Bøker utgitt av The University of Chicago Press

"Climate change and the recent COVID-19 pandemic have exposed the vulnerability of global agricultural supply and value chains. There is a growing awareness of the importance of interactions within and between these supply chains for understanding the performance of agricultural markets. This book presents a collection of research studies that develop conceptual models and empirical analyses of risk resilience and vulnerability in supply chains. The chapters emphasize the roles played by microeconomic incentives, macroeconomic policies, and technological change in contributing to supply chain performance. The studies range widely, considering for example how agent-based modeling and remote sensing data can be used to assess the impact of shocks, and how recent shocks such as the COVID-19 pandemic and the African Swine fever in China affected agricultural labor markets, the supply chain for meat products, and the food retailing sector. A recurring theme is the transformation of agricultural supply chains and the volatility of food systems in response to microeconomic shocks. The chapters not only present new findings, but also point to important directions for future research"--

A landmark volume about the importance of housing in social life. In 1947, the president of the American Sociological Association, Louis Wirth, argued for the importance of housing as a field of sociological research. Now, seventy-five years later, the sociology of housing has still not developed as a distinct subfield, leaving efforts to understand housing's place in society to other disciplines, such as economics and urban planning. With this volume, the editors and contributors solidify the importance of housing studies within the discipline of sociology by tackling topics like racial segregation, housing instability, the supply of affordable housing, and the process of eviction. In doing so, they showcase the very best traditions of sociology: they draw on diverse methodologies, present unique field sites and data sources, and foreground a range of theoretical approaches to elucidate the relationships between contemporary housing, public policy, and key social outcomes. The Sociology of Housing is a landmark volume that will be used by researchers and students alike to define this growing subfield, map continued directions for research, and center sociologists in interdisciplinary conversations about housing.

A landmark volume about the importance of housing in social life. In 1947, the president of the American Sociological Association, Louis Wirth, argued for the importance of housing as a field of sociological research. Now, seventy-five years later, the sociology of housing has still not developed as a distinct subfield, leaving efforts to understand housing's place in society to other disciplines, such as economics and urban planning. With this volume, the editors and contributors solidify the importance of housing studies within the discipline of sociology by tackling topics like racial segregation, housing instability, the supply of affordable housing, and the process of eviction. In doing so, they showcase the very best traditions of sociology: they draw on diverse methodologies, present unique field sites and data sources, and foreground a range of theoretical approaches to elucidate the relationships between contemporary housing, public policy, and key social outcomes. The Sociology of Housing is a landmark volume that will be used by researchers and students alike to define this growing subfield, map continued directions for research, and center sociologists in interdisciplinary conversations about housing.

"This book brings the history of the geosciences and world cosmologies together, exploring many traditions, including Chinese, South and Southeast Asian, Pacific, Islamic, and Indigenous conceptions of earth's origin and makeup. Together the chapters ask: How have different ideas about the sacred, animate, and earthly changed modern environmental science? How have different world traditions understood human and geological origins? How does the inclusion of multiple cosmologies change the meaning of the Anthropocene and the ongoing global climate crisis? By thinking carefully through and with other cosmologies, New Earth Histories sets a new agenda for history. The chapters consider debates about the age and structure of the earth, how humans and earth systems interact, and empire is conceived in multiple traditions. The methods the authors deploy are diverse-from cultural history, visual and material studies, and ethnography, to name a few-and the effect is to highlight how earth knowledge emerged from historically specific situations. New Earth Histories provides both a framework for studying science at a global scale and fascinating examples to educate as well as inspire future work. Essential reading for students and scholars of earth science history, environmental humanities, history of science and religion, and science and empire"--

