Bøker utgitt av Seven Stories Press,U.S.

A new book by the author of A is for Activist is a rhyming, boldly illustrated vision of a better world.When you go to a marchAnd raise your sign highYou''ll make people smilewho thought you were shyAnd you''ll make people wonder, does that kid really know why?You DO know of courseThat''s why you are thereYou''re there to say STOP!What''s happening''s not fairThen they say, we know what you''re againstEnd poverty stop war...But okay then what are you for?Oh! What are we for! That''s my favorite questionAnd I''m sure it''s yours tooBecause you pay attentionYou have so many answersAnd so many optionsAnd so many solutions that you want to impartThe only hard question is where does one start?Oh, The Things We''re For! is a celebration of the better world that is not only possible, but is here today if we choose it. Today''s kids are well aware of the many challenges that they face in a world they are inheriting, from climate change to police violence, crowded classrooms to healthcare. Poetically written and beautifully illustrated in Innosanto Nagara''s (A is for Activist) signature style, this book offers a vision of where we could go--and a future worth fighting for. Oh, the Things We''re For! is a book for kids, and for the young at heart of all ages.

The first Western noir by Barry Gifford, "a killer fuckin'' writer." (David Lynch)Based on historical events in 1851, this Western noir novella traces the struggle of the first integrated Native American tribe to establish themselves on the North American continent. After escaping the Oklahoma relocation camps they had been placed in following their forced evacuation from Florida, the Seminole Indians banded with fugitive slaves from the American South to fulfill the vision of their leader, Coyote, to establish their land in Mexico''s Nacimiento. The Mexican government allowed them initially to settle in Mexico near the Texas-Mexico border, in exchange for guarding nearby villages from bands of raiding Comanches and Apaches.      On the Texas side of the border, a romance begins between Teresa, daughter of former Texas Ranger and slavehunter Cass Dupuy, and Sunny, son of the great Seminole chief Osceola. Teresa''s father, a violent man, has heard about the fugitive slaves settled on the other side of the border and plans to profit from them. As the story progresses, multiple actors come into play, forming alliances or declaring each other enemy, as the Seminoles struggle to fulfill captain Coyote''s corazonada to find their own land. Black Sun Rising is a poetic story which brings to light a little-known but important chapter in American and Mexican history and will be simultaneously published in Mexico by Almadía. One of America''s greatest novelists and a tireless innovator whose oeuvre spans fiction, autobiography, oral history, and short fiction, Barry Gifford is now venturing into the genre of Western, breaking new ground by infusing it with his signature noir style.

What makes a good doctor? It''s not what you think. A doctor willing to face their own uncertainty in the face of illness and treatment might just be the best medicine.Too often we choose the wrong doctor for the wrong reasons. It doesn''t have to be that way. In The Good Doctor, Ken Brigham, MD, and Michael M.E. Johns, MD, argue that we need to change the way we think about health care if we want to be the healthiest we can be. Counterintuitive as it may seem, uncertainty is integral to medicine, and you want a doctor who knows that: someone who sees you as the unique case you are, someone who knows that data isn''t everything, someone who is able to change her mind as the information changes. For too long we''ve clung to the myth of the infallible doctor--one who assuredly tells us this is what''s wrong and here is how I will cure you--and our health has suffered for it. Brigham and Johns propose a new model of medicine, one that is comfortable with ambiguity and that centers on an equal partnership between patient and doctor. Uncertainty, properly embraced, opens a new universe of possibilities.

