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Dayton Lummis has lived a unique American life--as museum director in a mountain ghost town 9,500 feet high, as caretaker of an abandoned ranch surrounded by endless desert, as an inveterate wanderer pulled through vast empty landscapes that most Americans have never heard of, and will never see. And always-always--on his journeys, he takes back roads. The characters Lummis has met and interacted with along the way form a vivid rogues'' gallery of oddballs, misfits and losers, and he knows how to tell their stories. As a highly opinionated (his friends say grumpy) observer himself, Lummis gives trenchant insight into a region and a way of life that helped shape America, but now seems to be vanishing forever. Born in New York City, raised on Philadelphia''s Main Line and educated in the Ivy League, Dayton Lummis was nevertheless drawn inexorably into the most remote regions of the American West, where he has lived and worked. It all started when his parents divorced, and his eccentric father left the East Coast for a primitive little ranch in a then-isolated section of the Malibu Mountains, half a century before the Hollywood stars got there. On his first trip out West as a teen-ager, Dayton Lummis came to love America''s most desolate regions. Fifty years later, his ardor still burns hot. He divides his time between Santa Fe and Pennsylvania, but his wanderlust is insatiable, and he is always ready to hit the road again.

Why intellectualism, you may well ask. And, my answer would have to be-why not? Isn't it the "in" thing? The pressure is on to be an intellectual or at least to present a façade of intellectualism to a curious and waiting world. Unfortunately, there are many interesting things to do today that are vastly more relaxing and entertaining than the serious pursuit of knowledge. However, you can, by following the tips in my book, "bake your cake and eat it too." You can become an instant intellectual in a matter of a few hours (two hours?). Your family and friends will be astonished. You will be pleased and not at all exhausted by tiresome mental effort. Instant intellectualism is for the modern individual who would rather be happy than to think deep thoughts. A humor book for everyone. Marcia Muth is also the author of A World Set Apart, Memory Paintings; Writing and Selling Poetry, Fiction, Articles, Plays & Local History; How to Paint and Sell Your Art; Indian Pottery of the Southwest; Kachinas, A Selected Bibliography; Ma Frump's Cultural Guide to Plastic Gardening which won a first place award in the 2008 New Mexico Book Awards; Post Card Views and Other Souvenirs, Poems; Fake Ivory, New and Selected Poems; Sticks and Stones and Other Poems, Thin Ice and Other Poems; and Words and Images, Poems, all from Sunstone Press. Her biography, Left Early, Arrived Late, by Teddy Jones, also from Sunstone Press, was published in 2008. In 2006, she was named a Santa Fe Living Treasure in recognition of her many accomplishments.

One of the earliest and most important inventions of fledgling mankind was that of the bow. The bow and arrow changed man's history because it increased his ability to survive in what was often a hostile environment. Whether for good or evil, the bow and arrow became an integral part of expanding civilization until it was replaced by gunpowder. Today, archery is practiced both as a sport in itself and for hunting purposes. Archery is a skill. It can be taught. But it must be practiced and it requires a good eye and steady hands. Every enthusiast of an art or skill enjoys not only performing that art or skill but also reading about it. The collecting of books on a subject is a natural adjunct to performing and reading. The archer wants to have more than just his personal knowledge. He wants to have at his side the accumulated knowledge and history of all other archers. This small bibliography will help in that endeavor.

In a compelling quest for the secrets of the Fifth Mesa, Leaf Marie McIntosh journeys in tandem through her beloved New Mexico homeland and the saga of her youth. Travelling on foot with sublime purpose, she wraps herself in the rare landscape that is her path, absorbing minutiae as one weaves fine threads into a blanket. With the same savor of detail she relives days as antique and curious as the ghost towns she haunts. Her journey begins sometime in the early 1900s and soon all sense of time fades as the story paints a map of New Mexico and the shifting strata of the past. "Searching for Fifth Mesa" marks a fascinating approach to historical writing which breathes into the story mystical elements that give it special life. * * * * * Juana Foust grew up on the plains of New Mexico and attended high school at Tucumcari and Clovis. When she was a child, her parents, Joseph and Stella Avant, moved their family into a section of eastern New Mexico that had been opened for homesteading and filed a claim for 160 acres north of Melrose in Quay County. Here Juana became fascinated by the vast outreach of the plains and the far distant blue plateaus. As she grew older and began to write, the charm of the Southwest took hold and she produced her first book, "Prairie Chronicle," published by Putnam. Various career pursuits have now returned Juana Foust to her preferred land, New Mexico, and her original love for writing. The western spell still works on her, as it does in "Searching for Fifth Mesa."

