Bøker utgitt av Temple University Press,U.S.

Cathy J. Schlund-Vials is a Professor of English and Asian/Asian American Studies at the University of Connecticut-Storrs. She is the author of Modeling Citizenship: Jewish and Asian American Writing and War, Genocide, and Justice: Cambodian American Memory Work.Guy¿Beauregard is a Professor at National Taiwan University. He is an Associate Member of Simon Fraser University's Institute for Transpacific Cultural Research.Hsiu-chuan Lee is Professor in the Department of English at National Taiwan Normal University.

"This critical cultural biography of Anna May Wong--a Chinese American actress who made close to sixty films, headlined theater and vaudeville productions, and had her own television show in 1951--examines Wong's life in order to gain an understanding of racial modernity and twentieth-century Western fantasies of China"--

An updated edition of the best-selling book The Eagles Encyclopedia celebrating the Super Bowl Champions, the E-A-G-L-E-S!

"From Confinement to Containment examines four Japanese and Japanese American artists--the novelist Hanama Tasaki, the actor Yamaguchi Yoshiko, the painter Henry Sugimoto, and the children's author Yoshiko Uchida--whose lives and work explored overlapping transpacific legacies of immigration, imperialism, confinement, and global conflict in U.S.-Japan relations"--

Analyzing the dynamics of two recent nonviolent, student-led protests in light of China's growth and power

An in-depth explanation of the origin, workings, strengths and weaknesses of the National Council of Women's Organizations

This work creates a queer genealogy of Asian American literary criticism.

Reframing the Asian American literary tradition through stories of return to Asia

"The twentieth anniversary edition of this book about how white people profit from identity politics includes new chapters and extended discussions of political whiteness, vigilante violence, police misconduct and white flight, white fright, white fragility and white fear"--

Coinciding with the fiftieth anniversary of the worldwide mass protest movements of 1968—against war, imperialism, racism, poverty, misogyny, and homophobia—the exciting anthology Architectures of Revolt explores the degree to which the real events of political revolt in the urban landscape in 1968 drove change in the attitudes and practices of filmmakers and architects alike.In and around 1968, as activists and filmmakers took to the streets, commandeering public space, buildings, and media attention, they sought to re-make the urban landscape as an expression of utopian longing or as a dystopian critique of the established order. In Architectures of Revolt, the editor and contributors chronicle city-specific case studies from Paris, Berlin, Milan, and Chicago to New York, Los Angeles, Mexico City, and Tokyo. The films discussed range from avant-garde and agitprop shorts to mainstream narrative feature films. All of them share a focus on the city and, often, particular streets and buildings as places of political contestation and sometimes violence, which the medium of cinema was uniquely equipped to capture.Contributors include: Stephen Barber, Stanley Corkin, Jesse Lerner, Jon Lewis, Gaetana Marrone, Jennifer Stob, Andrew Webber, and the editor.

Coinciding with the fiftieth anniversary of the worldwide mass protest movements of 1968—against war, imperialism, racism, poverty, misogyny, and homophobia—the exciting anthology Architectures of Revolt explores the degree to which the real events of political revolt in the urban landscape in 1968 drove change in the attitudes and practices of filmmakers and architects alike.In and around 1968, as activists and filmmakers took to the streets, commandeering public space, buildings, and media attention, they sought to re-make the urban landscape as an expression of utopian longing or as a dystopian critique of the established order. In Architectures of Revolt, the editor and contributors chronicle city-specific case studies from Paris, Berlin, Milan, and Chicago to New York, Los Angeles, Mexico City, and Tokyo. The films discussed range from avant-garde and agitprop shorts to mainstream narrative feature films. All of them share a focus on the city and, often, particular streets and buildings as places of political contestation and sometimes violence, which the medium of cinema was uniquely equipped to capture.Contributors include: Stephen Barber, Stanley Corkin, Jesse Lerner, Jon Lewis, Gaetana Marrone, Jennifer Stob, Andrew Webber, and the editor.