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A collection of poems that will surprise the reader: Suffolk natives, incomers and visitors are all represented. From Henry Howard, Earl of Surrey via George Crabbe to Michael Hamburger and R.F. Langley, both the range and the quality of the work selected will excite the reader.

The poems in this chapbook form an individual sequence. At the same time, they present a new and longer section of an ongoing series. The Sea Quells responds to and continues Collecting Shells, which was published in 2011 with Oystercatcher Press and is included, in excerpt form, in the anthologies Sea Pie and Dear World and Everyone in It.

"Via encounters with the troubadour poet Guillaume of Poitiers, Holderlin and the goldsmith Jivan Astfalck, Farrell offers 'new solutions / new songs,' whilst 'provoking new lines of thought.' This work might make us feel 'hardly more than poets and not who we really are' but who cares when 'tongue play makes sense like this'?" - Scott Thurston

The Croatian poet Augustin (Tin) Ujevic (1891-1955) is one of the finest Southern Slav lyric poets and one of the great poets of Europe in the first half of the twentieth century. While Tin Ujevic's poems are hardly known in English, they are loved in his native Croatia and throughout former Yugoslavia.

Imagems 1 contains six statements by a European poet who challenges modernism and post-modernism alike and extends (beyond) both. Richard Berengarten takes as his twin cues a statement by Octavio Paz, "For the first time in our history we are contemporaries of all humanity", and a short poem by George Seferis.

Reflections on the individual and community flash in this urban web of buildings, technology and news bits, where the "city" looms and the inhabitants submit. Bits and pieces of Abu Ghraib, the Iraq war and 9/11 will be recognized, along with 24/7 newscasters and U.S. political figures welded together as one gigantic talking head.

A personal story caught up in the dark history of the mid-twentieth century begins with a lost child's cry. A dozen years of sheltered life in a Hungarian middle-class family - a vanished age of peace and luxury behind precariously concealed Jewish origins - is wrenched into persecution by the Nazi invasion of March 1944.

A book-length poem that caused great consternation when it first appeared, in 1840, Sordello became a byword for poetic difficulty, both because of its subject-matter and also Browning's verse style. His language is here impacted, twisting and turning like the narrative. Sordello is a crucial work in Browning's development.

"Rosa Alcala is uncompromising, wry, and brutal: all of the qualities that significant poetic works of cultural criticism require." - Carmen Gimenez Smith

If Sordello is a book-length poem, then The Ring and the Book - in its day regarded as Browning's greatest achievement, but today seemingly out of fashion - is something different. It is in fact a great novel, but one presented in blank verse, almost 21,000 lines of it, and in twelve books, each representing a different view of the action.

The title of Looms signifies the weaving tool as well as the shadowing appearance of something, These "woven tales" were inspired by Barbara Guest's statement that a tale "doesn't tell the truth about itself; it tells us what it dreams about."

And here, where forest entrails spill into winter light, you find me, straying out from the forest's dark memory - Itinerant Hebrew poet David Vogel, Arctic explorer Samuel Hearne and surveyor David Thompson are among the lost voices re-presenced in George Messo's enigmatic new book, Violades & Appledown.

At the End of the World: Contemporary Poetry from Bulgaria is an anthology of eighteen Bulgarian poets writing and publishing from the middle of the twentieth century to today. Rather than being a collection of emblematic poems, it is a thematic book which reflects the styles of contemporary Bulgarian poetry.

Harry Guest was born in Penarth in 1932. This festschrift volume is published to coincide with his 80th birthday and features tributes from friends, colleagues and fellow poets and translators.

This volume brings together a number of hard-to-find reviews, essays, memoirs and journal pieces by Gael Turnbull, a central figure in the interaction between American and British poetry in the 1950s, 60s and 70s, and also publisher of the excellent small press, Migrant. Shearsman published his Collected Poems in 2006.

This large volume brings together under one set of covers the three volumes published by Shearsman in 2005 and 2007: The Black Heralds and Other Early Poems, Trilce and The Complete Later Poems. Some minor errors have been corrected and one additional poem - recently rediscovered - has been added to the Early Poems section.

Steve Spence's new collection of poetry is a continuation of the mapping of contemporary cultural and political topics through the medium of montage, intervention and startling juxtaposition. While this poetry has its serious side there is plenty of scope for fun and a celebration of the strange and 'off-key'.

These essays cover a great many aspects of Spencer's poetry, translations, and his relations with contemporary writers. The volume also contains an updated bibliography of primary and secondary materials, and forms an invaluable aid to approaching this distinctive voice in mid-twentieth-century poetry.

The China Shop Pictures ranges widely in time, space and subject matter, encompassing Jacobite wine glasses, pedagogical horses, a Japanese invention for walking on water, and a medley of viewpoints both famous and anonymous - from Virgil and Gerard de Nerval to a woman who's in love with 'the monkey they left on the moon'.

Oystercatcher Press has published over 50 pamphlets of contemporary poetry in its short existence. It won the inaugural Michael Marks Award 'for outstanding UK publisher of poetry in pamphlet form'. Chair of judges Ian McMillan praised the press for 'taking risks with older and newer writers from outside the perceived centre of British poetry'.

The second double-issue of Shearsman magazine for 2012. Contents will be announced in August 2012.

From Roman tyrants to the persecuted Russian poet Osip Mandelstam, this sequence explores the dark side of our history, and the glories such darkness continues to provoke in art and literature. Between a dusty cellar in Patmos in the 1st century, and the streets of New York on 9/11, the distance can be measured in seconds rather than millennia.

"Jose Kozer is the name of one of contemporary Latin American literature's most consistent and innovative poets, the name at once of a body of work and a particular line of approach." (Adolfo Castanon)

Aptly titled are these poems: they are like vials without bottoms . held up, looked through, a universe can be discerned. They pour and continue to pour a mixture of guile and subterfuge, language that contradicts, and bargains for its own sanity, contents in volume denying the size of these trick vessels. - Mervyn Taylor

In 2007, when Didi Menendez, of MiPO publications and miPOradio, invited me to present a monthly series of literary talks, my remit was to be personal, direct and contemporary in the manner of Alistair Cooke's Letters From America. So Here We Are: Poetic Letters from England began on 7 May 2007, with an essay on aspects of my poetic background.

Readers outside Spain often do not know that the acclaimed novelist, Manuel Rivas is also a significant poet in his homeland, writing from choice in his native Galician. The Disappearance of Snow is a translation of an entire volume which appeared in Spain in 2009, but which, unusually, had the text in all of the country's official languages.

The poems in Noctilucent begin where light exists or is created in darkness, a paradox. But this is not a 'dark / light' of metaphor, but of the real and of relationship, where algae illumines the deep sea, the light of dead stars reach us from deep space, and night is a doorway, an entrance into the interior - of self, other, cosmos.