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Kurt Almqvist is President of the Axel and Margaret Ax:son Johnson Foundation for Public Benefit, where Louise Belfrage is a project manager. Daniel Birnbaum is the fomer Director of the Moderna Museet. Julia Voss is a Fellow at Lichtenberg-Kolleg, the G¿ttingen Institute of Advanced Studies. Tracey Bashkoff is Senior Curator, Collections and Exhibitions, at the Solomon R. Guggenheim Museum. Isaac Lubelsky is Academic coordinator of genocide studies and India studies, Israeli Open University.Linda Dalrymple Henderson is Professor in Art History, University of Texas at Austin. Marco Pasi is Associate professor in the History of Hermetic Philosophy and related currents, University of Amsterdam.

A re-print of the original publication first published in 1989 in collaboration with The Hilma af Klint Foundation which also served as the exhibition catalogue for the exhibition at Moderna Museet, Stockholm

An 80-page hardcover notebook with beautiful blue cover painting by Swedish artist and mystic Hilma af Klint

How af Klint's early drawings rose from spiritual practices conducted with friends: the first volume in a beautiful new catalogue raisonné

Scholars from diverse disciplines tackle the many questions posed by the work and life of abstraction pioneer Hilma af Klint

Arts & Crafts delves deep into the heart of the Arts & Crafts movement, tracing its origins to pioneers such as A W Pugin and John Ruskin, and its flourishing under the guidance of William Morris and his contemporaries from the Pre-Raphaelite Brotherhood. This book not only celebrates the aesthetic achievements of the movement but also its profound vision for a world where craftsmanship and the artisan's touch are revered, embodying Morris's philosophy that "Only through the work of the hand can thinking be healthy and only through thought can work be joyful.

One of the most enigmatic figures of antiquity, Tiberius lacked the imperial splendour of his great predecessor Augustus and the excesses of many of his successors, and has been overlooked by history. Yet this compelling study offers a portrait of a complex and contradictory man, both emperor and exile, tyrant and recluse. Drawing on a wealth of ancient sources as well as contemporary classical scholarship, Dr Iskander Rehman engages in a nuanced and multidisciplinary examination of Tiberius¿ philosophical, intellectual and military influences, and the effectiveness of his foreign policy. Analysing key conflicts, Rehman evaluates the reach and efficacy of Rome¿s grand strategy, applying the lessons of the past to contemporary security challenges and modern global defence policy.

Iconoclasm: Rejecting the past is a warning bell, an alarm, alerting readers to the threat against the tolerance and openness of democratic society. Iconoclasm, the breaking of images, is part of our history - from the destruction of religious images in early Christianity to today's toppling of statues of Confederate generals and slave traders. Images, buildings and objects that violate religious or ideological beliefs must be destroyed. Those who carry out such purges - iconoclasts - are convinced they are carrying out an act of purification. The past has been turned upside down in a desire to start over from the very beginning. The different contributions in this translation of the anthology Iconoclasm: Rejecting the past make the consequences crystal-clear. Not just invaluable cultural treasures but also human lives are lost when fanaticism has free rein. We saw this when the Islamic State destroyed museum artefacts that were thousands of years old, when Mao's Red Guards burned books and persecuted people who did not share their beliefs during China's Cultural Revolution, or when the Russian Bolsheviks dynamited churches and desecrated icons. There are countless examples of the damage these destructive forces have wrought over the centuries. The battle cry of iconoclasm, which is so strong today, demonstrates its continued appeal.

During the latter part of the nineteenth century, so-called esoteric movements became increasingly popular in cultural and intellectual circles in Europe, not least in Sweden. Secret teachings, rituals and practices in alchemy, astrology, occultism and theosophy were predominant, with a belief in correspondences in the cosmos, living nature and transmutations. But esotericism goes back much further in time in Swedish history. Although such esoteric ideas were long considered heresy by the Church and thus driven underground, they have had a significant impact on Swedish culture. In this anthology, we bring together some of Sweden¿s foremost experts on the subject to explore the history of esotericism in Sweden and how its rituals, practices and traditions came to influence writers and artists such as August Strindberg, Selma Lagerlöf, Viktor Rydberg, Hilma af Klint, Tyra Kleen and Carl Milles.

It is well known that, throughout history, royalty have built castles, fortresses and entire cities. However, less consideration has been given to individual monarchs who pursued an interest in architecture and in some cases acted as architects. It is well known that, throughout history, royalty have built castles, fortresses and entire cities. However, less consideration has been given to individual monarchs who pursued an interest in architecture and in some cases acted as architects. Recent research on Gustav III of Sweden (1746-1792) has shown that he was in fact the architect for a number of important building projects. George III of England (1760-1820) also had a great interest in architecture, and his drawings and sketches have been preserved. Louis XIV of France (1638- 1715) was greatly involved in shaping the palace and garden at Versailles. And Stanislaw II August's (1732-1798) interest in architectural work had a major impact on the neoclassical style in Poland. In this richly illustrated book, a number of scholars provide additional examples and perspectives on the importance of monarchs for architecture and architectural policy.

