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Of all the British bands that blasted to fame in rock's golden age, Nektar remain the most mysterious and least documented. Because they chose to base themselves in West Germany, until now commentators in their native land have tended to overlook them. They're all but excluded from prog's official narrative even though Remember The Future is a classic of the genre and one of very few European art rock albums to conquer the US. This book reveals Nektar as much more than just a hit LP, celebrating a catalogue rich in works of equal stature which, uniquely for the time, poured so effortlessly from the players. Whether you know only the clutch of 1970s albums that are Nektar at the pinnacle, or you've followed their progress under leaders Roye Albrighton and now Derek Moore, here's everything you need to complete your understanding of an agile, continuously intriguing and as distinctive as their covers, as dazzling as their light show, and as warm as their fans. It documents how Germany was both boon and bane for the band, how America tore them apart and pulled them back together, and how from Journey To The Centre Of The Eye to The Other Side Nektar have a vision and a connection that brings them much closer to our small scared lives than any other band of their stature.

Yes are widely recognised as pioneers of progressive rock through their defining work in the 1970s, including classic records such as Fragile and Close to the Edge. The band then went on to completely re-invent themselves in the 1980s. They achieved huge commercial success with the album 90125 and global hit 'Owner of a Lonely Heart'. But there has been little acknowledgement of their achievements in the ten years that followed, paving the way for three more decades in an extraordinary 50 plus-year-long career. Examining six more albums, the arrival of multi-instrumentalist Billy Sherwood, successful tours, solo and film projects, a move into the digital age, and consolidation of a worldwide fanbase, Yes in the 1990s adds a fresh twist to the story of this revered band. Simon Barrow followed Yes closely in the '90s, seeing them dozens of times on both sides of the Atlantic. He charts an underestimated era of development in the Yes sound, encompassing multiple personnel changes. Bookended by notable tours for Union and The Ladder, the '90s is a tale of Yes-intransition, as the search for new musical horizons sees their influence mutate across everything from art pop to global fusion.

.Status Quo are a British institution - a multi-million selling band of epic proportions and while their career was in it's hey day during the 1970s, the hits kept coming through the 1980s along with breakups, lawsuits, line-up changes, substance abuse and a high-profile, highly successful comeback after calling it a day in 1984.

Having moved from jazz, Blues and R'n'B to out-and-out pop in his various 1960s bands, keyboard player Manfred Mann went back to the drawing board in 1971 with a new quartet, Manfred Mann's Earth Band, and the intention of focusing on progressive rock.

'If you talk about the '70s, I was a hardworking artist. I did nothing but tour - recording, touring, TV, you know. I had constant jetlag. Constant black shadows under my eyes but, oh, what a ride! What a wonderful ride. And I'm still doing it now.' Suzi Quatro. With a succession of hit singles, including eight UK top twenty hits and two number ones, sell-out tours and six studio albums, Suzi Quatro was an enduring presence throughout the 1970s, the decade that saw her move away from being part of an all-girl band in Detroit and relocate to England for a solo career that challenged old stereotypes and helped redefine the image of the female rock icon. Taking each year in turn this book takes a detailed look at Suzi Quatro's career throughout the decade where she enjoyed her greatest successes, including a comprehensive overview of each album and single released during that period, her touring schedule and her frequent media appearances, including that famous guest role in Happy Days. As well as making extensive use of press archives from the era, Suzi Quatro In The 1970s also includes personal reflections from an exclusive interview with Suzi herself.

Captain Beefheart (Don Vliet) was undoubtedly the creator of the most bizarre and wonderful music. A child prodigy sculptor, he applied his artistic approach to music, creating 'aural sculptures'. He befriended Frank Zappa in High School, collaborating on a teenage rock opera and sci-fi/fantasy film entitled Captain Beefheart vs The Grunt People. It was from this film that Don took his name. Of course, a magic character had to have a magic band. The Magic Band started out as a blues band in the mid-sixties but soon, with lysergic propulsion, surreal poetry, free-form jazz, polyrhythms and African beats, they were at the forefront of West Coast Acid Rock. A series of hugely inventive albums, including the infamous Trout Mask Replica, established them as the foremost avant-garde rock band with legendary live performances. The author was there for their first concert at Middle Earth and that night changed his life. Few Bands are as influential. The Beatles, The Fall, PJ Harvey and Tom Waits all pay homage, While The Magic Band have inspired a myriad of tribute bands and created a mythology like no other. This book sets the history of the band in context, analysing every track and interpreting the music with its poetic content. It is essential reading for diehard fans and the Beefheart-curious alike.

