Bøker utgitt av Seven Stories Press,U.S.

"We Live Here! is a graphic novel biography of the members of the local activist group Detroit Eviction Defense combatting-and beating-calls for their eviction. By illustrating the stories of families struggling against evictions, the book gives a voice to those who have remained in Detroit, showing the larger complexities at work in a beleaguered city. These are everyday people fighting back, organizing with others, going into the streets, and winning their homes back. What will Detroit look like in the future? Today cheap property entices real estate speculators from around the world. Artists arrive from all over viewing the city as a creative playground. Billionaires are re-sculpting downtown as a spot for tourism. But beyond the conventional players in urban growth and development, Detroit Eviction Defense (DED) members-like others engaged in place-based struggles all over the country-are pushing back, saying in effect, "we live here, we've been here, there is no Detroit without us.""--

A Young People's History of the United States brings to US history the viewpoints of workers, enslaved people, immigrants, women, Black people, Latino Americans, Asian Americans, American Indians, and others whose stories, and their impact, are rarely included in books for young people. Beginning with a look at Christopher Columbus’s arrival through the eyes of the Arawak Indians, then leading the reader through the struggles for workers’ rights, women’s rights, and civil rights during the nineteenth and twentieth centuries, and ending with the current protests against continued American imperialism, Zinn presents a radical new way of understanding America’s history. In so doing, he reminds readers that America’s true greatness is shaped by our dissident voices, not our military generals.A Young People's History of the United States is also a companion volume to The People Speak, the film adapted from A People's History of the United States and Voices of a People’s History of the United States.

A poem by the winner of the Nobel Prize for Literature, illustrated for readers of all ages that will challenge assumptions about falling in love.They're both convinced / that a sudden passion joined them.Such certainty is beautiful, / but uncertainty is more beautiful still. Love at First Sight is a beautiful poem about love and chance and destiny by the 1996 Polish winner of the Nobel Prize for Literature. Illustrated by Italian artist Beatrice Gasca Queirazza, Szymborska's poem comes to life in entirely new ways for her readers and for lovers everywhere in this oversized book perfect for gift giving. Szymborska tells of two young lovers bound together in an instant-or were they? As the poem unfolds, the reader's assumptions-like those of the lovers themselves-about certainty and destiny are utterly upended, revealing the paradox and mystery of fate. Here is randomness, tricks of memory, and chance, where noticing the smallest details of our intertwined lives is more essential than asking, Are we meant for each other? "Every beginning / is only a sequel, after all…"

Here is the incredible story of Harvey Milk, one of the greatest fighters for gay rights.Called ""the most famous and most significantly open LGBT official ever elected in the United States," Harvey Milk fought against discrimination on the basis of sexual orientation. In the 1970s when Harvey is elected into office in San Francisco, homosexual relations are still against the law in the United States, and homophobia is being stoked by outspoken conservatives and the religious right. Just ten months after being elected, Milk and San Francisco Mayor George Moscone are assassinated by a homophobic former colleague. The killer finds sympathy from his jurors and gets a light sentence. Milk's death becomes a metaphor for the experience of gays in America and his legend as a fighter for gay rights is cemented.

The only story for young readers of the legendary Chilean songwriter and activist who became a symbol of peace amidst the brutality of Augusto Pinochet's regime.On September 11, 1973, in Santiago de Chile, Augusto Pinochet took power and installed a dictatorship in place of the democratic government of President Salvador Allende. That day Victor Jara, a young songwriter and activist, poet and playwright is arrested and imprisoned with hundreds of other people in the Santiago stadium because of his association with the socialist opposition. His hands, so crucial to playing music, are broken by one of Pinochet's soldiers. He is executed in the stadium days later, but his protest songs will continue to resound to this day, as does his defiance in singing, "Venceremos," We Will Overcome, in the stadium. Pinochet will die at an advanced age without having answered for his crimes that were committed in an effort to crush dissent. But we celebrate the brave and defiant artists and activists like Victor Jara who help us to remember our humanity in the face of oppressive dictatorships.

Despite the world's insecurities, the most common drama of all is not of apocalypse now, but of apocalypse deferred; the pain of living is having to wait it out. In Apocalypse Then, DeMarinis's characters try alcohol, they try travel, and (most of all) they try off-limits love. They find themselves in harm's way, or put themselves there—but in life, as the title story states, "sometimes the worst doesn't happen."

