Bøker utgitt av St. Martins Press-3pl

The new girl in town meets a mysterious old-fashioned girl who can't seem to find her way home.The girl didn't say anything. Her face held no expression.Ariadne shivered. It was cool in the shade, and her hair was still wet."Hello," Ariadne said. No answer. "Um-I was just taking a walk. Is this your property?" Still nothing. She took a step toward the girl and stumbled on a fallen branch. She caught her balance and looked back at the tree, but no one was there. The girl had vanished.It's bad enough that Ariadne's family just moved to a tiny boring town in the middle of nowhere. But worst of all is that she's so far away from her best friend. The kids in Dobbin seem nice enough, but none of them really understands how lost and unhappy Ariadne feels.None, that is, but May Butler. She's an odd, quiet person who wears the strangest old-fashioned clothes and has a spooky habit of appearing and disappearing in the blink of an eye. Despite their differences, there is a bond between the two girls. May, too, knows what it's like to feel lost. Cold in Summer is a 2004 Bank Street - Best Children's Book of the Year.

For fans concerned about the future of horse racing, "a well-told cautionary tale about greed and willful inattention" (Kirkus)."An insider's stunning account of the corrupt practices that threaten both the horses and the game . . . an engrossing read." -Minneapolis Star-TribuneJim Squires was in trouble. He was in the horse business, an enterprise seemingly intent on committing suicide, led over the cliff by visionless leaders. A clannish group called "the Dinnies" had long refused to share power, as vast overproduction and unbridled greed created a subprime-like bubble in the market. Overpriced animals of dubious quality and drug-enhanced performance on the track were undermining the integrity of competition and ultimately the very breed itself. With its economic model broken, its tawdry sales practices under attack, and its public image in tatters, the sport was overdue for a reckoning. Headless Horsemen is Squires's critique of what is happening to the sport and the animals he loves, as he and a small group of unlikely heroes agitate for a return to fair dealing. For anyone who cares about the soul and survival of horse racing, this book is an impassioned call to arms.

A generous feat of biographical sleuthing by an acclaimed historian rescues one child victim of the Holocaust from oblivionWhen the German Remembrance Foundation established a prize to commemorate the million Jewish children murdered during the Holocaust, it was deliberately named after a victim about whom nothing was known except her age and the date of her deportation: Marion Samuel, an eleven-year-old girl killed in Auschwitz in 1943. Sixty years after her death, when Götz Aly received the award, he was moved to find out whatever he could about Marion's short life and restore this child to history.In what is as much a detective story as a historical reconstruction, Aly, praised for his "formidable research skills" (Christopher Browning), traces the Samuel family's agonizing decline from shop owners to forced laborers to deportees. Against all odds, Aly manages to recover expropriation records, family photographs, and even a trace of Marion's voice in the premonition she confided to a school friend: "People disappear," she said, "into the tunnel."A gripping account of a family caught in the tightening grip of persecution, Into the Tunnel is a powerful reminder that the millions of Nazi victims were also, each one, an individual life.

From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times).When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images-cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a-if not the-key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable.In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers.Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.

America's leading expert on democracy delivers the first insider's account of the U.S. occupation of Iraq-a sobering and critical assessment of America's effort to implant democracy In the fall of 2003, Stanford professor Larry Diamond received a call from Condoleezza Rice, asking if he would spend several months in Baghdad as an adviser to the American occupation authorities. Diamond had not been a supporter of the war in Iraq, but he felt that the task of building a viable democracy was a worthy goal now that Saddam Hussein's regime had been overthrown. He also thought he could do some good by putting his academic expertise to work in the real world. So in January 2004 he went to Iraq, and the next three months proved to be more of an education than he bargained for. Diamond found himself part of one of the most audacious undertakings of our time. In Squandered Victory he shows how the American effort to establish democracy in Iraq was hampered not only by insurgents and terrorists but also by a long chain of miscalculations, missed opportunities, and acts of ideological blindness that helped assure that the transition to independence would be neither peaceful nor entirely democratic. He brings us inside the Green Zone, into a world where ideals were often trumped by power politics and where U.S. officials routinely issued edicts that later had to be squared (at great cost) with Iraqi realities. His provocative and vivid account makes clear that Iraq-and by extension, the United States-will spend many years climbing its way out of the hole that was dug during the fourteen months of the American occupation.

In his pathbreaking Resource Wars, world security expert Michael Klare alerted us to the role of resources in conflicts in the post-cold-war world. Now, in Blood and Oil, he concentrates on a single precious commodity, petroleum, while issuing a warning to the United States-its most powerful, and most dependent, global consumer. Since September 11 and the commencement of the "war on terror," the world's attention has been focused on the relationship between U.S. foreign policy in the Middle East and the oceans of crude oil that lie beneath the region's soil. Klare traces oil's impact on international affairs since World War II, revealing its influence on the Truman, Eisenhower, Nixon, and Carter doctrines. He shows how America's own wells are drying up as our demand increases; by 2010 the United States will need to import 60 percent of its oil. And since most of this supply will have to come from chronically unstable, often violently anti-American zones-the Persian Gulf, the Caspian Sea, Latin America, and Africa-our dependency is bound to lead to recurrent military involvement. With clarity and urgency, Blood and Oil delineates the United States' predicament and cautions that it is time to change our energy policies, before we spend the next decades paying for oil with blood.