This “perpetual” write-in calendar has a recipe for each month that can be easily prepared by kids using common kitchen ingredients. Kids can also fill in the dates for each month, color the illustrations and have fun preparing each month’s simple-to-prepare recipe. Have fun with it!

The folk-art of the New Mexican Santero (maker of saint images) arose out of the need for religious images in the settlements. Usually a member of the settlement, the Santero was in most instances a self-taught craftsman. Utilizing crude tools at his disposal, he fashioned representations of the saints dear to the inhabitants from wood and jaspe (gypsum) known today as New Mexican Santos. Two craftsmen, Jose Dolores Lopez and George Lopez, are widely recognized for their carvings. For seven generations the Lopez families of Cordova, New Mexico have been 'santeros.' Countless articles have been written about them but this book is written by one of the family. Eluid Levi Martinez tells the inside story of the beginning of this fascinating art in both English and Spanish. Illustrated with photographs. * * * * * Eluid Levi Martinez was born in the mountain village of Cordova, New Mexico. A self-taught artist, his work is in the permanent collections of the National Museum of American History, the National Museum of American Art, the Museum of American Folk Art, the Denver Art Museum and others. He began carving Santos during 1971 with the goal of perpetuating not only his heritage, but also an art form indigenous to the New Mexico area.

"... lovely bits of Zuni, Navajo, Tewa, San Juan-ceremonial chants, prayers, blessings, rituals that are truly lovely and a living part of our Indian Southwest." This is how critic Alice Bullock, herself a noted author and historian of the Southwest, described Gene Meany Hodge's Four Winds upon its initial publication. Sunstone Press is now pleased to offer this prized work in its new format with the hope that it will soon reach many more readers who are interested in this fascinating and haunting subject. The author says: "I am grateful to all the students of Indian ceremonial life who have made it possible for us to know the beautiful philosophy and religion of the Indians. The material for this book is gathered from their early works. Many of these prayer-poems are free translations from long nine-day ceremonies, some for rain and abundant harvest, some for healing, some for blessing, and some for thanksgiving." BOOKS OF THE SOUTHWEST said: "Out of her long experience with Indian culture, Gene Meany Hodge has chosen a score of prayer-poems from Southwest tribal literature. The translations are by various hands; the Indian motif illustrations by Mrs. Hodge beautifully complement the text."

Born blind, Elizabeth Garrett overcame many handicaps to become self-sufficient and a nationally-known musician, singer and composer. In an age when women were still strugglng for their independence, she developed a career that took her around the country. She neither sought nor accepted pity but, using her own resources, created a life and a philosophy that became a source of wonder to all who knew her. Daughter of controversial and famed frontier sheriff Pat Garrett (who was noted for ending the career of Billy the Kid) and a Hispanic mother, Elizabeth successfully bridged the time gap between the still lawless days of early New Mexico and the transitions brought about by World War II. A New Mexican who loved her native state, she was able to write of its beauties without ever having seen them. She wrote "e;O Fair New Mexico,"e; the state song, and was the state's first women's liberation advocate. Photographs, illustrations, bibliography.

Alice Bullock explored "the land of enchantment" in depth, ferreting out the legends and folklore of New Mexico. She spent almost three years collecting these stories, recording and thus saving many of them for posterity. An "almost-native" New Mexican (she arrived in the area at age eight) Alice grew up in Gardiner and graduated from Colfax County High School in Raton. She became a country school teacher and then a reporter and freelance writer. She is also the author of "Mountain Villages of New Mexico," "Loretto and the Miraculous Staircase," and "Monumental Ghosts," all from Sunstone Press. Includes Teacher''s Manual.

This book is for anyone who has a passion for New Mexico letters, the American Southwest or the life and work of Jesse Nusbaum, one of America's leading archaeologists-a man who was lauded by "e;Life Magazine"e; with a cover story when he brought Mesa Verde out of the mire of time to make it living history. Nusbaum fought to preserve the integrity of a large section of southwestern America which otherwise would have been lost.

