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A star of French comics imagines America--its movie stars, its history, its fashion--in these tantalizing graphic short stories about everything from love to, yes, the actor Robert Mitchum.Blutch is one of the most inventive storytellers in comics, and nothing reveals it like Mitchum. Serialized and collected in the mid-90s and never before available in English, this is Blutch at his most wide-ranging: from Puritan fever dreams to an encounter with a shape-shifting Robert Mitchum, Blutch builds stories out of his dreams, visions of America, and anything else he can get his hands on. Drawn in his unmistakable line that veers in a moment from crude to elegant, blotchy to crisp, horrific to serene, these comics show Blutch searching for new artistic frontiers. What he finds is sometimes surprising, occasionally unsettling, and endlessly fascinating.

A devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices.Lamian is a survivor, but a survivor of a very special kind. He was a Kapo, a prisoner who served as a camp guard in order to save himself. But has Lamian saved himself?The war over, he resumes life in the Bosnian town of Banja Luka, works in a land-surveying office, rents a room, eats as many hot potatoes as he likes, not even bothering to salt them-the quantity is what matters. If only he could stop looking over his shoulder and flinching on the street in the fear that some stranger will step forward, smack his face, and say in a loud voice, "Here's one!"If only he could stop worrying about Helena Lifka, who turned out to be a Yugoslav, and Jewish too; one of the women he made come naked into the toolshed where he hid the gold, and sit on his lap in exchange for bread and butter and a little warm milk. She could turn up any day, an old woman now, and point an accusing finger.In this masterful novel, Aleksandar Tišma shows step by step how fear can turn an ordinary human being into a monster.

A moving tale about middle age, divorce, modern love, and returning home by one of the great American storytellers.Asher's career as a Hollywood screenwriter has come to a humiliating end; so has his latest marriage. Returning to New York, where he grew up, he takes a room at a hotel and wonders what, well into middle age as he is, he should do next. It's not a question of money; it's a question of purpose, maybe of pride. In the company of the arch young poet Michael, Asher revisits the streets and tenements of the Lower East Side where he spent his childhood, though little remains of the past. Michael introduces Asher to Aurora, perhaps his girlfriend, who, to Asher's surprise, seems bent on pursuing him, too. Soon the older man and his edgy young companions are caught up in a slow, strange, almost ritualized dance of deceit and desire. The End of Me, a successor to Hayes's In Love and My Face for the World to See, can be seen as the final panel of a triptych in which Alfred Hayes anatomizes, with a cool precision and laconic lyricism that are all his own, the failure of modern love. The last scene is the starkest of all.

A vivid coming-of-age tale about a young man trying to make his way as a journalist and band leader in a big Nigerian city.When Chinua Achebe became the editor of the legendary Heinemann African Writers Series, one of the first books he chose was a collection of stories by Cyprian Ekwensi. People of the City, Ekwensi's early masterpiece, is the tale of Amusa Sango, a young man who travels from the country to a great and crazy city that is not named but might well be taken for Lagos, where he means to make a career as a crime reporter for the never less than sensational West African Sensation while leading a dance band whose calypsos and konkomas "delight the heart of city women." Amusa is a man on the make, looking for stories, success, sex, maybe even love, and he finds a lot of what he's looking for, though whether he can hold on to what he has and get what he wants is another story altogether. Ekwensi's delicious novel has the swagger, bravado, and elation of the great bands of West Africa.

Monster is curious about making friends, finding a home, and exploring his city. This book collects six Monster stories-written by educators Ellen Blance and Ann Cook, who worked with children to write the books-brought to life by Quentin Blake's charming illustrations. Have you met Monster? He's not scary or mean like other monsters. He's kind of tall and his head is skinny, and he's purple. He's curious about everything: the city, the river, houses, cars, trains, and what people look like, the park, the kids, the swings, the stores and clothes and stuff. It is all new to him. "Monster thinks the city is fine so he thinks he will live here." So begins the story of gentle, playful Monster, who conducts himself with grace and courtesy, and in short order finds a home, a best friend, and a bunch of kids to play with. First introduced in 1973, Monster returns in this omnibus edition of the first six stories of an extended emerging-reader series written not only for children, but also by them. Educators Ellen Blance and Ann Cook worked with schoolchildren to write stories a child would want, and be able, to read. While most children's books are meant to be read by adults to children, these are stories children can read to themselves or to adults. The book includes illustrations by the illustrious Quentin Blake, and a new letter to children (and one to parents) by the authors.

