Bøker utgitt av Seven Stories Press,U.S.

A new voice in comics is incisive, funny, and fiercely feminist."The mental load. It's incessant, gnawing, exhausting, and disproportionately falls to women. You know the scene--you're making dinner, calling the plumber/doctor/mechanic, checking homework and answering work emails--at the same time. All the while, you are being peppered with questions by your nearest and dearest 'where are my shoes?, 'do we have any cheese?...'" --Australian Broadcasting Corp on Emma's comicIn her first book of comic strips, Emma reflects on social and feminist issues by means of simple line drawings, dissecting the mental load, ie all that invisible and unpaid organizing, list-making and planning women do to manage their lives, and the lives of their family members. Most of us carry some form of mental load--about our work, household responsibilities, financial obligations and personal life; but what makes up that burden and how it's distributed within households and understood in offices is not always equal or fair. In her strips Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious.. If you're not laughing, you're probably crying in recognition. Emma's comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence. Emma has over 300,000 followers on Facebook, her comics have been. shared 215,000 times, and have elicited comments from 21,000 internet users. An article about her in the French magazine L'Express drew 1.8 million views--a record since the site was created. And her comic has just been picked up by The Guardian. Many women will recognize themselves in THE MENTAL LOAD, which is sure to stir a wide ranging, important debate on what it really means to be a woman today.

The author of The Mental Load returns with more "visual essays which are transformative agents of change."After the success of The Mental Load, Emma continues in her new book to tangle with issues pertinent to women's experiences, from consent to the "power of love," from the care and attentiveness that women place on others' wellbeing and social cohesion, and how it constitutes another burden on women, to contraception, to the true nature of gallantry, from the culture of rape to diets, from safety in public spaces to retirement, along with social issues such as police violence, women's rights, and green capitalism. And, once more, she hits the mark.

The only book in English for readers of all ages by Nobel Prize-winning novelist Olga Tokarczuk is a beautifully illustrated meditation on the fullness of life.Bologna Ragazzi Award, Special Mention 2018Prix de l'Union Internationale pour les Livres de Jeunesse (IBBY)The White Raven (IJB Munich)Lódz Design Festival Award"Once upon a time there was a man who worked very hard and very quickly, and who had left his soul far behind him long ago. In fact his life was all right without his soul--he slept, ate, worked, drove a car and even played tennis. But sometimes he felt as if the world around him were flat, as if he were moving across a smooth page in a math book that was covered in evenly spaced squares... " --from The Lost Soul The Lost Soul is a deeply moving reflection on our capacity to live in peace with ourselves, to remain patient, attentive to the world. It is a story that beautifully weaves together the voice of the Nobel Prize-winning Polish novelist Olga Tokarczuk and the finely detailed pen-and-ink drawings of illustrator Joanna Concejo, who together create a parallel narrative universe full of secrets, evocative of another time. Here a man has forgotten what makes his heart feel full. He moves to a house away from all that is familiar to him to wait for his soul to return. The Lost Soul is a sublime album, a rare delicacy that will delight readers young and old."You must find a place of your own, sit there quietly and wait for your soul."

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe first-hand the changes brought to their lives by pregnancy, childbirth, and mothering.Many of the writers articulate difficult and socially unsanctioned maternal anger and ambivalence. In Mother Reader, motherhood is scrutinized for all its painful and illuminating subtleties, and addressed with unconventional wisdom and candor. What emerges is a sense of a community of writers speaking to and about each other out of a common experience, and a compilation of extraordinary literature never before assembled in a single volume.

The Clitoral Truth goes beyond all other sexuality self-help guides by providing a surprising "inside" look at women's genital anatomy, and revealing that what is almost universally thought of as a sensitive pea-sized nubbin is, in reality, a powerful, responsive organ system. The Clitoral Truth reveals every aspect of this multifaceted organ and how the parts work together to produce pleasure and orgasm. This frank, frisky, user-friendly guide also delves into the controversy over female ejaculation and explores why so few women have discovered their potential to experience multiple orgasms. It also reports on why so many women of all ages fake orgasms, and it settles the controversy over the G-Spot once and for all. Can't find your G-Spot? Hey, you've got something better! Here are vivid personal accounts, a savvy, in-depth survey of female sexuality resources, and the bold and explicit illustrations of San Francisco artist Fish. The Clitoral Truth surveys the numerous ways that women have begun to transform the deeply entrenched male-centered model of sexuality to actively redefine it by emphasizing full-body pleasure. And, likely, better orgasms!