Cuba's greatest photographer captures the spirit of the Cuban Revolution—and of Cuba itself—in unforgettable images and text.Korda’s photographs and breathtaking reminiscences capture some of the 20th-century’s greatest moments with unprecedented intimacy as no other book ever could or will. In the first weeks of 1959, Korda joined the staff of the newly created daily newspaper of Cuba, Revolución. From that moment on, Korda documented the heady early days of revolutionary Cuba. When Fidel Castro visited the United States in April 1959, Korda went with him. When Castro visited the Soviet Union in 1963 and 1964, Korda was there, documenting intimate moments with Soviet leader Nikita Kruschev’s family and appearing to show the end of the breach that had followed their country’s divergent policies during the Cuban Missile Crisis of October 1962. But probably Korda’s greatest moment came on March 5, 1960, during a funeral ceremony for the victims of the sabotaged French freighter La Coubre, a ship carrying arms purchased by the Cuban military. Fidel knew the attack to be the work of America’s CIA. And it altered relations between the two countries forever after. Korda was less than a dozen steps from the platform where Fidel Castro was addressing the crowd of mourners. There were foreign observers present, including Jean-Paul Sartre and Simone de Beauvoir. Che stepped forward to look over the crowd. Korda shot him through his telephoto lens, even though he was near to him. The result would turn into nothing less than one of the most enduring images of our age, though the picture would not see light of day for another year. It was first published on April 15, 1961, just before the Bay of Pigs invasion, and would only become well known when Che’s Italian publisher Gianfranco Feltrinelli printed thousands of posters of the image shortly after Che’s death.

The 22nd annual World Report summarizes human rights conditions in more than ninety countries and territories worldwide, reflecting extensive investigative work undertaken in 2011 by Human Rights Watch staff, usually in close partnership with domestic human rights activists. World Report 2012 gives particular focus on the roles-positive or negative-played in each country by key domestic and international figures, and includes contributions from Joseph Saunders, Danielle Haas, and Iain Levine, and an introduction by Human Rights Watch director Kenneth Roth assessing the year's most pressing human rights issue.

NOW A NEW YORK TIMES BESTSELLER!Publisher's Weekly "Best Summer Books of 2013"The Daily Beast's "Brainy Summer Beach Reads"The classic literary canon meets the comics artists, illustrators, and other artists who have remade reading in Russ Kick's magisterial, three-volume, full-color The Graphic Canon, volumes 1, 2, and 3.Volume 3 brings to life the literature of the end of the 20th century and the start of the 21st, including a Sherlock Holmes mystery, an H.G. Wells story, an illustrated guide to the Beat writers, a one-act play from Zora Neale Hurston, a disturbing meditation on Naked Lunch, Rilke's soul-stirring Letters to a Young Poet, Anaïs Nin's diaries, the visions of Black Elk, the heroin classic The Man With the Golden Arm (published four years before William Burroughs' Junky), and the postmodernism of Thomas Pynchon, David Foster Wallace, Kathy Acker, Raymond Carver, and Donald Barthelme.The towering works of modernism are here--T.S. Eliot's "The Love Song of J. Alfred Prufrock" and "The Waste Land," Yeats's "The Second Coming" done as a magazine spread, Heart of Darkness, stories from Kafka, The Voyage Out by Virginia Woolf, James Joyce's masterpiece, Ulysses, and his short story "Araby" from Dubliners, rare early work from Faulkner and Hemingway (by artists who have drawn for Marvel), and poems by Gertrude Stein and Edna St. Vincent Millay.You'll also find original comic versions of short stories by W. Somerset Maugham, Flannery O'Connor, and Saki (manga style), plus adaptations of Lolita (and everyone said it couldn't be done!), The Age of Innocence, Siddhartha and Steppenwolf by Hermann Hesse, "The Negro Speaks of Rivers" by Langston Hughes, One Flew Over the Cuckoo's Nest, Last Exit to Brooklyn, J.G. Ballard's Crash, and photo-dioramas for Animal Farm and The Wonderful Wizard of Oz. Feast your eyes on new full-page illustrations for 1984, Brave New World, Waiting for Godot, One Hundred Years of Solitude,The Bell Jar, On the Road, Lord of the Flies, The Wind-Up Bird Chronicle, and three Borges stories.Robert Crumb's rarely seen adaptation of Nausea captures Sartre's existential dread. Dame Darcy illustrates Cormac McCarthy's masterpiece, Blood Meridian, universally considered one of the most brutal novels ever written and long regarded as unfilmable by Hollywood. Tara Seibel, the only female artist involved with the Harvey Pekar Project, turns in an exquisite series of illustrations for The Great Gatsby. And then there's the moment we've been waiting for: the first graphic adaptation from Kurt Vonnegut's masterwork, Slaughterhouse-Five. Among many other gems.

