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"A playbook for bridging business and data science worlds to effectively execute machine learning projects in business"--

An engaging illustrated history of feminism from antiquity through third-wave feminism, featuring Sappho, Mary Magdalene, Mary Wollstonecraft, Sojourner Truth, Simone de Beauvoir, and many others.

What happened before the primordial fire of the Big Bang: a theory about the ultimate origin of the universe.In the beginning was the Big Bang: an unimaginably hot fire almost fourteen billion years ago in which the first elements were forged. The physical theory of the hot nascent universe—the Big Bang—was one of the most consequential developments in twentieth-century science. And yet it leaves many questions unanswered: Why is the universe so big? Why is it so old? What is the origin of structure in the cosmos? In An Infinity of Worlds, physicist Will Kinney explains a more recent theory that may hold the answers to these questions and even explain the ultimate origins of the universe: cosmic inflation, before the primordial fire of the Big Bang.Kinney argues that cosmic inflation is a transformational idea in cosmology, changing our picture of the basic structure of the cosmos and raising unavoidable questions about what we mean by a scientific theory. He explains that inflation is a remarkable unification of inner space and outer space, in which the physics of the very large (the cosmos) meets the physics of the very small (elementary particles and fields), closing in a full circle at the first moment of time. With quantum uncertainty its fundamental feature, this new picture of cosmic origins introduces the possibility that the origin of the universe was of a quantum nature. Kinney considers the consequences of eternal cosmic inflation. Can we come to terms with the possibility that our entire observable universe is one of infinitely many, forever hidden from our view?

"Originally published as Carnets d'un moine errant. Copyright Allary âEditions, 2021."--Title page verso

Why an organization's response to digital disruption should focus on people and processes and not necessarily on technology.

"This book debunks 10 myths about how hard it really is to design privacy-friendly systems" --

"Trade book looking at social and ethical issues of human space settlement"--

"Davis addresses the "screen time" debate by recognizing that children's experiences of technology and social relationships are qualitatively distinct at different stages of development"--

From the New York Times-bestselling author, a new volume on the history of human ingenuity-and its attendant breakthroughs and busts.The world is never finished catching up with Vaclav Smil. In his latest and perhaps most readable book, Invention and Innovation, the prolific author-a favorite of Bill Gates-pens an insightful and fact-filled jaunt through the history of human invention. Impatient with the hype that so often accompanies innovation, Smil offers in this book a clear-eyed corrective to the overpromises that accompany everything from new cures for diseases to AI. He reminds us that even after we go quite far along the invention-development-application trajectory, we may never get anything real to deploy. Or worse, even after we have succeeded by introducing an invention, its future may be marked by underperformance, disappointment, demise, or outright harm.Drawing on his vast breadth of scientific and historical knowledge, Smil explains the difference between invention and innovation, and looks not only at inventions that failed to dominate as promised (such as the airship, nuclear fission, and supersonic flight), but also at those that turned disastrous (leaded gasoline, DDT, and chlorofluorocarbons). And finally, most importantly, he offers a "e;wish list"e; of inventions that we most urgently need to confront the staggering challenges of the twenty-first century.Filled with engaging examples and pragmatic approaches, this book is a sobering account of the folly that so often attends human ingenuity-and how we can, and must, better align our expectations with reality.