"This book brings the history of the geosciences and world cosmologies together, exploring many traditions, including Chinese, South and Southeast Asian, Pacific, Islamic, and Indigenous conceptions of earth's origin and makeup. Together the chapters ask: How have different ideas about the sacred, animate, and earthly changed modern environmental science? How have different world traditions understood human and geological origins? How does the inclusion of multiple cosmologies change the meaning of the Anthropocene and the ongoing global climate crisis? By thinking carefully through and with other cosmologies, New Earth Histories sets a new agenda for history. The chapters consider debates about the age and structure of the earth, how humans and earth systems interact, and empire is conceived in multiple traditions. The methods the authors deploy are diverse-from cultural history, visual and material studies, and ethnography, to name a few-and the effect is to highlight how earth knowledge emerged from historically specific situations. New Earth Histories provides both a framework for studying science at a global scale and fascinating examples to educate as well as inspire future work. Essential reading for students and scholars of earth science history, environmental humanities, history of science and religion, and science and empire"--

"Heidegger claimed that Western philosophy ended, failed even, in the German Idealist tradition. In The Culmination, Robert B. Pippin explores the ramifications of this charge through a masterful survey of Western philosophy, especially Heidegger's critiques of Hegel and Kant. Pippin argues that Heidegger's basic concern was to determine sources of meaning for human life, particularly those that had been obscured by Western philosophy's attention to reason. The Culmination offers a new interpretation of Heidegger, German Idealism, and the fate of Western rationalism"--

A cookbook of Southern cuisine as featured at Big Jones Restaurant in Chicago, Illinois.

"In the second volume of his planned trilogy that will recast the history of the university in a fresh and surprising light, Adam R. Nelson aims to show how knowledge, which had been commodified starting in the late eighteenth century, became industrialized in the nineteenth century. Nelson explains how the idea of the modern university arose from a set of institutional and ideological reforms designed to foster the mass production and mass consumption of knowledge--that is, the industrialization of ideas. Fusing the history of higher education with the history of capitalism, Nelson suggests that this "marketization" of knowledge propelled the institutionalization of the university, far earlier than previously understood"--

"Medicine is itself a type of technology, involving therapeutic tools and substances, and so one way to write the history of medicine is as the application of different technologies to the human body. In Tools and the Organism, Colin Webster argues that, over the course of antiquity, notions shifted about what type of object a body is, what substances constitute its essential nature, and how its parts interact. By following these changes and taking the question of technology into the heart of Greek and Roman medicine, Webster reveals how the body was first conceptualized as an "organism"-a functional object whose inner parts were tools [organa] that each completed certain vital tasks. Webster's approach provides both an overarching survey of the ways that technologies impacted notions of corporeality and corporeal behaviors and, at the same time, stays attentive to the specific material details of ancient tools and how they informed assumptions about somatic structures, substances, and inner processes. For example, by turning to developments in water-delivery technologies and pneumatic tools, we see how these changing material realities altered theories of the vascular system and respiration across Classical antiquity. Tools and the Organism makes the compelling case for why telling the history of ancient Greco-Roman medical theories, from the Hippocratics to Galen, should pay close attention to the question of technology. Selling points: Tour de force survey of ancient medicine First book to demonstrate how the body got its "organs" and what this has to do with ancient technologies For anyone interested in ancient culture, science, medicine, and technology"--

"Set in a landscape of red sunsets and wildfire smoke, roadside goldenrod and toxic chemicals in the watershed, The Upstate is a collection of poems about southern Appalachia in its contemporary moment of change. Layering a personal lyric voice with an awareness of social, political, and ecological crises, Lindsay Turner redefines regional poetics as necessarily, inextricably attuned to global structures. These poems both observe and emote, mourning acts of devastation while also raging in their own quiet way against the continuation of such devastation. Arising from moments of darkness and desperation, the poems in The Upstate nevertheless affirm poetry's role under the conditions they describe. Turner's words weave spells around beloved places and people, yearning to shield such treasures from the forces that amass against them. An elegy for pastoralism in a time of disaster, The Upstate is buoyed by a restless sense of discovery and the call to chronicle a world that has all but given itself over to instability and flux"--

