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Divorced, in debt and unemployed, Olivia Clarke figured she had nothing to lose if she left California. She was sick of the plastic lifestyle and her family's lifelong casting her as its scapegoat. Nearly some thirty-five years after her father's murder she was still haunted by guilt. It was the best time to leave anyway, because all she had left was her dissertation. Actually if she'd felt like she had a choice, she would have just walked away, disillusioned and despairing. In Kansas City she found peace, spending six months finishing her dissertation, healing, and taking ballet classes--all the while praying for a teaching position. Over forty, female and black, if she opened another letter that told her how qualified she was but she didn't get the job she would scream. At what seemed to be the eleventh hour, Western State University in Roadims, Arkansas, offered her an assistant professor position in the school of business. Trepidation pulsed in Olivia's veins since the university only had five professors of color but she went anyway. Five years hence with the granting of tenure and promotion, the faculty elected Olivia as Senate President. At nearly the same instant, the Board unexpectedly ousted university President Fonticello who'd been in that role for over twenty-five years. Nobody was prepared for the impact. Without President Fonticello, the guns of university and Republican state politics were drawn, loaded, and aimed at Olivia. In this novel you'll experience the real world "e;faculty versus administration"e; zero-sum game of public university life exacerbated by the worst economic downturn in US history. Following Olivia's lead, how would you cast your Vote of No Confidence? CARLA STALLING HUNTINGTON, PhD received her doctorate from the University of California, Riverside. She has published scholarly monographs and articles on dance and consumer behavior. A California native, she resides with her husband in Woodland Hills.

Hoby Tibbs, a forty-one-year-old hamburger cook, has a secret-he has the power to cure bad hamburger meat. His gift is timely-an epidemic of ptomaine poisoning has infected the hamburger parlors of the American Southwest that threatens to alter the eating habits of the entire population. With the grit and determination of a latter-day knight, Hoby rides forth to do battle with the pernicious microbes. In pursuit of this quest, he discovers the ptomaine outbreak is not the product of natural causes, but rather part of a devious plot by fast-food moguls to corner the franchise industry. This discovery turns into an exciting chase that brings this fast-paced, action-filled, comic-fantasy adventure to a shocking and surprising conclusion. CONGER BEASLEY, JR. was born in St. Joseph, Missouri, and educated in Connecticut and New York City. From 1970 to 1982 he worked as an editor at Universal Press Syndicate and Andrews and McMeel Publishing Company in Kansas City, Missouri. In addition to "The Ptomaine Kid," "Hidalgo''s Beard," and "Messiah: The Life and Times of Francis Schlatter," all from Sunstone Press, he has published three books of poetry, and three volumes of short fiction. A collection of essays, "Sun Dancers and River Demons," was given the Thorpe Menn Award for the best book published by a Kansas City author in 1991. "We Are a People in This World: The Lakota Sioux and the Massacre at Wounded Knee" won the Western Writers of America Spur Award for the best contemporary nonfiction book published in 1995.

This book chronicles the author's battles with Lyme disease over 14 years, as well as the cross-country adventures these battles inspired during times when he was healthy enough to travel. Taoist and Zen philosophies helped him cope with the frequent ups and downs associated with the disease, and these same philosophies also prepared him to make the most of his time on the road. Nick's saga began in 1998 when chronic pain began to spread throughout his body. Three years later he was correctly diagnosed with Lyme disease, but the journey had just begun. Over the course of the next decade he experienced both remarkable recoveries and heartbreaking setbacks, all of which taught him many influential lessons. "e;American Bread"e; offers valuable insights on how to evolve from hardship to anyone coping with any chronic illness. Dispersed between each chapter about Lyme disease is a chapter from the cross-country trips he took when he was well enough to travel the highways of North America. During these trips he had the good fortune of connecting with several captivating characters, one of the most engaging being an eccentric Mexican nicknamed Lobo. Nick experienced many obstacles and unexpected events during his travels, but met them all with an equanimity that was cultivated from years of searching for meaning while coping with chronic illness. NICK VITTAS was born in London to Greek immigrant parents. He and his family moved to the Washington, DC metropolitan area when he was eight years old. He is a committed early childhood educator who has been working in Preschools for seven years. He graduated from the Texas State University Education program in 2011 and now resides in Austin, Texas.