A concise, readable and thoroughly revised overview of Cuba written by Cubans for anyone interested in quickly understanding the island country’s turbulent history.Cuba: A Brief History covers the pre-Hispanic period, through Cuba’s struggle to maintain the revolution in the years following the collapse of the Soviet Union, to the period after Fidel Castro’s decision to step down from office, to the 2014 opening to Cuba by the Obama Administration, the retirement of Raul Castro and his replacement as president in 2018 by Miguel Diaz Canal, and finally to the reversal of Washington’s engagement with Cuba under President Trump. This slim volume provides the reader with an overview of the history and politics of the tiny Caribbean island that continues to appear at the center of world events.Featuring a presentation and analysis of US intervention on the island, Cuba: A Brief History also includes footnotes and a bibliography for further reading. This is an essential introduction to Cuba for students, visitors, and others looking for a bird’s eye view of the turbulent history of the island that has captivated and enthralled its northern neighbors for decades.

Che Guevara’s widow remembers a great revolutionary romance tragically cut short by Che’s assassination in Bolivia. With a new introduction to be announced soon.When Aleida March first met Che Guevara, she was a twenty-year-old combatant from the provinces of Cuba, he an already legendary revolutionary and larger-than-life leader. And yet there was another, more human side to Che, one Aleida was given special access to, first as his trusted compañera and later as the love of his life. With great immediacy and poignancy, Aleida recounts the story of their epic romance—their fitful courtship against the backdrop of the Cuban revolutionary war, their marriage at the war’s end and the birth of their four children, up through Che’s tragic assassination in Bolivia less than ten years later. Featuring excerpts from their letters, nearly one hundred never-before-seen photographs from their private collection, and a moving short story Che wrote for Aleida, here is an intimate look at the man behind the legend and the tenacious, courageous woman who knew him best—a story of passionate love, wrenching sacrifice, and unwavering heroism.

Timely literary reporting from Afghanistan by one of our most important nonfiction writers includes insightful new writing since the US pull-out in 2021. "J. Malcolm Garcia has channeled the empathetic ear of Studs Terkel and the investigative skills of the best literary journalists ... These stories will remain in the heart and mind’s eye forever.” –Beth Taylor, author of The Plain Language of Love and LossReporting from Kabul and Kandahar between 2001 and 2015, J. Malcolm Garcia tells us what actually happened to the Afghan people as the conflict between first world nations and fundamentalists raged. In telling the stories of ordinary Afghans, Garcia shows the impact of years of occupation and war—and the sudden and harsh changes as new occupiers push in—on a people and their culture. Garcia meets Laila Haidary—everyone calls her “mother”—who, with no resources to speak of, gives addicts living on the street one month of detoxification and clean living, while at the same time sending her own children to make the perilous journey to Western Europe as best they can. And there is nine-year-old Ghani, who earns a few dollars a day collecting cans on the street to support his two brothers and sister now that his father has died of a brain tumor. There are the translators and fixers Garcia hires, who risk their lives working for foreigners against the warnings of the Taliban, and also the US soldiers who don’t understand what their mission is here, and why they can’t just do what they are trained to do, which is to seek out and kill the enemy. J. Malcolm Garcia has been compared to the Russian writer Svetlana Alexievich, winner of the 2015 Nobel Prize in Literature, for how the voices of everyday people ring out in the stories he tells. Most Dangerous, Most Unmerciful is an essential work of literature that documents one of the true disasters of our age, at the same time as it celebrates the human endurance and ingenuity of the Afghans we meet in these pages, and affirms the role journalists can play to make sure their stories can be heard.

