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Luisa Etxenike's Crossing Waters depicts a Colombian woman and her son finding their way in the Spanish Basque country.

Through mixed media, The Company tells the story of a mining company's arrival in a small town and the terrorizing of its inhabitants.

When fate sends Dr. Francesca Johnson-DeWitt to Ohio Falls, her college nemesis, the smug Dr. Sebastian Bing, rekindles an old rivalry that turns the small town's Christmas upside down.

Claudia Ulloa Donoso is an expert at writing gently alienated characters. Sometimes, their dislocation is the result of geography. Occasionally, it stems from their social conditions: consider "Alarm," in which every sound and moment is skewed by the narrator's terror of her abusive partner, or "The Transfiguration of Melina," whose religious teenage heroine starts the story detached from her sexuality, and ends it anything but. More often, though, Claudia's characters are simply Martians: their perspective on the world is singular, whether they want it to be or not.