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The icon is a fundamental element in the body of the Orthodox tradition. This is Volume 2 of Ouspensky's study of the icon's development, through catacomb art, the controversy of the 8th and 9th centuries and the flowering of Russian iconography, to its present state.
The English translation aims to capture for the present-day reader something of the atmosphere of intellectual excitement and spiritual exhilaration experienced by his first listeners.
This text explores the history of the Eastern Church, spreading from Byzantium to the Orthodox Churches of the Balkans and Russia. It also examines the native Eastern Churches of Egypt, Ethiopia, Syria, Armenia and Georgia, and describes the impact of the crusades and other movements on the East.
A systematic and contemporary presentation of Orthodox ecclesiology, including chapters on Eucharist and catholicity, apostolic continuity and succession, ministry and communion, and the local church.
Faithful to the doctrinal tradition of the Orthodox Church, this work reflects the thought of the Eastern Fathers from the time of the Apostles to the end of the Byzantine Era.
The classic work on the techniques, language and interpretation of icons in the context of theology and faith. Commentary and analysis of the main types of icons. Lavishly illustrated, with 160 pages of text with drawings, 13 b/w and 51 color plates.
In this volume, Vladimir Lossky studies the meaning of the vision of God and its impact on the life and thought of the Church from its earliest days to the synthesis of St Gregory Palamas and those who followed him (14th century), a vision which is more than metaphor, but the purpose and goal of the Christian life.
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