A memoir of hard lessons learned in the racially segregated and sometimes outright racist NBA of the early ‘60s by celebrated NBA player and the first Black Coach of the Year, Ray Scott. Introduced by Earl "the Pearl" Monroe.“There’s a basic insecurity with Black guys my size,” Scott writes. “We can’t hide and everybody turns to stare when we walk down the street. … Whites believe that their culture is superior to African-American culture. ... We don’t accept many of [their] answers, but we have to live with them.” Ray Scott was part of the early wave of Black NBA players like Bill Russell, Wilt Chamberlain, and later Kareem Abdul-Jabbar, who literally changed how the game of professional basketball is played—leading to the tremendously popular financial blockbuster the NBA is today. Scott was a celebrated 6’9” forward/center after being chosen by the Detroit Pistons as the #4 pick of the 1961 NBA draft, and then again after he was named head coach of the Pistons in October 1972, winning Coach of the Year in the spring of 1974—the first black man ever to capture that honor. Scott’s is a story of quiet persistence, hard work, and, most of all, respect. He credits the mentorship of NBA player and coach Earl Lloyd, and talks about fellow Philly native Wilt Chamberlain and friends Muhammad Ali and Aretha Franklin, among many others. Ray has lived through one of the most turbulent times in our nation’s history, especially the time of assassinations of so many Black leaders at the end of the 1960s. Through it all, his voice remains quiet and measured, transcending all the sorrows with his steadiness and positive attitude. This is his story, told in collaboration with the great basketball writer, former college player and CBA coach Charley Rosen.

The award-winning and beautiful story of a child coping with her father's absence. The book tackles a difficult subject with great tenderness, validating a child's experience of a parent suffering from depression. "This poignant, gentle book . . . will be immensely helpful to anyone caring for the child of someone with major depression. It fills an important gap in literature for young children."-Andrew Solomon, author of The Noonday Demon (winner of the National Book Award) and Far From the TreeZoe's dad isn't home. She still sees him in photographs, laughing and playing tennis, but for now she can only visit him in a building where everyone looks sad and the walls are an ugly pink color. Some days Zoe's dad is too sad to see her, but she goes to the hospital anyway. While waiting she meets Sabina who invites her to swim across the world. Zoe's not sure it's possible, but Sabina tells her, "A girl can do everything she wants." Even though Sabina sometimes dives deep into her own thoughts, the two of them swim around the world many times that summer, until eventually Zoe's dad is ready to come home. The Summer of Diving is a book full of imagination and hope with a tender child's-eye understanding of the world. Stridsberg's story and Lundberg's lush and colorful paintings reflect and validate a child's feelings of loss and longing for closeness when a parent's joy for living temporarily fades.

A sprawling account of the various, creative, often bizarre, yet incredibly disturbing attempts to assassinate Fidel Castro. Soon to be a TV series from Jed Mercurio, show runner for "The Bodyguard," and Richard Brown, producer of "True Detective" and "Catch-22."Fabián Escalante, the founder of the Cuban intelligence services, and head of the Cuban State Security Department, provides a clear-eyed first-person account of his experiences defending Fidel Castro from the extraordinary attempts to take his life. From lethal poisons to plastic explosives to bazookas, Escalante introduces and describes an array of assassination plots and historical figures and depicts the ensuing cat-and-mouse game in the midst of the Cold War.       Written in the style of a political thriller yet based on real events, 634 Ways to Kill Fidel Castro is a well-researched and documented series of vignettes put together by multiple investigations in Cuba and the experiences of the author, who participated in several of them; dozens of interviews with participants; extensive documentary evidence; and the collaboration of officials, and undercover agents who dismantled these plots. Filled with harrowing stories of deceitful FBI tactics such as moles who infiltrated the revolutionary Cuban government and gained a reputation with them with the ultimate goal of bombing their military bases. As well as undercover attempts to give Fidel poison laced cigars, Escalante takes the reader from DC to New York, Miami to Havana and uncovers the intricate conspiracy to silence dissent and kill Fidel Castro.       634 Ways to Kill Fidel Castro is filled to the brim with historical details on the CIA, Cuba, the communist movement, US government officials, and Fidel himself. Escalante’s first-hand account provides evidence of the lengths to which the CIA went through to assassinate Fidel Castro and the determined efforts to protect him and what he stood for.

