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Burned out and world-weary, veteran journalist Luke Jackson longs for a story to put him back on the front page of The New Mexican, Santa Fe's historic daily newspaper. That story comes when he ventures north to cover a land grant protest in the state's pastoral and predominately Hispanic region. The protest leaders want to reclaim grazing rights given to their ancestors by the Spanish and Mexican governments several hundred years earlier, but now lost. Those rights were wrongly ignored, they contend, when the present-day Southwest, including California, became part of the United States in 1848 under the Treaty of Guadalupe Hidalgo. The treaty ended the war between the United States and Mexico. Rather than remaining with the original grantees, large sections of the land were grabbed by the railroad companies carving their way to the West Coast. he Hispanic community, more hungry and desperate than ever for land to graze their growing flocks, take up arms and occupy the land. A standoff with authorities ensues and Luke finds himself caught in the middle of a fight over land rights with roots deep in the history of the American Southwest that takes all he has to get out alive and write the story of a lifetime. A suspenseful literary thriller set in a remote and exotic corner of the American Southwest, The Ridge will put you on the edge of your seat and keep you there. Includes Readers Guide.

Don Carlos Buenaventura, a powerful brujo in his sixth life, practices a benign form of sorcery based on his motto "Do no harm." His great powers derive from intensive training in heightened awareness akin to Eastern yogic disciplines rather than from incantations, spells, or aid from demon allies. He is accidentally born in 1684 into an aristocratic Catholic family in Mexico City, a social and religious milieu in which his identity as a brujo, if known, would put him in mortal danger. In repressing any sign that he is other than an ordinary young man, he forgets both his brujo powers and who he really is. Exiled at nineteen to the remote frontier town of Santa Fe, New Mexico, he is exposed during the journey northward to wild desert landscapes that awaken his forgotten powers. In Santa Fe he resumes his conventional persona to protect what he now recognizes is his true identity and is caught in the tension of trying to live two lives. An arduous return trip to Mexico City and back further intensifies his brujo powers, leading to many adventures, including dangerous encounters with an evil sorcerer, an Apache war party, and a woman devotee of an ancient Aztec goddess, and also stimulates his recall, in dreams, of his brujo training in past lives. A chance meeting in Mexico City with a woman trained in Tantric spirituality is life-changing, opening him to other dimensions of consciousness. Returning to Santa Fe, he faces the task of learning to unite his Brujo's Way with his new spiritual path.

"What the Owl Saw," the second volume in the Buenaventura Series and the sequel to "The Brujo's Way," opens in December 1705 with a terrifying nightmare that fills Don Carlos Buenaventura, a powerful brujo in his sixth life, with dread. Feeling the need to strengthen his brujo powers, always weakened by town life, he rides out into the wild mountain landscapes around Santa Fe in order to practice his sorcerer's technique of transforming himself into hawks and owls. Transformations are exhilarating, but they do not dispel his sense of an impending menace. In addition, as he tells his friend Inéz de Recalde, whom he has rescued from a difficult past and to whom he has declared his love, he is impatient to move forward in his quest for wisdom on what he calls the Unknown Way. Into this picture comes a trio of itinerant entertainers, a magician and two women dancers, who offer an ambiguous promise. Can they lead him to deeper realms of consciousness, or are they agents of his enemy, the evil sorcerer Don Malvolio? The magician and his alluring companions introduce Carlos to dances that transport him into ecstatic mind states, but he remains uncertain about what master they serve. Despite the risk of exposing his secret brujo identity and of being disloyal to Inéz, Carlos allows himself to be drawn ever farther into their web of dark and dangerous enchantments. Includes Readers Guide.

Don Carlos Buenaventura, the protagonist of "The Last of Our Kind," is a powerful brujo living in Santa Fe, New Mexico, a remote settlement on the edge of Spain's North American empire. The year is 1706. Comanche war parties are boldly conducting raids nearby, French traders and soldiers are aggressively expanding toward New Mexico from the Great Plains, and agents of the Spanish Inquisition have arrived in search of a brujo suspected of being in Santa Fe. That brujo is Don Carlos, respected citizen under the name of Don Alfonso Cabeza de Vaca, his true identity known only to a small coterie of friends. Given the many dangers that threaten the town, will he be able to bring his powers to bear and still keep his brujo identity secret? When his mortal enemy, a sorcerer with formidable powers, arrives on the scene in the midst of these troubles, how will Don Carlos figure out a way to deal with him? Includes Readers Guide.

