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An unexpected death in Donovan Merrill's family makes it necessary that his grandmother, Anna, and he leave the rectory in San Miguel. They move into her summer cottage in the midst of the artist colony in the Laguna Beach of 1938, starting life over. It will be difficult with their diminished resources, but Donovan and Anna prove up to the task. They find friends and mentors among the painters and bohemians, Donovan early on deciding that he will become a painter himself. After the war years, Anna encourages him to study in Paris; he paints for a summer in Provence and survives a difficult winter in Rome. On his return to the states, he finds a place in Santa Fe, starting his painting career in a rented adobe. When he meets Tomas de la Pena, a young Mexican writer, his life begins to tumble. Tomas's efforts at writing are unformed, not so flourishing as Donovan's career, so competitive troubles ensue. After building a house together, they must face Tomas's continuing disquiet. Time in Laguna is good to Anna, happy in her growing circle of artist friends. A love affair and a later marriage to a German expatriate make a striking contrast to her old life as a minister's wife in San Miguel. She worries as Donovan finds his way, and supports him emotionally and financially. But Donovan proves he can succeed on his own. This is the author's fourth book for Sunstone Press, after "e;Why I Won't Be Going to Lunch Anymore"e; in 2004, "e;The Galisteo Escarpment in 2008,"e; and "e;Creep Around the Corner"e; in 2009. DOUGLAS ATWILL grew up in California and Texas, lived in Europe and on the East Coast before moving to Santa Fe to paint. His canvases are shown in galleries thoughout the nation and his avocation is the design and construction of vernacular Santa Fe residences.

An internationally renowned scientist who fears she's taken one scientific risk too many; a distinguished archaeologist who's haunted by taking too few; a world famous financier who's lost everything except his money; an art gallery owner with a heartbreaking burden; a fugitive filmmaker; the head of a battered women's shelter-these are some of the people who find themselves at the end of the Old Santa Fe Trail at the end of the 20th century. Chance has brought them from all over to beautiful, legendary Santa Fe, New Mexico, where they shape, illuminate, and even deform each other's lives unexpectedly, as if on the very edge of chaos. This edge of chaos, a scientific term for that slender territory between frozen predictability and hopeless disorder, is a dangerously unstable place. Learning and change can only happen there, but always under threat of sliding back to frozen order-or over into the chaotic abyss. And Santa Fe's sons and daughters, even now, keep a precarious foothold on "e;The Edge of Chaos,"e; bringing their own pasts and their city's rich history into an uncertain but exhilarating future. PAMELA McCORDUCK has published eight other books, translated into most of the major European and Asian languages. She has written for magazines ranging from "e;Redbook"e; and "e;Cosmopolitan"e; to "e;Daedalus,"e; and was a contributing editor to "e;Wired."e; She was a board member and officer of the American PEN Center in New York, the authors' organization, and an officer of the New Mexico Committee of the National Museum of Women in the Arts. She has appeared on many television shows, including PBS's News Hour and the CBS Evening News. CNN based a two-part documentary on her book, "e;The Futures of Women."e;

Live again the days of the Old West when travel was not only rough but dangerous! The days when outlaws lurked behind boulders and along remote trails, ready to trap and rob the unwary drivers and their passengers. Billy LeRoy, Bill Miner, Charley Allison and Hamilton White III all shared a common bond of contempt for the law-abiding life, preferring to become stagecoach robbers. BANDIT YEARS profiles these four unforgettable outlaws who made the Barlow-Sanderson Overland Mail their special target. BOOKLIST reported: "e;Though the major events detailed in this book all took place during a 10-month period in southern Colorado and northern New Mexico, they provide a sound overview of the predatory habits of western outlaws."e;

Following a tragic accident, Leslie Cohen, MD, is driven to live the nomadic life of a "e;locum tenens"e; physician, moving from one temporary job to another, covering the practices of orthopedic surgeons while they take time off. Deeply affected because of her loss, this enables her to avoid forming relationships, both friendly and professional. And she is determined. But all of this changes when she agrees to a one month commitment in Abilene, Texas, temporarily taking over the practice of Hal Hawley while he goes on leave to have surgery for cancer. Soon after arriving she realizes her mistake in taking on an extended post as she develops a strong bond with Doc Hawley and his wife. Even more significant is the friend she finds in Regan Wakeman, a local rancher and contractor. There is conflict in her soul as Leslie tries to protect the memories she wants to keep alive no matter how painful they might be. As the relationship with him progresses, there is a gradual revelation of the tragedy that has remained her secret until now. BARBARA BERGIN practices orthopedic surgery in Austin, Texas, where she resides with her husband and two children. She competes in reining, reined cow horse and cutting, and has been ranked nationally in the reined cow horse performance sport. She and her husband own a ranch in Smithville, Texas.