Experience postwar Europe through the diary of a fascinating and witty twentieth-century writer and artist. Recording his travels in France and Switzerland, Curzio Malaparte encounters famous figures such as Cocteau and Camus and captures the fraught, restless spirit of Paris after the trauma of war. In 1947 Curzio Malaparte returned to Paris for the first time in fourteen years. In between, he had been condemned by Mussolini to five years in exile and, on release, repeatedly imprisoned. In his intervals of freedom, he had been dispatched as a journalist to the Eastern Front, and though many of his reports from the bloodlands of Poland and Ukraine were censored, his experiences there became the basis for his unclassifiable postwar masterpiece and international bestseller, Kaputt. Now, returning to the one country that had always treated him well, the one country he had always loved, he was something of a star, albeit one that shines with a dusky and disturbing light. The journal he kept while in Paris records a range of meetings with remarkable people-Jean Cocteau and a dourly unwelcoming Albert Camus among them-and is full of Malaparte's characteristically barbed reflections on the temper of the time. It is a perfect model of ambiguous reserve as well as humorous self-exposure. There is, for example, Malaparte's curious custom of sitting out at night and barking along with the neighborhood dogs-dogs, after all, were his only friends when in exile. The French find it puzzling, to say the least; when it comes to Switzerland, it is grounds for prosecution!

A lauded American poet's tributes to Walt Whitman and Henry James, now collected for the first time.Richard Howard has long been recognized as one of America's finest poets, celebrated as an author for his keen engagement with other authors, and especially for his sparkling and trenchant dramatic monologues and two-part inventions. Through the years, Howard has, in this way, given voice to all sorts of historical and literary figures, but two of his favorite subjects are two of his favorite writers-Walt Whitman and Henry James-and this book gathers an array of poems in which he responds to these great gay forebears, as well as to two other beloved Americans, Hart Crane and Wallace Stevens. Here Whitman the good gray poet opens his door to Bram Stoker and to Oscar Wilde; Henry James struggles to take stock of Los Angeles, where he is to have lunch with L. Frank Baum; Edith Wharton reminisces about her fraught friendship with the Master; poor Pansy from The Portrait of a Lady broods on her dreadful father; and late in life Wallace Stevens visits Paris-as Stevens never did. Howard's wonderful inventions are as expansive and celebratory and human as Whitman, as deeply and subtly inquiring as James, as sumptuously meditative as Stevens, and as arresting and delightful as Richard Howard himself.

Lust, religious zeal, and heartache come together in this provocative novel about two infatuations, one between a man and his young lover in the late 20th century and another between a 15th-century maiden and Jesus Christ.First published in 1994, Robert Glück's Margery Kempe is one of the most provocative, poignant, and inventive American novels of the last quarter century. The book tells two stories of romantic obsession. One, based on the first autobiography in English, the medieval Book of Margery Kempe, is about a fifteenth-century woman from East Anglia, a visionary, a troublemaker, a pilgrim to the Holy Land, and an aspiring saint, and her love affair with Jesus. It is complicated. The other is about the author's own love for an alluring and elusive young American, L. It is complicated. Between these two Margery Kempe, the novel, emerges as an unprecedented exploration of desire, devotion, abjection, and sexual obsession in the form of a novel like no other novel. Robert Glück's masterpiece bears comparison with the finest work of such writers as Kathy Acker and Chris Kraus. This edition includes an essay by Glück about the creation of the book titled "My Margery, Margery's Bob."

A moving story for any child who has felt lonely, worried, or anxious and found solace in friendship with a beloved pet.Summer is here and Tyra spends many happy days lying in the warm grass with her new cat, Vivaldi. What could be better than staring up into the blue sky with a purring kitten on your tummy? But soon it''s September, and while getting her backpack ready for the first day of school, Tyra feels everything she is going back to and a hard painful lump forms in her throat. School is a place of no words for Tyra, a place where the girls stare at her and stop talking when she walks by, a place where she feels completely alone. Only music can put an end to this feeling, music and her cat. Maybe, just maybe, things will be different this year now that it''s not Tyra alone anymore, but Tyra and her cat.Vivaldi is a book for anyone who''s ever felt alone, anyone who''s ever worried or been anxious, and anyone who knows what a difference one friend can make.

A new translation of two celebrated lectures on politics, academia, and the disenchantment of the world.In 1919, just months before he died unexpectedly of pneumonia, the sociologist Max Weber published two lectures that he had recently delivered at the invitation of a group of students. The question the students asked Weber to address in these lectures was simple and haunting. In a modern world characterized by the division of labor, constant economic expansion, and unrelenting change, was vocation, in intellectual work or politics, still possible? Responding to the students’ sense of urgency, Weber offered his clearest account of “the disenchantment of the world,” as well as a seminal discussion of the place of values in the university classroom and academic research. Similarly, in his politics lecture he gave students what is undoubtedly his pithiest version of his account of the nature of political authority. Weber’s attempts to rethink vocation remain as relevant and as stirring as ever.