What do turtles eat? How are their babies hatched? Why can a turtle pull his head inside his shell? What kinds of turtles make the best pets? How should pet turtles be fed and where should they be kept? All these and many other questions are answered in this natural science picture book for young readers. As in "Pinto's Journey," "Starlings," "Coyotes," "Cats," and "Goats," also by Wilfrid Bronson and published by Sunstone Press, the text is in large, clear type, and there are many illustrations on each page.

Here, in a comprehensive, practical, and extremely readable volume, an author-artist whose many nature books are favorites with children gives an absorbing account of goats-the countries from which they came originally, the merits and characteristics of the major breeds, the reasons why they are especially valuable to us, and the methods of raising them for pets or for profit. He describes the most scientific way to house, feed, and care for either a herd of goats or for a single goat. In addition to practical information on raising goats, Mr. Bronson gives fascinating background material about them and their place in history. The reader discovers, for instance, that traces of some of the early legends and superstitions about goats are still to be found in our language today. From Pan, the half-goat god of the ancient Greeks who had the mischievous habit of startling travelers in lonely places, comes our word "panic." Then we learn that in pagan times communities would confess their sins annually to a goat, which was later allowed to escape to the wilderness, supposedly taking the sins with it; hence our word "scapegoat." In his simple, inimitable style, known to many readers through such books as "Cats," "Starlings," "Coyotes," "The Wonder World of Ants," "The Grasshopper Book," "Horns and Antlers," "The Chisel-Tooth Tribe," and "Turtles." Mr. Bronson provides a humorous and informative text, enhanced by detailed drawings on nearly every page.

James C. Wilson's memoir begins in Pula, Yugoslavia, circa 1972, where he is accused of threatening Marshal Tito, the President of Yugoslavia. It flashes back to the States and his anti-war activities at the 1968 Democratic National Convention in Chicago and elsewhere. He then travels to Paris and Strasbourg where he spends time in exile with a French companion who speaks no English and dislikes Americans, and who finally leaves him for a group of pilgrims on their way to India. Returning to the States, he finds refuge in the counterculture community of Santa Fe, New Mexico, which becomes his spiritual home.

In New Mexico, during Lent and Holy Week each year, the Penitent Brotherhood enacts a primitive Passion Play, which in its traditional ritual of self-torture represents a curious survival of the Middle Ages. Much lurid journalism has been devoted to the Penitentes, but in this sympathetic account by Alice Corbin Henderson, an eye-witness, the ceremonies are presented in their true aspect, with the historic background and reason for the survival clearly indicated. From this it appears that the religious custom of self-inflicted penance was introduced into the Southwest as early as 1598 by the Franciscan priests who accompanied Don Juan de Onate and his soldiers and colonists on their way to the permanent settlement of the province of New Mexico-originally embracing all of our present Southwest. From that day the customs then inaugurated have been traditionally observed by the humble descendants of the "e;Conquistadores."e; Alice Corbin and William Penhallow Henderson lived in New Mexico and know its people and its colorful landscape intimately. The striking illustrations in black and white that appeared in the original 1937 edition by William Penhallow Henderson are an integral part of the text of this new edition. Also included in this edition along with an introduction by Lynn Cline is "e;Alice Corbin, An Appreciation"e; from "e;New Mexico Quarterly Review"e; in 1949, an article by Marc Simmons from "e;The Santa Fe New Mexican,"e; and a review of the book from "e;New Mexico Quarterly"e; at the time of publication of the original edition in 1937 by T. M. Pearce.

