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  • av Juliana Rozo
    150,-

    In her personal / poetic essay, Colombian writer Juliana Rozo traces two paths where beauty, trauma and violence intersect in works of art, family lore and historical events in Colombia.

  • av Clara Obligado
    164

    These eleven stories address exile, migration, and the search for an alternative future.

  • av Valeria Correa Fiz
    164

    This personal anthology by the award-winning Argentine poet, offers a deep reflection on the transient nature of passions and life, and embraces language as a place where the fleeting can find a form of permanence.

  • av Carlo Acevedo
    150,-

    Translation of Colombian Poet Carlo Acevedo's Fortuna del día/ Day's Fortune

  • av Luisa Etxenike
    150,-

    Luisa Etxenike's Crossing Waters depicts a Colombian woman and her son finding their way in the Spanish Basque country.

  • av Veronica Gerber Bicecci
    336,-

    Through mixed media, The Company tells the story of a mining company's arrival in a small town and the terrorizing of its inhabitants.

  • av Marilia Arnaud
    150,-

    A collection of short stories devoted to uncovering he moving, complex, and often mystifying workings of the human heart.

  • av Terreece M Clarke
    138

    When fate sends Dr. Francesca Johnson-DeWitt to Ohio Falls, her college nemesis, the smug Dr. Sebastian Bing, rekindles an old rivalry that turns the small town's Christmas upside down.

  • - Hielo Para Marcianos
    av Claudia Ulloa Donoso
    150,-

    Claudia Ulloa Donoso is an expert at writing gently alienated characters. Sometimes, their dislocation is the result of geography. Occasionally, it stems from their social conditions: consider "Alarm," in which every sound and moment is skewed by the narrator's terror of her abusive partner, or "The Transfiguration of Melina," whose religious teenage heroine starts the story detached from her sexuality, and ends it anything but. More often, though, Claudia's characters are simply Martians: their perspective on the world is singular, whether they want it to be or not.

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