The Criminal Child offers the first English translation of a key early work by Jean Genet. In 1949, in the midst of a national debate about improving the French reform-school system, a French radio station commissioned Genet to write about his experience as a juvenile delinquent. He sent back a piece about his youth that was a paean to prison instead of the expected horrifying exposé. Revisiting the cruel hazing rituals that had accompanied his incarceration, relishing the special argot spoken behind bars, Genet wondered if regulating that strange other world wouldn’t simply prevent future children from discovering their essentially criminal nature in the way that he had. The radio station chose not broadcast Genet’s views.   “The Criminal Child” appears here with a selection of Genet’s finest essays, including his celebrated piece on the art of Alberto Giacometti.

A deeply informed, yet playful and ironic look at how the internet has changed human experience, memory, and our sense of self, and that belongs on the shelf with the best writings of Roland Barthes and Jean Baudrillard. “One day, as I was daydreaming on the boulevard Beaumarchais, I had the idea—it came and went in a flash, almost in spite of myself—of doing a Google search to find out what I had been up to and where I had been the previous evening, since my own recollections were confused.” So begins Maël Renouard’s Fragments of an Infinite Memory, a provocative and elegant inquiry into life in a wireless world. Renouard is old enough to remember life before the Internet but young enough to have fully accommodated his life to the Internet and the gadgets that support it. Here this young philosopher, novelist, and translator tests a series of conjectures on how human experience, especially the sense of self, is being changed by our continual engagement with a memory that is impersonal and effectively boundless. Renouard has written a book that is rigorously impressionistic, deeply informed historically and culturally, but also playful, ironic, personal, and formally adventurous, a book that stands with comparison with the best of Roland Barthes and Jean Baudrillard.

An original selection of work by one of America''s greatest living poets.For more than fifty years, Michael Heller has been building one of the most impressive bodies of work in contemporary American poetry. His poems, shaped by Jewish and Buddhist thought and simultaneously lyrical and philosophical, engage the political and the natural world in an ongoing consideration of the responsibility and imaginative freedom of the poet. Profoundly reflective and deeply sensual, Heller is simply one of the best poets writing today. This new selection of his work, the first in many years, provides a perfect vantage from which to contemplate his achievement.

Available for the first time in English, a moving prison correspondence between a husband and wife who resisted the Nazis.Tegel prison, Berlin, in the fall of 1944. Helmuth James von Moltke is awaiting trial for his leading role in the Kreisau Circle, one of the most important German resis- tance groups against the Nazis. By a near miracle, the prison chaplain at Tegel is Harald Poelchau, a friend and coconspirator of Helmuth and his wife, Freya. From Helmuth’s arrival at Tegel in late September 1944 until the day of his execution by the Nazis on January 23, 1945, Poelchau would carry Helmuth’s and Freya’s letters in and out of prison daily, risking his own life. Freya would safeguard these letters for the rest of her long life. Last Letters is a profoundly personal record of the couple’s fortitude in the face of fascism.

Available in English for the first time, a collection of deeply humane stories depicting marginalized populations by one of the greatest South American writers of the 20th century.The Peruvian writer Julio Ramón Ribeyro is one of the masters of the short story and a major contributor to the great flourishing of Latin American literature that followed the Second World War. In a letter to an editor, Ribeyro said about his stories, “in most of [them] those who are deprived of words in life find expression—the marginalized, the forgotten, those condemned to an existence without harmony and without voice. I have restored to them the breath they’ve been denied, and I’ve allowed them to modulate their own longings, outbursts, and distress.” This is work of deep humanity, imbued with a disorienting lyricism that is Ribeyro’s alone. The Word of the Speechless, edited and translated by Katherine Silver, introduces readers to an indispensable and unforgettable voice of Latin American fiction.

Wind is everywhere and nowhere. Wind is the circulatory system of the earth, and its nervous system, too. Energy and information flow through it. It brings warmth and water, enriches and strips away the soil, aerates the globe. Wind shapes the lives of animals, humans among them. Trade follows the path of the wind, as empire also does. Wind made the difference in wars between the Greeks and Persians, the Mongols and the Japanese. Wind helped to destroy the Spanish Armada. And wind is no less determining of our inner lives: the föhn, mistral, sirocco, Santa Ana, and other “ill winds” of the world are correlated with disease, suicide, and even murder.Heaven’s Breath is an encyclopedic and enchanting book that opens dazzling new perspectives on history, nature, and humanity.

