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The second and last children's book by the extraordinary Holocaust survivor and Hebrew-language author of the award-winning Adam & Thomas.A mystical and transcendent journey of two wanderers, an eleven-year-old boy and an old man to whom the boy has been entrusted by his father, a Jew, fleeing the ravages of the war by the late award winning author, Aharon Appelfeld. The old man is a former Ukranian commander, revered by the soldiers under his command, who has gone blind and chosen the life of a wanderer as his last spiritual adventure. The child, now disguised as a Ukranian non-Jew, learns from the old man how to fend for himself and how to care for others. In the tradition of The Alchemist, the travelers learn from each other and the boy grows stronger and wiser as the old man teaches him the art of survival and, through the stories he shares, the reasons for living. Long Summer Nights carries its magic not only in the words, but also in the silences between them.

"The Romeo and Juliet of the South" are back in this new edition of the internationally best-selling Sailor and Lula novels, now including for the first time the culminating novel, The Up-Down, by American master Barry Gifford."Barry Gifford invented his own American vernacular--William Faulkner by way of B-movie film noir, porn paperbacks, and Sun Records rockabilly--to forge the stealth-epic of Sailor & Lula"--Jonathan LethemHere for the first time in print together are all eight of the books that comprise the saga of Sailor Ripley and Lula Pace Fortune, "the Romeo and Juliet of the South": Wild at Heart, Perdita Durango, Sailor''s Holiday, Sultans of Africa, Consuelo''s Kiss, Bad Day for the Leopard Man, The Imagination of the Heart, and The Up-Down.

Shirley Jackson Award-winning author and three-time Lambda Finalist, Chavisa Woods presents one hundred true stories of sexism, harassment, discrimination, and assault.Recounting her experiences with gender-based discrimination, sexual harassment, and sexual violence-beginning in childhood, through the present-Woods lays out clear and unflinching personal vignettes that build in intensity as the number of times grows. Individually, and especially taken as a whole, these stories amount to powerful proof that sexual violence and discrimination are never just one-time occurrences, but part of a constant battle women and non-binary people face every day.In these extraordinary pages, sexual violence and gendered-discrimination occur regardless of their age, in all spheres of society, in rural and urban areas alike, in the US and abroad, from the time they are very young and through adulthood. Demonstrating how often people are conditioned to endure sexism and harassment, and how thoroughly men feel entitled to women's spaces and bodies, 100 Times forces the reader to witness the myriad ways in which sexism and misogyny continuously shape women's lives, and are built-in facets of our society.

Has apocalyptic thinking contributed to some of our nation's biggest problems-inequality, permanent war, and the despoiling of our natural resources? From the Puritans to the present, historian and public policy advocate Betsy Hartmann sheds light on a pervasive but-until now-invisible theme shaping the American mindset: apocalyptic thinking, or the belief that the end of the world is nigh. Hartmann makes a compelling case that apocalyptic fears are deeply intertwined with the American ethos, to our detriment. In The America Syndrome, she seeks to reclaim human agency and, in so doing, revise the national narrative. By changing the way we think, we just might change the world.

"So Real It Hurts is the perfect title for this collection. It's a mission statement. A few bleeding slices straight from the butcher shop. A sampler from an enormous archive of work that will, no doubt, be pored over by grad students, book lovers, film historians, music nerds and straight-up perverts a hundred years from now." -Anthony Bourdain, from the IntroductionThrough personal essays and interviews, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection. Oscillating between provocative celebrations of her own defiant nature and nearly-tender ruminations on the debilitating effects of poverty, abuse, and environmental pollution, along with a visceral revenge fantasy against misogynistic men, Lydia Lunch presents her exploits without apology, daring the reader to judge her while she details the traumas and trials that have shaped her into the legendary figure she's become. Inserted between these biting personal essays, Lunch thoughtful cultural insights convey a widely-shared desire to forestall inevitable cultural amnesia and solidify a legacy for her predecessors and peers. Her interview with Hubert Selby Jr. and profile of Herbert Hunke, her short unromanticized histories of No Wave and of the late Sixties, and her scathing examination of the monetization of counterculture (thanks, Vivienne Westwood!) all serve to reinforce the notion that, while it may appear that there are no more heroes, we are actually just looking for heroes in the wrong places. The worthy idols of the past have been obscured by more profitable historical narratives, but Lunch challenges us to dig deeper.So Real It Hurts pulls the reader into a world that is entirely hers - one in which she exacts vengeance against predators with an enviable ease and exerts an almost-sexual dominance over authority, never permitting those with power to hold on to it too tightly.