Ted Rall''s latest is a no-holds-barred look at the civil war raging within the Democratic Party in the graphic style of his national bestseller, Bernie.There''s a split in the Democratic Party. Progressives are surging with ideas and candidates like Bernie Sanders, Elizabeth Warren and Alexandria Ocasio-Cortez. 72 percent of Democratic voters are progressives. But centrists like Tom Perez and the Clintons still run the DNC party apparatus--and they don''t want to compromise. Intraparty warfare exploded into the open in 2016. It''s even bigger now.     The struggle goes back decades, to the New Left and the election of Richard Nixon over George McGovern. It continued with the Democratic establishment''s quashing of insurgent progressives like Jesse Jackson, Ralph Nader and Howard Dean. The vast scale of the DNC''s secret conspiracy to stop Bernie Sanders in 2016 nomination came out courtesy of WikiLeaks.     Will Democrats again become the party of the working person? Or will the corporatists win and continue their domination of electoral politics? Ted Rall gets to the bottom of the story neither the Democrats nor the Republicans want you to know: how the civil war in the Democratic Party poses an existential threat to the two-party system.

An exquisite novel of North Africans in Paris by "one of the most original and necessary voices in world literature"*Paris, summer of 2010. Zahira is a Moroccan prostitute late in her career whose generosity is her way of defying her humiliation and misery. Her friend Aziz, a male prostitute, admires her and emulates her. Aziz is transitioning from his past as a man into the womanhood of his future, and asks Zahira to help him choose a name for himself as a woman. Motjaba is an Iranian revolutionary, a refugee in Paris, a gay man fleeing his country at the end of his rope, who finds refuge for a few days with Zahira. And then there is Allal, Zahira''s first love, who comes to Paris years later to save their love.The world of A Country for Dying is a world of dreamers, of lovers, for whom the price of dreaming is one they must pay with their flesh. Writes Taïa, "So many people find themselves in the same situation. It is our destiny: To pay with our bodies for other people''s future."

How to have fun hating TrumpKitman describes the land of Gulliblesylvania as a democratic country ruled by 34.9 % of the people, "a minority better known as 'the base,' of whom a candidate said he could shoot someone on Fifth Avenue and they would still vote for him." At first Kitman assumed that Trump's candidacy was a publicity stunt. After he realized it was serious, as a satirist he felt very lucky and began to keep a comical journal, modeled after A Journal of the Plague Year which Daniel Defoe described as "Observations of the most remarkable occurrence, which happened in London during the last great visitation in 1665"--which is not to compare the Trump administration to the bubonic plague, Kitman hastens to add. "For one thing, as our POTUS has been telling us, he's made America Great again--AND IT ONLY TOOK A YEAR AND A HALF!" Kitman adds, "And I have never before had such a good time observing and writing about the follies of our country."Gullibles Travels includes 32 "Trumponicles; the debate over the president's intellectual capacity; "That Russian Thing;" "Who is Agent Orange"; and a CODA that asks the question, "How Will It All End?" Impeachment? 25th Amendment sacking? Resignation? Or reelection?

The ultimate writing guide from the editor of Ink Knows No Borders: Poems of the Immigrant and Refugee ExperienceMy Shouting, Shattered Whispering Voice offers ways to express rage, frustration, joy, and sorrow, and to substitute apathy with creativity, usurp fear with daring, counteract anxiety with the joy of writing one word down and then another to express vital, but previously unarticulated, thoughts. Most importantly, here you can discover the value of your own voice and come to believe that what you have to say matters. Especially at this time, when many of us are a tumult of emotions and have time on our hands, picking up pen and paper or getting yourself to a black document might be the best part of your day! By chronicling what you're experiencing-the thoughts and feelings-you can calm fear and make art out of what's troubling. But don't stop there! Find beauty in the silence and celebrate having time to reflect. Written in short, easy-to-digest chapters, My Shouting, Shattered, Whispering Voice includes prompts and inspiration, writing suggestions and instruction, brief interviews with some current popular poets such as Kim Addonizio, Safia Elhillo, and others, and poem excerpts scattered throughout the book.