A haunting and powerful portrait of a young French girl, and her desire to escape the world in which she is born, without losing her identity In the marshy, misty countryside of southwestern France, fourteen-year-old Galla rides her battered bicycle from the private Catholic high school she attends on scholarship to the rocky, barren farm where her family lives. It’s a journey she makes every two weeks, forty miles round trip, traveling between opposite poles of ambition and guilt, school and home. Galla’s loving, overwhelmed, incompetent mother doesn’t want her to go to school; she wants her to stay at home, where Galla can look after her neglected little sisters, defuse her father’s brutal rages, and help with the chores. What does this dutiful daughter owe her family, and what does she owe herself? In Inès Cagnati’s haunting, emotionally and visually powerful novel Free Day, which won France’s Prix Roger Nimier in 1973, Galla makes an extra journey on a frigid winter Saturday to surprise her mother. As she anticipates their reunion, stopping often to pry caked, gelid mud off her bicycle wheels, she mentally retraces the crooked path of her family’s past and the more recent map of her school life as a poor but proud student. Galla’s rich, dense interior monologue blends with the landscape around her, building a powerful portrait of a girl who yearns to liberate herself from the circumstances that confine her, without losing their ties to her heart.

The Lady from Philadelphia records the antics of the most memorably and hopelessly bumbling of respectable American families. Confronted by the endless challenges of daily life, the Peterkins rise to every occasion with misguided aplomb: They sit out in the sun for hours and fail to go for a ride because they’ve forgotten to unhitch the horse; they play the piano from the porch through the parlor window because the movers left the keyboard turned that way; they decide to raise the ceiling to accommodate a too-tall Christmas tree. Only the timely intervention of their great and good friend, the lady from Philadelphia, can be counted on to get the Peterkins out of their latest scrape.   A classic of American children’s literature and a masterpiece of deadpan drollery, The Lady from Philadelphia restores our astonishment at the ordinary, finding a rich vein of humor and happy surprise in the mere fact of our surviving the trivialities and tribulations of family life.

Shortlisted for the Derek Walcott Prize for PoetryA one-of-a-kind collection of work by one of India's best contemporary poets.Arvind Krishna Mehrotra is one of the most celebrated Indian poets writing in English and an important translator from Indian languages, but until now his work has rarely been available in the United States and Britain. Mehrotra's poetry combines the commonplace and the strange, the autobiographical and the fabulous, and reflects an intense and original engagement with American poetry, especially the work of William Carlos Williams and the Beats. This book provides a comprehensive picture of Mehrotra's achievements as a poet and translator and includes a striking new poetic sequence.

Previously uncollected nonfiction pieces by Hollywood's ultimate It Girl about everything from fashion to tango to Jim Morrison and Nicholas Cage. With Eve's Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola's short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz's wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.

By turns amusing and disturbing, this collection of 1960s romance comic strips provides a provocative window into male-female power dynamics as conceived by one of mid-century America's foremost comic book artists.Ogden Whitney was one of the unsung masters of American comics. He is perhaps best remembered for co-creating the satirical superhero Herbie Popnecker, also known as the Fat Fury, but his romance comics of the late 1950s and 1960s may be even more unique. In Whitney's hands, the standard formula of meet-cute, minor complications, and final blissful kiss becomes something very different: an unsettling vision of midcentury American romance as a devastating power struggle, a form of intimate psychological warfare dressed up in pearls and flannel suits. From suburban lawns and offices to rocket labs and factories, his men and women scheme and clash, dominate and escape. It is darkly hilarious, truly terrifying-and yes, occasionally even a bit romantic.

A classic, enchanting document of Scottish folklore about fairies, elves, and other supernatural creatures.Late in the seventeenth century, Robert Kirk, an Episcopalian minister in the Scottish Highlands, set out to collect his parishioners' many striking stories about elves, fairies, fauns, doppelgängers, wraiths, and other beings of, in Kirk's words, "a middle nature betwixt man and angel." For Kirk these stories constituted strong evidence for the reality of a supernatural world, existing parallel to ours, which, he passionately believed, demanded exploration as much as the New World across the seas. Kirk defended these views in The Secret Commonwealth, an essay that was left in manuscript when he died in 1692. It is a rare and fascinating work, an extraordinary amalgam of science, religion, and folklore, suffused with the spirit of active curiosity and bemused wonder that fills Robert Burton's Anatomy of Melancholy and the works of Sir Thomas Browne. The Secret Commonwealth is not only a remarkable document in the history of ideas but a study of enchantment that enchants in its own right. First published in 1815 by Sir Walter Scott, then reedited in 1893 by Andrew Lang, with a dedication to Robert Louis Stevenson, The Secret Commonwealth has long been difficult to obtain-available, if at all, only in scholarly editions. This new edition modernizes the spelling and punctuation of Kirk's little book and features a wide-ranging and illuminating introduction by the critic and historian Marina Warner, who brings out the originality of Kirk's contribution and reflects on the ongoing life of fairies in the modern mind.