The deeply researched and partly imagined story of the fearless, internationally recognized journalist who was assassinated for believing that ‘words can save lives.’  Say No to Fear, part of the They Said No series of histories, tells the story of Anna Politkovskaya’s courageous life narrated from the perspective of her longtime mentor and friend, the dissident writer Vassily Pachoutinsev. From their first meeting when she was a young literature student writing about poet Marina Tsvetaeva to her rise as an internationally recognized journalist, through Vassily we see Anna develop from junior reporter, to covering social issues after the fall of the Soviet Union, to becoming a fearless defender of human rights. Throughout the author brings the history to life by including key conversations that might have happened between them at pivotal moments in Politkovskaya’s life.      A scathing critic of the second Chechen war, Politkovskaya published most of her political work while working at the Novaya Gazeta, a newspaper at the forefront of the fight for free expression in Russia. For their outspokenness several members of its staff were murdered, presumably silenced by Russia's Vladimir Putin and Chechen leader Ramzan Kadyrov. Even after a poisoning attack and a mock execution, Politkovskaya persisted, adamant in her fight for her children's and grandchildren’s world, critiquing the situation in Chechnya and Putin until her assassination in 2006.     The narrator, Pachoutinsev, explains how her legacy lives on, inspiring those in pursuit of justice and the truth both in Russia and abroad.

Set before and during the days of the Warsaw ghetto uprising, Say No to Despair, part of the new They Said No series of histories, is a compelling and profound look at the final days of the life of Mordechai Anielewicz, leader of the Jewish Fighting Organization that led the insurrection against Nazi control in Poland during the Holocaust. Tracing the moments before and during the uprising up to Mordechai’s death in 1943, Hausfater delivers an uncompromising story of a revolutionary with a lesson all readers must take with them. Both disturbing and moving, thrilling and devastating, Anielewicz's story elucidates the immense power of resistance and the obligations we have to defend each other from violence and capture—no matter the costs. As Anielewicz himself puts it, “The opposite of despair is not hope, it’s struggle.”

This classic anthology on Latin America shows the Argentine-born revolutionary's cultural depth, rigorous intellect, and intense emotional engagement with a continent and its people. In a letter to his mother in 1954, a young Ernesto Guevara wrote, “The Americas will be the theater of my adventures in a way that is much more significant than I would have believed.”In The Awakening of Latin America we have the story of those adventures, charting Che’s evolution from an impressionable young medical student to the “heroic guerrilla,” assassinated in cold blood in Bolivia. Spanning seventeen years, this anthology draws on from his family’s personal archives and offers the best of Che’s writing: examples of his journalism, essays, speeches, letters, and even poems. As Che documents his early travels through Latin America, his involvement in the Guatemalan and Cuban revolutions, and his rise to international prominence under Fidel Castro, we see how his fervent commitment to social justice shaped and was shaped by the continent he called home.

2023 ALA RAINBOW BOOK LISTA completely new approach to learning about puberty, sex, and gender for kids 10+. Here is the much-anticipated third book in the trilogy that started with the award-winning What Makes a Baby and Sex Is a Funny Word"Silverberg's writing is fearless . . . Here is that rare voice that can talk about the hardest things kids go through in ways that are thoughtful, lighthearted and always respectful of their intelligence."   —Rachel Brian, The New York Times Book ReviewIn a bright graphic format featuring four dynamic middle schoolers, You Know, Sex grounds sex education in social justice, covering not only the big three of puberty—hormones, reproduction, and development—but also power, pleasure, and how to be a decent human being.  Centering young people’s experiences of pressures and joy, risk and reward, and confusion and discovery, there are chapters on body autonomy, disclosure, stigma, harassment, pornography, trauma, masturbation, consent, boundaries and safety in our media-saturated world, puberty and reproduction that includes trans, non-binary, and intersex bodies and experience, and more.  Racially and ethnically diverse, inclusive of cross-disability experience, this is a book for every kind of young person and every kind of family.You Know, Sex is the first thoroughly modern sex ed book for every body navigating puberty and adolesence, essential for kids, everyone who knows a kid, and anyone who has ever been a kid.

A high school outcast finds herself in charge of the school newspaper and as she navigates the dilemmas, challenges and unintended consequences of journalism, she finds her life--and her convictions--changing in ways she could not have imagined.