Winner of the Carlo Boscarato Prize 2016 Winner of the Lo Straniero Prize 2016 Winner of the Attilio Micheluzzi Prize for Best Writing 2017 Sélection Officielle Angoulême 2018In a forsaken corner of the Italian countryside, Guido and his friends Moreno and Katango spin out their days in languor and boredom intermixed with desire and, occasionally, violence. Nearby live the Stancic, a family of Romani who escaped the communist regime of Marshal Tito and settled here just after World War II. Guido's coming-of-age is changed by the evolving relationship that the rural town has with this group of outsiders, these "gypsies." The author is unsparing in his depiction of the townspeople's cruelty. And yet, there are also many instances of solidarity between Guido's community and the Stancic. Reviati's first book in English, Spit Three Times is an extraordinary story of young men, disillusioned and trying to find their way, caught in the breach between post-war exuberance and the stagnation of the early twenty-first century.

Longlisted for the 2019 National Book Award for Young People's LiteratureA Publishers Weekly Best Young Adult Book of 2019The best Teen Zombie Werewolf Witchy Faerie fantasy murder mystery you've ever read-by debut author, Hal Schrieve.Genderqueer fourteen-year-old Z Chilworth has to adjust quickly to their new status as a zombie after waking from death from a car crash that killed their parents and sisters. Always a talented witch, Z now can barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with their mother's friend, Mrs. Dunnigan, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered by what seems to be werewolves, the town of Salem, Oregon, becomes even more hostile to "monsters," and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed. Rarely has a first-time author created characters of such immediacy and power as Z, Aysel, Tommy (suspected fey) and Elaine (also a werewolf), or a world that parallels our own so clearly and disturbingly.

A guide to direct action for those disillusioned with the posturing of liberal "activism."The radical left is losing, but it doesn't have to be that way. Here is the radical's guide to activist work-the manual we need at this crucial moment to organize for universal human rights, a habitable earth, and a more egalitarian society. Thoroughly exploring the achievements and failures of radical movements throughout history-from 19th-century anti-colonial rebellions in China and the environmental actions of First Nations and Native American tribes throughout the 20th century, to Black Lives Matter and the fight for Gay Liberation-the two volumes of Full Spectrum Resistance candidly advocate for direct action, not just risk-averse models of protest marches and call-ins. With in-depth histories and case studies of social justice and environmental movements, noted writer, activist, and farmer Aric McBay explains why passive resistance alone cannot work, and how we must be prepared to do whatever it takes to create substantial social change. In Volume 2: Actions and Strategies for Change, McBay uses the successful strategies of various actions, such as the Greek Resisters of the 2008 Greek Television Takeover, to articulate the best practices for inter-activist coordination and communication with mass media to effectively spread message. Covering reconnaissance methods and other forms of intelligence-gathering, Volume 2 guides the reader in smart decision-making and damage control, such as how to recover from both covert and overt adversarial attacks, such as COINTELPRO (1971). Moreover, this manual clearly articulates the best strategies and practices for the financial, logistical, and tactical organization necessary to all successful radical movements in the long term.

It's Christmastime in the Southland in this near-future vision of 21st century California. Our narrators, an ex-con turned pistol-carrying priest, and Sugar Child, a halfway house resident, have just met. The priest is a donations solicitor for Blessed World, the church and charity, and works downtown, "where I bang a tambourine and beg for money in the mellifluous, singsong voice beloved by children worldwide: Help the needy, give to the poor, amen." But nothing is going right. Hassled by SWAT cops, and troubled after a failed marriage, he's losing faith in himself. Sugar Child has her own problems. She's arrested by SWAT police, and sent to "lockdown." Her opinion of the priest is no better: She's never met a man who was stronger than a woman. Looking at him, she never will.As the days speed toward Christmas-holiday shoppers aren't giving him any money-the priest wonders whether there isn't some new mission awaiting him, one that'll help the people in the street, or perhaps one that will lead to his imprisonment. And as he bangs on his tambourine it becomes clear that the one thing he wants most is to take Sugar Child to the "promised land," because what would Christmas be this year without an act of freedom.A novel that is also a psychic history in a time of attrition, With Death Laughing is a utopian crime story where the line between thievery and charity all but disappears.