An original collection of work by the great Serbian poet of the twentieth century.Vasko Popa is widely recognized as one of the great poets of the twentieth century, a riddling fabulist, whose work, taking its bearings from the songs and folklore of his native his Serbia and from surrealism, has a dark gnomic fatalistic humor and pathos that are like nothing else. Charles Simic, a master of contemporary American poetry, has been translating Popa's work for more than a quarter century. This revised and greatly expanded edition of Simic's Popa is a revelation.

Appearing together in English for the first time, two masterpieces that take on the jazz age, the Nuremburg trials, postwar commercialism, and the feat of writing a book, presented in one brilliant volumeThe Death of My Brother Abel and its delirious sequel, Cain, constitute the magnum opus of Gregor von Rezzori's prodigious career, the most ambitious, extravagant, outrageous, and deeply considered achievement of this wildly original and never less than provocative master of the novel. In Abel and Cain, the original book, long out of print, is reissued in a fully revised translation; Cain appears for the first time in English.The Death of My Brother Abel zigzags across the middle of the twentieth century, from the 1918 to 1968, taking in the Jazz Age, the Anschluss, the Nuremberg trials, and postwar commercialism. At the center of the book is the unnamed narrator, holed up in a Paris hotel and writing a kind of novel, a collage of sardonic and passionate set pieces about love and work, sex and writing, families and nations, and human treachery and cruelty. In Cain, that narrator is revealed as Aristide Subics, or so at least it appears, since Subics' identity is as unstable as the fictional apparatus that contains him and the times he lived through. Questions abound: How can a man who lived in a time of lies know himself? And is it even possible to tell the story of an era of lies truthfully? Primarily set in the bombed-out, rubble- strewn Hamburg of the years just after the war, the dark confusion and deadly confrontation and of Cain and Abel, inseparable brothers, goes on.

An existential detective story by one of France's most popular modern writers, set in a mid-nineteenth century mountain village, available in English for the first time A King Alone is set in a remote Alpine village that is cut off from the world by rugged mountains and by long months when the ground is covered with snow and the heavens with cloud. One such winter, villagers begin mysteriously to disappear. Soon the village is paralyzed by terror, which gives way to relief and eager anticipation when the outsider Langlois arrives to investigate. What he discovers, however, will leave no one reassured, and his reappearance in the village a few years later, now assigned the task of guarding it from wolves, awakens those troubling memories. A man of few words, a regal manner, and military efficiency, Langlois baffles and fascinates the villagers, whose different responses to him shape Jean Giono's increasingly charged narrative. This novel about a tiny community at the dangerous edge of things and a man of law who is a man alone could be described as a metaphysical Western. It unfolds with the uncanny inevitability and disturbing intensity of a dream.

The first English-language collection of a contemporary Russian master of the short story, recenly profiled in The New YorkerMaxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption.

Bove''s tale of a World War I veteran living in postwar Paris, searching for friendship and warmth, is an ironic, entertaining masterpiece by one of France''s favorite authors. My Friends is Emmanuel Bove’s first and most famous book, and it begins simply, though unusually, enough: “When I wake up, my mouth is open. My teeth are furry: it would be better to brush them in the evening, but I am never brave enough.” Victor Baton is speaking, and he is a classic little man, of no talent or distinction or importance and with no illusions that he has any of those things, either; in fact, if he is exceptional, it is that life’s most basic transactions seem to confound him more than they do the rest of us. All Victor wants is to be loved, all he wants is a friend, and as he strays through the streets of Paris in search of love or friendship or some fleeting connection, we laugh both at Victor’s meekness and at his odd pride, but we feel with him, too. Victor is after all a kind of everyman, the indomitable knight of human fragility. And, in spite of everything, he, or at least his creator, is some kind of genius, investing the back streets and rented rooms of the city and the unsorted moments of daily life with a weird and unforgettable clarity.