The rise of the platform economy into statelike dominance over the lives of entrepreneurs, users, and workers.The early Internet was a lawless place, populated by scam artists who made buying or selling anything online risky business. Then Amazon, eBay, Upwork, and Apple established secure digital platforms for selling physical goods, crowdsourcing labor, and downloading apps. These tech giants have gone on to rule the Internet like autocrats. How did this happen? How did users and workers become the hapless subjects of online economic empires? The Internet was supposed to liberate us from powerful institutions. In Cloud Empires, digital economy expert Vili Lehdonvirta explores the rise of the platform economy into statelike dominance over our lives and proposes a new way forward.Digital platforms create new marketplaces and prosperity on the Internet, Lehdonvirta explains, but they are ruled by Silicon Valley despots with little or no accountability. Neither workers nor users can "e;vote with their feet"e; and find another platform because in most cases there isn't one. And yet using antitrust law and decentralization to rein in the big tech companies has proven difficult. Lehdonvirta tells the stories of pioneers who helped create-or resist-the new social order established by digital platform companies. The protagonists include the usual suspects-Amazon founder Jeff Bezos, Travis Kalanick of Uber, and Bitcoin's inventor Satoshi Nakamoto-as well as Kristy Milland, labor organizer of Amazon's Mechanical Turk, and GoFundMe, a crowdfunding platform that has emerged as an ersatz stand-in for the welfare state. Only if we understand digital platforms for what they are-institutions as powerful as the state-can we begin the work of democratizing them.

A post-apocalyptic retelling of William Shakespeare’s The Merchant of Venice.Who will survive when the world is destroyed? Can stories from the distant past teach us how to change a dismal present? Merchant shifts perspective between three survivors of a flooded world as they try to navigate the threat of mass starvation; Jessica, a patrilineal Jew from Venice (named after the Italian city but located on the mountain K2) who has memorized the complete works of Shakespeare; Cem, an orphan of Venice; and Shinobu, an advisor to the empress Ama in Fuji. Ama has been gifting edible algae blocks to nations worldwide, but Jessica’s arrival in Fuji to beg for more food for Venice upsets the delicate international balance Shinobu has been maintaining. As a series of buried secrets and miscommunications carry consequences of potential global destruction, everyone must determine what they are willing to do to survive in a hopeless world.

"Exploration of the largely unknown history of Chinese-language computing systems, accessible to an audience unfamiliar with the Chinese language or the technical workings of personal computers"--

"This book presents a visually compelling collection of vintage instructional records from the golden age of album cover design and discusses how these records helped people learn everything from skiing to French to a healthy sex life"--

Two of the most important voices in art history discuss their intellectual foundations, the changing role of criticism, and the possibilities for artistic practice today.In Exit Interview, the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from October magazine to Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and Dusseldorf, and his career in North America, while exploring the impact of other art historians and critics. Buchloh candidly addresses his successes, critical significance, and unexplored avenues in art history, providing a unique window into his motivations and experiences. With a powerful postface by Buchloh, Exit Interview builds from biography and anecdote to important reflection on one’s critical life as a whole.

If we send a message into space, will extraterrestrial beings receive it? Will they understand?The endlessly fascinating question of whether we are alone in the universe has always been accompanied by another, more complicated one: if there is extraterrestrial life, how would we communicate with it? In this book, Daniel Oberhaus leads readers on a quest for extraterrestrial communication. Exploring Earthlings' various attempts to reach out to non-Earthlings over the centuries, he poses some not entirely answerable questions: If we send a message into space, will extraterrestrial beings receive it? Will they understand? What languages will they (and we) speak? Is there not only a universal grammar (as Noam Chomsky has posited), but also a grammar of the universe?Oberhaus describes, among other things, a late-nineteenth-century idea to communicate with Martians via Morse code and mirrors; the emergence in the twentieth century of SETI (the search for extraterrestrial intelligence), CETI (communication with extraterrestrial intelligence), and finally METI (messaging extraterrestrial intelligence); the one-way space voyage of Ella, an artificial intelligence agent that can play cards, tell fortunes, and recite poetry; and the launching of a theremin concert for aliens. He considers media used in attempts at extraterrestrial communication, from microwave systems to plaques on spacecrafts to formal logic, and discusses attempts to formulate a language for our message, including the Astraglossa and two generations of Lincos (lingua cosmica).The chosen medium for interstellar communication reveals much about the technological sophistication of the civilization that sends it, Oberhaus observes, but even more interesting is the information embedded in the message itself. In Extraterrestrial Languages, he considers how philosophy, linguistics, mathematics, science, and art have informed the design or limited the effectiveness of our interstellar messaging.