"e;Dancing On One Foot"e; confronts a major issue-World War II observed during the author's childhood in Nazi Germany. It explores the psychological imprint of that experience and the healing in later years after the author settles in the High Desert of the American Southwest. The book is also a tribute to the ability of women and children to survive hardships and celebrate life in all its straight and crooked ways-to dance, even if there's only one foot left to stand on. Here is the account of a woman's lifelong journey to understand what she came to face about war and her native country's part in a great crime. She is driven by a deep urge to lift the veil around the dark mystery of human violence. Yet, an undercurrent of vibrant joy runs inside her and through this book. It infuses all the layers of her memory, as if her wounding and the darkness of her story have fertilized her love of life. SHANTI ELKE BANNWART was born in Hamburg, Germany at the onset of World War II. She moved to the United States in 1983 and studied at Lesley University, Cambridge, for her master's degree in Expressive Therapies. She also received a MFA in Creative Writing from Goddard College and is now a Life-Coach and psychotherapist in private practice in Santa Fe, New Mexico and a clay artist educated at the Institute of American Indian Arts. Her essays have been published in national and international magazines and she has been awarded various winning prizes in literary competitions.

"Santa Rita del Cobre" is the story of the formative years (1801-1838) of a remarkable mine in southwestern New Mexico that has produced copper for more than 200 years. Records of the Spanish Colonial and early Mexican period have yielded intriguing accounts of the people involved in the early development of the mines, the difficulties they encountered along the way, and the importance of this small settlement to the history of the frontier. Although the Santa Rita mines produced a fortune to the few men willing or able to invest money in their development, it was always a difficult and hazardous undertaking. Apaches, who inhabited much of southern New Mexico and Arizona at that time, created many problems for the miners. They had a strong influence over the success or failure of the Santa Rita mining operation. At times the hostility and depredations of these Indians overshadowed the remarkable success of the mines. Santa Rita was the center for military operations against the Apaches, and was referred to as the watchtower and guardian of the western frontier. Helen lundwall is a retired librarian. She edited and annotated "Pioneering in Territorial New Mexico: The Memoirs of H. B. Ailman," and is the author of several articles on local history. TERRENCE HUMBLE was born and raised in Santa Rita, New Mexico. He worked at the Santa Rita mine for 32 years, and is an authority on the history of the mine. His articles have been published in the "Mining History Association Journal" and the "Quarterly of the National Association for Outlaw and Lawman History."

The mid-Eighties. No cell phones, no email, no caller ID, no GPS. It was easier then to pass without notice, to be out of touch, to get lost. The Berlin Wall still stood, as did the World Trade Center, and Michael Reid embarks on what even he concedes to be a spate of obsessive travel: Scandinavia, the Persian Gulf, South Asia, back home to the Ozarks, then off again to Greece, Eastern Europe and Egypt. Along the way, he writes letters about what he''s seeing and what he''s thinking to three friends: Anna Browning, a mathematician in Tallahassee, who thinks of Michael less fondly than he thinks of her; Richard Randolph, Michael''s baseball-watching pal, who leads a comfortable-perhaps too comfortable-life as a law professor in Albuquerque; and Marie Cochran, a middle-school social studies teacher in rural New Mexico, who is Michael''s on-again-off-again lover. These three all know Michael, but they don''t know each other. And, against the background of Michael''s travels and his letters, their lives become curiously, even mysteriously, intertwined, changed in ways that Michael himself can''t imagine. ROBERT LAURENCE was the Robert A. Leflar Distinguished Professor of Law at the University of Arkansas in Fayetteville. He also taught at the University of North Dakota and Florida State University, and at the American Indian Law Center in Albuquerque and at the Külkereskedelmi Főiskola (College for Foreign Trade) in Budapest. Now retired, he looks after equally retired racehorses near Hindsville, Arkansas. This is his first novel.

