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The President of the United States, says the Constitution, cannot act in many specified instances without the "advice and consent" of Congress. But "advice" is not a strong word. And taking or not taking advice is a fairly nebulous situation . . . creating an instability, a fundamental ambiguity, at the very heart of power, between the Congress and the President. It is this instability, and this wide-openness, that allows the free play of the more intangible types of power that begin where the constitution breaks off: sex, personality, and character. Things which are left out of civics textbooks are what Allen Drury took as his subject in such novels as Advise and Consent, A Shade of Difference, and Capable of Honor.

The 15 essays in this volume show the way in which phenomenological approaches can illuminate popular culture studies, and in so doing they take on the entire range of popular culture - television, popular literature, popular vacation sites, and advertising.

A collection of essays that underlines the central place pregnancy and childbirth hold in American Women's writing. Covering three centuries of prose and poetry, it traces the evolution of American maternity literature, exploring the difficulties mothers faced as they transformed themselves.

Jonathan Latimer (1906-1983) wrote nine detective novels. He also wrote or co-wrote 20 film scripts, including such noir classics as the second version of Dasheill Hammett's The Glass Key, Kenneth Fearing's The Big Clock, and Cornell Woolrich's The Night Has a Thousand Eyes. Moving to television writing, he scripted 45 original stories and adapted 50 Eric Stanley Gardner novels for the Perry Mason series.

Suggesting that better understanding of conflicts between Anglo and Latin America can come from the study of their contrasting popular fictions, the author compares the traditional attachment in Latin America to government by a strong man a caudillo to the diametrically opposed expansionist frontier ideology of the United States the cowboy who makes space safe for Anglo colonization."

Elements of popular culture (such as literature and films) are major industries. This work shows how the methods of popular culture scholarship can be merged with those of marketing and consumer research.

Chocolate, Strawberry, and Vanilla traces the evolution of ice cream from a rarity to an everyday indulgence. It covers the genesis of ice cream in America, the invention of the hand-cranked ice cream freezer, the natural ice industry, the beginnings of wholesale ice cream manufacturing, and the origins of the ice cream soda, sundae, cone, sandwich, and bar. It also recounts the histories of many brands, including Dairy Queen, Good Humor, Eskimo Pie, Ben and Jerry's, Baskin-Robbins, and Haagen-Dazs. In short, this history of ice cream describes how a borrowed European elite consumable evolved through entrepreneurialism and demand in America into a democratized treat for all classes. It simultaneously reflects and reveals changes in social customs, diet and nutrition, class distinctions, leisure activities, and everyday life.

This volume celebrates the craftsmanship of Michigan Union carpenters. Retired members of the United Brotherhood of Carpenters share pride in their skill and accomplishments, through edited oral histories in this volume. Their histories convey a sense of self, a sense of dignity, and an appreciation of the significance of their work.

The origins of baseball are controversial. James A. Vlasich discusses the debates between two men intimately involved in nineteenth-century baseball, Henry Chadwick and Albert G. Spalding. Abner Graves of the Mills Commission claimed that Abner Doubleday had invented the game and he had done it in Cooperstown, New York. This claim was scrutinized at the time but the myth became etched into baseball history. Through the years, however, some critics have questioned the Mills Commission report. The problem is that the Baseball Hall of Fame is built on this shaky foundation. The lack of diligence on the part of Spalding's self-appointed committee has led to a credibility gap for the baseball shrine that continues a half century after its dedication. Indeed, the story of the building of the Baseball Hall of Fame is filled with intrigue worthy of a political thriller.

The Great Art Hoax exposes the real fakery and hypocrisy of the art world: how art is manufactured and marketed; how the pathology of private possession drives up the price; and how false art is hyped as true art to the tune of millions of dollars. Jon Huer demonstrates convincingly that what the art market deals as art need not be art at all."

Bernarr Macfadden (1868 1955) entertained and instructed Americans for decades. He championed physical exercise, fasting, and diet reform and was the relentless scourge of established doctors. He presented his views in Physical Culture, a popular magazine featuring photographs of strong men and healthy women and articles promoting the healthy life. While some critics derided him as a health nut, no one could dispute his genius as a magazine publisher. He established the world s greatest magazine publishing empire through the innovation of such popular publications as True Story, the first confession magazine; True Detective; and many others."

The transformation of a house into a home has been in our culture a traditional task of women. The articles examine this process as they reflected the role of American middle-class women as homemakers in the years 1840 1940."

The rituals of religion these days as practiced in the United States on television, have become big theatre, a big show. Televangelism is big business, amounting to billions of dollars each year. Televangelists discussed are Billy Graham, Jimmy Swaggert, Jerry Falwell, Jim and Tammy Bakker, Terry Cole-Whittaker, Marilyn Hickey, Danuto Rylko Soderman, and Beverly LaHaye.

