Bøker utgitt av Skira

The exceptional edition, in only 145 copies, was the first publication of the new-born Skira, and was soon followed by the Poems of Mallarmé with 29 original etchings by Henri Matisse and Les Chants de Maldoror illustrated by Salvador Dalí with 42 etchings. For the 90th anniversary of the publishing house, Skira issued an anastatic copy of the work, slightly different in format and in agreement with the Picasso Estate. The volume boasts 412 pages including the etchings (15) both in and outside the text (15). The facsimile is perfect. The volume is in 24 x 30.5 cm format. It is a hardcover edition with paper foil stamping, just like the first edition in 1931. The work is contained in a box that, with the Métamorphoses , also bears an illustrated insert in English narrating the birth and history of this legendary volume. Ovid's Métamorphoses in 11,995 verses and 15 books gather and re-elaborate over 250 Greek myths. It has been called an "encyclopaedia of classical mythology". Picasso's etchings out of the text, focused on 15 myths, are of rare uniformity, in a style with clean edges and discrete eroticism. Instead, the etchings found at the start of the chapters do not relate to the text and portray faces, nude studies and a delightful litotes of the female body (27th etching).

William J. Glackens's (1870-1938) keen interest in the work of Pierre-Auguste Renoir (1841-1919) has long been recognized, but Glackens's specific debt to the art of this important French modernist has not been fully explored. In bringing together more than 30 works by each of these two important modernists for the first time, William Glackens and Pierre-Auguste Renoir: Affinities and Distinctions fills this void. It demonstrates Glackens's response to Renoir's Impressionist work (1860-mid-1880s), which was avidly purchased by a wide variety of American collectors, including Albert C. Barnes, who sent Glackens, his friend and colleague, to Paris in 1912 to purchase works for his then fledgling collection. Glackens was the only American artist who subsequently had nearly carte blanche access to Barnes' increasingly important collection of American and European modern art that included work by Paul Cézanne, Henri Matisse, and Pablo Picasso, among others, and numerous examples of Renoir's late-style (1890-1919). The exhibition defines Glackens's late style (c.1925-1938) for the first time, its affinities and distinctions from Renoir's work, and how it emerges from Glackens's familiarity with works specific exhibitions in New York, and the art he saw in Italy in 1926, and in Barnes' collection, while shedding new light on the history of taste in American collecting from the late-nineteenth to the mid-twentieth century.

Salima Hashmi is a renowned artist, writer, curator, educator and human rights activist, based in Lahore. Rosa Maria Falvo is an accomplished writer, editor and curator specializing in Asia-Pacific and Middle East contemporary art, based in Milan.

A new publication in the series "Le Stanze del Vetro", a project for the study and enhancement of Venetian glassmaking in the 20th century, from a collaboration between the Fondazione Cini and Pentagram Stiftung. This volume accompanies the fall exhibition in Venice dedicated to the history of master glassmaker Muranesi Cappellin & C. (which Giacomo Cappellin founded after breaking with Paolo Venini and the V.S.M. Cappellin Venini & C.) to become one of the most important glass companies thanks also to its collaboration with a young architect, Carlo Scarpa. The vast production ranges from transparent glass to milky glass with gold, or glass paste and cased glass, or Phoenician decorations and figures, animals and plants; plus important lighting works. The entire output of Cappellin is documented (open from 1925 to 1931), placing the spotlight above all on the contribution of the major architect and glass designer Carlo Scarpa, his work during the 1920s and his relations with the arts. The book also discusses the production and exhibitions of Cappellin in Paris and the United States, relations established with artists in Turin and its very unique glass productions. Edited by Marino Barovier, this volume includes the catalogue of the complete works by Carlo Scarpa for Cappellin and is an indispensible tool for collectors, scholars and art dealers.

The Royal Institute of British Architects (RIBA) was founded in London in 1834 for the advancement of architecture and began assembling its collection of architectural photographs from the outset. It is now one of the largest in the world. The present book brings together a carefully selected set of images out of the many thousands the Institute holds of the city of Rome, from its landscape to close archaeological detail, through the intermediate scale of architecture. Apart from some professionals who worked for the Architectural Press, the photographers featured - James Anderson, Tim Benton, Richard Bryant, Ralph Deakin, Ivy and Ivor de Wolfe, Richard Pare, Monica Pidgeon and Edwin Smith - are exclusively British. Their images date from the birth of the medium to the present day. In the book, scholars and experts with different backgrounds tackle a difficult, interdisciplinary subject, moving back and forth between architecture and the visual arts. Marco Iuliano gives an overview of the project and introduces architectural photography in Rome, while Gabriella Musto reflects on the historical perception of the Vittoriano and its contemporary role; Richard Pare furnishes a scholarly analysis of the origins of photography in Rome, whilst Owen Hopkins and François Penz respectively consider the impact of the city on the imagination of British architects and filmmakers. Valeria Carullo explores the richness of the RIBA photographs collection prior to the catalogue section, which is complemented by essays by Paolo Mascilli Migliorini, Nicholas Ray, Antonello Alici, Carla Molinari and Tom True. A detailed bibliography by Jemma Street closes the book.