This is the story of a rare sort of American genius, who grew up in grinding poverty in Camden, Maine. Nothing could save the sensitive child but her talent for words, music, and drama, and an inexorable desire to be loved. When she was twenty, her poetry would make her famous; at thirty she would be loved by readers the world over.Edna St. Vincent Millay was widely considered to be the most seductive woman of her age. Few men could resist her, and many women also fell under her spell. From the publication of her first poems until the scandal over Fatal Interview twenty years later, gossip about the poet's liberated lifestyle prompted speculation about who might be the real subject of her verses.Using letters, diaries, and journals of the poet and her lovers that have only recently become available, Daniel Mark Epstein tells the astonishing story of the life, dedicated to art and love, that inspired the sublime lyrics of Edna St. Vincent Millay.

Forget fad diets -- here's a proven program based on good science and good sense.The 9 Truths About Weight Loss is the long-awaited antidote to the scores of diet fads that have failed for so many. In a program built on scientific research and practical experience, Daniel S. Kirschenbaum shows us:--how to consider weight loss as an athletic challenge--the importance of eating sensibly and tracking your food intake --how to overcome the inevitable emotional roadblocks Going beyond trendy quick fixes, The 9 Truths About Weight Loss provides a manageable program for the millions of Americans committed to controlling their weight.

From one of the architects of the new science of simplicity and complexity comes an explanation of the connections between nature at its most basic level and natural selection, archaeology, linguistics, child development, computers, and other complex adaptive systems. Nobel laureate Murray Gell-Mann offers a uniquely personal and unifying vision of the relationship between the fundamental laws of physics and the complexity and diversity of the natural world.

Sarah Johnson's Mount Vernon brilliantly restores the lives and contributions of African Americans to the legacy of Mount Vernon. Digging beneath the well-known stories of George Washington and the era of America's birth, Scott E. Casper recovers the remarkable history of Sarah Johnson, who spent more than fifty years at Mount Vernon, in slavery and after emancipation. Through her life and those of her family and friends, Casper provides not only an intimate picture of Mount Vernon during the nineteenth and early twentieth centuries-years that are rarely part of its public story-but also a window into a community of people who played an essential part in creating and maintaining this American landmark.

An Intimate Portrait of a Jewish American Family in America's First CenturyMordecai is a brilliant multigenerational history at the forefront of a new way of exploring our past, one that follows the course of national events through the relationships that speak most immediately to us-between parent and child, sibling and sibling, husband and wife. In Emily Bingham's sure hands, this family of southern Jews becomes a remarkable window on the struggles all Americans were engaged in during the early years of the republic.Following Washington's victory at Yorktown, Jacob and Judy Mordecai settled in North Carolina. Here began a three generational effort to match ambitions to accomplishments. Against the national backdrop of the Great Awakenings, Nat Turner's revolt, the free-love experiments of the 1840s, and the devastation of the Civil War, we witness the efforts of each generation's members to define themselves as Jews, patriots, southerners, and most fundamentally, middle-class Americans. As with the nation's, their successes are often partial and painfully realized, cause for forging and rending the ties that bind child to parent, sister to brother, husband to wife. And through it all, the Mordecais wrote-letters, diaries, newspaper articles, books. Out of these rich archives, Bingham re-creates one family's first century in the United States and gives this nation's early history a uniquely personal face.

The dark and bloody ground of the frontier during the years of the American Revolution created much that we associate with the idea of America. Between 1763 and 1795, westerners not only participated in a war of independence but also engaged in a revolution that ushered in fundamental changes in the relationship between individuals and society. In the West, the process was stripped down to its essence: uncertainty, competition, disorder, and frenzied and contradictory attempts to reestablish order. The violent nature of the contest to reconstitute sovereignty produced a revolutionary settlement, riddled with what we would regard as paradox, in which new notions of race went hand in hand with new definitions of citizenship. In the almost Hobbesian state of nature that the West had become, westerners created a liberating yet frightening vision of what society was to be. In vivid detail, Patrick Griffin recaptures a chaotic world of settlers, Indians, speculators, British regulars, and American and state officials vying with one another to remake the American West during its most formative period.

A human faces off against a thinks-he''s-human in the ultimate fight for survival in The Warren, a novella from Brian Evenson.X doesnΓÇÖt have a name. He thought he had oneΓÇöor manyΓÇöbut that might be the result of the failing memories of the personalities imprinted within him. Or maybe he really is called X.HeΓÇÖs also not as human as he believes himself to be.But when he discovers the existence of anotherΓÇöabove ground, outside the protection of the WarrenΓÇöX must learn what it means to be human, or face the destruction of their two species.