This is the true story, told in fictional form, of one of the greatest of all American Indian chiefs, Cochise of the Chiricahua Apaches. Indians were once thought of as warlike, and the encroaching white men as wanting peace, but it was the white men who forced Cochise into war against his will. History tells us that Cochise and his tiny band of warriors not only held the United States Army at bay for more than ten years, but they were often on the offensive. It is a heroic and extraordinary story. The story ends with the equally extraordinary way in which peace was made, when Major General Howard, the bible-reading soldier, and Cochise, the religious-minded warrior, found that they could trust each other. The many illustrations are by L. F. Bjorklund, well-known for the accuracy of his interpretation of Indian scenes.

In her large body of work that spanned more than half a century, Alice Marriott gave a wide audience fresh and lively accounts of the complex cultures of the Southwestern American Indian. Trained as an anthropologist/ethnologist, the first woman to graduate with a degree in that field from the University of Oklahoma, she coupled her scientific and creative writing skills to produce books that have become classics. Maria: The Potter of San Ildefonso, a definitive study of Pueblo Indian pottery making, has remained in print for sixty years. The memoirs that comprise this volume were written by Alice Marriott four years before her death in 1992, at the age of 82. They were her response to a request from Still Point Press for a full autobiography. Her frail health at the time-she was ill with Bell's Palsy, blind in one eye, recovering from multiple fractures from falls-prevented her from writing more. Nevertheless, the pieces she did complete are delightful personal stories, told in that unique Marriott style, still engaging and humorous today.

A summer on the California coast calls to Mattox Williams, a writer wanting quiet days to do the finishing work on his novel. He leases his Santa Fe house for three months and finds an ocean-facing room at Glitter Bay. While meeting the other people of the beach community, a love affair develops as well as the surrounding strife. He makes a deep emotional mark on the neighbors, particularly on Hayden Danning and his sister, Sylvan. A surprise offer from a film producer opens his horizons and requires trips south to Hollywood and Laguna Beach. At the end of summer, Mattox tries to find a way to keep alive the love he has found.

Imported to the United States from Europe in 1890 and released in Central Park, New York City, to fight the growing number of insect pests at that time, the starlings quickly adapted themselves to the new climate. They are now at home almost everywhere. The starling is typical of many other birds, and this book with simple text is a wealth of birdlore. The marvel of streamline design and construction which is a bird's body-a design which has been copied to a great extent in building airplanes-is carefully explained. We follow the starling from nesting time, when the female busily sets the nest to rights, until the young ones are completely independent. As in "Pinto's Journey," "Turtles" and "Coyotes," also by Wilfrid Bronson and published by Sunstone Press, the text in this book for young readers is in large, clear type, and there are many illustrations on each page.

On a warm summer's evening, while riding his bicycle with his girlfriend down a gentle slope something inexplicable happened. Suddenly, Adam flew over his handle bars, bounced on the street, and crushed the back of his head. TBI-traumatic brain injury. In that moment, Adam's life and the life of his family changed forever. Like tens of thousands of other young people who probably rode their bikes that day, Adam was not wearing a helmet. "Adam's Fall" tells a very personal story of a young man's struggle to survive first while in prolonged coma and then to heal and to recover himself. It is a story of the heroic efforts of doctors, nurses and therapists who saved his life and of those who have since supported his healing. But mostly, it is a story of a family facing every parent's worst nightmare, a story of faith and of hope that continues to unfold in often surprising ways.

Recapturing the atmosphere of Territorial days, this 1962 extensively annotated edition of a Southwestern classic focuses on southeastern New Mexico, where "murder was a common offense" and stagecoach robberies were "nothing to get excited about." The delineation of this last, lively frontier begins in 1846 and ends in 1912 with New Mexico statehood. Here are the deeds, lives and legends of the colorful men who figure in New Mexico history. The lucky ones: John J. Baxter who struck it rich at White Oaks, Tom Wilson and Uncle Jack Winters of the Homestake claim, Jack Martin who brought water to the Jornada del Muerto and started the desperate struggle among stockmen culminating in the Lincoln County War, and the cattle king John S. Chisum. The land grabbers: Charles B. Eddy, accused of acquiring a county through coercion; the Denman gang dedicated to frightening settlers from their hereditary holdings; and Tom Catron, political boss and land-office man who owned more than a county. Writing men: Washington Matthews, Territorial army surgeon who told about the Navajo; Hubert Bancroft, prolific historian; Adolph Bandelier, pioneer anthropologist; Charles Lummis, the journalist who publicized life in the Territory through travel books; and Lew Wallace, Territorial governor who wrote "Ben Hur." The frontier newsmen: "Ash" Upson, chronicler of Billy the Kid; Major Bill Caffrey of White Oaks' "Lincoln County Leader"; Emerson Hough who mined his Western experiences for many a yarn; and Eugene Manlove Rhodes, beloved cowboy of the big circulation magazines. New appraisal is given Albert B. Fall, who with Doheny, another old timer, figured in the Teapot Dome affair. Not neglected are such celebrated frontiersmen as Patrick Garrett, nemesis of Billy the Kid, and Albert J. Fountain, who, with his little son, a buckboard and high-stepping team, disappeared from the face of the earth. All these and many more live again in accurate eye-witness accounts that make this a prime source book on the old West.