Anna Beselin, art historian and textile restorer, is Senior Carpet and Textile conservator at the Museum of Islamic Art in Berlin.

Oksana Salamatina, Russian native, New-York-based gallerist, is founder and owner of the Salamatina Gallery in New York. Lyle Rexer is a New York¿based writer, curator, and art critic. He is a contributor to Photograph magazine, and has written for many others including Art in America, Aperture, and Modern Painters. His books include The Edge of Vision: The Rise of Abstraction in Photography and How to Look at Outsider Art. A Rhodes scholar, he serves on the faculty at School of Visual Arts in New York City.

The volume is the catalogue of the Lebanese Pavilion at the 16th International Architecture Exhibition in Venice, the first national participation of Lebanon in the Architecture Biennale. Published with the support of the Department of Urbanism at the Lebanese University (LU), the School of Architecture and Design at the Lebanese American University (LAU), the Arab Center for Architecture (ACA), and the Lebanese Landscape Association (LELA), the project aims to draw the attention of both the related professional body and the public as a whole to the conditions of architecture in Lebanon. The attention of practitioners is focused on built objects, and hardly on open spaces and unbuilt territory - on the "space between things": The Place That Remains . "It is an assessment of our territory, an identification of what remains, and a reflection on the built environment through an inventory of the unbuilt land ... The project implicitly reveals the urban pattern, between the lines, within the blanks of the built etching. It draws the powerful inverted image that hosts the telluric forces of the territory". This place that still remains is the place that would host our dreams and expectations. It is a precious resource for creating a meaningful territory.

Rosa Maria Falvo is a writer, editor and curator, specializing in Asia Pacific and Middle Eastern contemporary art. Zeng Fanzhi is one of China¿s most prominent contemporary artists. Heinz-Norbert Jocks is a German journalist, curator and specialist in Asian art. Qilan Shen is a Chinese art critic and editor based in Shanghai.

Marta Gnyp is a Dutch art historian at the University of Amsterdam with an international business background. She is also a collector of contemporary art, art advisor, and contributing art editor for several international magazines.

Ashraf Jamal is a Research Associate in the Visual Identities in Art and Design Research Centre, University of Johannesburg. He is the co-author of Art in South Africa: The Future Present and co-editor of Indian Ocean Studies: Social, Cultural, and Political Perspectives. He is also the author of Predicaments of culture in South Africa, Love themes for the wilderness, and the award-winning short fiction, The Shades. With Skira, he has recently published In the World. Essays on Contemporary South African Art (2017. Jean Wainwright is an art historian, critic, curator and Andy Warhol scholar living in London. Sean O¿Toole is a journalist and writer. Formerly editor of Art South Africa, he also writes a weekly column on photography for the Sunday Times and a biweekly art column for the Financial Mail.

The volume presents an extraordinary collection of jewels, jewellers and international maisons which, from the start of the twentieth century to the present day, have mirrored the changing taste worldwide. It is a global journey which takes us from France to Russia, from the United States to Italy, from Britain to Germany and from the Netherlands to Scandinavia. From the Art Nouveau masterpieces of Lalique, Vever and Fouquet to Art Deco elegance and the wonders of Cartier, Boucheron, Tiffany, Mario Buccellati and Fabergé. From the inventions of Van Cleef & Arpels and Bulgari in the 1950s to the Dutch avant-garde and the artist's jewel of the 1960s, ending with illustrations of up-to-date and contemporary jewellery design. A brilliant historical-critical essay introduces a magnificent selection of pictures, designed to be an ideal gallery of masterpieces of twentieth-century jewellery, accompanied by technical explanations and an exhaustive glossary. The book closes with the new millennium, with the intermingling of art and design and the introduction of new goldsmithery techniques like 3D printing and wearable technologies but also new creative, production, distribution and communication processes thanks to Internet open sources which are defining new future scenarios in jewellery design. A brilliant historical-critical essay introduces a magnificent selection of pictures, designed to be an ideal gallery of jewellery masterpieces from the twentieth century to the present, accompanied by technical explanations and an exhaustive glossary.

Nel febbraio del 2018 Carlo Mari, mentre in Africa lavora con la sua macchina fotografica a un lungo racconto sulla vita, le tecniche di pesca e le tradizioni dei pescatori della costa dell¿Est Africa, dal nord del Kenya al Mozambico, durante un soggiorno in Tanzania decide: ¿realizzerò un libro sul mercato del pesce di Dar El Salaam che conosco come le mie tasche! Un libro nel libro, un tra parentesi del mio grande racconto sulla pesca della costa dell¿est Africä. Così nasce l¿idea di questo libro. ¿A Passage through Dar¿ presenta oltre 130 immagini in bianco e nero scattate dal fotografo italiano nel mercato del pesce di Dar Es Salaam; fotografie che mostrano la bellezza e la genuinità delle persone che vivono questo posto ogni giorno, in uno dei mercati più spettacolari del mondo.

Bellini's last works, examined here in new scholarship, represent a triumphant swan song.