Over thirty years of poems from an American poet in the spirit of Alan Dugan and Nelson Algren's Chicago: City on the Make."At times . . . I wanted to be a poet." A fittingly sly and humble epigraph for this half- a- lifetime's worth of sly and humble, and also lyrical and joyous, poems. From the first poem in the collection, "The Woman in the Peter Pan Collar," in which the poet examines an old photograph of his mother, searching for clues, to the last, "Rainouts," in which he beseeches the Lord to let his own death take place on the sort of day that strands baseball games mid-inning, leaving "all final decisions happily deferred," Brooke Horvath is always intimate, never rhetorical or bland. This is poetry not just for the sake of poetry, but poetry as a way of life, of engaging with the world. Like the works of Alan Dugan or Galway Kinnell, these are poems of the everyday and, when read slantwise, of what lies beyond. The whole collection, in fact, is imbued with the wily double meaning of the final couplet from "What in the World Were We Thinking Of?"--"It was a day when nothing happened / that we will find worth remembering."

For this first-ever paperback edition of If This Isn't Nice, What Is?, the beloved collection of Kurt Vonnegut's campus speeches, editor Dan Wakefield has unearthed three early gems as a sort of prequel-the anti-war Moratorium Day speech he gave in Barnstable, Massachusetts, in October 1969, a 1970 speech to Bennington College recommending "skylarking," and a 1974 speech to Hobart and William Smith Colleges about the importance of extended families in an age of loneliness. Vonnegut himself never graduated college, so his words of admonition, advice, and hilarity always carried the delight, gentle irony, and generosity of someone savoring the promise of his fellow citizens-especially the young-rather than his own achievements. Selected and introduced by fellow novelist and friend Dan Wakefield, the speeches in If This Isn't Nice, What Is? comprise the first and only book of Vonnegut's speeches. There are fourteen speeches, eleven given at colleges, one to the Indiana Civil Liberties Union, one on the occasion of Vonnegut receiving the Carl Sandburg Award, and now the anti-war speech he gave just months after the publication of Slaughterhouse-Five, as well as from related short personal essays-eighteen chapters in all. In each of these, Vonnegut takes pains to find the few things worth saying and a conversational voice to say them in that isn't heavy-handed or pretentious or glib, but funny, joyful, and serious too, even if sometimes without seeming so.

The best country-by-country assessment of human rights.     The human rights records of more than ninety countries and territories are put into perspective in Human Rights Watch''s signature yearly report. Reflecting extensive investigative work undertaken by Human Rights Watch staff, in close partnership with domestic human rights activists, the annual World Report is an invaluable resource for journalists, diplomats, and citizens, and is a must-read for anyone interested in the fight to protect human rights in every corner of the globe.

A dialogue about cinema's legacy and best directors through essays by three of the best long-form critics out there, collected from the legendary NYPress for the first time.Comprising of the kind of long-form criticism that is all too rare these days, the weekly film columns in the NYPress included polemics, reviews, interviews, festival reports and features. A far cry from what is often derisively termed the "consumer report" mode of criticism, Cheshire, Seitz and White were passionately engaged with the film culture of both their own time, and what had come before. They constituted three distinctly different voices: equally accomplished, yet notably individual, perspectives on cinema. Their distinctive tastes and approaches were often positioned in direct dialogue with each other, a constant critical conversation that frequently saw each writer directly challenging his colleagues. Dialogue is important in criticism, and here you can find a healthy example of it existing under one proverbial roof. This three-way dialogue between Cheshire, Seitz and White assesses the 1990s in cinema, along with pieces on New York's vibrant repertory scene that allow us to read the authors' takes on directors such as Hitchcock, Lean, Kubrick, Welles, Fassbinder and Bresson; as well as topics such as the legacy of Star Wars, film noir, early film projection in New York City, the New York Film Critics Circle, Sundance, the terrorist attacks of 9/11 and the emerging cinema of Iran and Taiwan.

