Bøker utgitt av Seven Stories Press,U.S.

The author of The Mental Load returns with more "visual essays which are transformative agents of change."After the success of The Mental Load, Emma continues in her new book to tangle with issues pertinent to women's experiences, from consent to the "power of love," from the care and attentiveness that women place on others' wellbeing and social cohesion, and how it constitutes another burden on women, to contraception, to the true nature of gallantry, from the culture of rape to diets, from safety in public spaces to retirement, along with social issues such as police violence, women's rights, and green capitalism. And, once more, she hits the mark.

A deeply moving and award-winning graphic novel about a young Syrian refugee.Zenobia was once a great warrior queen of Syria whose reign reached from Egypt to Turkey. She was courageous. No one gave her orders. Once she even went to war against the emperor of Rome. When things feel overwhelming for Amina, her mother reminds her to think of Zenobia and be strong. Amina is a Syrian girl caught up in a war that reaches her village. To escape the war she boards a small boat crammed with other refugees. The boat is rickety and the turbulent seas send Amina overboard. In the dark water Amina remembers playing hide and seek with her mother and making dolmas (stuffed grape leaves) and the journey she had to undertake with her uncle to escape. And she thinks of the brave warrior Zenobia. Zenobia is a heartbreaking and all-too-real story of one child's experience of war. Told with great sensitivity in few words and almost exclusively with pictures, Zenobia is a story for children and adults.

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe first-hand the changes brought to their lives by pregnancy, childbirth, and mothering.Many of the writers articulate difficult and socially unsanctioned maternal anger and ambivalence. In Mother Reader, motherhood is scrutinized for all its painful and illuminating subtleties, and addressed with unconventional wisdom and candor. What emerges is a sense of a community of writers speaking to and about each other out of a common experience, and a compilation of extraordinary literature never before assembled in a single volume.

The Clitoral Truth goes beyond all other sexuality self-help guides by providing a surprising "inside" look at women's genital anatomy, and revealing that what is almost universally thought of as a sensitive pea-sized nubbin is, in reality, a powerful, responsive organ system. The Clitoral Truth reveals every aspect of this multifaceted organ and how the parts work together to produce pleasure and orgasm. This frank, frisky, user-friendly guide also delves into the controversy over female ejaculation and explores why so few women have discovered their potential to experience multiple orgasms. It also reports on why so many women of all ages fake orgasms, and it settles the controversy over the G-Spot once and for all. Can't find your G-Spot? Hey, you've got something better! Here are vivid personal accounts, a savvy, in-depth survey of female sexuality resources, and the bold and explicit illustrations of San Francisco artist Fish. The Clitoral Truth surveys the numerous ways that women have begun to transform the deeply entrenched male-centered model of sexuality to actively redefine it by emphasizing full-body pleasure. And, likely, better orgasms!

"Sex and death. All of Marguerite Duras's writings are suffused with the certitude that absolute love is both necessary (sex) and impossible to achieve (death). But no book of hers embodies this idea so powerfully, so excessively, as No More (C'est Tout), the book she composed during the last year of her life until just days before her death. [It] is literature shorn of all its niceties, a shout from the depths of Duras's being, celebrating life in defiance of the death she knew had already entered her immediate future. In part, it is also Duras's raucous salutation welcoming death"--

A story by Nobel Prize-winning writer Jose Saramago, gorgeously illustrated in woodcuts by one of Brazil''s most famous artists.When a lizard appears in the neighborhood of Chiado, in Lisbon, it surprises passers-by, and mobilizes firefighters and the army. With a clear and precise style, the fable offers a multitude of senses, reaching audiences of all ages. "The Lizard" is a short story included in A Bagagem do Viajante (1973), a volume that brought together the Saramago chronicles for the newspaper A Capital and the weekly Jornal do Fundão between 1971 and 1972. Translated by Nick Caistor and Lucia Caistor, The Lizard, is an illustrated version of the chronicle by J. Borges.