When was Santa Fe under siege? Who was the local witch reputed to fly around in an egg? Which governor found his chair thrown into the street? Why were Judge Eaton's burros so expensive? What was the Santa Fe-Granada, Spain connection? What city celebration was sixty years too soon? Which governor paid a bribe to win a horse race? Who was "e;Telegraph"e; Aubry and why was he famous? What ended the usefulness of the Santa Fe Trail? If you don't know the answers to these questions, Marc Simmons does. And in this witty but historically accurate book, he takes readers on a fact-filled but fun journey into Santa Fe, New Mexico's unusual past.

Between 1850 and 1912, the year New Mexico was granted statehood, the Territory of New Mexico was a wild and dangerous place. Homesteaders, cowboys, ranchers, sheepherders, buffalo hunters, prospectors, treasure hunters and railroad men pushing the borders of the western frontier met with resistance from man and animal alike. Native Americans, who had lived on the land defending their boundaries and way of life for centuries, reacted to the wave of outsiders in various ways. The agrarian Pueblo peoples along the Rio Grande largely kept to themselves. Apache, Navajo and Ute tribes sometimes attempted to co-exist with the newcomers but most often they fought against encroachment. Anglo and Mexican outlaws ran roughshod across the frontier and there was no shortage of bears, wolves, mountain lions, blizzards and bad water to unsettle the newcomers. This collection of frontier stories vividly illustrates the range of struggles, triumphs and catastrophes faced by settlers who hoped to tame the land and inhabitants of Territorial New Mexico. Between 1936 and 1940, field workers in the Federal Writers' Project (a branch of the government-funded Works Progress Administration, or WPA, later called Work Projects Administration) recorded authentic accounts of life in the early days of New Mexico. These original documents, published here as a story collection for the first time, reflect the conditions of the New Mexico Territory as played out in dynamic clashes between individuals and groups competing for control of the land and resources. "e;Frontier Stories,"e; the second in the New Mexico Federal Writers' Project Book Series after "e;Outlaws & Desperados,"e; features informative background and historic photographs. Forthcoming books in the series include "e;Lost Treasures & Old Mines"e; and "e;Stories From Hispano New Mexico."e;

Another beautiful Santa Fe spring as four uneasy couples trample each other's lives in the search for love. Making Crazy, the second novel in Scofield's "e;Santa Fe"e; trilogy, explores the emptiness of love under false pretenses. As mishaps pile up, the increasingly frantic dance forces everyone to abandon compromise in hope of a fresh start. Yale University graduate MICHAEL SCOFIELD received his MFA in Writing from Vermont College in 2002. In 2006, Santa Fe's Sunstone Press published "e;Whirling Backward into the World,"e; his second book of poems, and "e;Acting Badly,"e; the first novel in his Santa Fe trilogy.

There is no necessary relationship between fame and power, and great influence is often wielded in willful obscurity. So it was with the irascible, indomitable Eugene Fubini. A physics prodigy who fled Italy when the fascists came to power, his searing intelligence and relentless determination lifted him from obscurity to the highest levels of the Pentagon. Indifferent to anything but results, Fubini worked behind the scenes to shape the strategy and substance of his adopted country's post-World War II defense. Along the way he exerted enormous influence over the development of radar, the rise of the military-industrial complex, the Space Race, and many of the other signature events and movements of mid-twentieth-century American geopolitics. But even as his unbending determination to do things his way earned him the admiration of his colleagues, it left him feared and isolated within his own family. "Let Me Explain" is a portrait of a man whose unwillingness and inability to compromise paid enormous rewards, and extracted a heavy emotional price.