Noam Chomsky's backpocket classic on wartime propaganda and opinion control begins by asserting two models of democracy-one in which the public actively participates, and one in which the public is manipulated and controlled. According to Chomsky, "propaganda is to democracy as the bludgeon is to a totalitarian state," and the mass media is the primary vehicle for delivering propaganda in the United States. From an examination of how Woodrow Wilson's Creel Commission "succeeded, within six months, in turning a pacifist population into a hysterical, war-mongering population," to Bush Sr.'s war on Iraq, Chomsky examines how the mass media and public relations industries have been used as propaganda to generate public support for going to war. Chomsky further touches on how the modern public relations industry has been influenced by Walter Lippmann's theory of "spectator democracy," in which the public is seen as a "bewildered herd" that needs to be directed, not empowered; and how the public relations industry in the United States focuses on "controlling the public mind," and not on informing it. Media Control is an invaluable primer on the secret workings of disinformation in democratic societies.

"Sex and death. All of Marguerite Duras's writings are suffused with the certitude that absolute love is both necessary (sex) and impossible to achieve (death). But no book of hers embodies this idea so powerfully, so excessively, as No More (C'est Tout), the book she composed during the last year of her life until just days before her death. [It] is literature shorn of all its niceties, a shout from the depths of Duras's being, celebrating life in defiance of the death she knew had already entered her immediate future. In part, it is also Duras's raucous salutation welcoming death"--

A story by Nobel Prize-winning writer Jose Saramago, gorgeously illustrated in woodcuts by one of Brazil''s most famous artists.When a lizard appears in the neighborhood of Chiado, in Lisbon, it surprises passers-by, and mobilizes firefighters and the army. With a clear and precise style, the fable offers a multitude of senses, reaching audiences of all ages. "The Lizard" is a short story included in A Bagagem do Viajante (1973), a volume that brought together the Saramago chronicles for the newspaper A Capital and the weekly Jornal do Fundão between 1971 and 1972. Translated by Nick Caistor and Lucia Caistor, The Lizard, is an illustrated version of the chronicle by J. Borges.

"This story, if it is one, deserves the closure of a suicide, perhaps even the magisterial finality of what is usually called a novel, but the remnants of that faraway time offer nothing more than a taste of damp ashes, a feeling of indeterminacy, and the obdurate inconclusiveness of passing time." So writes the unnamed narrator of Horse Crazy, looking back on a season of madness and desire. The first novel from the brilliant, protean Gary Indiana, Horse Crazy tells the story of a thirty-five-year-old writer for a New York arts and culture magazine whose life melts into a fever dream when he falls in love with the handsome, charming, possibly heroin-addicted, and almost certainly insane Gregory Burgess. In the derelict brownstones of the Lower East Side in the late eighties, among the coked out restauranteurs and art world impresarios of the supposed "downtown scene," the narrator wanders through the fog of passion. Meanwhile, the AIDS epidemic is spreading through the city, and New York friendships sputter to an end. Here is a novel where the only moral is that thwarted passion is the truest passion, where love is a hallucination and the gravest illness is desire.

Here for the first time is the complete short fiction of one of the twentieth century's foremost imaginative geniuses. More than half of Vonnegut's output was short fiction, and never before has the world had occasion to wrestle with it all together. Organized thematically-"War," "Women," "Science," "Romance," "Work Ethic versus Fame and Fortune," "Behavior," "The Band Director" (those stories featuring Lincoln High's band director and nice guy George Hemholtz), and "Futuristic"-these ninety-eight stories were written from 1941 to 2007, and include those Vonnegut published in magazines and collected in Welcome to the Monkey House, Bagombo Snuff Box, and other books; here for the first time five previously unpublished stories; as well as a handful of others that were published online and read by few. During his lifetime Vonnegut published fewer than half of the stories he wrote, his agent telling him in 1958 upon the rejection of a particularly strong story, "Save it for the collection of your works which will be published someday when you become famous. Which may take a little time." Selected and introduced by longtime Vonnegut friends and scholars Dan Wakefield and Jerome Klinkowitz, Complete Stories puts Vonnegut's great wit, humor, humanity, and artistry on full display. An extraordinary literary feast for new readers, Vonnegut fans, and scholars alike.