"This story, if it is one, deserves the closure of a suicide, perhaps even the magisterial finality of what is usually called a novel, but the remnants of that faraway time offer nothing more than a taste of damp ashes, a feeling of indeterminacy, and the obdurate inconclusiveness of passing time." So writes the unnamed narrator of Horse Crazy, looking back on a season of madness and desire. The first novel from the brilliant, protean Gary Indiana, Horse Crazy tells the story of a thirty-five-year-old writer for a New York arts and culture magazine whose life melts into a fever dream when he falls in love with the handsome, charming, possibly heroin-addicted, and almost certainly insane Gregory Burgess. In the derelict brownstones of the Lower East Side in the late eighties, among the coked out restauranteurs and art world impresarios of the supposed "downtown scene," the narrator wanders through the fog of passion. Meanwhile, the AIDS epidemic is spreading through the city, and New York friendships sputter to an end. Here is a novel where the only moral is that thwarted passion is the truest passion, where love is a hallucination and the gravest illness is desire.

Here for the first time is the complete short fiction of one of the twentieth century's foremost imaginative geniuses. More than half of Vonnegut's output was short fiction, and never before has the world had occasion to wrestle with it all together. Organized thematically-"War," "Women," "Science," "Romance," "Work Ethic versus Fame and Fortune," "Behavior," "The Band Director" (those stories featuring Lincoln High's band director and nice guy George Hemholtz), and "Futuristic"-these ninety-eight stories were written from 1941 to 2007, and include those Vonnegut published in magazines and collected in Welcome to the Monkey House, Bagombo Snuff Box, and other books; here for the first time five previously unpublished stories; as well as a handful of others that were published online and read by few. During his lifetime Vonnegut published fewer than half of the stories he wrote, his agent telling him in 1958 upon the rejection of a particularly strong story, "Save it for the collection of your works which will be published someday when you become famous. Which may take a little time." Selected and introduced by longtime Vonnegut friends and scholars Dan Wakefield and Jerome Klinkowitz, Complete Stories puts Vonnegut's great wit, humor, humanity, and artistry on full display. An extraordinary literary feast for new readers, Vonnegut fans, and scholars alike.

The Anglo-Boer War (1899-1902) is one of the most intriguing conflicts of modern history. It has been labeled many things: the first media war, a precursor of the First and Second World Wars, the originator of apartheid. The difference in status and resources between the superpower Great Britain and two insignificant Boer republics in southern Africa was enormous. But, against all expectation, it took the British every effort and a huge sum of money to win the war, not least by unleashing a campaign of systematic terror against the civilian population.     In The Boer War, winner of the Netherland''s 2013 Libris History Prize and shortlisted for the 2013 AKO Literature Prize, the author brings a completely new perspective to this chapter of South African history, critically examining the involvement of the Netherlands in the war. Furthermore, unlike other accounts, Martin Bossenbroek explores the war primarily through the experiences of three men uniquely active during the bloody conflict. They are Willem Leyds, the Dutch lawyer who was to become South African Republic state secretary and eventual European envoy; Winston Churchill, then a British war reporter; and Deneys Reitz, a young Boer commando. The vivid and engaging experiences of these three men enable a more personal and nuanced story of the war to be told, and at the same time offer a fresh approach to a conflict that shaped the nation state of South Africa.

Revelations about U.S policies and practices of torture and abuse have captured headlines ever since the breaking of the Abu Ghraib prison story in April 2004. Since then, a debate has raged regarding what is and what is not acceptable behavior for the world's leading democracy. It is within this context that Angela Davis, one of America's most remarkable political figures, gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics and prison. Davis talks about her own incarceration, as well as her experiences as "enemy of the state," and about having been put on the FBI's "most wanted" list. She talks about the crucial role that international activism played in her case and the case of many other political prisoners.Throughout these interviews, Davis returns to her critique of a democracy that has been compromised by its racist origins and institutions. Discussing the most recent disclosures about the disavowed "chain of command," and the formal reports by the Red Cross and Human Rights Watch denouncing U.S. violation of human rights and the laws of war in Guantánamo, Afghanistan and Iraq, Davis focuses on the underpinnings of prison regimes in the United States.