Wild cats, tame cats, alley cats, barn cats--all kinds of cats fill the pages of this science picture book for younger readers. It grew out of years spent by the author in studying cats and keeping them as pets. The physical characteristics of cats, their instincts and habits are described and explained. There is an interesting section on how to play with a kitten or cat, what kind of den to construct and directions for making it. There are rules for raising healthy, happy cats--how to feed them, keep their quarters clean, and train them. In the last part of the book, the author takes up the whole cat family--lions, tigers, cheetahs, and their cousins--and he ends with a brief history of our pets as we know them today. The amusing and informative pictures on every page not only illustrate the text, but provide a wealth of additional information. Younger children will find endless entertainment in the pictures, and there is no age limit to those who will enjoy the informal, authentic text.

Water is the lifeblood of human existence. New Mexico's history provides a fascinating microcosm of the role water plays in the growth and development of a community. This book details many of the complex and messy fights, legal and otherwise, over precious water in a semiarid western state. Focusing on the past one hundred years constituting New Mexico's statehood, contributors describe the often convoluted and always intriguing stories that have shaped New Mexico's water past and that will, without doubt, influence its future history. Many of New Mexico's "movers and shakers" in the water community have contributed their water war stories to the book. From acclaimed water lawyers to historians to novelists to academicians, their stories reflect the broad legal, historic, traditional, religious, and community values of New Mexico's water culture. The celebration of New Mexico's centennial is made more complete with the telling of these exciting and colorful narratives of how water has and will shape our future.Contributors to this volume include John W. Hernandez, Jerald A. Valentine, Richard Simms, Em Hall, Jay F. Stein, James C. Brockmann, Eluid L. Martinez, Charles T. DuMars, John W. Utton, Sylvia Rodriguez, Calvin Chavez, Linda G. Harris, M. Karl Wood, Michael L. Connor, and John Nichols, author of "The Milagro Beanfield War."

While living in Denver in the early 1890s, Francis Schlatter, a poor immigrant cobbler from Alsace-Lorraine, heard a voice inside his head that told him to put down his tools and go outside and walk east. For several years Schlatter, a deeply pious man, had been aware that he possessed the potential to cure people of their afflictions if he could only muster enough faith; the time to test that faith had arrived. So began a grueling two-year journey on foot that took him as far east as Hot Springs, Arkansas, then back across the Southwest to San Diego, north to San Francisco, then east to Arizona and New Mexico. In the summer and fall of 1895, first in Albuquerque then in Denver, he began to treat hundreds of people a day. Word of his miraculous power ran like wildfire all over the Southwest. Appalled by the carnival atmosphere he encountered in Denver, Schlatter slipped away into the wilds of New Mexico, finally into Old Mexico, where he died under mysterious circumstances in the spring of 1897. Charlatan or saint? Healer or fraud? The question remains. Even his detractors acknowledged the genuine compassion that people felt in his presence. Most telling was the fact that he never took a dime for the therapies he performed. A hundred years ago Francis Schlatter was one of the best-known figures in the Southwest; since then he has literally fallen off the map. In this gripping and powerful narrative, based on contemporary newspaper accounts and a memoir that Schlatter dictated to a friend before he died in Mexico, Conger Beasley, Jr. reconstructs the life and times of this remarkable man.