This question-and-answer book about Santa Fe, New Mexico contains 400 reminders of what is known and what is sometimes forgotten or misunderstood about a city that was founded more than four hundred years ago. Not a traditional history book, this group of questions is presented in an apparently random order, and the answers occasionally meander off topic, as if part of a casual conversation. What you find here will stimulate your curiosity and invite debate about what history is. References follow each entry. Black-and-white illustrations, photographs, maps, an index, and study guides further enliven this unconventional approach. A compilation of four hundred questions cannot attempt to encompass all of Santa Fe''s history, but the bibliography extends an invitation to read more and connect to different topics. Also included is a game ("What Is It?") scattered throughout the text. ELIZABETH WEST, the editor of this book, is a newcomer to Santa Fe, having arrived in 1966. Her first job in Santa Fe was as a waitress, working as a modern-day version of a "Harvey Girl" at La Fonda. She was born in Boston, but her children and grandchildren were born in Santa Fe. She worked at the Santa Fe Public Library off and on for over twenty-five years. During 2010 she served on the History Task Force for the Santa Fe 400th Committee for the Commemoration of the 400th Anniversary of the founding of Santa Fe.

This question-and-answer book about Santa Fe, New Mexico contains 400 reminders of what is known and what is sometimes forgotten or misunderstood about a city that was founded more than four hundred years ago. Not a traditional history book, this group of questions is presented in an apparently random order, and the answers occasionally meander off topic, as if part of a casual conversation. What you find here will stimulate your curiosity and invite debate about what history is. References follow each entry. Black-and-white illustrations, photographs, maps, an index, and study guides further enliven this unconventional approach. A compilation of four hundred questions cannot attempt to encompass all of Santa Fe''s history, but the bibliography extends an invitation to read more and connect to different topics. Also included is a game ("What Is It?") scattered throughout the text. ELIZABETH WEST, the editor of this book, is a newcomer to Santa Fe, having arrived in 1966. Her first job in Santa Fe was as a waitress, working as a modern-day version of a "Harvey Girl" at La Fonda. She was born in Boston, but her children and grandchildren were born in Santa Fe. She worked at the Santa Fe Public Library off and on for over twenty-five years. During 2010 she served on the History Task Force for the Santa Fe 400th Committee for the Commemoration of the 400th Anniversary of the founding of Santa Fe.

Living in one of the most beautiful places on Earth, the Anasazi Indians enjoyed a good and bountiful life. Yet, for some reason, they abandoned their village and all that remains are the ruins of Tyuoni at the Bandelier National Monument in New Mexico. In this work of fiction, Jopin, an eighty year-old elder desperate for an answer, embarks on a prayer quest that takes him on a chain of events which will unveil the fate of Tyuoni. Deer-tracker, his pre-teen grandson, and Knee-nose, a young spotted deer, help Jopin deal with Chief Salamander's questionable actions and motives as the tribe journeys on a treacherous and intriguing odyssey. In his story, the author strives to demonstrate how a significant religious event could have influenced the people to abandon their majestic village, join the Great Migration, and follow the spinning sun to their new homeland, even though popular belief purports that the Anasazi vanished because of war, severe drought, or famine. The wonder of living in such an extraordinary time and place will provoke interest in the age-old mystery of what really happened.

The great Pecos Mission is now reduced to roofless red walls that loom over the surrounding countryside in Northern New Mexico. Each year thousands of visitors view the ruins and the earth-covered rubble of the pueblo it served. About 20 miles east of Santa Fe, the site is now protected by the National Park Service. But what was the role of the mission? What was its influence? Why does it still matter? When Spanish explorers first visited Pecos in 1540, they described the pueblo of about 2,000 persons as the "biggest and best" of the Indian communities they had yet seen. This eastern pueblo dominated the pass through the mountains between the Great Plains and the Rio Grande valley, controlling travel and trade over a large area of what is now New Mexico. In 1625, Franciscan missionaries completed the huge church at this site. From here they introduced Christianity and the heritage of medieval Spain, profoundly affecting the lives of the pueblo people. The church was destroyed during the Pueblo Revolt in 1680. Its foundations embrace the smaller church, finished in 1717, whose walls we see now. This book brings you glimpses of people, events and the continuing significance of the old Pecos Mission. CAROL PARADISE DECKER moved to Santa Fe, New Mexico from New England in 1980. Since then she has taught Spanish, New Mexico Heritage, and Intercultural Relations to adult groups in many venues. For five years (1998-2003) she served as a volunteer at the Pecos National Historical Park. Her first book, "Pecos Pueblo People Through the Ages," also from Sunstone Press, is a series of stories explaining how changing times affected the lives of the people. This new book shares some perspectives on the old mission itself.