The Anglo-Boer War (1899-1902) is one of the most intriguing conflicts of modern history. It has been labeled many things: the first media war, a precursor of the First and Second World Wars, the originator of apartheid. The difference in status and resources between the superpower Great Britain and two insignificant Boer republics in southern Africa was enormous. But, against all expectation, it took the British every effort and a huge sum of money to win the war, not least by unleashing a campaign of systematic terror against the civilian population.     In The Boer War, winner of the Netherland''s 2013 Libris History Prize and shortlisted for the 2013 AKO Literature Prize, the author brings a completely new perspective to this chapter of South African history, critically examining the involvement of the Netherlands in the war. Furthermore, unlike other accounts, Martin Bossenbroek explores the war primarily through the experiences of three men uniquely active during the bloody conflict. They are Willem Leyds, the Dutch lawyer who was to become South African Republic state secretary and eventual European envoy; Winston Churchill, then a British war reporter; and Deneys Reitz, a young Boer commando. The vivid and engaging experiences of these three men enable a more personal and nuanced story of the war to be told, and at the same time offer a fresh approach to a conflict that shaped the nation state of South Africa.

Revelations about U.S policies and practices of torture and abuse have captured headlines ever since the breaking of the Abu Ghraib prison story in April 2004. Since then, a debate has raged regarding what is and what is not acceptable behavior for the world's leading democracy. It is within this context that Angela Davis, one of America's most remarkable political figures, gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics and prison. Davis talks about her own incarceration, as well as her experiences as "enemy of the state," and about having been put on the FBI's "most wanted" list. She talks about the crucial role that international activism played in her case and the case of many other political prisoners.Throughout these interviews, Davis returns to her critique of a democracy that has been compromised by its racist origins and institutions. Discussing the most recent disclosures about the disavowed "chain of command," and the formal reports by the Red Cross and Human Rights Watch denouncing U.S. violation of human rights and the laws of war in Guantánamo, Afghanistan and Iraq, Davis focuses on the underpinnings of prison regimes in the United States.

"In this her fifth novel, Gologorsky returns to the setting of all her books-the American working class of Long Island and the Bronx, where the last two generations of Americans have been scarred by the domestic side of foreign wars and by drugs-from Vietnam to Iraq and Afghanistan, from heroin to oxycodone-good people seeking a good life amidst obstacles that can seem insurmountable. In The Angle of Falling Light, the protagonist Tessa, has no model close to her for the kind of life she'd like to lead. Her sister Marla starts using drugs, following the lead of their uncle Hack, who softens his days with alcohol and weed. Her stepfather Scotty is a vet struggling with depression, and her mom Nina can't cope. Nina takes refuge with a new lover and Tess, too, finds safety in a new relationship if not the direction she so desperately seeks. The Angle of Falling Light is a book with a big cast of troubled innocents, everyone looking for a way forward, a lesson in how to give love while still putting yourself first, one of the most difficult of life's challenges. As Gologorsky has it, some will lose this battle, while others will at least survive it"--

This poem with vibrant and colorful illustrations opens a conversation with young readers about family bonds and the lasting impacts of war. Anyone who has had to leave “home” and readers who loved the author’s picture book collaboration with Innosanto Nagara, Together, will want to read I Want You to Know.“I want you to know that you are still of the placeThat our ancestors have known.The place that they called home.”How do we speak with our children about wars that took place where generations of our ancestors once called home? How can we explain that those wars continue to reverberate in our lives, many years or even decades after the combat has ended? And why is it so difficult, complicated, and even painful to dream of our return? I Want You to Know is a poem of possibility, of legacy, and of hope.Damluji originally wrote a version of this poem for her daughter on the morning of the 20-year anniversary of the 2003 U.S. invasion of Iraq, a place where generations of Damluji's family had lived, loved, and cared for one another until it was no longer safe to stay. Her daughter has heard many family stories about life in Iraq, but there have also been many silences. I Want You to Know opens a conversation that helps to fill that void.