A guide to direct action for those disillusioned with the posturing of liberal "activism."The radical left is losing, but it doesn't have to be that way. Here is the radical's guide to activist work-the manual we need at this crucial moment to organize for universal human rights, a habitable earth, and a more egalitarian society. Thoroughly exploring the achievements and failures of radical movements throughout history-from 19th-century anti-colonial rebellions in China and the environmental actions of First Nations and Native American tribes throughout the 20th century, to Black Lives Matter and the fight for Gay Liberation-the two volumes of Full Spectrum Resistance candidly advocate for direct action, not just risk-averse models of protest marches and call-ins. With in-depth histories and case studies of social justice and environmental movements, noted writer, activist, and farmer Aric McBay explains why passive resistance alone cannot work, and how we must be prepared to do whatever it takes to create substantial social change. In Volume 1: Building Movements and Fighting to Win, McBay describes the need for resistance movements, and paints a portrait of what a thriving resistance movement might look like today. Citing successful movements such as the Deacons of Defense of the American Civil Rights Movement, the anti-colonial revolutions in Guinea and Cape Verde, and activist groups like Act-UP, McBay deftly illustrates how to organize activist groups and encourage enlistment, while also noting the necessary precautions one must take to secure these radical circles from infiltration and collapse.

The story of a mean and narcissistic king, originally written in the 1970s is both uproariously funny and distressingly on point, will be enjoyed by children and their parents."Rabbits don''t exist."    So decrees the new king, the Wolf of all Wolves, after conquering the rabbits'' homeland. He refuses to allow even one small, fluffy tail or long, soft ear into his kingdom. He orders the birds to broadcast this message far and wide. And he summons the old monkey to photograph him in his royal finery, performing his royal deeds. But in his darkroom, the monkey sees something strange developing in the photos. Is that a floppy ear? Whose grinning bunny teeth are those? How could it be?      Ariel Dorfman''s first children''s book, THE RABBITS" REBELLION, is a remarkable and mischievous allegory of truth and justice triumphing over political chicanery. Set in a magical animal kingdom and illustrated by the great Chris Riddell, this is a story that will have children roaring with laughter and parents raising an eyebrow with recognition.

Here is the story of a child born at the dawn of a social movement.At first the protests were in small villages and at universities. But then they spread. People drew sustenance from other social movements in other countries. And then the unthinkable happened.The protagonist in this fictionalized children''s memoir is a witness and a participant, fearful sometimes, brave sometimes too, and when things change, this child who is now an adult is as surprised as anyone.

The first children''s book to appear in English by the award-winning Israeli master storytellerWhat happens when a tired boy with a fertile imagination is left to fend for himself at the zoo? Well, if his father is too busy to play and must talk business on his phone, and it''s close to naptime, then ... a lot. After freeing sad animals from their cages, the boy takes a ride in an airship with an old turtle and a lazy rhinoceros. Once on board he describes to Habakkuk, the ship''s captain, the traits of the rarely seen long-haired cat-boy cub: Long-haired cat-boy cubs need to be played with once an hour to stay alive. Also, you cannot wash a long-haired cat-boy cub in water, they only like to drink juice and chocolate milk, and, most of all, you must listen to a long-haired cat-boy cub''s story to the end even if you get a call from work. Long-Haired Cat-Boy Cub is a clever and captivating tale that will appeal to any cub who has busy parents and a busier imagination.

