the capture of Samson. This new beautifully engraved score by Richard W. Sargeant, Jr. of one of Saint-Saëns's most famous and beloved works, is truly tempting. IMSLP page (opera) Wikipeida article (opera)

The most famous of three settings of the Gloria text by Vivaldi, this one (RV 589) most likely dates from about the same time as its predecessor, during the composer's tenure at the Ospedale della Pietà convent in Venice (1713-40). It's also notable for the borrowing of the "Cum Sancto Spiritu" chorus in the setting by Vivaldi's fellow Venetian - Giovanni Maria Ruggieri. This new vocal score is a digitally enhanced reprint of the one originally prepared by the American musicologist Clayton Westermann in 1967 and includes the editor's helpful preface. Now available in an easy-to-read A4 format, with measure numbers and an improved layout, at an affordable price.

Orchestra: 2+1, 2, 2, 2 - 4, 2, 3, 0, timp, strISMN: 979-0-58021-069-2

Haydn's "Grosses Te Deum" was probably composed in 1800 for a performance given at Eisenstadt in the fall of that year. Scored with a full orchestral accompaniment, it was first published in 1802 by Breitkopf und Hartel. The score here is a newly engraved vocal score edited by Richard W. Sargeant Jr. - in a format specially designed for maximum readability for choruses. IMSLP page All Music