Tent repertoire theatre as a form of popular entertainment caught on in the late 19th century, had its heyday in the 1920s, and was finished by the Depression and World War II gasoline rationing. The author examines this rise and fall in context of an increasingly urbanized society.

Advertising and marketing scholars offer some of their most instructive, stimulating, and entertaining works on subliminal perceptions in advertising; nineteenth-century trade cards; T-shirt messages; advertising in the twenty-first century; and the changing male image in advertising.

Search and Clear demonstrates that the seeds of war were implicit in American culture, distinguishes between literature spawned by Vietnam and that of other conflicts, reviews the literary merits of works both well and little known, and explores the assumptions behind and the persistence of stereotypes associated with the consequences of the Vietnam War. It examines the role of women in fiction, the importance of gender in Vietnam representation, and the mythic patterns in Oliver Stone s Platoon. Essayists sharply scrutinize American values, conduct, and conscience as they are revealed in the craft of Tim O Brien, Philip Caputo, Michael Herr, Stephen Wright, David Rabe, Bruce Weigl, and others."

This book is a no-apologies introduction to Detective Fiction. It's written in an aggressive, modern English well-suited to a genre which has traditionally broken ground in terms of aggressive writing, contemporary scenarios, and tough dialogue.

The world of the defective detective was a strange one. Continuing the motif of the mythological hero, this unique detective type emerged in the 1930s in a very imperfect and threatened society. The stories reprinted in this volume reveal just how widely the genre ranged during the Depression.

"Flying for the Air Service" provides a realistic picture of the typical flying experiences of the pilots who flew for the fledgling American Air Service during World War I. The narrative describes two brothers from Boston, George and Gerard Hughes, as they progress from apprentice pilots to flight instructors and combat pilots. After completing their pilot training program together, both were assigned as instructors. Then George was sent to France with the 12th Aero Squadrom, where he flew two-place observation aircraft over the front lines. Gerard, meanwhile, remained in America, instructing students in Texas. Eventually Gerard joined his brother's squadron in France as the war ended. Through the detailed letters and narrative comments of these two pilots, we can see clearly the hazards and challenges that were faced by those who flew in the early years of American aviation.

This volume presents archeological studies in conjunction with cultural anthropological studies as a means to enhance popular culture studies. Scholar Malcolm K. Shuman points out that the study of archeology must be careful to chart the total human content of an artifact, because archeology "is a profoundly human (and humanizing) endeavor that cannot be divorced from the matrix of human life." The other ten essays cover aspects of archeology and cultural anthropology, and the authors are meticulous in studying their subject in context.

In the twentieth century Marxism challenged laissez-faire economics, psychoanalysis reinterpreted the processes of thought, and evolution discredited the idea of creation. These changes profoundly affected American Protestantism. Ferre examines the belief system that underlies what middle-class Protestants chose to read."

Over one hundred twenty formula romance novels are churned out every month. These romantic fantasies for women are big business and earn huge profits for the companies that publish them. Love s $weet Return examines the phenomenon of romance fiction, focusing specifically on one of the most successful book publishers in the world, the Canadian-based Harlequin Enterprises. Margaret Jensen details the rise of the company, examines the Harlequin formula, and evaluates the growth and impact of both Harlequin and its competition. She also assesses recent shifts in the content of Harlequins, particularly as they pertain to women's changing roles in society."

The story of Irvin S. Cobb is a fascinating one for many reasons. His life was not unusual at the time: a Horatio Alger rise from poor boy to world authority through hard work. Associate of celebrities of all kinds for two decades, he died in Hollywood virtually forgotten, having outlived the world he grew up in and which appreciated him.

The late James M. Cain was a newspaperman, playwright, and novelist. Although best known for his controversial novels (The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, Serenade, The Butterfly, and Past All Dishonor), Cain always considered himself a journalist, a "newpaperman who wrote yarns on the side." The book includes some of Cain's best articles and essays. The material is sometimes serious, sometimes humorous and provides a unique look at 60 years of history.

Although libraries and museums for many centuries have taken the lead, under one rational or another, in recovering, storing, and displaying various kinds of culture of their periods, lately, as the gap between elite and popular culture has apparently widened, these repositories of artifacts of the present for the future have tended to drift more and more to what many people call the aesthetically pleasing elements of our culture. The degree to which our libraries and museums have ignored our culture is terrifying, when one scans the documents and artifacts of our time which, if history in any wise repeats itself, will in the immediate and distant future become valuable indices of our present culture to future generations. As Professor Schroeder dramatically states it, No doubt about it, it is the contemporary popular culture that is the endangered species. The essays in this book investigate the reasons for present-day neglect of popular culture materials and chart the various routes by which conscientious and insightful librarians and museum directors can correct this disastrous oversight."