Elliot Hersch is given a basketball on his tenth birthday and cuts a deal with his disapproving father: if he makes straight As, he is allowed to play. Modeling his game on the basketball heroes of his time--Clyde Frazier, Oscar Robertson, Magic Johnson, and especially Larry Bird--Elliot becomes one of the finest high school basketball players in New York. Trying to steer clear of the corruption and sleaze in the big college programs, Elliott signs with the seemingly clean-cut University of Southern Arizona (USA), partly to fulfill his promise to his father, whose one piece of advice about life is: Tell the truth, always. A quote from Chaucer, his father's favorite writer, guides both father and son "Trouthe is the hyest thing that man may kepe." What he finds at the USA and then the NBA is a far cry from untarnished "trouthe." Elliott is challenged at every turn, tangling at the end of the day with what is most true: the game. Can Elliott truly play basketball? And if not, what is left of his life? Trouthe, Lies, and Basketball is an epic comic tale--structured somewhat like a gripping basketball game, completely with literary "time-outs"--of a basketball player coming to terms with the world as it is, his talents as they are. Rosen's characters, even the mostly unseemly, are all heart, and by the end they leave those hearts on the hardwood.

In a near-future New York City in which both global warming and a tremendous economic divide are making the city unlivable for many, a huge superstorm hits, leaving behind only those who had nowhere else to go and no way to get out. Makayla is a twenty-four-year-old woman who works at the convenience store chain that's taken over the city. Jesse, an eighteen-year-old, genderqueer, anarchist punk lives in an abandoned IRT station in the Bronx. Their paths cross in the aftermath of the storm when they, along with others devastated by the loss of their homes, carve out a small sanctuary in an abandoned luxury condo. In an attempt to bring hope to those who feel forsaken, an unnamed, mysterious street artist begins graffitiing colorful murals along the sides of buildings. But the castaways of the storm aren't the only ones who find beauty in the art. When the media begins broadcasting the emergence of the murals and one appears on the building Makayla, Jesse, and their friends are living in, it is only a matter of time before those who own the building come back to claim what is theirs. All City is more than a novel, it's a foreshadowing of the world to come.

An oral history biography of the legendary Latin American writer and Nobel laureate Gabriel García Márquez, brimming with atmosphere and insight.Irrevent and hopeful, Solitude & Company recounts the life of a boy from the provinces who decided to become a writer. This is the story of how he did it, how little Gabito became Gabriel García Márquez, and of how Gabriel García Márquez survived his own self-creation.    The book is divided into two parts. In the first, BC, before Cien años de soledad (One Hundred Years of Solitude), his siblings speak and those who were friends before García Márquez became the universally loved Latin American icon. Those who knew him when he still didn't have a proper English tailor nor an English biographer, and didn't accompany presidents. It gathers together the voices around the boy from the provinces, the sisters and brothers, the childhood friends, the drinking buddies and penniless fellow students.    The second part, AC, describes the man behind the legend that García Márquez became. From Aracataca, to Baranquila, to Bogota, to Paris, to Mexico City, the solitude that García Márquez needed to produce his masterpiece turns out to have been something of a raucous party whenever he wasn't actually writing. Here are the writers Tomás Eloy Martínez, Edmundo Paz Soldán and William and Rose Styron; legendary Spanish agent Carmen Balcells; the translator of A Hundred Years of SolitudeGregory Rabassa; Gabo's brothers Luis Enrique, Jaime, Eligio and Gustavo, and his sisters Aida and Margot; María Luisa Elío, to whom A Hundred Years of Solitude is dedicated; and so much more: a great deal of music, especially the vallenato; the hilarious scenes of several hundred Colombians, García Márquez's chosen delegation, flying to Stockholm for the Nobel Prize celebrations; the time Mario Vargas Llosa punched Gabriel García Márquez in the face; and much, much more.    In Living to Tell the Tale, the first volume of García Márquez's autobiography, Gabo writes: "e;I am consoled, however, that at times oral history might be better than written, and without knowing it we may be inventing a new genre needed by literature: fiction about fiction."e; Solitude & Company joins other great oral histories, like Jean Stein and George Plimpton's Edie: American Girl, their oral history biography of Edie Sedgwick, or Barry Gifford's oral history of Jack Kerouac, Jack's Book--an intimate portrait of the most human side of Gabriel García Márquez told in the words of those who knew him best throughout his life.

