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This book focuses on improving reading comprehension by targeting the jargon, idiomatic language and academic expressions used in the business world. A Student's Guide to the Language of Finance is a reference textbook designed to unlock the jargon of the business and finance world for international students, improving the reading comprehension and writing skill of English language learners by targeting the jargon, idiomatic language, and academic expressions employed in the business, finance, and banking fields.Covering terms not always captured in business dictionaries or workbooks, the resource also contains sections on spoken business English, key academic terms found in textbooks and journals and useful expressions to employ when writing an academic paper. It is specifically targeted at students whose first language is not English.
This book critically appraises the field of Arts in Health in the light of the recent public health crisis and co-called culture wars. A new term was coined in Britain in 2017 for this area of work by an All-Party Parliamentary Group: "creative health". Williams sets this hopeful assertion against a darker backdrop of austerity, rising inequality and "Covid-nationalism". Understandings of the field as a (multi)national phenomenon are examined through contested narratives that surround its origin. Using genealogical methods, Williams shows how at supra, national and local policy levels, Arts in Health is presented as an idea that transcends place and time. Arguing against this premise, post-war decades are examined to reveal hidden, mutable arts-health expressions. Examples of practice, and their recognition as such, are context dependent it is concluded - produced by political economies as well as oppositional social movements.
Tracing the cultural interactions between South and Southeast Asia since prehistoric times, the book critically scrutinizes the current cultural diplomacy initiatives of Indiäs Look-Act East Policy. Reminding the need to look at culture as a two-way process and the need to re-define the understanding of culture in its Space Age setting, the author emphasizes on India realising its unique multicultural potentiality to broaden the outlook and parameters of cultural diplomacy to suit the unfolding World Order in the region. The nature and composition of the demography of Southeast Asia and its Indian diaspora calls for a balanced approach in covering the land and maritime sectors, the book further observes. Adopting a peoples-centric approach, the author argues for cultural interactions to go beyond the union government and its agencies and advocates for the role of state governments, non-governmental actors, and other community initiatives as well.
This open access book shows how figures, figuring, and configuration are used to understand complex, contemporary problems. Figures are images, numbers, diagrams, data and datasets, turns-of-phrase, and representations. Contributors reflect on the history of figures as they have transformed disciplines and fields of study, and how methods of figuring and configuring have been integral to practices of description, computation, creation, criticism and political action. They do this by following figures across fields of social science, medicine, art, literature, media, politics, philosophy, history, anthropology, and science and technology studies. Readers will encounter figures as various as Je Suis Charlie, #MeToo, social media personae, gardeners, asthmatic children, systems configuration management and cloud computing ¿ all demonstrate the methodological utility and contemporary relevance of thinking with figures. This book serves as a critical guide to a world of figuresand a creative invitation to ¿go figure!¿
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