Alice Bullock says, "We can''t go back." Thomas Wolfe said it and has been quoted ever since. Yet it bears repetition, especially today and in reference to Alice Bullock''s Mountain Villages of New Mexico. Times change and as Bullock laments in this book of memoirs, commentaries and anecdotes, it is too late to do much about it except what she herself has done: write it down. We can''t go back...we can only, hopefully, remember. And that is what this book does for all of us who have either lived in a mountain village or dreamed of living in one. This collection of tales of Cimarron, Lamy, Galisteo, Wagon Mound, Watrous, Rayado and other northern New Mexico towns and locales makes a perfect companion to her book "Living Legends of the Santa Fe Country," also from Sunstone Press. Alice is also the author of "Loretto and the Miraculous Staircase" and "Monumental Ghosts," both from Sunstone Press. Includes Teacher''s Manual.

Much more than a catalog of trees and shrubs, "Woody Plants of the Southwest" is an encyclopedia-like discussion covering all except the herbaceous vegetation of portions of the southwestern United States and a narrow strip of adjoining Mexico. Samuel H. Lamb has not only identified hundreds of woody plants, but has arranged them by families, explained their Latin names, and has provided a brief biography of persons, primarily botanists, who have been honored by having their names included in the accepted scientific nomenclature. He has also provided one or more common names in English and Spanish. Photographs, and in some cases sketches, of portions of plants help in their recognition. Maps of southwestern states broken down by counties, are used to point out the distribution one each species, and effects of elevation are illustrated by listing the life zone in which each species is most at home. Certainly this book is a welcome addition to the botany and natural history of the southwestern United States, and is worthy of inclusion in any library. The book is a winner of the Border Regional Library Association Award for literary excellence and enrichment of the cultural heritage of the American Southwest. *** SAMUEL H. LAMB holds degrees in forestry and wildlife management. He was Park Naturalist with the National Park Service in Hawaii, has worked in forestry, been a wildlife refuge manager in the Southwest, and worked for the New Mexico Department of Game and Fish in the Division of Game Management, of which he was Assistant Director for five years.

Don Carlos Buenaventura, the protagonist of "The Last of Our Kind," is a powerful brujo living in Santa Fe, New Mexico, a remote settlement on the edge of Spain''s North American empire. The year is 1706. Comanche war parties are boldly conducting raids nearby, French traders and soldiers are aggressively expanding toward New Mexico from the Great Plains, and agents of the Spanish Inquisition have arrived in search of a brujo suspected of being in Santa Fe. That brujo is Don Carlos, respected citizen under the name of Don Alfonso Cabeza de Vaca, his true identity known only to a small coterie of friends. Given the many dangers that threaten the town, will he be able to bring his powers to bear and still keep his brujo identity secret? When his mortal enemy, a sorcerer with formidable powers, arrives on the scene in the midst of these troubles, how will Don Carlos figure out a way to deal with him? Includes Readers Guide. * * * A native Californian, Gerald W. McFarland received his B.A. from the University of California, Berkeley and his doctorate in U.S. history from Columbia University. He taught at the University of Massachusetts Amherst for forty-four years. During that time he published four books in his field. He received many honors, including a John Simon Guggenheim Fellowship. The Colonial Dames of America cited his book, "A Scattered People: An American Family Moves West," as one of the three best books in American history published in 1985. Since his retirement, he has turned to writing fiction and is the author of two previous novels in the Buenaventura Series, "The Brujo''s Way" and "What the Owl Saw." He and his wife live in rural Western Massachusetts.

In the early 1500s, twenty-four year old Spanish Captain Luis Escudero is already a legend in Spain''s professional army, living and fighting in her battles, gambling his life on the slim chance that one day he''ll have enough money to travel to that strange new world Christopher Columbus discovered just twenty five years ago. There he will build a ranch, leave the army and live in peace. Destiny takes a hand and Luis'' gamble might just pay off if he can stay alive long enough. King Carlos offers him command of a top secret expedition with orders to explore Mexico''s Aztec empire and determine whether wild rumors of vast piles of gold and silver are true or just wild delusions of drunken sailors. Spain needs a quick infusion of gold to stave off a financial crisis. "No European has ever set foot in that barbaric empire and crawled back to civilization alive," King Carlos tells Luis. "It''ll be an enormous challenge. You''ll be outnumbered thousands to one-but if you and your men somehow manage to survive, return and verify there is gold, I''ll dispatch Hernando Cortez and his conquistadors to seize it and ship it back to Spain!" Captain Luis Escudero and his battle hardened mercenaries, the first Europeans to enter Mexico, set sail for the Aztec empire and this strange, mysterious adventure begins. Will the Aztecs allow foreign invaders to peacefully explore their historic land? Not if the Aztec army commander has anything to say about it. * * * Robert L. Foster is a member of Western Writers of America and has written many western articles for national magazines. He is a retired college professor and also the author of "The Mutilators" from Sunstone Press.

