Bøker utgitt av Seven Stories Press,U.S.

Arguably one of Italy's greatest contemporary writers, Natalia Ginzburg has been best known in America as a writer's writer, quiet beloved of her fellow wordsmiths. This collection of personal essays chosen by the eminent American writer Lynne Sharon Schwartz from four of Ginzburg's books written over the course of Ginzburg's lifetime was a many-years long project for Schwartz. These essays are deeply felt, but also disarmingly accessible. Full of self-doubt and searing insight, Ginzburg is merciless in her attempts to describe herself and her world—and yet paradoxically, her self-deprecating remarks reveal her deeper confidence in her own eye and writing ability, as well as the weight and nuance of her exploration of the conflict between humane values and bureaucratic rigidity.

Based on actual events, The Guest is a profound portrait of a divided people haunted by a painful past, and a generation's search for reconciliation.During the Korean War, Hwanghae Province in North Korea was the setting of a gruesome fifty-two day massacre. In an act of collective amnesia the atrocities were attributed to American military, but in truth they resulted from malicious battling between Christian and Communist Koreans. Forty years later, Ryu Yosop, a minister living in America returns to his home village, where his older brother once played a notorious role in the bloodshed. Besieged by vivid memories and visited by the troubled spirits of the deceased, Yosop must face the survivors of the tragedy and lay his brother's soul to rest.Faulkner-like in its intense interweaving narratives, The Guest is a daring and ambitious novel from a major figure in world literature.

Here, in the magisterial yet plain-spoken style of A People's History of the United States, is historian Howard Zinn's long-awaited telling of these last six years of United States history, a time when catastrophic machinations of war have dictated our foreign and domestic policy, and when voices of resistance have appeared in the unlikeliest places.Perhaps more than any other American, Howard Zinn has helped us understand ourselves by deepening our understanding of our own history.

Through in-depth research and detailed historical context, Sonali Kolhatkar and James Ingalls report on the injustice of U.S. policies in Afghanistan historically and in the post-9/11 era. Drawing from declassified government documents and on-the-ground interviews with Afghan activists, journalists, lawyers, refugees, and students, Bleeding Afghanistan examines the connections between the U.S. training and arming of Mujahideen commanders and the subversion of Afghan democracy today. Bleeding Afghanistan boldly critiques the exploitation of Afghan women to justify war by both conservatives and liberals, analyzes uncritical media coverage of U.S. policies, and examines the ways in which the U.S. benefits from being in Afghanistan.

"Negative ethnicity" is Koigi wa Wamwere's name for the deep-seated tensions in Africa that the world has seen flare so terrifyingly. The genocide in Rwanda and "ethnic" killing in the Democratic Republic of Congo, Nigeria, and elsewhere stand out as examples. Wa Wamwere argues that these clashes cannot properly be described as ethnically motivated; ethnicity, a positive distinction, has nothing of the hatred here at work. Negative Ethnicity gives a new picture of the force behind untold deaths on the continent, dispelling the myth of an intractable conflict waged along simple, ancient lines.Negative Ethnicity explains the roots, colonial and pre-colonial, of the current "ethnic" tensions. It goes on to describe how, for most Africans, ethnic identity is ambiguous, and analyzes why that fact is obscured. The culprits are many: chronic poverty, a broken education system, preying dictators, corrupt officials, the colonial legacy of hate, the ongoing exploitation of the West.Negative Ethnicity is both a history and a manual for change, intended to introduce Westerners to the crisis and to give Africans a new understanding of it. Perhaps never before has the problem been addressed with such clarity and insight.

Truth—as Zinn shows us in the interviews that make up Terrorism and War—has indeed been the first casualty of war, starting from the beginnings of American empire in the Spanish-American War. But war has many other casualties, he argues, including civil liberties on the home front and human rights abroad. In Terrorism and War, Zinn explores the growth of the American empire, as well as the long tradition of resistance in this country to U.S. militarism, from Eugene Debs and the Socialist Party during World War One to the opponents of U.S. military intervention in Afghanistan today.

The confirmation proceedings for Alberto R. Gonzales and Condeleeza Rice, like the Abu Ghraib prison scandal, triggered a national debate about the U.S. government's controversial treatment of detainees and its practice of torture. At the heart of the debate is the question: Is the United States undermining democracy, freedom, and human rights in it's effort to protect its citizens from terrorism? The authors of AMERICA'S DISAPPEARED answer, yes.AMERICA'S DISAPPEARED describes how the U.S. government, in response to the events of 9/11, launched an unprecedented campaign of racial profiling, detentions, and deportations so grievous as to evoke the internment of Japanese Americans during World War II. It brings together, for the first time, detainees' own testimonies along with analysis by the leading constitutional attorneys and human rights advocates. In addition to a detailed exploration of detention—the forms currently in use, and the conditions of each—the book challenges the Bush administration's justifications for violating the Geneva Conventions and the most basic definitions of human rights.

A Young People's History of the United States brings to US history the viewpoints of workers, slaves, immigrants, women, Native Americans, and others whose stories, and their impact, are rarely included in books for young people. Volume 1 begins with a look at Christopher Columbus's arrival through the eyes of the Arawak Indians, then leads the reader through the earliest struggles for workers' rights, women's rights, and civil rights during the 18th and 19th centuries. Volume 2 picks the thread up in the early 20th century, covering both World Wars, Vietnam, the Black Rights movement, and ending with the current protests against continued American imperialism. Zinn presents a radical new way of understanding America's history. In so doing, he reminds readers that America's true greatness is shaped by our dissident voices, not our military generals.A Young People's History of the United States is also a companion volume to The People Speak, the film adapted from A People's History of the United States and Voices of a People's History of the United States.

In Israel/Palestine, Reinhart traces the development of the Security Barrier and Israel's new doctrine of "disengagement," launched in response to a looming Palestinian-majority population. Examining the official record of recent diplomacy, including United States-brokered accords and talks at Camp David, Oslo, and Taba, Reinhart explores the fundamental power imbalances between the negotiating parties and identifies Israel's strategy of creating facts on the ground to define and complicate the terms of any future settlement. In this indispensable primer, Reinhart's searing insight illuminates the current conflict and suggests a path toward change.

New York's Lower East Side has been a fountain of creativity and art since the early 1950s, a free-wheeling bazaar of ideas and artists that has challenged and shaped mainstream culture. Captured tells the story of film and video in the Lower East Side and the East Village in the artists' own words. Over one hundred contributors discuss the early years with Allen Ginsburg, Andy Warhol, Jack Smith, Taylor Mead, and Jonas Mekas, as well as the wild 70s and 80s with Jim Jarmusch, Steve Buscemi, Louis Guzman, Nick Zedd, and many others. Movements such as No Wave and the Cinema of Transgression are covered, as is the story of Pull My Daisy, considered among the true progenitors of "indie film."Captured is part formal history and part inspirational text, to remind people on the outside looking in how often their contributions form the invisible pillars of American art and popular life. To quote the great pop art filmmaker Jack Smith, "Art school? Art school? I didn't have the luxury of going to art school. I had to come to New York and go straight to work making art." Captured is a must-have for fans of independent film and students of cinema everywhere.