Copublished with Skira and Gagosian, this comprehensive monograph collects over 300 of Kami's works in color along with essays by curator, critic, and writer Robert Storr, Guardian art critic Laura Cumming, and Elena Geuna, curator of the Pinault Collection at Palazzo Grassi.

Stefania Ricci is Director of the Salvatore Ferragamo Museum in Florence.

This book gathers the covers of 120 regular issues and some special ones (in 1:1 format) of Ver Sacrum, plus an anthological selection of the most important inventions in printing, like block prints, lithographs and copper engravings, for the 120th anniversary of this historic magazine. This book narrates and illustrates the originality of a language, perceived right from the first issues, of the legendary official magazine of the Vienna Secession, elaborated like actual program manifestoes and a cornerstone of Modernity. The goal of Ver Sacrum was to give life to total works of art, the so-called Gesamtkunstwerk. That's why each issue had to be a work of art, a perfect representation of Secession ideals, extraordinarily epitomized by the covers. Ver Sacrum, which alludes to the Sacred Spring of ancient Latin people with their renewal rituals through young generations and new settlements, was an absolutely original magazine that elaborated new forms of design, illustration and print/editorial composition: the influence of this represents a cornerstone of Modernity in Western art. During its six years of activity, 471 original drawings were specifically made for the magazine, along with 55 lithographs and copper engravings and 216 block prints. Conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi, the illustrated magazine was founded in 1898 and was periodically published until 1903; it included not only important reviews on literature, music and contemporary art but also a rich selection of engravings and decorations from Secession masters.

The story of a new Loro Piana excellence, told through the photos of wonderful landscapes and extraordinary people in Australia and New Zealand. There is excellence nature bestows upon man with an implicit understanding: taking care of, preserving and enhancing its qualities. In order to respect this pact with nature, man must work with her, follow her, understand her and join forces with others. This is the story of "The Gift of Kings", the excellent extrafine wool from merino sheep raised in Australia and New Zealand, thanks to a collaboration between Loro Piana and some of the most expert, cutting-edge breeders in both countries. Wool has achieved unthinkable fineness. Since ancient times the importance of this material was acknowledged and praised so much it historically became the privilege of kings, hence its name, "The Gift of Kings". This wool gives rise to extraordinary, breathable, all natural, sustainable and light yarn and textiles that keep warm in the winter and cool in the summer. "The Gift of Kings" is a rare and precious product man has jealously guarded. Thanks to Loro Piana, and the support given to breeders and special practices aimed at merino sheep, it has achieved excellence. A slow, complex, laborious process involves entire communities that revolve around the magnificent farms in New Zealand and Australia, with which Loro Piana has collaborated for years, supporting and encouraging the efforts aimed at quality and excellence. This book portrays, through images, the stunning landscapes and extraordinary people, along with the emotions and passions of their teamwork, in a relationship based on trust with Loro Piana and those who for generations have lovingly taken care of these sheep, the gift of kings and of nature.

Nancy Genn is a multifaceted, cross-cultural California artist. She is equally gifted in drawing, painting, sculpting, paper and printmaking. Her travels have taken her to Europe as well as Asia and the Middle East. Her cultural nomadism had influenced her art with a sort of material transmutation combining both Eastern and Western cultures, reflecting somehow the city where she was born and raised, San Francisco. Throughout her life-long career, she has continued to experiment, deploying an array of media and techniques with their various traditions: gouache, casein, mono-printing, collage, tearing, and also her lost wax bronze sculptures and ceramics. Genn has been a major contributor to the history of post-war American painting. Her career has spanned several generations of abstract painters. She continues to produce vital and ever- changing new work, while being a devoted mother of three. She has held an important position in the movement of gestural abstraction and abstract expressionism. Her artwork was first introduced internationally in 1960 by art critic and philosopher Michel Tapié, who founded with Luigi Moretti e Franco Assetto the Center for Aesthetic Research in Turin and, at the same time, published Morphologie Autre in Paris, a seminal text which introduced radical concepts of artistic perception based on a new abstract morphology. He selected a number of artists from Europe, the United States, Canada and Japan and placed Nancy Genn next to Burri, Fontana, Capogrossi, Tàpies, De Kooning, Motherwell, Pollock, and Tanaka, among others.

Devoted to the celebrated Uzbek artist Bakhodir Jalal, this book showcases his most important works over four decades and represents a milestone in his creative journey. A master painter and nationally acclaimed graphic artist, Jalal is considered a living legend in his native country of Uzbekistan. The works featured here demonstrate the artist's energetic experimentation and pioneering desire to communicate beyond cultural boundaries and even his own preconceptions. Abstraction for Jalal means freedom of choice, where his colours, symbols, and fluid lines become "envoys of eternity". His visual language, both figurative and geometrical, is deeply rooted in and unlimited by Uzbek culture and Oriental mysticism, which cast the material world as an illusory fiction. His weaving together of European iconography and principles makes for an original tapestry of styles across time and geographies.

The paintings and drawings of legendary Beat Generation author Jack Kerouac are selected from in this look at the "On The Road" writer's visual sensibility.

Fifty years after his death, a great narration of the story and the life of Che as a man and as a historical figure.