At some point around two million years ago, we discovered that we could exchange one thing for another. Since then, humans have continued trading and exchanging things throughout economic history. Clever humans also invented capital, which we used to shape our whole economic system. In this information-packed, entertaining, eye-opening book, Kjell A. Nordström guides us from the collaborative origins of prehistoric bartering to Adam Smith's concept of specialisation. He shows how we have used our endless inventiveness to transform our planet into a colossal, pulsating bazaar, where everyone is trading with one another all over the world, around the clock. How did we end up here? And what does the future hold for our immense, complex global economy that has now started to appear vulnerable? Dr Nordström provides hope that we will find new ways to continue our endless trading and exchanging. New ways that involve and take into account nature, our other vital source of capital: not created by us, but crucial to our well-being. With The Monkey and the Money Kjell A. Nordström aims to demystify economics and money. By providing insight into human ingenuity and perspectives based on that ingenuity, Nordström helps us to understand and marvel at the vast, clever system that we call the economy.

How has the idea of liberty developed and evolved over the centuries? What does freedom mean for us today and what do we need to do in order to preserve the freedoms for which generations of men and women fought and even gave their lives? Liberty is indispensable to flourishing societies the world over. Its story contains multitudes - humanity's eternal struggle with fate, our ancestors' long quest to establish freedom of thought and freedom of religion, the rise of democratic liberties in society at large and the modern fight against authoritarian politics and tyrants everywhere. In this anthology of essays, leading academics, writers and historians explore what liberty has meant through the ages. They reflect on this great drama of freedom at work and why we so readily suffer to defend liberty when it comes under threat.

The artist Anna Cassel (1860¿1937) has until now been known for her paintings of magnificent natural views, landscapes and urban environments. However, the fact that her artistry also reflected spiritual beliefs and her involvement in, among other things, spiritualism and theosophy has not been noticed. Only now, nearly a century after her death, is Anna Cassel's significance for abstract and spiritual art beginning to shine through, not least thanks to her deep friendship and collaboration with fellow artist Hilma af Klint. In this book, this side of Anna Cassels is presented for the first time to a wider audience together with a vivid description of her role in the circle of spiritually searching artists active around the turn of the century.

The Meaning of History is the senior thesis written by Henry Kissinger at Harvard university in 1950, when he was twenty-seven. More than 70 years later it is now being published for the first time. The thesis explores the thought of three distinct but important thinkers in the canon of Western philosophical and historical thought, in a way that also reflected Kissinger's own transition from the Continental world to the Atlantic. Oswald Spengler (1880-1936) was a German historian and philosopher; Arnold Toynbee (1889-1975) a British historian and philosopher and Immanuel Kant (1724-1804), a Prussian of the European Enlightenment era and one of the most important moral and political philosophers to emerge from his time. The study is intimidatingly long and weighty in its own right; at almost four hundred typed pages, it wrestles with some of the first-order dilemmas of Western political, philosophical, and moral thought. Its scope ranges from the Enlightenment through to the midpoint of the twentieth century - an era scourged by two world wars and the advent of the nuclear age. Equally important, it provides great insight into the conceptual perspective of its author, Henry Kissinger, who was to become the most influential American scholar statesman of the post 1945 period.

"Consciousness is a scientific problem that is unlike any other. Our own consciousness, as Descartes noted, is the most indubitable feature of our existence. It is the most precious one, as well: consciousness is life itself, and for most people having their bodies kept alive in a vegetative state is no better than dying." -- Steven Pinker, Professor of Psychology, Harvard UniversityConsciousness is also a unique scientific problem in other ways. There is no general agreement about the definition of the subject of study. Opinions are divided about how - with which methods - it should be studied. And nobody can know for sure which answers could possibly be relevant. For many decades it was forgotten by science, buried underground by the regime of behaviourism and cognitive science, but now it has arisen again and has become a hot topic in circles working at the frontier of science.

It has been claimed that around 14,500 wars have been fought since 3,500 BC. Humanity has only experienced 300 years of peace on Earth. During the twentieth century more people in total, were killed in wars, than during any previous century. Relatively, though we kill each other less often now. Are we gradually becoming more peaceful? Regardless of the number of people killed, and the technology used to do it, we can rest assured that wars will be continued to be fought. Can the causes of war be found in society or in biology, in a competition for economic or sexual resources, in historical circumstances - or in a universal violent instinct? The essays in this anthology originate from the internationally renowned Engelsberg Seminar of 2015, and are written by international historians, journalists, thinkers, researchers, and authors. From the conflicts of antiquity to the dynamics of modern terrorism, this book is about war as a creator and destroyer of states and civilizations. Edited by Kurt Almqvist and Alexander Linklater.

A 60-page softcover notebook based on an original sketchbook of the Swedish artist and mystic Hilma af Klint

A 60-page softcover notebook based on an original sketchbook of the Swedish artist and mystic Hilma af Klint