"The authors examine the implications of AI for the future of life and work, and how this might change the structure and environment of high school education"--

The inside story of the groundbreaking experiment that captured what people think about the life-and-death dilemmas posed by driverless cars.Human drivers don't find themselves facing such moral dilemmas as "should I sacrifice myself by driving off a cliff if that could save the life of a little girl on the road?" Human brains aren't fast enough to make that kind of calculation; the car is over the cliff in a nanosecond. A self-driving car, on the other hand, can compute fast enough to make such a decision--to do whatever humans have programmed it to do. But what should that be? This book investigates how people want driverless cars to decide matters of life and death.In The Car That Knew Too Much, psychologist Jean-François Bonnefon reports on a groundbreaking experiment that captured what people think cars should do in situations where not everyone can be saved. Sacrifice the passengers for pedestrians? Save children rather than adults? Kill one person so many can live? Bonnefon and his collaborators Iyad Rahwan and Azim Shariff designed the largest experiment in moral psychology ever: the Moral Machine, an interactive website that has allowed people --eventually, millions of them, from 233 countries and territories--to make choices within detailed accident scenarios. Bonnefon discusses the responses (reporting, among other things, that babies, children, and pregnant women were most likely to be saved), the media frenzy over news of the experiment, and scholarly responses to it.Boosters for driverless cars argue that they will be in fewer accidents than human-driven cars. It's up to humans to decide how many fatal accidents we will allow these cars to have.

"An honest attempt to compare and analyze the intelligence of humans, animals, and computers by an eminent cognitive scientist and long-time Press author"--

Why catastrophic risks are more dangerous than you think, and how populism makes them worse.Did you know that you’re more likely to die from a catastrophe than in a car crash? The odds that a typical US resident will die from a catastrophic event—for example, nuclear war, bioterrorism, or out-of-control artificial intelligence—have been estimated at 1 in 6. That’s fifteen times more likely than a fatal car crash and thirty-one times more likely than being murdered. In What’s the Worst That Could Happen?, Andrew Leigh looks at catastrophic risks and how to mitigate them, arguing provocatively that the rise of populist politics makes catastrophe more likely. Leigh explains that pervasive short-term thinking leaves us unprepared for long-term risks. Politicians sweat the small stuff—granular policy details of legislation and regulation—but rarely devote much attention to reducing long-term risks. Populist movements thrive on short-termism because they focus on their followers’ immediate grievances. Leigh argues that we should be long-termers: broaden our thinking and give big threats the attention and resources they need. Leigh outlines the biggest existential risks facing humanity and suggests remedies for them. He discusses pandemics, considering the possibility that the next virus will be more deadly than COVID-19; warns that unchecked climate change could render large swaths of the earth uninhabitable; describes the metamorphosis of the arms race from a fight into a chaotic brawl; and examines the dangers of runaway superintelligence. Moreover, Leigh points out, populism (and its crony, totalitarianism) not only exacerbates other dangers but is also a risk factor in itself, undermining the institutions of democracy as we watch.

"Is AI a force for ill or for good? How does it work? This book analyzes the potential of AI in many sectors, including global security"--

Stories from the ER: a doctor shows how empathy, creativity, and imagination are the cornerstones of clinical care.To be an emergency room doctor is to be a professional listener to stories. Each patient presents a story; finding the heart of that story is the doctor’s most critical task. More technology, more tests, and more data won’t work if doctors get the story wrong. Empathy, creativity, and imagination are the cornerstones of clinical care. In Tornado of Life, ER physician Jay Baruch offers a series of short, powerful, and affecting essays that capture the stories of ER patients in all their complexity and messiness.Patients come to the ER with lives troubled by scales of misfortune that have little to do with disease or injury. ER doctors must be problem-finders before they are problem-solvers. Cheryl, for example, whose story is a chaos narrative of “and this happened, and then that happened, and then, and then and then and then,” tells Baruch she is "stuck in a tornado of life.” What will help her, and what will help Mr. K., who seems like a textbook case of post-combat PTSD but turns out not to be? Baruch describes, among other things, the emergency of loneliness (invoking Chekhov, another doctor-writer); his own (frightening) experience as a patient; the patient who demanded a hug; and emergency medicine during COVID-19. These stories often end without closure or solutions. The patients are discharged into the world. But if they’re lucky, the doctor has listened to their stories as well as treated them.