El Camino Real de Tierra Adentro, the Royal Road of the Interior, was a 1,600-mile braid of trails that led from Mexico City, in the center of New Spain, to the provincial capital of New Mexico on the edge of the empire''s northern frontier. The Royal Road served as a lifeline for the colonial system from its founding in 1598 until the last days of Spanish rule in the 1810s. Throughout the Mexican and American Territorial periods, the Camino Real expanded, becoming part of a larger continental and international transportation system and, until the trail was replaced by railroads in the late nineteenth century, functioned as the main pathway for conquest, migration, settlement, commerce, and culture in today''s American Southwest. More than 400 miles of the original trail lie within the United States today, and stretch from present-day San Elizario, Texas to Santa Fe, New Mexico. This segment comprises El Camino Real de Tierra Adentro National Historic Trail. It was added to the United States National Trail System in 2000 and is still in use today. This book guides the reader along the trail with histories and overviews of places in New Mexico, West Texas and the Ciudad Juárez area. It includes a broad overview of the trail''s history from 1598 until the arrival of the railroads in the 1880s, and describes the communities, landscape, archaeology, architecture, and public interpretation of this historic transportation corridor. * * * George D. Torok completed a PhD in history at the State University of New York at Buffalo in 1991, and is a history professor at El Paso Community College. Since 1999, he has worked with the United States National Park Service, the Bureau of Land Management, and countless regional agencies and associations to organize events, develop interpretive sites, and promote a greater public awareness of El Camino Real. In 2003, he served as the Camino Real de Tierra Adentro Trail Association''s first president. He has written numerous articles and a guidebook to historic Appalachian mining towns.

In this first-person account, a composer confronts cancer as well as an increasingly debilitating dementia that threatens to rob him of both his past and his present. In something of a last ditch effort he does his best to resurrect nearly forgotten loves as well as the music of the greats that once sustained him. In the process he finds the past no less difficult to deal with than his present and is forced to confront a most unflattering image of himself. The crisp yet lyrical writing is crisp yet lyrical and alternates between staccato and legato depending on the particular stages of the composer''s illness. The Hamlet-like narrator is at once dangerously close and forbiddingly distant from the reader with a climax in death''s full assault with hitherto hidden revelations. * * * Andrew Grof is the author of two critically acclaimed novels, both published by Sunstone Press: The Goldberg Variations (also translated and published by Argumentum Press in Hungary in 2014), and Everyone Loves Ronald McDonald. He currently resides in Miami, Florida after retiring from Florida International University as university librarian and adjunct professor of English and Honors Studies.

Desperados of frontier days in the United States command a certain amount of attraction. The frontier desperado was a rugged individualist stamped and marked not by environment but by circumstance. Some of the seventeen men in this book have been pushed off the pages of their day by Billy the Kid, Clay Allison and Dave Rudabaugh. But "badmen" they all were-some with colorful lives that more often than not came to abrupt and inglorious ends. So here they are, in addition to the three mentioned above: William Coe, Dick Brewer, Jim Greathouse, Tom Pickett, J. Joshua Webb, Porter Stogden, Rattlesnake Sam, Gus Mentzer, Baca of Socorro, Dick Rogers, Joe Fowler, Vicente Bilba, Black Jack Ketchum, and even David Crockett, according to F. Stanley. This new edition in Sunstone''s Southwest Heritage Series includes a new foreword by Marc Simmons, an excerpt from F. Stanley''s biography by Mary Jo Walker, and a tribute to F. Stanley by Jack D. Rittenhouse (also from the biography). Includes bibliography. *** "An easterner by birth but a southwesterner at heart, Father Stanley Francis Louis Crocchiola had as many vocations as names," says his biographer, Mary Jo Walker. "As a young man, he entered the Catholic priesthood and for nearly half a century served his church with great zeal in various capacities, attempting to balance the callings of teacher, pastor, historian and writer." With limited money or free time, he also managed to write and publish one hundred and seventy-seven books and booklets pertaining to his adopted region under his "nom de plume," F. Stanley, The initial in that name does not stand for Father, as many have assumed, but for Francis, which Louis Crocchiola took, with the name Stanley, at the time of his ordination as a Franciscan friar in 1938. All of F. Stanley''s original titles have now reached the status of expensive collector''s items.