The Emmy Award-winning creator of GASLAND tells his intimate and damning, personal story of our world in crisis. With a foreword by Bill McKibben. The rules have changed. The water has changed. The climate has changed. The truth has changed. We must change. In The Truth Has Changed, Josh Fox turns the rapid-fire shocks that are remaking the very fabric of our lives-writing as a first responder, a reporter, a documentarian, and an activist-into art, literature, and at least one answer to the question of what the future holds. Our normal isn't normal anymore. The paradigm shift that global warming represents parallels a paradigm shift in how we process truth. Both deeply affect democracy. Josh Fox has had a front row seat-a first responder after 9/11, filming the Deepwater Horizon spill close up from the air and on the ground, a member of Bernie Sanders's delegation of the Democratic Platform Committee, risking his life to cross a bridge on Thanksgiving Day at Standing Rock, traveling the nation and the world, shooting his films, talking to people everywhere he goes. The Truth Has Changed is his first book, the companion to his new one-man show of the same title, and it's beautiful.

A lonely wizard moves to a new town in this charming children's story by renowned American poets Anne Sexton and Maxine Kumin, now in print again for the first time in decades.Everything is going wrong in the town of Drocknock until the new wizard arrives. He is very young, and he is lonely, and very nervous too; but he knows just where to find the right spells to stop the chicken pox epidemic and bring back the twenty cows that had disappeared. The drought is the town's most important problem, however. The new wizard needs five of his own tears to bring rain, but he is so happy in Drocknock he cannnot cry! "Peel an onion," the old wizard advises. "But," he warns, "beware, beware...a wizard's tears are powerful. They can make strange magic."..... The Wizard's Tears, first published in 1975, is moving and kind and funny in its intimate and modest way, yet strong and full of renewed life with stunning new illustrations from Keren Katz. Anne Sexton and Maxine Kumin had been friends for several years--having met at and carpooled to a Boston poetry workshop--when they began writing books together for younger readers. The creativity and versatility required for children's books offered the two poets the opportunity to experiment and play with language in new, unexpected ways, to connect world and words with humble, powerful, childlike imagery--"not unlike writing a poem where compression acts to intensify feelings," as Maxine reckoned.

"It takes a man of peace to stop a war." The true story of Paul Robeson's visit to the front lines of the Spanish Civil War is a tale of courage and activism told by his granddaughter, Susan Robeson. Grandpa Paul was a world-famous actor and singer with a deep and rumbling voice, a man of peace and principle who worried about the safety of children and families living in countries at war. He wanted to use his voice to promote social justice all over the world. Though people warned Grandpa Paul that it was too dangerous, he traveled with his friend Captain Fernando to the battlefields of the Spanish Civil War to sing to the soldiers. And then something amazing happened...With gorgeous illustrations from fine artist Rod Brown, Grandpa Stops a War celebrates Paul Robeson's global activism and towering achievements, and shows readers the power of music in times of discord and war.An author's note helps readers learn more about the author's personal experience growing up in the Robeson family, and gives parents, teachers, and librarians more in-depth material to expand the reader's understanding of the war and Robeson as a champion of civil rights, global freedom, and world peace.

Stanley Moss is ninety-three years old, still kicking sixty-two-yard field goals through the uprights of American poetry. His Abandoned Poems (Paul Valery wrote, "A poem is never finished, only abandoned") consists of 120 pages of new work written since his 2016 prize-winning book, Almost Complete Poems. The truth is Moss has a unique voice in the history of American poetry. He honors the English language. This book is full of invisible life-giving discoveries the reader has almost seen, and you might say Moss has discovered a new continent, a new planet or two--or simply it's fun. There is a final section, "Apocrypha and Long Abandoned Poems," which includes early misplaced work never published, and new versions of previously published poems. Bingo.

Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in an art film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds. The director, Paul Grosvenor, seems more interested in manipulating his cast than in shooting film. The cult star, Irma Irma, is a vamp too bored and boring to draw blood. And the beautiful, nymph-like Michael Simard doesn’t seem to be putting out. Meanwhile, the film’s shady financier is sleeping with his mother, while a serial killer skulks about the area killing tourists. Everything comes to a head when the carnaval celebration begins in nearby Cali. But once the fiesta is over, all that’s left are ghostly memories and the narrator’s insistence on telling the tale. “Unlike the majority of pointedly AIDS-era novels,” writes Dennis Cooper, “Gone Tomorrow is neither an amoral nostalgia fest nor a thinly veiled wake-up call hyping the religion of sobriety. It’s a philosophical work devised by a writer who’s both too intelligent to buy into the notion that a successful future requires the compromise of collective decision and too moral to accept bitterness as the consequence of an adventurous life.”