"Costandi explains the neuroscience behind how we view our selves and our bodies, drawing from neurological studies on our sense of agency and free will, the neural correlates of mental representations, mirror neurons, and how the brain perceives timing and sensory consequences. He explores case studies of amputees with phantom limb syndrome, people with Body Integrity Identity Disorder (who have a desire to amputate healthy limbs they feel don't belong to them) and post-op transsexuals"--

"Crowded Out examines how charitable crowdfunding so quickly overtook public life, where it is taking us, and who gets left behind by this new platformed economy. While crowdfunding has become ubiquitous in our lives, it is largely misunderstood by the public: rather than a friendly free market "powered by the kindness" of strangers, crowdfunding is powerfully reinforcing inequalities and changing the way Americans think about, and access, health care. Drawing on extensive research and rich storytelling, Crowded Out demonstrates how crowdfunding for health is fueled by, and further reinforces, financial and moral "toxicities" in market-based health systems"--

"Interest in psychedelics has grown considerably in recent years -- one might even say psychedelics are experiencing a renaissance. But these mind-altering plants have always been with us. They have a rich and controversial history, in fact: plumbed from the depths of ancient Greek culture, infused with Christian symbols of sacrament, enriched by Buddhist philosophies, protected through Indigenous ceremonies, and, by the latter part of the twentieth century, catapulted into cultural consciousness through science, music, posters, blotter art, and fashion. In Psychedelics: A Visual Odyssey, Erika Dyck takes readers on an epic visual trip through some of the diverse ways that our fascination with psychedelics have been imagined throughout history. Blending academic rigor with rich imagery from around the globe, Psychedelics goes beyond the expected terrain of describing hallucinations. It reveals not only how psychedelic plants have been illustrated and understood, but also how these plants and chemical synthetics have inspired visual representations of health, fear, peace, colonial resistance, creativity, and more. A stunningly beautiful and comprehensive deep dive into the world of psychedelics, Psychedelics: A Visual Odyssey will inspire everyone from the curious general reader to the seasoned psychonaut."--

"In the not-too-distant future, the world is ruled by a male scientific elite. Eugenics has triumphed in this fertility dystopia; from adolescence, women are either made into "vocational mothers," or, if they have no interest in motherhood, they are sterilized by the government and become "neuters." The story introduces a young woman who rebels against this system, and a young man who resists the "happy" norm - a resistance which culminates, like the Savage's in Aldous Huxley's Brave New World, in suicide"--

"Originally published as Biologia della gentilezza"--Title page verso.

How our sense of smell engages with philosophy, psychoanalysis, and political economy—and how it can help enrich our understanding of the nature of truth, language, economy, and sexuality.Why is it that, in Indo-European languages at least, we have no language to describe smells, leaving us (and famously Juliet) no choice but to call the scent of a rose simply “sweet”? In What's That Smell?, a groundbreaking exploration of the intersection between philosophy, psychoanalysis, and the oft-neglected sense of smell, Simon Hajdini sets out to answer this complex question. Through new readings of traditional and modern philosophical texts, Hajdini places smell at the very center of a philosophical critique of the traditional notion of truth, challenging the idea that smell is the antiphilosophical sense par excellence.Through fresh engagements with fundamental philosophical issues, original analyses of modern literature and film, and the novel use of scientific research into smell within a humanities context, Hajdini situates problems of olfaction at the very point of inception of cultural life. He proposes that ontology, civilization, and capitalist economy alike can be said to amount to "shit management." And only by following the philosophically most deplorable of the senses, the book argues, can we better understand the central philosophical, psychoanalytical, and political issues of truth, sex, and exploitation.