This complete history of Santa Fe was written after extensive research and with understanding and a touch of humor. It covers all aspects of Spanish-American traditions, customs, and culture. Although first published in 1931, and revised in 1945, it is still relevant today. The author, born in Santa Fe, captures the elusive quality which makes the atmosphere of the city so appealing and writes with fluent ease of the history of the Southwest from the days of the Conquistadores. She covers every aspect of the life of the region including the political situation of the time with its Japanese Detention Camp, its art, its crafts, its architecture, and of the land and its climate. The 1945 edition includes a detailed index, and an additional chapter and glossary. Readers of this book will get a greater understanding of the past of this popular city that will add its enjoyment in the present time. An added bonus are the illustrations by Norma Van Sweringen, a well-known Southwestern artist in the 1930s.

Melanie is a dancer--the most unlikely dancer in the world, a woman who has had a hard life, waitressing, raising a son alone, putting up with an abusive husband. Late in life, she decides to pursue one dream, a dream she can't afford, which her husband opposes: she will become a skilled ballroom dancer, moving to the old love songs that have never applied to her life. And she wants to learn to lead! As she takes lessons, scrapes up the money to pay for costumes, and prepares for her first competition, she faces increasing opposition. But she persists, entering the glamorous, demanding world of professional dancing with an innocence and a determination that will change her life. Sallie Bingham's first novel was published shortly after she graduated from Radcliffe, followed by six more novels and three collections of short stories celebrating the lives of women and focusing on adventurous women whose challenges and choices illustrate the social changes of the twenty-first century. Her short stories and poetry have been widely published and her plays have been produced both off-Broadway and around the country. She has received fellowships from Yaddo, the MacDowell Colony and the Virginia Center, and is the founder of The Kentucky Foundation for Women. Her other books from Sunstone Press include "Cory's Feast," a novel, and "Hub of the Miracle," a collection of poetry.

How can a lone female of "e;a certain age"e; take her last stand on a stony wedge of land in the mountains of Northern New Mexico? Will she find a job, learn to chop wood, be eaten by a bear or give it up and fall in love again? "e;Beside the Rio Hondo"e; is a memoir that explores in depth Phaedra Greenwood's connection with the natural world and simultaneous need for community. Her ex-husband gives her a year to live in the old adobe where they raised their children; then he plans to sell it so they can split the proceeds. But she wants to stay in the house forever. She has a year to come up with her own financing to buy out his half of the property or negotiate a deal with the neighbors. The house is falling apart, her money is running out and she has never applied for a loan in her life. It's a hell of a time to decide to have an epiphany. "e;For over three decades I have made my home in the Taos area of Northern New Mexico,"e; the author says, "e;not just because I love the spare and dramatic landscape, but also because I am intrigued by the complex layers of history and culture. I admire the devotion of the artists and craftsmen to their work, the loving care New Mexicans bestow on their churches and the close family ties that bond them in community. As I struggle with my garden, my orchard and old adobe casa, I absorb with gratitude my neighbors' rural savvy and the skills these tenacious hunters, fishermen, and ranchers have developed over the centuries to survive and thrive in the high mountain desert. Life here is hard, but often delicious. The energy, exotic flavors and bright colors of Taos are unique."e; PHAEDRA GREENWOOD Greenwood is a freelance writer/photographer whose poems, essays and stories have appeared in many local newspapers, magazines and anthologies. She has won numerous literary prizes including the Katherine Anne Porter Award. As a journalist and columnist for "e;The Taos News,"e; she received two first place awards in 2000 from the New Mexico Press Association for Best Review and Columns. In 1995 she won the PEN New Mexico Award for a short story included in this book: "e;Dogs and Sheep."e;

Nina Otero-Warren's book, Old Spain in Our Southwest (1936), recorded her memories of the family hacienda in Las Lunas, New Mexico.

In this first published collection, Peter Dechert makes a statement that deserves and rewards study. Composing his poems in many forms, he matches form to content with unexpected and striking results. His book is the essence of a lifetime of thought-provoking productivity. Although not widely known as a poet, Dr. Dechert served for several years as president of the then-nascent New Mexico Poetry Society and some of his poems have been published over the years in magazines and anthologies. Peter Dechert earned his doctorate in English Literature in 1955, and is probably best known for his five books and many articles on photographic subjects, especially the historical development of varying makes of cameras. For more than ten years he wrote monthly articles about cameras for "Shutterbug Magazine." Also an active professional photographer for many years, he has been named an honorary life member of the American Society of Media Photographers.