Donovan is one of the musicians who defined the 1960s. From his humble, working-class roots as a teenager with big dreams, he rose to become an icon of the times, the troubadour of the flower power generation. His story is one filled with tales of romance, legendary friendships, and screaming fans. But it's also the story of a spiritual journey and of a personal mission to bring his message of love to the world. Most of all, though, it's about the music.Defying the press who dubbed him a mere Dylan imitator, Donovan found his own unique voice and produced some of the most creative and enduring music of the '60s; songs that captured the imagination with memorable melodies and poetic, thought-provoking lyrics. He transcended his folk roots to blend in rock, pop, jazz, classical and world music elements like no one had done before. The mythical, magical decade of the 1960s was the time that Donovan made his mark on the world. This book tells his story through a deep dive into the music he created in those times, including new insights from John Cameron, who arranged and played on many of Donovan's classic songs of the era.

Pearl Jam are the last men standing from great alternative rock explosion of the Nineties. They introduced themselves with one of the biggest-selling and most iconic albums of the decade, and their follow-up albums broke sales records worldwide.

Joe Jackson is a singer, songwriter, composer, and performer who has twisted and turned his career through numerous genres, and continues to release excellent albums forty years after his initial breakthrough success.

This book tells the full Human League story, from the band's origins in Sheffield, through the full arc of Human League and the very early Heaven 17 hits, and the albums - track-by-track, into the twenty-first century...

George Harrison was known as 'The Quiet Beatle', although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably 'The Chameleonic Beatle', a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished.

Hailing from Muswell Hill in London, The Kinks were one of the top British bands of the sixties, with over twenty hit singles including a trio of number ones (including the famous paean to their home city 'Waterloo Sunset'). They had over a dozen top ten's, thanks to the clever and sometimes sardonic songwriting of Ray Davies.

Bruce Springsteen called him 'one of the great, great American songwriters' and Stephen King once said that if he could write like him, he 'would be a happy guy'. So how is it that most people, if they have heard of Warren Zevon at all, know him only as 'that Werewolves' guy'?

Motorhead are arguably the greatest rock and roll band in history, but it took many years to win that accolade. This is the story of the band that refused to die. They started off as the Vengeful Bastard and they had a tough beginning. The band had to deal with wayward producers, hostile record companies, more than a couple of false starts.

The 1970s saw the rise of rock and metal as a force in record and ticket sales. Right there at the birth of this was Black Sabbath, whose first album came from nowhere to smash into the top of the charts in Britain and around the world. This is a comprehensive roundup of the band's music in the decade.

Billy Joel On Track contains behind-the-scenes stories and an analysis of Joel's extensive studio recordings, many of which became top 40 hits in the 1970s, 1980s and 1990s.

Laura Nyro (1947-1997) was one of the most significant figures to emerge from the singer-songwriter boom of the 1960s. With analysis of her teasing, poetic lyrics and unique vocal and harmonic style, this is the first-ever study to concentrate on Laura Nyro's music and how she created it.

Free were formed in 1968 towards the end of the British blues boom. After two critically acclaimed albums, the release of 'All Right Now' and the album Fire and Water in 1970 brought them major success. Musical and personal differences took their toll and they split after the comparative failure of their next album and single.

If you've never delved into Eric Clapton's contributions to other artist's recordings, then this is a handy guide to help the reader find his way into such a lengthy and successful second career. If his own albums are the main story, then these recordings run alongside: an alternative history of one of rock's most prolific musicians