Poems from the acclaimed author of Roy’s World, Wild at Heart, and many other works The first words in Barry Gifford’s new poetry collection say it all—“Here I am wasting time again / writing poems to keep myself company” — doing what he has ever done, surprising his readers in kaleidoscopic prisms of color, turning every breath into a story, and himself into his most colorful character. She stood and walked across the lawnpast the cottage and into the big house.He stayed to watch the last of the sunset,waiting for the flash of green.When it was finally dark and there wasno moon and the fireflies appeared,he got up and began walking toward the house.He loved the Italian word for firefly,lucciola. She was like that, flickeringon and off from moment to moment.As he approached the house, he could hearher singing: Vogliatemi bene, un bene piccolino. It’s so strange, he thought,life’s so fast and time’s too slow.He stopped and watched the fireflies. Or this: In my dream someone asked me ifI remembered Frank JacksonHearing this name brought tearsto my eyes though I’ve neverknown anyone by that name The mystery in these poems lives just beyond the province of words. In a strange way, Barry Gifford’s poems tell a wordless story, freed of the writer’s art. “It’s dangerous to remember / so much, especially for a writer / The temptation to make sense / of it is always there / where you and I / are no longer.” Daily life, family and friends, are much more important here than books. The beauty and elusiveness of women and music are of utmost importance, far more so than literature. As he attests: “I prefer music to poems, words don’tlive the same way—so, listen.” 

A childhood in the 1950s and ‘60s among grifters, show girls, and mob enforcers who embraced the boy and made him who he is.“These stories make for one of the most important and moving American bildungsromans of all time.” —William Boyle, The Southwest Review Roy tells it the way he sees it, shuttled between Chicago to Key West and Tampa, Havana and Jackson MS, usually with his mother Kitty, often in the company of lip-sticked women and fast men. Roy is the muse of Gifford’s hardboiled style, a precocious child, watching the grown-ups try hard to save themselves, only to screw up again and again. He takes it all in, every waft of perfume and cigar smoke, every missed opportunity to do the right thing. And then there are the good things too. A fishing trip with Uncle Buck, a mother’s love, advice from Rudy, Roy’s father: “Roy means king. Be the king of your own country. Don’t depend on anyone to do your thinking for you.” The stories in The Boy Who Ran Away to Sea are together a love letter and a tribute to the childhood experiences that ground a life.       In the Author’s note, Gifford writes,“I have often been asked if I were interested in writing my memoirs or an autobiography. Given that the Roy stories come as close as I care to come regarding certain circumstances, I remain comfortable with their verisimilitude. They all dwell within the boundary of fiction. As I have explained elsewhere, these are stories, I made them up. Roy ages from about five years old to late adolescence. After that, with the exception of a sighting in Veracruz, I have no idea what happened to him.” “The way Barry Gifford lets people talk articulates everything about their unfamiliar inner lives, and ours." —Boston Globe 

A sweeping near future dystopic fantasy in the Octavia Butlerian vein of the Parable of the Sower novels. Political activist and anarchist author Aric McBay (Full Spectrum Resistance) toggles between the years 2028 and 2051 to give us the experience, with breathtaking realism, of what might happen in the span of just one generation to a society that is already on the brink of collapse.       In 2028 environmental activists hesitate to take the fight to the extreme of violent revolution. Twenty years later, with the natural environment now seriously degraded, the revolution is brought to the activists, rather than the other way around, by an authoritarian government willing to resort to violence, willing to let the majority suffer from hunger and poverty, in order to control its citizens when the government can no longer provide them with a decent quality of life.        So it is the activists who must defend their communities, their neighbors, through a more humane and in some ways more conservative status quo of care and moderation.        And the outcome here is determined by the actions of those who resist more than it is by the actions of the nominally powerful.

Not Yet by Stanley Moss is best described metaphorically: it is a freight train loaded with poetry that includes Poems on China (Stanley Moss taught English in China thirty years ago), a compartment of Two Raw Fish Poems from Japan, then there's an extra long boxcar, a lifetime of American Poems Seasoned with Chinese Experience. Finally, there's the club car, Not Yet, a section of new poems written June 20th 2020 - May 1st 2021. Not Yet includes a preface by Stanley Moss, an afterword by Fu Hao, visiting scholar of Chinese at Cambridge University. Much of the book will be translated by him into Chinese for the many millions of Chinese who read English poems.

The human rights records of more than ninety countries and territories are put into perspective in Human Rights Watch''s signature yearly report. Reflecting extensive investigative work undertaken by Human Rights Watch staff, in close partnership with domestic human rights activists, the annual World Report is an invaluable resource for journalists, diplomats, and citizens, and is a must-read for anyone interested in the fight to protect human rights in every corner of the globe.