Following the discovery of the decapitated corpse of Arthur Rochford Manby in his nineteen-room mansion in Taos, New Mexico, there quickly arose two schools of thought as to the event. One sect accepted that he was gruesomely murdered, while the second held to the belief that he had staged his death and left behind the cadaver of a stranger. The case was a bizarre enigma wrapped in riddles, confusion, betrayal and greed. Finally for posterity, and as relief to the guilty, it was labeled an unsolved crime. Today it is referred to as the "e;Manby Mystery of Taos."e; This book contains very little mystery. Rather, it is the tragic account of Manby and his 35-year career in manipulation, extortion, high-grading and murder. Arriving in New Mexico from England in 1883, the 24-year-old Manby began his personal odyssey for El Dorado: the dream of building a vast empire in the Southwest. He finally does so in 1913 when becoming the owner of the 61,000 acre Martinez Grant of Taos. But after three years it slips from his grasp and he is left nearly penniless. In his last years he gradually decays mentality and emotionally. Looked upon as an eccentric, no one realizes how ill he has become. Finally having a falling out with a quartet of compatriots, in July, 1929, he is murdered and decapitated.

With a voice both sensual and spiritual, the poetry of "Earth-Marked Like You" presents the body as a temporal and spatial expression of the soul. These poems suggest that our passion as human beings is to transcend our ordinary lives so we can feel the excitement of the life force and that we use our bodies in our attempts to do this. A quest for the integration of human intellect, physicality and spirituality, this collection explores love, risk and faith. While we are on Earth, we are human, souls with bodies, spiritual yet Earth-marked. MARY DEZEMBER has always been a writer and has worked in a variety of writing professions, but it wasn''t until the age of thirty-seven that she began writing poetry and began pursuing her PhD in Comparative Literature from Indiana University. Associate Professor of English and Chair of the Department of Communication, Liberal Arts, and Social Sciences at New Mexico Institute of Mining and Technology, she performs her poetry nationally at arts festivals, bookstores, conferences, coffee houses, art galleries and museums, and in other poetry venues.

The orphaned, bucktoothed, New York Irish boy speaks Spanish and wears a Mexican sombrero. He claims his name is William Bonney. His amigos call him "Kid." To newspapers in the New Mexico Territory and across America, he is "Billy the Kid." William was among the bravest of the McSween alliance in the Lincoln County War. He was lucky, too-lucky enough to shoot his way out when the rest of his faction was cornered and slaughtered in battle. He was later captured and condemned to hang, but he killed his guards and escaped. Now, William has one last chance. He heads into Old Mexico with his lover, the fierce Apache maiden Tzoeh. There he hopes to start a new life, live in peace and obscurity, and be forgotten. But powerful Anglo ranchers plot to use William''s hot temper, unmatched courage, consummate loyalty to his amigos, and superb skill with a six-gun for their own ends. JOHN A. ARAGON was born in Espanola, New Mexico. A former Forest Service "Hotshot" firefighter and Hall of Fame rugby player, he attended St. John''s College in Santa Fe and the University of New Mexico. Aragon is the father of two young adults and has been a practicing trial lawyer for thirty years. He works and writes in Santa Fe, New Mexico.