A definitive collection of writings by the legendary Pulitzer Prize-winning reporter Murray Kempton (1917-1997) with a foreword by Darryl Pinckney, gathering dozens of columns, essays, and critiques from publications including The New York Post, The New York Review of Books, The New Republic, and Newsday.With many uncollected and long out-of-print writings, this is the first volume of Kempton’s work to appear in 30 years, a book that resdiscovers the legendary figure of journalism that David Remnick called “the greatest newspaperman in town.”“The man is a marvel. It’s like listening to Louis Armstrong, or Roy Eldridge: you don’t know where the hell he is going, but somehow he gets there and it knocks your socks off.” —Frank SinatraA courtly man of Southern roots, Murray Kempton worked as a labor reporter for the New York Post, won a Pulitzer Prize while at Newsday, and was arrested at the Democratic National Convention in Chicago along the way. He wore three piece suits and polished oxfords and was known for riding his bicycle around New York City while listening to his CD Walkman and smoking a pipe with wild red hair that later turned white. He developed a taste for baroque prose and became, in the words of Robert Silvers, his editor at The New York Review of Books, ''unmatched in his moral insight into the hypocrisies of politics and their consequences for the poor and powerless.''He went to court proceedings and traffic accidents and funerals and to speeches by people who either were or wanted to be rich and famous. He wrote about everything and anybody—Tonya Harding and Warren Harding, Fidel Castro and Mussolini, Harry Truman and Sal Maglie, St. Francis of Assisi and James Joyce and J. Edgar Hoover.From dispatches from a hardscrabble coal town in Western Maryland, a bus carrying Freedom Riders through Mississippi, an Iowa cornfield with Nikita Krushchev, an encampment of guerrillas in El Salvador, and Moscow at the end of the Soviet Union (these last two assignments filed by a reporter in his 70s), Kempton’s concerns and interests were extraordinarily broad. He wrote about subjects from H.L. Mencken to Tupac Shakur; organized labor and McCarthyism; the Civil Rights and Black Power movements; presidential hopefuls and Mafiosi; frauds and failures of all stripes; the “splendors and miseries” of life in New York City.

A fascinating examination of the rapid concentration of global capital, with chapters that focus on China and Russia.Explores how fewer and larger investment companies now manage the excess financial wealth of the world’s 40 million richest people, to the detriment of everyone else and the global environment.In Titans of Capital, Peter Phillips, a political sociologist, poses three key research questions: To what extent do the wealthy influence—or even dominate—decision making that affects all of us in society? Who are the most powerful people? And how does the accumulation of capital work?Networks of wealthy individuals have evolved since the COVID-19 pandemic, and Titans of Capital shows how the financial investments of transnational elites threaten human rights and the future of the planet.Private capital investments serve as the primary operating funds for international arms sales, private prisons, and other socially negative activities. These investments fuel the continued use of carbon-based energy leading to amplified global warming and climate change.Military spending is a critical component of continued wealth concentration and political power in the world. Spending on arms and intelligence is a required aspect of maintaining global power and control.  Dealing with Russia, China, Iran and other “rogue” states is a continuing agenda for agents of the world power elites.Propaganda machines in Western capitalist governments serve to protect elite wealth by promoting military conflicts to open new regions for economic investment.Phillips warns that while continued concentration of global capital increases the profits enjoyed by the global economy’s “Titans,”, it also increases global inequality, starvation, and civil unrest, threatening the lives of the hundreds of millions of people living in extreme poverty. It is imperative to ask how we can reverse the concentration of Titan wealth and revitalize grassroots democracy unbridled by extreme wealth. Identifying 117 global Titans by name and exposing the networks and interests that unite them provides readers opposed to militarism and committed to economic equality with crucial tools to directly engage the power elite who endanger life on earth.

Powerful interviews with scholars, organizers, and activists who are leading the movement to end policing and prison. Award-winning journalist Kolhatkar presents a visionary outlook for a future rooted in liberation, freedom, and justice.Abolitionist thinkers have been envisioning police-free communities for decades, but only in the aftershock of the racial justice uprisings of 2020 have their radical ideas entered into mainstream discourse. In Talking About Abolition, award-winning journalist Sonali Kolhatkar presents an inspiring collection of her conversations with scholars, movement figures, and activists who are leading the movement to end policing and prisons. From articulating the best counter-arguments to pervasive “copaganda,” to exposing the moral bankruptcy of reformism, each conversation connects the dots between past and present while imagining a collective future rooted in liberation, freedom, and justice.Featuring interviews with Alicia Garza, Ruth Wilson Gilmore, Leah Penniman, Gina Dent, Cat Brooks, Andrea Ritchie, Eunisses Hernandez, Noelle Hanrahan, Ivette Alé-Ferlito, Melina Abdullah, Reina Sultan, and Dylan Rodriguez, and with an introduction by Robin D. G. Kelley.