The search for justice for a Lakota Sioux man wrongfully charged with murder, told here for the first time by his trial lawyer, Gerry Spence. This is the untold story of Collins Catch the Bear, a Lakota Sioux, who was wrongfully charged with the murder of a white man in 1982 at Russell Means's Yellow Thunder Camp, an AIM encampment in the Black Hills in South Dakota. Though Collins was innocent, he took the fall for the actual killer, a man placed in the camp with the intention of compromising the reputation of AIM. This story reveals the struggle of the American Indian people in their attempt to survive in a white world, on land that was stolen from them. We live with Collins and see the beauty that was his, but that was lost over the course of his short lifetime. Today justice still struggles to be heard, not only in this case but many like it in the American Indian nations.

A debut collection of stories, uncanny and profound.In this striking debut, S. P. Tenhoff takes us to real and imagined countries around the globe, where characters find themselves passengers on voyages beyond the boundaries of their familiar world and their understanding of themselves. A town is split in two, a line painted down the middle, when two warring governments decide, arbitrarily, to redraw borders. A man hits a boy in a car accident that he begins to suspect might not have been an accident after all. An aging puppeteer in Edo-period Japan struggles to choose a successor before dementia overtakes him. And in the title story, a mysterious illness causes its victims to travel like sleepwalkers to distant countries, where they wake to discover that they are now fluent in languages and cultures they previously didn't know at all. Uncanny and profound, these ten stories capture those pivotal moments when our sense of place and self is forever shaken, and we must chart a new course.

One of the most important and watched writers of today.Intricately woven masterpieces of craft, mournful for their human cries in defiance of our sometimes less than human surroundings, Nettel's stories and novels are dazzlingly enjoyable to read for their deep interest in human foibles. Following on the critical successes of her previous books, here are six stories that capture her unsettling, obsessive universe. "Ptosis" is told from the point of view of the son of a photographer whose work involves before and after pictures of patients undergoing cosmetic eye surgeries. In "Through Shades," a woman studies a man interacting with a woman through the windows of the apartment across the street. In one of the longer stories, "Bonsai," a man visits a garden, and comes to know a gardener, during the period of dissolution of his marriage. "The Other Side of the Dock" describes a young girl in search of what she terms "True Solitude," who finds a fellow soul mate only to see the thing they share lose its meaning. In "Petals," a woman's odor drives a man to search for her, and even to find her, without quenching the thirst that is his undoing. And the title story, "Bezoar," is an intimate journal of a patient writing to a doctor. Each narrative veers towards unknown and dark corridors, and the pleasures of these accounts lie partly in the great surprise of the familiarity together with the strangeness.

Luis J. Rodriguez writes about race, culture, identity, and belonging and what these all mean and should mean (but often fail to) in the volatile climate of our nation. His passion and wisdom inspire us with the message that we must come together if we are to move forward. As he writes in the preface, "Like millions of Americans, I'm demanding a new vision, a qualitatively different direction, for this country. One for the shared well-being of everyone. One with beauty, healing, poetry, imagination, and truth." The pieces in From Our Land to Our Land capture that same fantastic energy and wisdom and will spark conversation and inspiration.

They go by a lot of different names—civilians, unintended victims, innocent bystanders—but no matter what they are called their stories are most frequently left untold. From the families scraping by in New Orleans after Hurricane Katrina, to the prisoner sentenced to life for transporting drugs to save his son’s life, to the soldier who served his country only to be deported, the people whose stories are told in this book all lead rich and multifaceted lives of struggle, the telling of which honors them—and us. The Fruit of All My Grief returns us to the universal themes of endurance, struggle, survival, and the injustices of mammoth institutions and public indifference. J. Malcolm Garcia’s soaring narratives amount to an updated portrait of lives lived in the shadows of the American dream—not in the Great Depression years or in the McCarthy era but very much now in the closing year of the second decade of the twenty-first century.