Courtney Chauncy Julian seemed to work magic as he established wildly successful business ventures in oil drilling, lead mining, and the stock market. An incredible showman, he was also flamboyant, ambitious, and a notorious philanderer. California at the turn of the century was his stage and his adventures read like fiction until his luck seems to run out at every turn. Broke, humiliated, and a fugitive one step ahead of authorities, Julian exits to China. But his "formula" doesn''t work in Shanghai. Here his colorful life ends. Was he a huckster from the outset or did he slide into illicit enterprise because of machinations of political and business power brokers? The answer to this question is left to the reader. WILLIAM GARDINER HUTSON was born in Hollywood, California. His experience as a criminologist provides some insight into his understanding if not tolerance of criminal behavior.

In this trilogy of connected stories and linked characters that collide with each other's lives over 600 years of America's history, a permanently damaged amnesiac from the Vietnam War, living as a hermit in the bluffs of the Buffalo National River in Arkansas, profoundly influences numerous people whose lives he never really touches. The first is Sarah Pingree, an artist who falls to her death from the bluffs. Her brother, Corey, an undercover wildlife agent from up-State New York, arrives to investigate the mysterious circumstances, and discovers Zach. Their connection is fleeting but compelling for both. Zach leaves his cave after years of solitude to hitchhike across the country in search of something he doesn't understand, while Corey ends up in the American Southwest searching for looters of Anasazi ruins. Then Zach's tragic death on the road becomes a national news story thanks to investigative reporter Amanda Cousins who is able to resurrect the final year of his life by contacting some of the people he met during his journey. Her connection with Corey Pingree becomes a pivotal event in both of their lives, giving a special meaning to the tragedy of Zach.

From 1950 until just before his death in 1963, Pulitzer Prize winner (for Laughing Boy) Oliver La Farge wrote weekly columns for The Santa Fe New Mexican-a total of some 350,000 words. A collection of these writings was edited in 1966 by his friend, Winfield Townley Scott and published as "e;The Man With the Calabash Pipe."e; As Scott says in his introduction, "e;Though often in the background, and with much said relevant to anywhere in America, a strong sense of place permeates these essays, whatever their matter. The Southwest in general, Santa Fe in particular, became his locus classicus-or his pulpit."e; Sometimes the "e;observations"e; that take place in some of the pieces in this collection are between La Farge and his alter ego, the "e;Man With the Calabash Pipe,"e; thus the title of the book, and they are marvels of rueful humor. In others the author enjoys his talks with his imaginary friend, Horned Husband Kachina Chief from Awatovi. In writing about Santa Fe, La Farge scolded, reprimanded, corrected, reminded, berated, bemoaned, rejoiced in, and urged on the town in a dozen moods, always out of a fierce devotion. His comments on "e;Writing the Language"e; are salutatory as well as amusing. Then, in and out of these essays wanders that Man With the Calabash Pipe-a sardonic bachelor who refuses to light his heater since a likeable mouse is in residence underneath it. Scott continues, "e;...I think any reader who never had to the luck to know Oliver La Farge will touch the man as nowhere else in his work save perhaps that revealing autobiography, Raw Material; and will be touched and will come to feel the overtones of a unique, complex individual."e;

Some art lessons can inspire. Others are useless or even harmful. Eli Levin has written an amusing recollection of his art-student years and subsequent development. We witness his struggles to overcome the clichés and bombast so prevalent in the art world from 1950 to 1990. From every lesson the author hopes to find something useful, even occasionally a moment of insight. In the form of an artist's memoir, this book concentrates on the difficult question "what can artists learn?" It is a close study of the crises and breakthroughs that make up the lifetime effort of one particular artist to develop his personal vision. ELI LEVIN is one of New Mexico's best-known living, working artists. Starting his career in Santa Fe in 1964, he became recognized for his paintings of local night life. While returning often to his Social Realist roots, his work has also explored mythology, still life, landscape and the nude. The son of novelist Meyer Levin, he has written art reviews and taught art history. He hosts two artist's gatherings, a model drawing group since 1969 and The Santa Fe Etching Club since 1980. Levin studied painting with Raphael Soyer, George Grosz and Robert Beverley Hale among others, and has Master's degrees from Wisconsin University and St. John's College. He is also the author of "Santa Fe Bohemia, The Art Colony, 1964-1980," and "Why I Hate Modern Art," both from Sunstone Press.