This poem with vibrant and colorful illustrations opens a conversation with young readers about family bonds and the lasting impacts of war. Anyone who has had to leave “home” and readers who loved the author’s picture book collaboration with Innosanto Nagara, Together, will want to read I Want You to Know.“I want you to know that you are still of the placeThat our ancestors have known.The place that they called home.”How do we speak with our children about wars that took place where generations of our ancestors once called home? How can we explain that those wars continue to reverberate in our lives, many years or even decades after the combat has ended? And why is it so difficult, complicated, and even painful to dream of our return? I Want You to Know is a poem of possibility, of legacy, and of hope.Damluji originally wrote a version of this poem for her daughter on the morning of the 20-year anniversary of the 2003 U.S. invasion of Iraq, a place where generations of Damluji's family had lived, loved, and cared for one another until it was no longer safe to stay. Her daughter has heard many family stories about life in Iraq, but there have also been many silences. I Want You to Know opens a conversation that helps to fill that void.

A fascinating examination of the rapid concentration of global capital, with chapters that focus on China and Russia.Explores how fewer and larger investment companies now manage the excess financial wealth of the world’s 40 million richest people, to the detriment of everyone else and the global environment.In Titans of Capital, Peter Phillips, a political sociologist, poses three key research questions: To what extent do the wealthy influence—or even dominate—decision making that affects all of us in society? Who are the most powerful people? And how does the accumulation of capital work?Networks of wealthy individuals have evolved since the COVID-19 pandemic, and Titans of Capital shows how the financial investments of transnational elites threaten human rights and the future of the planet.Private capital investments serve as the primary operating funds for international arms sales, private prisons, and other socially negative activities. These investments fuel the continued use of carbon-based energy leading to amplified global warming and climate change.Military spending is a critical component of continued wealth concentration and political power in the world. Spending on arms and intelligence is a required aspect of maintaining global power and control.  Dealing with Russia, China, Iran and other “rogue” states is a continuing agenda for agents of the world power elites.Propaganda machines in Western capitalist governments serve to protect elite wealth by promoting military conflicts to open new regions for economic investment.Phillips warns that while continued concentration of global capital increases the profits enjoyed by the global economy’s “Titans,”, it also increases global inequality, starvation, and civil unrest, threatening the lives of the hundreds of millions of people living in extreme poverty. It is imperative to ask how we can reverse the concentration of Titan wealth and revitalize grassroots democracy unbridled by extreme wealth. Identifying 117 global Titans by name and exposing the networks and interests that unite them provides readers opposed to militarism and committed to economic equality with crucial tools to directly engage the power elite who endanger life on earth.

What Elisa, Lucia, and Alice see-and judge-of each other from the outside is drastically different from how each girl feels inside. They attend the same classes in the same New York City middle school, but no one knows that Elisa is trying to navigate the bewildering asylum process having just arrived from El Salvador; or that Lucia, who also speaks Spanish and brims with self-confidence, is caught in the middle of her parents' heartbreaking divorce; or that Alice, who appears to be a rebel in combat boots, carries the burden of her mother's progressing cancer.

"As we approach the 100th anniversary of Victor Serge's classic exposâe of political repression, the specter of fear as a tool is once again chillingly familiar. An anarchist, Bolshevik, and Communist revolutionary journalist, a historian and memoirist who experienced firsthand the upheavals of a succession of post-revolutionary Soviet regimes, Serge wrote this manual so that other revolutionaries could understand the habits and structures of state repression and figure out how to use them on behalf of the common good"--

A fictionalized biography of the great Polish-German revolutionary and anti-war activist. The only book about Luxemburg for readers 12+.Rosa Luxemburg was a Polish-born German revolutionary emboldened by the necessity of acting against imperialism, colonialism, and militarism. When she was jailed in 1914 for her anti-war speeches, she continued to speak against World War I by writing pamphlets published under a pseudonym. And after her release from prison she continued campaigning for her political causes, co-founding the Communist Party of Germany. Luxemburg was assassinated by the German Freikorps (paramilitary unit), who were sent by the German Chancellor to destroy the left-wing revolt. On the night before her death, she wrote about her belief in the masses and the “inevitability of a triumphant revolution.”  After her death, Lenin praised her, calling her “an eagle of the working class,” and her writings and commitment to democracy and internationalism live on.In this fictionalized biography of the great activist and revolutionary, we see her actions and ideas through the eyes of her faithful companion, Mimi, an alley cat who has a front row view of this astonishing thinker and mover who railed against building walls between countries and people.

Inspired by a Rumi poem, emphasizes the vast interconnectedness of the world and each of us.