The first comprehensive collection of writings by the Black Panther Party founder and revolutionary icon of the black liberation era, now in a new edition with a new introduction by former Black Panther Party chairman Elaine Brown.The Huey P. Newton Reader combines now-classic texts from Newton's books (Revolutionary Suicide, To Die for the People, In Search of Common Ground, and War Against the Panthers) ranging in topic from the formation of the Black Panthers, African Americans and armed self-defense, Eldridge Cleaver's controversial expulsion from the Party, FBI infiltration of civil rights groups, the Vietnam War, and the burgeoning feminist movement. Editors Hilliard and Weise also include never-before-published writings from the Black Panther Party archives and Newton's private collection, including articles on President Nixon, prison martyr George Jackson, Pan-Africanism, affirmative action, and the author's only written account of his political exile in Cuba in the mid-1970s. Eldridge Cleaver, Bobby Seale, Angela Davis, Mumia Abu-Jamal, and Geronimo Pratt all came to international prominence through Newton's groundbreaking political activism. Additionally, Newton served as the Party's chief intellectual engine, conversing with world leaders such as Yasser Arafat, Chinese premier Chou Enlai, and Mozambique president Samora Moises Machel among others. Beginning with his founding of the Black Panther Party in 1966, HUEY P. NEWTON (1941-89) set the political stage for events that would quickly place him and the Panthers at the forefront of the African American liberation movement for the next twenty years.

An intimate portrait of one of the most fascinating and complex history-makers of our century. Published with a new intro by Paul Krassner to coincide with the 30th anniversary of Hoffman's death. Intertwining the details of Abbie Hoffman's intense personal life with the movement politics of the sixties, seventies, and eighties, Dan Simon writes Abbie's story from the point of view of his younger brother Jack, creating a full and poignant portrait of one of the geniuses of the 1960s counterculture. From the creation of the Yippies in 1967 and the tumult of the 1968 Democratic National Convention protests, to the humor and agony of the Chicago conspiracy trial, the scandal of Abbie's 1973 cocaine bust, and his six and a half years as a fugitive, to his reemergence as environmentalist "Barrie Freed" and his final struggle with manic-depressive illness, this biography offers a thorough examination of the contradictions that make Abbie Hoffman such a compelling figure. With the information and affection only a brother could bring to the complexities of Abbie's life, Hoffman and Simon portray Abbie's public persona alongside his private aspirations and fears, romances, and enduring family relationships.

The second and last children's book by the extraordinary Holocaust survivor and Hebrew-language author of the award-winning Adam & Thomas.A mystical and transcendent journey of two wanderers, an eleven-year-old boy and an old man to whom the boy has been entrusted by his father, a Jew, fleeing the ravages of the war by the late award winning author, Aharon Appelfeld. The old man is a former Ukranian commander, revered by the soldiers under his command, who has gone blind and chosen the life of a wanderer as his last spiritual adventure. The child, now disguised as a Ukranian non-Jew, learns from the old man how to fend for himself and how to care for others. In the tradition of The Alchemist, the travelers learn from each other and the boy grows stronger and wiser as the old man teaches him the art of survival and, through the stories he shares, the reasons for living. Long Summer Nights carries its magic not only in the words, but also in the silences between them.

"The Romeo and Juliet of the South" are back in this new edition of the internationally best-selling Sailor and Lula novels, now including for the first time the culminating novel, The Up-Down, by American master Barry Gifford."Barry Gifford invented his own American vernacular--William Faulkner by way of B-movie film noir, porn paperbacks, and Sun Records rockabilly--to forge the stealth-epic of Sailor & Lula"--Jonathan LethemHere for the first time in print together are all eight of the books that comprise the saga of Sailor Ripley and Lula Pace Fortune, "the Romeo and Juliet of the South": Wild at Heart, Perdita Durango, Sailor''s Holiday, Sultans of Africa, Consuelo''s Kiss, Bad Day for the Leopard Man, The Imagination of the Heart, and The Up-Down.

