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Part of a series, this title is composed of polaroids, that continues the journey into Frank's realm and imagery, showing us snapshots from his travels, of his friends and everyday curiosities.

Includes five comprehensive volumes: New YorkEarly Work, The American Scene, Deep Woods, Greenwich Village, and, The Americans.

Inspired by a semi-autobiographical book by the mid-20th century German printmaker HAP Grieshaber, the author has used Grieshaber's idea to create a story of fifty years as a printmaker. He includes interviews with his printers and memories of his life around the prints he made at that time.

Originally published in 1986 to accompany a retrospective exhibition of the same name organized by the Museum of Fine Arts, Houston, and has long been out of print. The chronology and personal spirit of Frank's complex career as a photographer and filmmaker are evoked with previously unpublished letters, pictures, reviews and letters.

Robert Frank's film "One Hour" is a single-take of Frank and actor Kevin O'Connor either walking or riding in the back of a mini-van through a few blocks of Manhattan's Lower East side. Shot between 3:45 and 4:45 pm on 26 July, 1990 the film presents the curious experience of eavesdropping involuntarily on strangers. This book deals with the film.

Teen Tribe is a series of intimate portraits of Martine Fougeron's two adolescent sons and their tribe of friends growingup in New York and France. Begun in 2004, Fougeron has followed the lives of her sons Nicolas and Adrien from theages of thirteen and fourteen respectively as they entered adulthood. The book pictures adolescence as a transformativestate, caught between childhood and adulthood, between the feminine and masculine, between innocence andburgeoning self-identity. As both mother and photographer, Fougeron combines a tender transparency for her subjectwith a more distanced view of the world of teenagers. Teen Tribe is a visual diary of her sons' domestic lives arrangedchronologically, capturing the different rites of passage and personal challenges they encounter over time. Inspired byDutch paintings of domestic scenes particularly those of Vermeer, as well as by cinematic compositions, Fougeron'swork is both a sensual biography of two boys, and a depiction of the universal process of growing up to which all canrelate.Martine Fougeron was born in Paris in 1954 and studied at Wellesley College and l'Institut d'Études Politiques deParis. For the past fourteen years she has lived with her two sons in New York. After a successful career as creativedirector of a perfumery, Fougeron turned to photography, studying at the International Center of Photography in NewYork. Her work on her two sons has been exhibited internationally and is held in major public and private collectionsincluding the Museum of Fine Arts in Houston and the Philadelphia Museum of Art. Fougeron is a regular contributorto The New Yorker and The New York Times Magazine.

A survey of the major aerial projects by David Maisel, whose images of radically altered terrain have transformed the practice of contemporary landscape photography. In more than 100 photos, it presents a hallucinatory worldview encompassing both stark documentary and tragic metaphor, and explores the relationship between nature and humanity.

A photographic journey from the author's hometown in the outskirts of Bari in southern Italy, that takes us to Mexico City, Cairo, Ankara, Anatolia, Sicily, Tunisia, and as far as Mesopotamia.

Using dense charcoal and dripping washes, this book depicts the sinister edge to Carlo Collodis story and Pinocchios isolation in the author's quest to become a real boy. It presents the his portrait of Gerhard Steidl, an ambitious suite of nine drawings made by the artist in his Gottingen studio.

Analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts.

From 2006 to 2011, Canada sent nearly 3,000 military personnel to Afghanistan in support of NATO's International Security Assistance Force. This title presents Donovan Wylie's photographs of Forward Operating Bases constructed in the Kandahar Province of Afghanistan.

Waikiki, one of Honolulu's most famous neighbourhoods, had already become a crowded tourist destination when Wessel photographed there in the late seventies and early eighties. This book contains Wessel's edit of these pictures and is a record of American leisure at this time: of surf, sand and inexhaustible pleasure-seekers.

Catalogues the work of Massimo Vitali, an Italian master of the photographic medium. This title includes a giant poster which maps the family tree of Vitali's works, a visual geneology which is also the history of the artist's work.

Jim Dine is commonly seen as a prolific painter, printmaker and photographer whose central practice is drawing. This book shows that sculpture is just as important in his oeuvre. It lets us discover Dines favourite motifs: hearts, tools, skulls, and Pinocchio, as well as Classical sculpture in the form of Venus de Milo and Winged Victory.

In August 1992 Robert Franks good friend and antique dealer Reginald Rankin invited Frank on a trip to Pangnirtung, a village of around 1,300 Inuit inhabitants in the Arctic Circle. This book presents Frank's documentation of the five-day sojourn.

In a remote landscape near Bordeaux, Mona Kuhn owns a little house: simple, bare and even without electricity. Kuhn travels here each year to entertain family and friends as they drop by. This title contains portraits of these people dear to Kuhn made over the years, as well as landscape photographs.