"Readers of Theodor Adorno often have understood him as a "totalizing negativist." If it truly is the case that Adorno saw modern society as a realm of complete falsehood, however, his own social theory is unintelligible. In A Precarious Happiness, Peter E. Gordon aims to redeem Adorno from this negativist interpretation by showing that it arises from a basic misunderstanding of his work. Pushing against entrenched interpretations, Gordon argues that Adorno's philosophy is animated by a deep attachment to a concept of happiness or human flourishing, and it is only by virtue of that normative standard that Adorno judges the world a catastrophic failure. Through a comprehensive reading of Adorno's work, A Precarious Happiness shows that in an imperfect world, the available standards of our flourishing are also imperfect. Looking beyond Adorno, Gordon suggests that the practice of social criticism, even if it is directed toward exposing what is "false," cannot succeed without appealing to an unrealized notion of what would be right"--

"This is the first English-language monograph on the early history of cartography in China. Its chief players are three maps found in tombs that date from the fourth to the second century BCE and together constitute the entire known corpus of ancient Chinese maps (ditu). A millennium separates them from the next available map from 1136 CE. Most scholars study them through the lens of modern, empirical definitions of maps and their use. This book offers an alternative view by drawing on methods not just from cartography but from art history, archaeology, and religion. It argues that, as tomb objects, the maps were designed to be simultaneously functional for the living and the dead-that each map was drawn to serve navigational purposes of guiding the living from one town to another as well as to diagram ritual order, thereby taming the unknown territory of the dead. In contrast with traditional scholarship, The Art of Terrestrial Diagrams in Early China proposes that ditu can "speak" through their forms. Departing from dominant theories of representation that forge a narrow path from form to meaning, the book braids together two main strands of argumentation to explore the multifaceted and multifunctional diagrammatic tradition of rendering space in early China"--

"Dislodging the avant-garde from its central position in the narrative of Soviet art, Collective Body presents painter Aleksandr Deineka's haptic and corporeal version of Socialist Realist figuration not as the enemy of revolutionary art, but as an alternate experimental aesthetic that, at its best, activates and organizes affective forces for collective ends. Tracing Deineka's path from his avant-garde origins as the inventor of the proletarian body in illustrations for mass magazines after the Revolution through his success as a state-sponsored painter of monumental, lyrical canvases during the Great Terror and beyond, Collective Body demonstrates that Socialist Realism is best understood not as a totalitarian style, but rather as a fiercely collective art system that organized art outside the market and formed part of the legacy of the revolutionary modernisms of the 1920s. Collective Body accounts for the way the art of the October Revolution continues to capture viewers' imaginations through the sheer intensity of its evocation of the elation of collectivity, making viewers not only comprehend but also truly feel socialism, and retaining the potential to inform our own art-into-life experiments within contemporary political art. Deineka figures in this study not as a singular master, in the spirit of a traditional monograph, but as a limited case of the system he inhabited and helped to create"--

"This book tells the story of how Germans struggled to make art an autonomous instrument of social progress in the face of real-world challenges between 1790-1850. For philosophers such as Friedrich Schiller, a work of art was governed by its own laws and soared above trivial constraints; thus, a painting or sculpture could both model and stimulate the moral autonomy of its beholders. This "aesthetic education" (to be conducted in the newish institution of museums) would yield an "aesthetic state," born of the measured reason of its citizens rather than the fractious antagonisms of mobs and tyrants. But highbrows like Schiller failed to consider the tough realities facing art "on the ground." Not only were there no proper museums in the German states for presenting art to the public, the systematic looting of their art collections during the Napoleonic wars had thrown the very ontological status of art into serious question: What was a painted altarpiece supposed to be once it had been torn out of a Church and reinstalled in a secular space? How would a marble statue of a nude Apollo impact modern viewers-especially unmarried young ladies not used to such sights? And how could a stolen object symbolize freedom? As art works fell prey to the very violence they were supposed to transcend, social theorists began to wonder how art could deliver liberation if it could so quickly end up a spoil of war. Among the specimens considered are forty porphyry columns from the tomb of Charlemagne in Aachen; the Quadriga from the Brandenburg Gate in Berlin; the Laocoèon group from Rome; a bronze medieval reliquary from Goslar; a Last Judgment from Danzig; and, last, but surely not least, the mummified body of an official from the Rhenish hamlet of Sinzig"--