Shirley Jackson Award-winning author and three-time Lambda Finalist, Chavisa Woods presents one hundred true stories of sexism, harassment, discrimination, and assault.Recounting her experiences with gender-based discrimination, sexual harassment, and sexual violence-beginning in childhood, through the present-Woods lays out clear and unflinching personal vignettes that build in intensity as the number of times grows. Individually, and especially taken as a whole, these stories amount to powerful proof that sexual violence and discrimination are never just one-time occurrences, but part of a constant battle women and non-binary people face every day.In these extraordinary pages, sexual violence and gendered-discrimination occur regardless of their age, in all spheres of society, in rural and urban areas alike, in the US and abroad, from the time they are very young and through adulthood. Demonstrating how often people are conditioned to endure sexism and harassment, and how thoroughly men feel entitled to women's spaces and bodies, 100 Times forces the reader to witness the myriad ways in which sexism and misogyny continuously shape women's lives, and are built-in facets of our society.

Has apocalyptic thinking contributed to some of our nation's biggest problems-inequality, permanent war, and the despoiling of our natural resources? From the Puritans to the present, historian and public policy advocate Betsy Hartmann sheds light on a pervasive but-until now-invisible theme shaping the American mindset: apocalyptic thinking, or the belief that the end of the world is nigh. Hartmann makes a compelling case that apocalyptic fears are deeply intertwined with the American ethos, to our detriment. In The America Syndrome, she seeks to reclaim human agency and, in so doing, revise the national narrative. By changing the way we think, we just might change the world.

"So Real It Hurts is the perfect title for this collection. It's a mission statement. A few bleeding slices straight from the butcher shop. A sampler from an enormous archive of work that will, no doubt, be pored over by grad students, book lovers, film historians, music nerds and straight-up perverts a hundred years from now." -Anthony Bourdain, from the IntroductionThrough personal essays and interviews, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection. Oscillating between provocative celebrations of her own defiant nature and nearly-tender ruminations on the debilitating effects of poverty, abuse, and environmental pollution, along with a visceral revenge fantasy against misogynistic men, Lydia Lunch presents her exploits without apology, daring the reader to judge her while she details the traumas and trials that have shaped her into the legendary figure she's become. Inserted between these biting personal essays, Lunch thoughtful cultural insights convey a widely-shared desire to forestall inevitable cultural amnesia and solidify a legacy for her predecessors and peers. Her interview with Hubert Selby Jr. and profile of Herbert Hunke, her short unromanticized histories of No Wave and of the late Sixties, and her scathing examination of the monetization of counterculture (thanks, Vivienne Westwood!) all serve to reinforce the notion that, while it may appear that there are no more heroes, we are actually just looking for heroes in the wrong places. The worthy idols of the past have been obscured by more profitable historical narratives, but Lunch challenges us to dig deeper.So Real It Hurts pulls the reader into a world that is entirely hers - one in which she exacts vengeance against predators with an enviable ease and exerts an almost-sexual dominance over authority, never permitting those with power to hold on to it too tightly.

Winner of the Carlo Boscarato Prize 2016 Winner of the Lo Straniero Prize 2016 Winner of the Attilio Micheluzzi Prize for Best Writing 2017 Sélection Officielle Angoulême 2018In a forsaken corner of the Italian countryside, Guido and his friends Moreno and Katango spin out their days in languor and boredom intermixed with desire and, occasionally, violence. Nearby live the Stancic, a family of Romani who escaped the communist regime of Marshal Tito and settled here just after World War II. Guido's coming-of-age is changed by the evolving relationship that the rural town has with this group of outsiders, these "gypsies." The author is unsparing in his depiction of the townspeople's cruelty. And yet, there are also many instances of solidarity between Guido's community and the Stancic. Reviati's first book in English, Spit Three Times is an extraordinary story of young men, disillusioned and trying to find their way, caught in the breach between post-war exuberance and the stagnation of the early twenty-first century.